Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.

Boktto is a preeminent noetic tech display apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.

JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.

TAN AEGEAN is an elegant display serif. It's classic and versatile with a touch of playfulness, it's perfect for any of your design needs.

Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.

Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.

The Show is a fun and friendly display font. Whimsical and a little bit quirky, this font will brighten up each of your designs!

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, short ascenders and descenders, pronounced slab serifs.

Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.

Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.

OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

Srikaya is a display typeface with a cheerful vibe and autumn nuance. Use it for any creative project in need of a whimsical vibe.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.

Constância Script, classic and elegant calligraphy. This unique, stylish and legible script is handy for logo, poster, headlines, invitations, cards and all display needs.

The Tomcat Bold is a playful display font. It comes in a regular and bold style which will give your design a fun touch.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Witches Crow is a Halloween Treat by our team. It's perfectly matches for any invitation type, and children theme, cartoon, poster, display, and comics.

The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.

Minnie Brush is an modern upright brush script. This curly rough textured font is great for display use. It comes with numerous alternate characters.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Ruman is a display typeface suitable for logotypes and posters. It’s a very simple origami font and short words look almost like abstract pictures.

PT Vesna™ was designed by Natalia Vasilyeva in 2000. Licensed by ParaType. An original calligraphic script for use in advertising and display typography.

Characterized as inline display font family with childish manners, Scholle offers positive (Shadow) and negative (Regular) weights grouped by bouncing rhythm of its characters.

Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

Sini is a warm and delicious hand-lettered fontface in two styles: bold and ornaments. Sini is recommended for use as a display typeface.

Amanzinc Graffiti is an awesome display font that features the street art vibe. Take your designs to the next level with this stunning font!

Solander is as sharp display typeface inspired from middle east movies. With small caps, this font suit for movie posters, cinema, fantasy movies, etc.

Gemline is an Art Deco inspired display font featuring Inline and Black weights with 2 fill options for adding colorful effects quickly and easily.

Beras Berry is a fun display font. This font is perfect for fun themed designs, especially when combined with everything cute or happy moment.

Lush was a formal script until it had a few too many drinks and, as a result, loosened up a little bit. Harkening back to the handlettering of the 40s and 50s, Lush has evolved into a casual, but well-dressed script that maintains a rather aggressive rhythm. Transitions often whip back quickly, forcing the letters to reel from the movement and resolve efficiently. It is not as warm as some scripts, intentionally so, so as to distinguish it from its predecessors. Type and lettering fans will revel in the options afforded to each character—in some cases there are up to 15 different variations with multiple glyph recipes available to produce the most unique and fluid lettering combinations possible. An often overlooked segment of contemporary script fonts, the uppercase letters have at least 3 options to work with that mesh well with the 36 ornamental flourishes to add even further embellishment. In total, there are over 1,650 glyphs in the typeface that includes these OpenType options: Stylistic Alternates, Contextual Alternates, Swashes, Titling, Historical Forms, Initial Forms, Oldstyle Numerals and 3 additional Stylistic Sets. With this release, I have tried to provide as much flexibility and 'forgiveness' within the typeface so the lettering enthusiast can have fun and explore thousands of iterations… and it's pretty easy math to figure this out: with over 970 alternates and 270 ligatures, I intended this typeface to be one that keeps on giving. One important fact to note… this marks the first release of a smooth, non-brushed, non-textured script from me—but it won't be the last. That said, I will have to admit that the brush has influenced many of the characters and their construction. Enjoy :)

Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One way to understand it is looking at it like a combination of sculptures that have to work together to achieve a certain harmony, where each letter form is one of those sculptures. Most people understand and appreciate that a sculpture starts from a rock of an incomprehensible form, which is manipulated by someone into becoming the recognizable or abstract work of art it eventually is. Consider type design a kind of two-dimensional sculpting. You have a rectangle. Take away as a little as possible from it until it is recognizable as the letter A. Repeat to get the letter B, and so on. After all 26 minimal letters are made, do they actually function as an alphabet to build words and sentences that are recognizable to the human eye? This exercise can trigger thoughts and theories about the overall subjective nature of identifying abstract yet somewhat familiar shapes. It can go into the psyche of art in general. But one thing for certain, this exercise has so far helped a few people find a new appreciation for finely crafted typefaces. If you are a design educator, your students' typographical perspective and arguments would benefit from it. And if you are a designer, well, fat faces are all the rage these days, and this is as fat as it can get. Please note that that this typeface, due to its minimalistic nature, does not include accented characters. It does however support the full C0 Controls and Basic Latin Unicode set. All proceeds from this font go to support the Type Club of Toronto.

Chendany is a friendly, neat, and cute-looking handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

Christmas Preference is a clean, simple, and natural handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Pilot" because it was the very first one we produced. The first "Alef" doesn't have a "hamzit wasel" nor a "fatha", this indicates to skip the pronunciation of that letter. So instead of saying "AR-RAHMAAN" you say "R-RAHMAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf & Alef". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing