A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century.

Newsworthy JNL and its oblique counterpart are variations on the ever-popular condensed type styles used for newspaper and tabloid publications.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.

Playful JNL takes its name from the obviously playful lettering found on the title of a piece of 1940s sheet music.

Limbus Sans Double Vision is a psychedelic approach on the Limbus Sans Regular created in 2023 by Lukas Gerber of LukerType.

To be used on its own or combined with Shalimar Swash, this lovely upright calligraphic style has a variety of uses.

Another charming handlettered gem based on the work of lettering artist Samuel Welo, from the 1927 edition of his Studio Handbook.

Based on designer's own handwriting, Mia Mano is a decorative display typeface ideal for headlines, logos, magazines, posters and short text.

An original design, loosely based on a typeface from an old wood type specimen book from the turn-of-the-century.

Olean is modern handwritten font, with including a lot of alternates and ligatures. Great for headlines on posters, packaging and advertising.

Boink Dropshadow is a variation on my ITC Boink font. This is a great font for headlines & fun to design with.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.

Tabloid Press JNL is one of a number of classic typefaces re-drawn from screen captures of actual vintage newspaper headlines.

Ornaments 4 are based on the Amsterdam Apollo and Gracia ornaments and the Amsterdam Crous-Vidal dashes (designed by Crous-Vidal).

Style One is composed of a floral ornament rotated and reflected at 90 degree increments combined with a letter or number to form each ornate initial. The initials are A through Z and 1 through 0 for a total of 36 initials. Each initial is located under its respective key in the character set. Style Two is composed of floral ornaments rotated and reflected at 90 degree increments combined with a letter to form each ornate initial. There are two sets of initials A through Z. Under the character set the initials are negative on a positive floral background. Under the shift + character set the initials are positive on a negative floral background. Each initial is located under its respective key. Style Three is composed of floral ornaments rotated and reflected at 90 degree increments combined with a letter or number to form each ornate initial. There are two sets of initials A through Z and 0 through 9 for a total of 72 characters. Under the character set the initials are negative on a positive floral background. Under the shift + character set the initials are positive on a negative floral background. Each initial is located under its respective key.

Camille was designed with exaggerated emphasis on letter vertical characteristic, by virtually eliminating the typical Arabic horizontal line look. This font glyph weights and look and feel are heavily influenced by early Kufic Quranic calligraphy style. Camille supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. This font family includes two letter spacing flavors: isolated for small text and overlapped for large or display text. The two spacing flavors have one weight each with a normal and a left-slanted Italic version. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Camille includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

Snacko is one dope display font. It’s got that casual vibe mixed with some 70s soft serif styles, and a playful italic angle that’ll make your designs move and groove! This font is perfect for titling, branding, logos, and all kinds of digital or printed materials. It’s fun and playful, so it’s perfect for designs that are targeted at a younger crowd or need a fresh and modern feel. Snacko’s funky, soft, and cool design makes it the bomb for all kinds of design fields, from advertising to packaging to social media graphics. It’s got a style that’s all its own and can make your designs pop and stand out from the crowd. This font only comes in one style, but don’t trip, it’s versatile and can be used in all kinds of ways. It’s approachable and friendly with a softness that’s off the hook, but also funky and expressive with a unique personality that can take your designs to the next level. Bottom line, Snacko is one creative and versatile font that’ll bring a playful and fun energy to all your designs. It’s got a unique style that’s perfect for any designer’s font collection, so don’t sleep on this one!

After a couple of weeks of teasing, sneak previews & insta shots, my new typeface is finally here. Noir Jolie is a modern ligature serif font that comes with curvy & straight combo of uppercase letters and chic lowercase alphabet that together look just perfect. Noir Jolie is also my last font for 2022 so I really hope you guys like it. The font also includes full language support, punctuation, numerals and detailed instructions how to use alternates & ligatures in most of the apps on your computer, as well as in Canva. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Noir Jolie - Modern Ligature Serif Includes: 25+ Ligatures Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

ATF Poster Gothic is an expansion of a typeface designed in 1934 by Morris Fuller Benton for American Type Founders. The one-weight design was a slightly condensed display companion to Benton’s ubiquitous Bank Gothic family. This new family of aggressively rectilinear headline types expands the design’s possibilities, offering 30 fonts. The all-cap design sports square corners in the counters, creating tension between angular and curved details; this feature, and the generally rectangular shape of the whole alphabet, makes ATF Poster Gothic distinctive on the page or screen, while its relationship to Bank Gothic makes it seem somehow familiar. Vertical strokes on the C, G, J, and S, as well as on several of the numerals, are cut off at an angle, which suggest the curves those strokes might typically display if the characters were less boxy in design and more along the lines of late-19th-century headline faces. Certain weights also recall the style of lettering used on athletic team jerseys, television crime dramas, action & adventure movie titles, and engraved stationery. With three widths and five weights, ATF Poster Gothic is distinctive and versatile at the same time. The full family is also available in a “Round” version, with corners subtly rounded for a softer, more “printed” feel.

Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.

Based on Burghal Design's popular typeface BabyDoll, Fauntleroy is a graceful, childish figure of a font, full of innocence and good-fellowship.

Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.

While working on our Macs late at night, Our Eyes beheld an Eerie Type: It's called The Mash! It's called MONSTER MASH!

Scoreboard JNL emulates illuminated scoreboards and is based on an alphabet found in an old clip art book of sports-themed alphabets.

Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, a very useful design for display.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

Medallion Ornaments is a collection of 185 circular ornaments based on plants, creatures, flourishes, geometric shapes, and ornate designs from historical sources.

Developed at ParaType in 1995 by Alexander Tarbeev, based on TextBook, 1987, by Emma Zakharova. For use in advertising and display typography.

Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.

Tea Time JNL was inspired by the hand lettering on the 1931 sheet music for "When I Take My Sugar to Tea".

Finally revenge on all those Buttheads in my life. 30+ Goofy Caricatures of some very unique people. (you know who you are.)

A Semi-Slab face with a distinct emphasis on power and legibility. Very paced for packaging, posters, logos and various other applications.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

Oldhand is based on an original handwriting of an elderly gentleman. I worked it over carefully to keep the handmade, authentic touch.