Waiting Awakmu is a classy handwritten font, This is a truly versatile font combining sophisticated, casual and even fun sides depending on the style you use. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Inspired by show card lettering and the more human side of art deco, I wanted this font to retain the casual unevenness of informal hand lettering. As decorative as the font looks, I do envision it being used for text more than display. Obviously not a workhorse, but rather a quirky niche font. I find it makes dense philosophic texts more friendly to read.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.

A postcard for a 1952 DeSoto automobile, combined with the (non)sensibilities of legendary British lettering artist Cecil Wade, yielded this slightly tacky and thoroughly wacky gaggle of letters. Use liberally whenever levity, brevity (the soul of wit), or a bit of mischief is called for. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Giacometti Letter is a fun design by Sine Bergmann and Leonore Poth. It has a rough, handwritten-looking style that is perfect for informal communications. The letters are light and narrow similar to her thin figures in the Pi font Giacometti." When combining Giacometti Letter with other fonts, try using "Jump" - another of Sine's designs - which contrasts well since is it wider and bolder."

If it's dog friendly, it must be something good! Actually, I was never really into dogs, not until me and my wife decided to get a dog. We got a French Bulldog and life hasn't been the same since! I found out that I love dogs, and especially French Bulldogs! This font is a kind of tribute to everything good that has to do with dogs! :)

An elegant display face influenced by Aldine oldstyle letterforms, Miranda Pro brings the early successful Tim Rolands font Miranda into the OpenType era. Miranda Pro now includes numerous extended ligatures, alternate forms, small capitals and support for a wider range of languages. Use it as a companion display for classic text fonts or on its own as a refined but stylish messenger for all sorts of projects.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

Celesse - A classic serif font, perfect for creating bold & gorgeous designs. Pour yourself a glass of your finest wine and get classy with Celesse. This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brandings. Its stark contrasting lines are best used in headlines and projects with big type. Celesse adds timeless beauty, heavenly curves and a classic appearance to any project.

Champloo is very unique typeface which combines serif features and brush stroke. Some letters have serif, but some don’t. Serif to be found on left side of stem only. It gives a quirky impression on short text. However the larger the text become, the more consistent look it gets as a whole. These two versatile weights let you play with the typeface freely and beautifully.

Introducing Bolt Display – picture this: uppercase letters with rounded corners, inviting you in with a warm, approachable embrace. Or, if you're feeling adventurous, the outlined uppercase stylistic set that adds that contemporary edge to your work. On the flip side, lowercase letters with sharp corners confidently declare their presence, while the lowercase outlined stylistic set strikes the perfect balance between structure and artistic freedom.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

Sticky Annie is the latest in the series of fonts I've designed that are named after my wife. Little bundles of overlapping sticks or lines make up each character. It's made to look good at small font sizes, but the bigger, the better. At small sizes it's fun and a little childish. At bigger sizes, especially in all-caps, it looks intricate, distinctive and stately.

The inspiration source for Arteaga Borders Two is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Two Guidebook” if you would like to learn a little more.

The other day I drank a glass of white wine, which was partly made with Colombard grapes. When I created this font, I needed a bit of a ‘posh’ name, so I settled on Colombard. Colombard is a nice, handwritten font. Quite elegant, but cheeky at the same time. It comes with extensive language support and a full set of Discretionary Ligatures for double letter combinations.

Meet Dark Shade, the font that dares you to venture into the shadows where creepy and fascination intertwine. This font an aura of spine-tingling dread, perfect for instilling suspense but playful too in your designs. Whether you're channeling classic horror or crafting a display masterpiece, Nights Side versatility is your creative companion. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

I love the trends in handwritten calligraphy and wanted to play with playful lettering. I've heard from many of my customers that they don't use Open Type software and feel limited in the cool features of OT scripts because of this, so I've replaced the | (bar key) with a left-sided tail to start the lowercase r and s in words that begin with those letters.

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

Mantika Book was originally conceived and drawn parallel to the first Agilita drawings. *[images: pencil drawings] It took several years before having a chance looking at these designs again. But then, my first impulse was to turn this alphabet into a new sanserif, which was to become Mantika Sans. This was the starting point to conceive a super family consisting of different design styles and corresponding weights. The initial drawings of Mantika Book were refined and an Italic was developed to go with it. The aim was to create a modern serif typeface which is reminiscent of humanistic Renaissance typefaces, yet without following a particular historic model. Its large x-height for one is far away from original Renaissance models. Mantika Book was designed as a companion serif typeface to Mantika Sans that can be set for lengthy texts as in books, hence its name. It shares the same x-height with Mantika Sans but has longer ascenders and descenders, making for better word shapes in long, continuous reading. The approach of an ›old-style‹ looking typeface with large minuscules makes Mantika Book also a choice for magazine text settings where one often needs smaller point sizes to fit in a multiple columns layout. The unique details of Mantika Book are the asymetric bracketed serifs in the upright font and its higher stroke contrast than usual in a Renaissance style. The stems are slightly curved inwards. Also, the Italics have a low degree of inclination, which makes longer passages of text set in Italic rather pleasing to read. Another feature Mantika Book shares with Mantika Sans is that all four weights take up the same line length. It covers all European languages plus Cyrillic and Greek, is equipped with lots of useful scientific symbols [double square brackets, angle brackets, empty set, arrows] and the regular weight has small caps. There is a kind of an old-style feeling to Mantika Book, yet these citations were turned into a contemporary serif typeface with a soft but sturdy character.

With designs drawn specifically for comfortable reading in everything from on-screen digital content to print in periodicals and books, Mundo Serif is ready to take on just about any project. Carl Crossgrove drew the suite of typefaces to complement his Mundo Sans family’s classic humanistic design traits – and added a subtle modern influence. Restrained stroke modulation, generous counters, commanding x-height and tall ascenders ensure that content set in Mundo Serif is both legible and easy on the eyes. While primarily designed for text copy in print and on screen, Mundo Serif becomes a powerful display type tool in the lightest and boldest weights. Headlines, navigational links and banners are naturals for this versatile collection of typefaces. Mundo Serif is a large family. Nine weights, each with an italic companion, enable precise typographic tuning. Captions, subheads, pull quotes and long-form copy can be melded to create a welcoming page of modulated text. For best results in digital environments, skipping a weight – or even two – ensures hierarchical clarity. Crossgrove did extensive testing of Mundo Serif to ensure the best possible on-screen readability. To further guarantee optimal digital imaging of the family, he gave the design generous inter-character spacing and slightly expanded intricate characters like the lowercase a and g. If the goal is diversified or multi-platform branding, look no further than Mundo Sans. The two designs harmonize with each other perfectly in weight, typographic color and proportion. Both designs benefit from large international character set that includes support for most Central European and many Eastern European languages. For a stronger contrast, pair Mundo Serif with virtually any sans serif grotesque design. Crossgrove has designed a variety of typefaces ranging from the futuristic and organic Biome™ to the warm, clean lines of the Mundo Sans. His work for Monotype also often takes Crossgrove into the realm of custom fronts for branding and non-Latin scripts.

YD Gothic 700 is a modern sans serif typeface consisting of 9 weights. It supports up to 13 different languages such as English in Latin and other scripts

Bernhard Fashion is a fine line sans serif typeface designed by Lucian Bernhard in 1929. Use the Bernhard Fashion font for posters, book covers, promotional material and packaging.

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

Wood Line JNL is based on a printed example of a vintage handmade wood type. This sans serif digital font is available in both regular and oblique versions.

A punchy heavy sans suitable for headlines that require impact with character. The inline imparts a celebratory tone reminiscent of sport jerseys, car marques or ice-cream parlors.

Zag is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Weekend Tabloid JNL is a classic sans serif wood type design that found its way into the setting of newspaper headlines during the pre-electronic age of publishing.

Agnia is a formal font that combines serif and sans-serif fonts into one, Agnia has a modern minimalist style that is suitable for luxury and classy needs.

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Reader is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Richard Miller Rounded started out as just a logo for a website/business card. It is a modular sans that works well in both print and web design.

Simplicity JNL is a lightface monoline sans design for titling and short text that is clean and effective without being bland. Available in both regular and oblique versions.

Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Take the tri-line font Trilium JNL, remove the middle lines, close off the openings and you now have Duonor JNL, and interesting sans with a sectional look.

ROBUCK is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Wedding Invitation, Classic Design, Logotype, and any project. All caps fonnts.

Holly Groove is a sans serif font with beautifull swashes, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling modern and fresh.

Proteina is a simple retro font, clean and contemporary modular sans for titling. It is perfect for headlines, apparel, fashion, album artwork, posters, logos and minimal type layouts.