Introducing the stunning modern serif font family, Aroxima Serif. This font family takes the traditional serif design and puts a fresh, contemporary spin on it. Avenir Serif features clean, crisp lines and sharp edges that give it a sleek and sophisticated look. Its high contrast between thick and thin strokes create a beautiful visual rhythm that draws the eye in and makes for easy reading. Aroxima Serif comes in a variety of weights, from Regular to Black, making it a versatile option for any design project. Its elegant and refined appearance makes it the perfect choice for branding materials, editorial layouts, and websites. Avenir Serif also includes a range of special characters and ligatures for added flair and customization. Overall, Aroxima Serif is a modern serif font family that combines classic design elements with a contemporary twist, making it a timeless choice for any design project.

Designed by Aulia Rahman and Hendra Maulia, Nagaiya is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /a, or the spiky spurs of the other lowercase letters. That's where the fun begins.

Linotype Dot is part of the Take Type Library, featuring the winners of Linotype’s International Digital Type Design Contest. Designed by Lucy Davies, the figures are composed of a combination of white and black dots and the contrast makes the font look like points of light and darkness. The general impression of Dot lies somewhere between ornamental and technical. It combines well with sans serif and calligraphy fonts.

This elegant and somewhat edgy typeface is a faithful revival of Numantina, designed by Carl Winkow amd released by Madrid's Fundición Tipográfica Nacional in the 1940s. The lowercase letters take their design cues from medieval Spanish uncial lettering, making this face a natural choice for intriguing headlines and subheads. Both versions feature the complete Latin 1252, Central European 1250 and Turskish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

Majordomo font is a font that was based on a vintage unnamed alphabet I found in an old font book. I traced it and added serifs and weight. Majordomo is a person who speaks, makes arrangements, or takes charge for another. Typically, the term refers to the highest (major) person of a household (domo) staff, one who acts on behalf of the (often absent) owner of a typically large residence.

Released in 2006 under the name Flatrock this new 2020 version takes back the original name of Big Cat. Also new for 2020 are two solid black weights and Big Cat now has additional accented glyphs for eastern European countries. If you're looking to make an authentic 1800's broadside poster then Big Cat is perfect for the job, combine it with other woodtype fonts from our collection.

We produce original printing press letter fonts, for example from the journal Southern Literary Messenger (circa 1830 - 1870). The only one in the world. What makes our fonts so attractive to the eye, are the myriad imperfections. It's not an approximation to the printing-press letters--- these are the actual letters, complete with all their manifold differences. If you look closely you will notice that the letter 'e' say, each time it is printed, is slightly different. These differences arise from the mechanical action of the inked-wooden press on the paper, and cannot be faked by artificial means. The eye subconsciously picks up this text as the actual printing press letters. Edgar Allan Poe published many of his great works in the Southern Literary Messenger, as did many other great nineteenth century writers, ie. Henry Wadsworth Longfellow, Nathaniel Hawthorne &c.

In Lewis F. Day’s 1910 classic, Alphabets Old and New, the author presented the inspiration for this typeface as an example of German monumental lettering, most likely to suggest not that the typeface was really big, but that it had been found on German monuments. Bold yet charming, the face takes its name from a picturesque village in the Bavarian Alps which was the ancestral home of the Gröbl line of Curtii forebears. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well. Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs. And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.

Mikagi is a textured form of the 2008 Miyagi typeface, giving the original creation a new personality along with its makeover. The rough texture is a different direction from the original, smooth line style of its predecessor, instead creating something that might be described as lean and tough. Worn and weary, Mikagi emphasises everything it says, taking care to slow itself down and not get caught up in the speed of its youth. Use Mikagi for a range of design work, to add a blend of smooth easiness and faded cynicism to your creation.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

While watching a 1920s Charlie Chaplin short film, Jeff Levine was taken with the unusually modern looking lettering of the title cards in that silent movie. The lettering was not only right for its time, but could also be adapted to both Art Deco and Techno applications. From this classic film comes the font Two Reeler JNL, a bit of yesterday with an eye toward the future.

Argone LC is a handmade organic typeface family. It is a variant of Argone typeface, but has lower case letters. It comes in four weights– light, regular, bold and black, which is a feature not seen much in handmade typefaces. This makes Argone LC a versatile and flexible type family. There is also a version of Argone LC which only has upper case letters – Argone

It's not a new idea - combining two typefaces into one design, but when it works, it makes for an interesting novelty font. Nightcap JNL is a fun typeface that can be used by itself, or along with the two original fonts that comprise it (Parkitecture JNL and Typesetter Oblique JNL) to create some wonderful retro headlines. Nightcap JNL contains only the alphabet, numbers and basic punctuation.

This is not a brush font! This is an imitation of brushstrokes, done by pen. But I guess you've already noticed that - the brushstrokes are way too obvious, to have been made by brush. Although being a "fake", the letters leaves you with quite a good impression. Letters were inspired by an old horror movie poster, but is very useful for something less terrifying!

VOIX Regular and Italic is a stylish, modern & monospaced font ready to make your work hard for you! It has several unique glyphs that create a unique style. VOIX is not your typical monospaced boring font - from the outset the goal was to develop an exuberant, dynamic and contemporary mono-spaced font. Ideal for coding, writing and has plenty of attitude to stretch into display formats!

Inspired by show card lettering and the more human side of art deco, I wanted this font to retain the casual unevenness of informal hand lettering. As decorative as the font looks, I do envision it being used for text more than display. Obviously not a workhorse, but rather a quirky niche font. I find it makes dense philosophic texts more friendly to read.

Willy is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Rustika is a rather rough Oldstyle typeface. The roughness is seen in larger points only. In smaller points it is not easy to see that I tried to imitate characters cut with a chisel. The characters themselves follow otherwise totally the classic models. The name, in this spelling taken from Esperanto, refers to the rustic nature of the characters. Rustika was released in 1995.

Acarajé is a grotesque font that stands out thanks to its versatility. Its personality blossoms through its particular modulation, which grows with weights; making it a rather jovial typeface that does not abandon the characteristics of more classic grotesques. With two styles available: normal and italic, and a variety of 7 weights that range from "Black" to "Regular", this font offers incredible flexibility for your designs.

Montello started out as an Illustrator exercise (a skill I am still learning). I made a couple of glyphs for fun, then realised it would make a nice font. The result is Montello. Montello is a classic connected script font, very neat and (in my humble opinion) not an eye-sore either. Montello comes with a whole bunch of ligatures for letters that just won’t connect nicely.

Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)

I am First Contact, a super ultra condensed all caps font with support for over 90 languages and over 540 ligatures. I am a cutting-edge font that is both cool and chic, yet still personal. I am perfect for a wide range of design projects, from logos and branding to headlines and posters. I am the future of your typography. I am the font that will take your designs to the next level. I am bold, I am confident, and I am here to make a statement. I am not like other fonts. I am not afraid to be different. I am unapologetically myself. I am First Contact, and I am here to shake things up. I am the perfect font for anyone who wants to stand out from the crowd. I am the font for the bold, the brave, and the innovative. I am First Contact, and I am the font for the cool kids. I am the font for the trendsetters. I am the font for the people who want to be ahead of the curve. I am First Contact, and I am here to help you create something truly unique. I am more than just a font. I am a movement. I am a call to action. I am a challenge to be different. So what are you waiting for? Use me today!

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

Based on the more usual pen stroke form of 'runes', (translation of Elvish Certar and Cirth). The richest form was also known as the Alphabet of Daeron. NOTE: this font comes with an interpretation guide in pdf format.

A gothic style script based on a writing system devised by J.R.R. Tolkien, also known as the Tengwar of Feanor, used for many languages in Middle-earth. NOTE: this font comes with an interpretation guide in pdf format.

Vagabond is a vintage font family whose natural home is on the back porch, ranch or railroad. A rugged slab serif with a lived-in look, it’s lends a note of earthy authenticity to any graphic design project.

King George is a chaotic, bouncy, flyer display font that harkens back to Chank's roots as a grunge alphabetician. It also has a ransom note feel that reflects the stresses and randomness of this American life. Pure rebellion!

More Or Less was made with a permanent marker pen on thin Japanese paper. It is a handwritten note-style font with an uneven baseline and zippy glyphs. Comes with bells & whistles and a whole bunch of diacritics.

Mixed Messages JNL brings back a favorite old theme... mixing up various letters and numbers from different fonts to create a printed message that resembles a ransom note or a collage of type with many styles of lettering.

A cursive style script based on a writing system devised by J.R.R. Tolkien, also known as the Tengwar of Feanor, used for many languages in Middle-earth. NOTE: this font comes with an interpretation guide in pdf format.

Dragmatis Whiplash is a classic font, I built it with my relaxed hands. designing a classic font but having a modern element in it, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxurious. Includes multilingual support Try Dragmatis Whiplash, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Do not forget to see, buy, like and share my other great products, klick here.

Nolde is a new titling typeface named after the German-Danish painter and printmaker Emil Nolde, one of the first artists to work in the Expressionist style. Not unlike the work of Nolde the artist, the seemingly rhythmical characters of Nolde the typeface conceal expressive tension of form and nervous line quality. While its letterforms hearken to the early-20th c. foundry types, this font makes a fresh and decidedly current impression, making it suitable for cutting-edge display use. Nolde capitals are available in two weights: regular and outline, and support over 60 languages that employ Latin and Cyrillic scripts.

You may not know it, but you've been looking for a font like DISPOSITION! Yeah, it's a font...but it doesn't act or look like one! Why?! Because there are 6 different versions of each letter! Yes, SIX different versions! Enough to make your design look soooo cool and handmade! The font uses "contextual alternates" which makes the font cycle the different versions as you type! What can you use DISPOSITION for? There are almost no limits, but I would suggest designs such as invitations, headlines, posters, signs and other cases where a dry brush look is required.

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces. M Hei’s design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals. Its dots (點), ticks (剔) and downstrokes (撇、捺) are subtly curved and longer than usual; all stems (豎) and crossbars (橫) remain simple and clear; and hooks (勾) appear rounded. Together they make a harmonious form which is clean but pure, classy but contemporary.

Oh yeah! Gorda is a huge, bold and all-caps typeface. It's rounded style makes sure it's nice and friendly, even though it can be used in (very) large sizes. With Gorda you can produce a powerful and contemporary style. The smaller stroke width of the symbols and punctuation marks makes sure legibility is not an issue, as is often the case with fat type. Gorda is suitable for all sorts of uses, especially posters, headlines, artwork and logos. Use it to draw attention, in a quirky and distinctive way. Gorda has been designed and developed by Zeptonn.

Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.

Octagon Calligraphy is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Octagon Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include OTF & TTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products. And feel free if you have a question, please contact me : slexs515@gmail.com Thank you for purchases.!

This all started with a love for Jenson. I know there're hundreds of variations on that theme. But, that is where I began, several years ago. How far it came, as usual as I wandered through the vagaries of font design, is not unusual. If you've read any of my font design books, you know my design processes are quite loose and spontaneous. I wanted the general feel of a favorite old font, but softer, easier, and more comfortable. I built these on the same vertical metrics as my Librum Publishing Group. However, this family is not part of that group. I used the metrics because that shows my current taste in fonts. This family does work with the Librum group—but to be honest, I haven't experimented enough to come up with a good companion. I suspect I'll need to make another companion family. I may need make a non-modulated bold version also. But, that remains to be seen. I'm pleased with this.