This is Classic Hebrew Sefardi Font. This is a beautiful typeface to invitations, posters, cover books and small texts. All diacritic marks for vocalization are present (Nikud), including shevana, kamats katan, cholam chaser and dagesh hazak.

Playfulion is a new playful typeface. This another collection of display is perfect for your next branding project, excellent for your business. Playfulion have a natural edges, so this font gives an authentic handcrafted feel style.

Cute and adorable, they're...Onigiri! Designed to evoke the cuteness of Japanese mascots with the informality of script, these little riceballs o' text are sure to please! Comes in Latin alphabet, hiragana, katakana and onigiri dingbats!

Brounde font comes in four weights from extra light to medium. Legible texts can be created with its rounded slab serif configuration. Also it can be used in posters and every kind of graphic design works.

Wonderplay is a new playful typeface. This another collection of display is perfect for your next branding project, excellent for your business. Wonderplay have a natural edges, so this font gives an authentic handcrafted feel style.

JH Lina is an Arabic Naskh typeface, including four weights; it is typical for long running text, headlines, branding , news letters, magazines, signage and electronic publishings ... The diacritic positioning is fine tuned per the publishers requirements.

Eligade a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Eligade have a smooth edges, so this font gives an authentic handcrafted feel style.

Nacho, is a font inspired by the Mexican culture as the party of the dead and customs, created From the Thin to the Densa, it also contains a dingbat set to make the text more dynamic.

Sveva Versal is a light swinging art nouveau caps only headliner, with swash like alternates and lots of special combinations. It's well suited to set a short and fancy block or line of text. PDF Specimen

A family with a retro feel with 12 styles in 6 weights, for both headlines and body text use as well editorial and corporate design from advertising to packaging and digital design. Supports Central/European languages.

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

Agression-Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.

AZ Cut Script utilizes a simple hand-drawn “old look” to the line work which is designed to have a “worn feel” to it. Ideal for use as headline or sub-head text in your design.

Northern Petal is a casual script font with a touch of naturally connected handwritten feel. It is perfect for eye-catching branding projects, text overlay to any background, social media, wedding invitations, greeting cards and more.

Handy Cut is an experimental project inspired by paper cutting only using fingers, designed by Paty Bean from south Chilean farm. It includes dingbats and alternate characters to play with in expressive and irregular short texts.

Twenty-Six various styles of document seals comprise Embossing Seals JNL. With a little imagination any plain document can take on an "official" look by adding text and a few special effects to the finished image.

Flambster is an uneven and quickly scribbled font - perfect to simulate ... well, uneven and quickly scribbled text! :) Comes with a good handful of ligatures! You will need to use OpenType supporting applications to use the autoligatures.

Reacher-Sans is an elegantly simple sans-serif font. Designed for versatility, it possesses unique letters perfect for logos and still maintains a simple and readable look beautiful for both headlines and large blocks of text.

This is really Congo from Barnhart Bros. & Spindler, but we felt it would be improved if we smoothed out some of the curves slightly. Conjures up visions of Pacific Islands and other exotic ports of call.

An historical font based on early 18th century printing, with the visual effect of uneven inking and indifferent presswork on handmade paper. Ideal for evoking the period. Effective in continuous text setting or in display sizes.

Introducing Rushfiel, a handwritten font made with quick-drying brush strokes in a distinctive styles. It's perfect for branding projects, household appliances design, product packaging or just as a text overlay for background images or posters.

Pen Gothic JNL emulates lettering made with a round nib lettering pen, and is loosely based on some text found on the popular 1918 song "Ja-Da". The font is available in regular and oblique versions.

Introducing Violette Brush Font!! Handwritten font with quick dry strokes and a signature style. perfect for branding projects, home ware designs, product packaging or simply as a stylish text overlay to any background image or posters.

Kitchen Utensils is a pictorial font with 36 different common kitchen tools and appliances in the shape of the letters of the alphabet and numbers. Perfect for cooking and kitchen-related texts, recipes, and culinary publications.

Gluster Serif Display Font Typeface is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!

Canadia is a cursive and lovely handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project.

Crunk was inspired by the creator's (at the time) teenaged hoodlum of a brother. The font Crunk is great for headlines and text and has served its creator well over the years since it was made.

Graffiti Xenoa is a fun, urban-style display font. This font is suitable for designs like logos, advertising, apparel, jerseys, sportswear, skateboard designs, and more. Take your concepts to the next level with this stunning font!

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

Flatsider JNL is a simple block (square) stencil font available in both regular and oblique versions. Plain, stark and with no unwanted embellishments, Flatsider JNL gives the look of structured compliance to any stencil-based text.

Reyes is a modern typeface with influence on consumer product labels from the early 1900s, is ideal for use in display texts and thanks to its 6 typographical weights lends itself to complex typographic design compositions.

Steamer is a grimy grotesque with a thick early 20th century air to it. A tireless workhorse, it is accustomed to carrying out any typographic task from continuous text to bold headlines steadily through any conditions.

Clumsy is a two weight all caps handcrafted awkward font with alternates for all characters and digits. The font was inspired by a few lines of text from an old soviet book about vine. Clumsy is a good choice for small amounts of text. When Clumsy is used in OpenType applications, its Contextual Alternates feature produce a striking random-like effect on glyphs distribution, achieved by cycling through alternates. When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case.

Inspired by both turn of the century neoclassical forms and Dutch Fleischmann Type, Garvis is designed to bring the character of those typefaces into more modern times by increasing the sturdiness of the forms without losing their character. At display sizes, this typeface displays the subtle inconsistencies commonly found in traditional metal type printing. This detail is designed to virtually disappear at text size so as not to become distracting while still giving the text a warm, human quality. Garvis includes support for all contemporary (and many historic) Latin orthographies as well as complete IPA support.

Grafista is an extrapolation on what fonts are used for: in spite of the possibility to use it for setting text, Grafista strives when used as a texture library, the same way that one would set up tiles. Thus, Grafista was built as two different things compiled in the same font: the letterforms (for setting text) and the texture library. Both of the sets are monospaced (with every glyph having the same width), but the letterforms are half of the texture tiles' width. On the tech side, the letterforms are 500/1000 UPMs, while the tiles are 1000/1000 UPMs.

Linotype Rowena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This text font was designed by the Latvian artist Gustavs A. Grinbergs and is available in six weights, from light to black. The font has a light stroke contrast and its basic forms are the circle, rectangle and triangle, making it a constructed face. The impression of the font on the reader is elegant and cool, very like poster fonts of the 1930s. Linotype Rowena is suitable for headlines and shorter texts with point sizes 12 and larger.

Introducing QEDYSANS Typeface 💚💚QEDYSANS💚💚is a sans serif font that has an elegant romantic concept, supported by 813 glyphs. The QEDYSANS font has a lot of alternative characters, from swash, ligature and of course it is also supported by multilingualism. In addition, QEDYSANS also has 14 families from Thin to Heavy. So it can be used for body text and header text. Qedysans is very suitable for design concepts that are elegant, simple, minimalist and romantic. Can be used for wedding card designs, shop signs, logotypes, promotions on Instagram and so on.

Linotype Brewery is part of the Take Type Library, chosen from the contestants in the International Digital Type Design Contests of 1994 and 1997. This text font is available in six weights from light to black and was designed by Gustav A. Grinberg. An outstanding characteristic of the font is its light stroke contrast and its constructed forms. Its tiny, triangular serifs first become noticeable in very large typesizes, much like the Dutch fonts of the 17th century, Copperplate, for example. Linotype Brewery is cool and elegant and well-suited to middle-length texts and headlines.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.