Gangnam is a captivating display font that dances to its own rhythm, embodying the spirit of the vibrant Gangnam district. Gangnam strikes the perfect balance between subtlety and impact, with a weight that is not bold, allowing the Korean-inspired letterforms to take center stage. The characters in Gangnam showcase a unique Korean touch, capturing the essence of the dynamic and stylish district. The large letters, while not bold, maintain a visible presence, creating an overall design that is both graceful and attention-grabbing. Gangnam is not just a font; it's a visual journey through the eclectic streets of Gangnam. In addition, enjoy the features here. Features: Alternates Ligature Multilingual Supports PUA Encoded Numerals and Punctuations The Korean-inspired design ensures that Gangnam infuses a sense of style and cultural authenticity into any project. Gangnam fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. 1. In a font, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. 2. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. 3. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . 4. Spread thoroughly the page, serve and enjoy . If you like natural, switch to Bridona, your pages will thank you.

Free interpretation of Great Primer Ornamented No. 30, from the Bruce's TypeFoundry 1869 catalog.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Searching for some company? Beat Boy is ready to take action - He wants to put that beat to your designs. I am not sure which category Beat Boy fits in...is it graffiti? Comicbook text? Something for candy labels? Cute posters or hardcore skater flyers? ... the purposes of use could be many!

Nekst is geometric sans-serif. So it can only seem at first glance. Non-standard forms of some letters, behave unexpectedly and eccentric in a text line. It’s add notes of old grotesques and futuristic aesthetics to the modern-nordic image. Nekst font family includes seven weights supporting Cyrillic and extended Latin.

Because ebooks will not normally accept .otf fonts, and they don't support Opentype features, this font family was designed to be used for the ebook conversions of print books. It uses old style figures. The italics are slanted a bit more. And Heavy is a little bolder than the bold in Contenu Book.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.

Glitch is an accentuated modern typeface. It emphasizes the digital identity of your product. More often than not, pixel fonts look rough. Glitch has a more elegant, subtle shape, improving perception. Gitch is suitable for crypto projects, programmers, and game design. It also has its place in printing, web design, and media.

Lullaby is a display font that works great for headlines, posters or logotypes. With its regular rhythm, soft lines, some non-standard ligatures and two versions of each character (caps as alternatives), it gives many possibilities for any kind of typographic artworks. It works best with auto kerning in OpenType savvy applications.

It's Tushy not stussy, even it's Pretty but ain't lazy. yoo what's up, this font is dedicated for you to be your crafting material. Super ready for any craft project as branding image, any tags, card maker, invitation card, greeting card, wedding decoration for your farmhouse wedding or rustic look, or decorative material.

Granic is an athletic font family with 3 weights (each in regular and italic) for the sans serif and slab serif versions. The corners are reverse rounded to match the style better. The 3 weights cover most situations needs and the sans serif substitute those situations when slab serif is not suitable.

The exciting new typewriter font, Coronette, combines old-fashioned charm with modern typographic sensibilities. Originally commissioned as a custom font for Magnetic Poetry, this clean, medium-weight typewriter font is now available to the general font-lovin' public. Enjoy a new, multi-purpose workhorse font for all your labeling and page layout needs.

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability. Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.

Formerly only available from my own font site for orders over $50, Ann’s Dividers are now being made available separately. Decorative, spirally, funky and artsy lines and separators perfect for web graphics or on a printed page. A must-have for all web graphic designers. There are 72 characters in this font.

Dominatrix is a dirty little font who won't let up until you say the safe word. And I'm not telling you what the safe word is. This font comes with autoligatures so consecutive duplicate letters won't look identical. It also has more European characters than you can shake a leather whip at.

Lightly playful, this font had a lot of influences in its design. I liked the look of this style in three fonts and decided to create my own version. This is it. Included is a version called Italic, but it is not a true Italic, just a variation in some lower case letters.

Rotterdam Redemption is a beautiful display font with a unique and modern look. It is perfect for elegant and luxury logos, book and movie titles, fashion brands, magazines, clothes, lettering, quotes, and many more. Add it now to your fonts' gallery, and it will make any of your designs stand out! ** Uppercase

Aminta is an eclectic and expressive take on the Courier aesthetic. Aminta mixes the utility aesthetic of Courier, the default computer typeface and subversive piece of non-design graphic designers are presented with in the top left hand corner of Quark documents, and eclectic and expressive letterforms derived from drawing and handwriting.

There are many fonts inspired by Toulouse-Lautrec. I felt this one was needed and tried to get that loose brush-stroke appearance typical of Toulouse’s style of his famous French Cabaret posters. Aristide Bruant a dancer and comedian made famous by Lautrec’s posters can now be further immortalized with this font.

An advertisement in a 1936 issue of “The Film Daily” for the movie “Mr. Deeds Goes to Town” had much of its copy set in an extrabold typeface similar to the Beton/Stymie/Karnac group of slabserif designs. This is now available digitally as Serif Formal JNL in both regular and oblique versions.

Many blackletter and calligraphic typefaces are elegant and can be used for items like invitations and liturgical or religious texts. Rankensteen is probably not one of them. It is crude and bizarre and with a somewhat menacing appearance. It seems more appropriate for a letter from a pirate than for a formal invitation.

For the angular, blocky look, the future is Ferrocarbon! Designed primarily as a title font, I created it way back in 2013 and promptly forgot about, so I'm releasing it to the world now. it's meant to be used for your tech and sci-fi uses, but don't let us stop you there!

The design of Vivala Re highlights a powerful contrast between thin curved lines and straight stems. The inline style is not limited to the inside of the strokes but is actively incorporated into the design. This font is well suited for all headlines in posters, book design, magazines, brochures and web design.

Designed to be the ultimate grunge font, Kryptonite and Kryptonite Bizarro are nearly illegible at small sizes, but can't be touched at large sizes. The Kryptonite family has a limited character set and is named for the element capable of killing Superman (with all due respect). Not for the faint of heart.

Fidelio is a chancery italic typeface with swashes, designed by José Mendoza y Almeida in 1980. Written with a broad nibbed pen, it has Caps with swash versions, Lower Case and a wide number of ligatures. It is one of the most complete and appealing calligraphies. Fidelio is a Trademark of BauerTypes SL

Calligrapher Expressive is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in Expressive calligraphic style with nibs made of cans. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. The font contains all the Latin glyphs.

A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots. This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.

Reepika is a thick serif font inspired by 70-90s design styles, A mix of groovy styles combined with streetwear styles but still looks not stiff. Perfect fit for logo design. posters, branding, album covers, fashion, apparel, merchandise, and more. What's included? Uppercase Characters Lowercase Characters Alternates & Ligature Support 75+ Language FEATURES Reepika