Designed as a typewriter face for IBM, Courier New was re drawn by Adrian Frutiger for IBM Selectric series. A typical fixed pitch design, monotone in weight and slab serif in concept.

Lovely Kids is a playful font that specially crafted for children, Boys, Kindergarten, Birthday, Kid, Cartoon, and Comic purposes. The Lovely Kids cheerful font contains Modern, Elegant, Creative, Professional and Unique Concept.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

Bet your sweet donkey it’s Mr. and Mrs. Konky! A causal, cartoony concoction made by hand! Marital bliss has been achieved with tons of alternates, ligatures and a full Vietnamese character set.

Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency. Regular and Bold weights are included along with two handy italics (optically corrected obliques).

Print Promoters JNL is another batch of classic dingbats re-drawn from vintage source material. This collection features stock words and phrases with a few decorative embellishments thrown in for good measure.

Ayaha was inspired by brush lettering and has a friendly look. This beautiful script font is not conneted, that way you can letter spacing more or less without resulting in weird design. Ayaha, with alternate stylistic sets to add value to your projects. Good for branding, magazine, header, poster, logotype, packaging and so on.

Solantra is a solidly crafted handwritten script. I’ve long felt that beautiful writing is more pleasing to the eye than the more attention grabbing swashes and flourishes. That being said, both have their role in design and Solantra has a large slice of each. Solantra combines vintage style handwriting with all its quirks and English Roundhand of that same era. The result is a solid setting script filled with charm and personality. With default Adobe Illustrator settings for Ligatures and Contextual Alternates active, the vintage charm is in full display. Want to add more flair? There are loads of more embellished letters inside the full version. Solantro takes into account how scripts are actually written so that connections from letter to letter are more fluid and rhythmic than the average script font. In natural script/handwriting most letters end at the bottom right and move up to connect with the next. Some letters like o, v, and w, however; end at the top right. Rather than force these letters to dip down and go back up they should ideally connect from that upper right point. This is accomplished through a series of alternate letters and ligatures with extensive contextual feature programming. So, for example, you might get one version of a ligature in the middle of a word and a different one at the beginning or end of that word. Solantra also takes into account another often overlooked feature of natural handwriting. When you write you inevitably pick your pen up from the paper at times. This is often just to reposition the hand, but in the days of writing with dip pens this was also needed to attain a fresh supply of ink. Having these occasional breaks in connections makes the writing less static and more rhythmic. While the Basic versions are limited to a standard character set and several ligatures and alternates for better settings of text, the full pro versions contains 1292 glyphs and an abundance of features. Even with numbers there are options like Oldstyle numbers, fractions, and ordinals. Central European language support is included as well as some select ligatures that use accents. To see more on the technical aspects and instructions on using Solantra, please check out the user’s guide in the Gallery section. **Note: The Pro versions of Solantra which do not have the word “Basic” attached to the title, have everything in them. So if you license a Pro version there is no need to get the Basic versions.

Xaver Grotesk Variable, a font that emerged in the creative landscape of 2023, stands as a testament to contemporary typographic innovation. This font is not just a mere collection of characters but a meticulously crafted expression of modernity and sophistication. Its genesis was driven by a desire to infuse the typographic realm with a fresh take on the classic grotesque style while embodying a technical allure that whispers of a slightly futuristic essence. At its core, Xaver Grotesk is a testament to the marriage of form and function. The deliberate choice of monospacing adds a unique rhythm and structure to the font, instilling it with a sense of order and balance. The low capital height introduces a distinctive visual characteristic, creating an unconventional yet captivating silhouette that stands out in various design contexts. One of the font's most striking features lies in its letter design. Each character is meticulously sculpted, bearing angular and horizontal traits that not only convey a sense of modernity but also evoke a hint of technological precision. These angular and horizontal elements work in tandem, shaping the font's overall personality and lending it a forward-thinking edge. The fusion of these elements—monospacing, low capital height, and angular/horizontal letter design—creates a harmonious interplay that sets Xaver Grotesk apart. It's not merely a collection of letters; it's an experience, a visual journey that captivates and engages the viewer. Whether used in digital interfaces, printed materials, or other design mediums, this font transcends its utilitarian purpose to become an artistic statement in itself.

LiebeRobots is not your average collection of mean termination machines. LiebeRobots are friendly and polite. Some are from Mars, some from Venus, and some are probably from Germany. Most are from the future, some are from the past. And a handful are even from the 60s. LiebeRobots probably is the most comprehensive collection of hand-drawn robots ever. They look great on almost any greeting card, birthday card or invitation. LiebeRobots also serve as a perfect companion to any informal graphic design that needs a personal, handmade touch.

Introducing Mister Honey Typeface Mister Honey Typeface is inspired by the classic victorian font style combined with western style which makes the Mister Honey font look cool and unique. This font is perfect for a bold and vintage Victorian concept design. Can be used for the design of alcoholic beverage packaging, pomade designs, barbershops and so on with the Victorian classic concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font based on the basic forms of Transitional faces of the 17th century. The outer contours of the letters are purposely raw and irregular, much like alphabets printed on low-quality paper. The legibility of the font is thus reduced, making it necessary to use this font only for shorter texts or headlines, but it is exactly this characteristic which lends Linotype Compendio its distinctiveness.

Linotype Fresh Ewka is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Polish artist Dariusz Nowak-Nova and each letter seems to be a work in itself. The fine hair lines are decorated with tiny squares and look like wires with nodes while the thicker strokes have indefinite contours and seem to have been made with a thick brush. Linotype Fresh Ewka is suitable for headlines in large point sizes.

Northwoods Rough is a handwritten sans serif collection by Cultivated Mind. This collection includes 30 handwritten rough sans serif fonts. Northwoods Rough comes in three rough versions (Rough/Rougher/Roughest). Choose between light, italic or bolder versions for designing. Test out the FREE Northwoods Demo before you buy. Northwoods Rough Demo is for testing only. Northwoods supports most of Central European and Eastern European languages. Use Northwoods Rough for packaging designs, products, signage, books and magazines. Fonts are designed by Cindy Kinash and posters by featured Behance designer, Mustafa Akülker.

Introducing our latest modern font collection, perfect for elevating your designs to the next level. Our collection features sleek and versatile typefaces that are ideal for a range of projects, from branding and advertising to editorial design and web design. Our fonts are carefully crafted to provide clean and minimalist lines, bold and stylish curves, and geometric shapes that give your designs a modern and contemporary look. With a range of styles and weights, our fonts are perfect for creating eye-catching headlines, branding materials, and commercial designs.

Linotype Sunburst is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by British artist Ed Bugg, Linotype Sunburst is a font which consistently avoids all that is round. The forms are angular and pointed with triangular serifs which seem almost like flags waving from the paper. This playful font could easily be associated with sun, sand and vacation. Linotype Sunburst is intended for headlines in large point sizes or short texts with medium point sizes, if used carefully.

Modern Elvish is a humanist sans serif typeface created for the Tengwar “English” mode as popularized in the Lord of the Rings books and films. I imagined the famous elves of this lore living in contemporary times and needing a no nonsense modern typeface for their branding, communications and UX design. Use this typeface for your RPG, LARPing or Cosplay needs. This typeface uses advanced font features such as ligatures and contextual alternates to convert any English text. I would recommend typing in English first, then converting to a font of this typeface.

Introducing Diary Lituhayu fonts, a handwritten original work of art that you can have for your extraordinary business design needs. Will be a wonderful asset to your font library and perfect for many projects such as logos & branding, stationery, logo designs, social media posts, advertisements, product packaging, product designs, label, watermark, product branding and others. Diary Lituhayu includes Multilingual Options to make your branding globally acceptable. Features: Multilingual Support for 83 Country Stylistic alternates collections Ligature collections PUA Encoded Numeral and Punctuation Thank you for your visit and downloading premium fonts from Gie Studio

Introducing Melon Honey Typeface Melon Honey Typeface is inspired by the classic victorian font style combined with western style which makes the Melon Honey font look cool and unique. This font is perfect for a bold and vintage Victorian concept design. Can be used for the design of alcoholic beverage packaging, pomade designs, barbershops and so on with the Victorian classic concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Andeeta! A sweet handwritten font that will add fun to your creativity. the font consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Andeeta has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/tlatoustype/ Thank You!

Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Azalleia is a new exaggerated flourished caps typeface. Well elaborated and unusual design, inspired by old cross-stitch and craft books. Works great when used for display artworks. Entirely designed by hand, without use of auto-tracing and available in two different designs. Buying the two fonts pack you get free the exclusive collection of Azalleia native colored eps vectors, zipped with the font and ready to use. Take a look at the banners in the gallery section to see samples of this nice collection of eps free vectors.

Linotype Octane is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Norbert Reiners, a tall, thin font with a narrow line width and marked stroke contrast. The regular and bold weights seem somewhat static while the italic cuts make a dynamic impression. Linotype Octane is available in four weights, each of which contains a number of ligatures. The cool and reserved Octane is best used for shorter texts and headlines in larger point sizes.

Golden Blast is a Bold Signature Font script with a natural & stylish flow. This collection of scripts is perfect for personal branding. It was made with the intention to be used for your personal branding. But, this works well for many applications. Everything from personal branding, photography signature, product packaging, advertising could benefit from this collection of this bold signature fonts. These typefaces work well for many different aesthetics. They work well with something like ‘cosmetics’ for example but would also work well with Liquor Labels, Signage, & any type of signature-styled logo.

Marsha & Joshua! A sweet handwritten font that will add fun to your creativity. the font consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Marsha & Joshua has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/tlatoustype/ Thank You!

Buffalo Bill is a revival of an old favorite font that’s been around since 1888, the James Conner’s Sons foundry book of that same year is the oldest source I've seen for this old classic. If you're looking for the font used as the logo for Buffalo Bill’s Irma Hotel in Cody Wyoming please refer to the FontMesa Rough Riders font. New to the Buffalo Bill font is the lowercase and many other characters that go into making a complete type font by today’s standards. The Type 1 version is limited to the basic Latin and western European character sets while the Truetype and OpenType versions also include central and eastern European charcters. William F. (Buffalo Bill) Cody called America’s Greatest Showman was one of the United State’s first big celebrity entertainers known around the world, millions of people learned about the Old West through Buffalo Bill’s Wild West shows which traveled throughout the United States and Europe. William Cody, at age eleven, started work on a cattle drive and wagon train crossing the Great Plains many times, he further went on to fur trapping and gold mining then joined the Pony Express in 1860. After the Civil War Cody went on to work for the Army as a scout and hunter where he gained his nickname Buffalo Bill. In 1872 William Cody started his entertainment career on stage in Chicago along with Texas Jack who also worked as a scout, the Scouts of the Prarie was a great success and the following year it expanded to include Wild Bill Hickok and was eventually named The Buffalo Bill Combination. By 1882 Texas Jack and Wild Bill Hickok had left the show and Buffalo Bill conceived the idea for the traveling Wild West Show using real cowboys, cowgirls, sharpshooters and Indians plus live buffalo and elk. The Wild West shows began in 1883 and visited many cities throughout the United States. In 1887 writer Mark Twain convinced Cody to take the show overseas to Europe showing England, Germany and France a wonderful and adventuruos chapter of American history. The shows continued in the United States and in 1908 William Cody combined his show with Pawnees Bill’s, in 1913 the show ran into financial trouble and was seized by the Denver sheriff until a $20,000 debt (borrowed from investor Harry Tammen) could be paid, Bill couldn't pay the debt and the loan could not be extended so the assets were auctioned off. William Cody continued to work off his debt with Harry Tammen by giving performances at the Sell’s-Floto Circus through 1915 then performed for another two years with other Wild West shows. William F. Cody passed away in 1917 while visiting his sister in Denver and is buried on Lookout Mountain joined by his wife four years later. Close friend Johnny Baker, the unofficial foster son of William Cody, began the Buffalo Bill Memorial Museum in 1921, over the years millions of people have visited William Cody’s grave and museum making it one of the top visitor attractions in the Denver area. William F. Cody romantisized the West creating the Wild West love affair that many still have for it today through books and cinema.

Marvis is a vintage collection of fonts that includes serif, true italic, script, sans serif and slab serif each of them has two style - Clean and Rough style. Also for the script includes Alternates and Swashes. This collection was inspired by vintage signage, logos and this fonts are perfectly suitable for any vintage project and will make it at a high level. This fonts is easy to use has OpenType features. Font collection includes: Full Capital alphabet A-Z for Sans and Slab Full alphabet Uppercase and Lowercase A-z for Serif, Italic, Script Numbers, fractions for Serif, Italic, Script, Sans and Slab Punctuation and symbols for Serif, Italic, Script, Sans and Slab Alternates for Uppercase for Serif and Script Alternates for Lowercase for Script Swashes for Script Ligatures for Serif and Italic "Tb, Th, Tk, Tl, ct, fb, ff, ffi, fi, fh, fk, fl, st"

Introducing Psychofun Typeface Psychofun Typeface is designed with a retro style concept that has a unique and cool shape. It is suitable for header text fonts, book covers and designs that have a retro and groovy concept, besides that Psychofun Typeface is also very good when used for body text. Psychofun Typeface has 5 families from Regular to Heavy. Display Serif typefaces such as “Psychofun Typeface” are very easy to apply to any design, especially those with an retro, groovy and classic concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Psychofun Typeface contains 530 glyphs with many unique and interesting alternative options. Plus, there's a cool display serif font family for header and description text from regular to heavy. In the poster preview all the letters are in the Psychofun Typeface.

The typeface "AI" is designed base on the new relationship between Human and machine. Reflecting the concept of "Ghost in the shell" which contains typeface features from both Sans-serif and Serif font.

Adita is a font family that elevates the content of its characters. It supports 113 languages, features a total of 467 glyphs and includes an italicized version for each of the 5 weights.

Blackstock has a distressed alternate for every capital letter, consecutive characters are controlled with the OpenType Ligature feature. Blackstock Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.