This elegant condensed serif display typeface is perfect for designs that require a touch of class and nostalgia. Inspired by ancient concepts and the nostalgic classic era, Thronemy Font adds a timeless and sophisticated look to any design project. The condensed serif design of Thronemy Font is both elegant and easy to read, making it perfect for headlines, titles, and other design elements that need to be easily understood. Plus, its retro style is perfect for creating logos and headings that will make your designs stand out from the rest. Thronemy Font is a versatile font that can be used in a variety of design projects such as invitations, posters, book covers, packaging, magazine layouts, and more. No matter what your project requires, Thronemy Font can help you achieve a timeless and sophisticated design that will leave a lasting impression.

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that's what I call the "raw" form. Raw – no sweeteners added! In this family I tried to redefine this moment in type development for the eternally beautiful "Franklin Gothic". I call the design "Franklin Gothic Raw", not to be confounded with "rough". The family can be used like any good normal typeface, you hardly see any difference to a conventionally cut "Franklin Gothic" in small sizes. The charm of the design becomes obvious the bigger it becomes, then it enhances your design with its imperfections in the outline. "Franklin Gothic Raw" is therefore an extremely versatile family. I created the cuts, that I considered necessary for the seasoned designer who knows what he's doing. Enjoy!

Since 2010 I started my research and experimentation in layered fonts, and I immediately understood that the future of creative graphic fonts is precisely the exploration of it. Over the years I have tried different expressions on the use of the layered system ... but I realized that my propensity to use colors in the font led me to the creation of BILYA. The real creative cue of BILYA is the wonderful childhood memories where nostalgia for them generated the creation of it, which I dedicate to all lovers of glass marbles classic game and beyond. BILYA Base, Outline, Color One, Two, Three, Four, Five and Color Six is a 8 font system that can be layered in different ways to create infinite title effects used commonly in poster and logo design, in flat gradient color style for spectacular 3D emboss styles or realistic 3D logos design projects. BILYA’s layer combinations give you complete control in producing styles like, modern, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste in same position to create different layers styles combinations to build out your desired effect. BILYA works great in any graphics application that allows you to utilize layers or 3D graphics effects.

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. It is an extensive type family, with versions for both formal and informal applications. Alverata consists of three different fonts: Alverata, Alverata Informal and Alverata Irregular, that variate in form and width, but maintain the same spirit. The ‘irregular’ version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata PanEuropean includes Greek and Cyrillic relatives. The typeface strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.

Aquabay is a natural handwritten font that has cute spirit. This font comes with upper and lowercase Basic Characters, Numbers, Marks and Punctuation. As a feature you have also the standard Ligatures and Swashes. Aquabay has an authentic shape like typical handwritten so this font is perfect to apply to the casual and cute design. This font will be perfect for posters, branding, name cards, website, books, comics, presentations, or packaging designs. What are you waiting for? Download now Aquabay font and make your design artwork more wonderful! Thank you for checking and visiting our store, and feel free to drop me a message if you had any questions! Visit our Instagram :) www.instagram.com/scratchdesignbali

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

Madison Antiqua was original released as a metal typeface for hand-setting in 1965. The letters were produced by D. Stempel AG in Frankfurt, Germany. Their design was based heavily on an earlier German typeface named Amts-Antiqua, which had also been produced by Stempel. Amts-Antiqua is credited to Henrich Hoffmeister, and he developed it between 1909 and 1919. Madison Antiqua is an excellent selection for body text in magazines and newspapers. The typeface features a characteristic x-height, and attention-grabbing serifs. For a time, Madison Antiqua was associated with advertising design, because of its namesake: Madison Avenue in New York. Madison Avenue is a global center of advertising excellence.

Praysire is a sophisticated sans serif with beautiful swashes. It has many alternates which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. The unique letterform makes this font one of a kind! Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Molsaq is perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. With 1050 glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq Pro comes with many Opentype features such as, stylistic alternates, ligatures, swashes, and small caps. Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script. While Molsaq Arabic doesn't include Opentype features, and only support the Arabic script.

This style mimics the flare or upward fade that comes with the use of a spray paint can, as the tops of the letters flare, and become wider. An original font style, named after the border town of Mexicali, this font style falls under the larger umbrella of what is called Cholo-graffiti style. Originally from New Jersey, MENE has made his home in, New York City. He had a brief albeit satisfying career of street bombing in the late 90s that saw its end with a brief encounter with the Vandal Squad. Now a family man, Mene has dedicated himself to the preservation and education of style in its many forms.

I've always loved drawing faeries and I love using them in my scrapbooking pages. So after hunting around for a unique decorative fairy font for my crafts I couldn't quite find what I wanted to use, so I decided to create a whimiscal set of fairy drawings and characters that would suffice. I was influenced in the drawing of the fairies by my love of the 3D poser graphics art,several awesome comics, Alphonse Mucha and several Masters of Art. These decorative Fairy dingbats would be great to use in fabric crafts,textiles, embroidery patterns, scrapbooking, greeting cards, Rubber stamps, name titles, Calligraphy, the possiblities I feel are endless when thinking of craft applications.

Conga Brava is the work of type designer Michael Harvey, a combination of the high-minded, purist letterforms of revivalist, modern calligraphers with the mundane, even crude, lettering of warehouse stenciling. The resulting lyrical yet utilitarian forms have a visually exciting graphic effect, which Harvey has frequently used in his book jacket designs. Like his other typefaces, Ellington, Strayhorn, and Mezz, Harvey named his design after a jazz classic, Conga Brava", by Duke Ellington and his trombonist Juan Tizol. The rolling rhythm, polished swing, and stacatto brass treatment of the tune suits the look of this sassy roman design and even more so, its stencil mate. When you need a typeface that radiates sound and motion, think Conga Brava."

Whenever I've stayed in Munich my friend Michael Bundscherer and I go on a typographical expedition. When we talk about that, we remember the bygone world of sign painter. On one of the facades of a furniture shop in Munich, you can discover the lettering of the name in golden letters. This one convinced us because of the simple elegance Art Deco. These letters on the facade are in any case the character set, which forms the basis of this document. The missing (especially the lowercase letters and the numbers) were modeled. The "OPEN" called version tries to replicate the 3-D effect. The font is particularly suitable for shorter texts and headlines.

The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme.

The term "transcribed" takes on many definitions. In sheet music (the source of this type face design) it means to set down onto paper. In the formative days of radio, and until the advent of the tape recorder, radio stations depended on 16 inch wide recordable discs known as transcriptions. These discs were generally aluminum base with a soft lacquer coating that was cut with a heated stylus. This was the only way a program could be recorded and preserved for later broadcast or copied for syndication. Transcribed JNL is a hand lettered sans in the chamfer style of block lettering, based on vintage sheet music displaying the name and address for Zenith Music Publications.

Cooper Goodtime is a font based on the lettering used on the CBS-TV variety series The Glen Campbell Goodtime Hour (1969-1972). The name pays tribute to its two origins, the other being Cooper Black. It was never an actual complete font set on the TV show, only a limited number of handmade letters, all upper case. It has lain dormant since the show went off the air in 1972. With this incarnation, a set of lower case letters has been created to complement the upper case letters. These lower case letters never existed before now. Cooper Goodtime is a funky, nostalgic, cool way to create a display, and it works surprisingly well in text sizes, too.

(pronounced hor-hay) Some years ago my wife and I had our evening meal in a restaurant on what is called the northshore of Massachusetts. Of course, if you check a globe or map you'll see that the pilgrims needed a compass, it should have been called the eastshore as it's on the east end of the rectangle/hook we call the Commonwealth of Mass. In any event, the menu our waitress gave us was hand-lettered with shapes that I used to develop the 4 fonts called Jorge. When I brought the preliminary drawings into the office Steve Zafarana, a designer and cartoonist referred to them as Jorge's new design, the name stuck.

Olivetta—an ironic sans. Its name is inspired by Antique Olive typeface. These two fonts share a few common design features but Olivetta is more in tune with the spontaneous, ironic style of today's typefaces. Olivetta illustrates the power of words as images. The high contrast between thick and thin strokes of the lowercase letterforms gives visual strength to the font. The stroke contrast increases as the weights get heavier. Olivetta comes in 10 weights with matching italics and each style contains more than 400 glyphs which include alternates. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, branding and editorial design. The intermediate weights are ideal for continuous reading.

Janek is a semi-serif typeface inspired by old Polish signage. Rather then mimic specific style, it synthesises various inspirations. It is named after an Author of a classic Polish manual, that kickstarted this project, „Techniques of Lettering“ by Jan Wojeński. Large character set and style selection allows for richness of expression. Pointy upright and slightly decorative italic bring unique blend of aesthetics. It works well in rich text and as a striking display. Janek consists of seven italic and seven upright styles ranging from Light, to Black. With extensive language support and wide selection of features, it is suited for range of latin use cases. Janek is a contemporary throwback to the past.

The vintage sheet music for "Between the Devil and the Deep Blue Sea" yielded another bit of Art Deco-era lettering perfect for developing into a digital font. This time it wasn't the song title, but rather the name of the show it was from serving as the type inspiration - the Cotton Club's 1931 revue "Rhythm-Mania". Harlem's Cotton Club was an "exclusive, whites only" club; both famous for its talent and shows, yet infamous for hiring black acts but not allowing black patronage. On the sheet music, the show title was hand lettered in a bold, slightly stylized fashion which became the basis for Rhythmic Revue JNL; available in both regular and oblique versions.

Gastella Night is a handwritten font family consist of script, casual handwritten, and unique all caps font. In other words you can get four styles of fonts at once, all styles in this family is well matched to each other. Gastella Night Script font comes with few ligatures to make it looks more natural, also comes with slant style named Gastella Night Script Italic to make it looks more delicate when used as signature. Gastella Night Regular is a casual handwritten font, so it will be suitable to all kind of design, as tagline, quotes, etc Gastella Night All Caps consist the uppercase only, add this font to beautify your design with it's unique style.

The extra bold version of R. Hunter Middleton's "Karnak" (produced in 1936 for Ludlow) served as the model for Bookkeeping JNL and is a companion to Bookkeeper JNL (the light weight version of this type design). Middleton based his "Karnak" family of typefaces on the geometric slab-serif "Memphis", which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, "Karnak" "was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called 'Egyptians' as an exoticism by nineteenth-century type founders." Bookkeeping JNL is available in both regular and oblique versions.

I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that's something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right! Like many of my fonts, this one has been refined with crafters in mind -- smoothed curves and reduced nodes, for easy cutting and printing. It's also packed with over 600 characters total! The usual alphabet, numbers, and punctuation, plus 30 double-letter ligatures, over 300 diacritics, and a full second alphabet coded in as Stylistic Alternates. Enjoy!

Ok. Another font with cats in it. I asked my son, Sam (age 4), to draw some cats and I have to say: I'm very proud of what he created. The tiger I asked him for became a spinosaurus mom with her baby and I also got some happy hearts thrown in for good measure. The Cat's Whiskers is a very legible hand made font. Nice and loose, not too messy and with just a hint of childishness. Comes with a litter of diacritics. Oh… and a big thank you to Jakob from pizzadude.dk for suggesting I should post more pics of cats on FB - which eventually led to the name of this font.

Chevin is a contemporary rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and slightly condensed style, Chevin can be used for text and is particularly suited to signage. Erik Spiekermann is a fan, noting that Chevin “is charming without being cute, and very legible even in small sizes because of its restrained shapes and simple construction.” Chevin is named after a hill on the outskirts of Otley in West Yorkshire. Since 2007, the type family has been highly prominent in the UK as Royal Mail’s corporate font and the typeface that adorns every Post Office in the country. The Chevin Pro set includes additional Greek and Cyrillic layouts.

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font! But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

Flicker - Vintage Calligraphy Font We're Introducing the "Flicker" Font we created in 2022. To talk more about the character of this font, please see a preview of how each Glyph in the font will look when applied to a design. This font has a vintage touch and a modern look to each letter, slightly rounded and neat shapes in each curve, plus a Stylistic feature at the end of the letters. We design this font in such a way that it is suitable when used for design projects so that it looks very attractive. And you can also use this font for logos, branding, brochures, names on product packaging and so on. Uppercase & Lowercase, Numeral, Punctuation, Miltilingual, Swash

The design of Gondolieri has its origins in an experiment to combine aspects of Didone and Tuscan typefaces. The result has a continental 'Italianate' feel. If you wonder what lies behind the name, just look at the lower case 'f'...definite overtones of a Venetian Gondola here, and throughout the design. Gondolieri is offered in regular and bold weights, as well as a simplified form for smaller text use. All of these are available in three widths. The Gondolieri family has a lovely Didone, 'Belle Epoch' feel for use in design, posters, book covers and so forth. An extensive range of Opentype features, including ligatures and terminal forms is included in the regular and bold faces.

Titling Stencil JNL is an extra bold stencil treatment of R. Hunter Middleton’s ‘Karnak’ (produced in 1936 for Ludlow) and is a companion font to both Bookkeeping JNL and Bookkeeper JNL (a lightweight version of the type design). Middleton based his ‘Karnak’ family of typefaces on the geometric slab-serif ‘Memphis’, which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, ‘Karnak’ was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called “Egyptians” as an exoticism by nineteenth-century type founders.” Titling Stencil JNL is available in both regular and oblique versions.

Introducing Monteya - a modern serif with vintage charm, fashion look and retro yet modern style. Work fast using integrated features. Just add PLUS (+) after any letter and get alternate instantly. This feature works on most applications (Canva, Templett, Corjl and others) Monteya Regular: Opentype Serif font with clean shapes and accurate kerning. It includes ligatures and alternates with total amount 570 PUA encoded glyphs. Monteya Draft: Modern Serif with chunky imperfect edges and shabby appearance. This font is a strict copy of everything from regular version including glyphs names, kerning and ligatures, so you are worry-free to change style on the go. Alternates appears automatically when you type plus after any letter or even ligature.

Lab Slab Pro is a geometric slab typeface with a technological and minimalist look and is suitable for use in large sizes. It has eight versatile weights, (from Thin to Black) including true italics for each one, and a wide range of stylish alternate characters to improve its use in different graphic contexts. The name of this typeface was inspired by an experiment, mixing a structure with calligraphic influences and completely geometrical and structured drawings. Lab Slab Pro has a wide range of OpenType® features such as: small caps, old style/titling and small caps figures, fractions, superior and inferior scripts, scientific components and ligatures. Lab Slab Pro is Lab's best and most powerful mutation designed by Tiponautas.

SK Selanik is a double weight geometric sans serif font family. It is named after Thessaloniki, one of the largest cities in Greece. This font, which depicts the historical texture of Thessaloniki with modern forms, is a synthesis of the past and today's design understanding. This font family includes a total of 40 fonts and 35,720 glyphs. It offers full support for the Latin, Greek and Cyrillic alphabets and supports hundreds of different languages. In this way, it contains all the typographic elements you will need. You can easily use it in all areas and sizes you need, from headings to body texts. You can visit my Behance account by clicking here to view more detailed project images.

Baby Gentha is a cute and romantic calligraphy typeface with the characters dancing along the baseline. It has a casual yet elegant touch. It can be used for various purposes such as logos, wedding invitations, titles, t-shirts, letterheads, name boards, labels, news, posters, badges etc. The font includes OpenType features with alternative styles, ligatures, and multiple language support. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to swap / swap, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. Burdigala Sans is especially well suited for on-screen usage such as in apps and pdf documents. It is also ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. Check out its sibling, the Burdigala Semi Serif version. The expanded versions, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

I remember a tea ceremony I attended in Fukuoka, Japan. The teahouse was set in a small, but beautiful garden and the whole idea of the ceremony was to appreciate the view from the porch. I thought the tea was quite bitter, but the view was unsurpassed. From time to time these memories pop up and I have to use them - that is why I named this font Teacup. Teacup is a slightly eroded all caps font, made entirely by hand with a Japanese marker pen and some high quality textured paper. It comes in a romantic open style and a more solid closed style. Teacup is filled to the brim with diacritics.

Tremendo is a gothic sans serif superfamily with a large number of widths and weights that make it a great choice for versatility, clarity, and dynamism. Built with both grotesque and geometric principles in mind, it's remarkably useful for everything from print copy to the largest display applications. If you're looking for a family that will serve your needs, and be noticed Tremendo is it! A note on the name: "Tremendo" is Italian for "too much, insufferable, awful." It's a tongue-in-cheek moniker for a family that's rather monstrous in size and forceful in impact. Give it a try and you'll see that it's much more of a workhorse than it may at first seem to be!

Hello, Are you looking for a modern trandy script font? Do you want to create something that stands out and inspires endless creativity, imagination and fun? What are you waiting for, we will provide the best choice for you. British Letter a Lettering Script British Letter a Lettering Script, Inspired by brush lettering style typography. This font is perfect for designs which makes it more interesting and fun. We designed this font in such a way that it is suitable when used for design projects so that it looks very attractive. And you can also use this font for logos, branding, brochures, names on product packaging and so on. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Transat is a geometric sans serif typeface, with caps inspired by Art Deco signage — found inside the “Gare Maritime” (literally “sea station”) ocean liner terminals in both Le Havre and Cherbourg, France, in the early 1930s. The name “Transat” is the common shortening of “Compagnie Générale Transatlantique,” the company that operated majestic ocean liners like the SS Normandie out of Le Havre from 1862–1974. (Transat also has a more rational text-friendly companion font, " Transat Text ") Transat includes many OpenType features, such as ligatures (ff/ft/fft), small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. Transat is released in 5 weights plus including optically-corrected obliques.