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  1. Coupon Clipper JNL by Jeff Levine, $29.00
    Coupon Clipper JNL is a fun, playful, casual sans serif font that evokes some of the lighthearted typography of the late 50s and early 60s.
  2. General Merchant JNL by Jeff Levine, $29.00
    General Merchant JNL is a bold, compressed sans design in the 'Grotesk' fashion with varying character widths and flattened tops on the usually rounded characters.
  3. Cardboard Cutouts JNL by Jeff Levine, $29.00
    Cardboard Cutouts JNL is a blocky sans serif font re-drawn from some old "kiddie" stencils from the 1950s or 1960s acquired by Jeff Levine.
  4. Breakdance by Trustha, $15.00
    Breakdance is a vintage font duo. Combination of sans and script with sharp textures making all your creative projects getting a vintage and authentic impression!
  5. LT Soul - 100% free
  6. Temporarium - 100% free
  7. Gentium - 100% free
  8. Averia Serif - 100% free
  9. SCR-N by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  10. SCR-I by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  11. Enchanted Love by VP Creative Shop, $20.00
    Introducing Enchanted Love - Elegant Sans Serif Typeface - 8 weights Enchanted Love is classic yet creative typeface loaded with 8 fonts, alternate and ligature glyphs to make you typography truly unique! Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol -Hairline, Extra light, Light, Regular, Bold, Extra Bold, Black and Heavy versions Cyrillic support ligature glyphs alternates Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!
  12. Kawaii Food Font - Personal use only
  13. Mealsika Script by Solidtype, $17.00
    Say hello to Mealsika Script - A contemporary script with a vintage calligraphy style with moving baseline and an elegant touch.That makes the font look fabulous! It can be used for various purposes such as headings, signatures, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges, and more. Features 350+ glyphs and 179 alternate characters including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and Happy Creating :)
  14. Paine by James J. Connell, $19.00
    Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.
  15. Pareson by Balevgraph Studio, $12.00
    Pareson is stylish and beautiful sans serif font. It will look perfect in photography designs, watermarks, social media posts, advertisements, logos, branding, and various other projects.
  16. Windstone by Variatype, $14.00
    Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures
  17. Antique Shadow by Wooden Type Fonts, $15.00
    A modified remake of one of the popular wooden type fonts of the 19th century. This is an extra bold, shadowed, sans serif suitable for display.
  18. Pelago by Adobe, $35.00
    Pelago is a semi-formal sans-serif type family by Adobe Principal Designer Robert Slimbach. The family has a crisp contemporary appearance and an understated elegance.
  19. Funkywarp by Aah Yes, $6.95
    Funkywarp is a simple distorted font, a warped sans-serif typeface. The package contains both OTF and TTF versions - install either OTF or TTF, not both.
  20. Armouk by Nirmana Visual, $19.00
    Armouk , contemporary of Sans serif font, Armouk offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  21. Teniers by Wooden Type Fonts, $20.00
    A sans serif with splayed ends, descenders and ascenders of the lower case dropping below the baseline, or above the x-height, very tall x-height.
  22. Vitali Neue by Borutta Group, $26.00
    Vitali Neue is geometric sans serif typeface family with a friendly feel. The low contrast and high x height is perfect for headlines and display uses.
  23. Windlesham Pro by Red Rooster Collection, $60.00
    Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font.
  24. YD Backjae by Yoon Design, $580.00
    Yoon Backjae is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts
  25. TecoSans by Gaslight, $20.00
    Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.
  26. Amug by Nirmana Visual, $22.00
    Amug ,contemporary of Sans serif font, Amug offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  27. Galmoru by Nirmana Visual, $22.00
    Galmoru, contemporary of Sans serif font, Galmoru offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  28. Gusto by Typesketchbook, $25.00
    Gusto is a mixture of San Serif and Humanist style fonts together. We put the craft into the character. It's a unique option available for you.
  29. Ventnor by Lemonthe, $14.00
    Ventnor is a all caps futuristic sans serif font. It was created to help you designing makes gorgeous logos, posters, blog posts, social media, and more!
  30. Namata by Differentialtype, $10.00
    Namata is a sans serif font with 7 weights and 14 styles. It is suitable for use for your documents, especially at a very affordable price.
  31. Greywall by Khurasan, $8.00
    Introducing Greywall, a bold stretch sans serif font. Greywall it perfect for posters, logos, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.
  32. Vivala Milk by Johannes Hoffmann, $28.00
    Vivala Milk is a sans serif display font with calligraphic genes and an extensive Latin language support. It is ideal for headlines, posters, brands and magazines.
  33. YD Gogooryo by Yoon Design, $580.00
    Yoon Gogooryo is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts
  34. Tip by Suomi, $40.00
    New, slightly calligraphic sans family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.
  35. Maui Wowie by Kern Club, $10.00
    Maui Wowie is a display font with an island vibe. It includes a serif and sans serif version. Uppercase Character Set A-Z Numerals & Simple punctuation
  36. Retail Monoline JNL by Jeff Levine, $29.00
    Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.
  37. Fagies by Hitype, $15.00
    Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.
  38. Exogenetic by Aaron Nicholls, $19.00
    Exogenetic is a monoline, sans-serif typeface suitable for display/headline purposes. It was influenced by circuit boards and robotics. Exogenetic is available in OpenType format.
  39. Cheyra by Saxofont, $25.00
    Cheyra is a thin and modern sans serif font. Cheyra combines uppercase and lowercase styles. Use it for any design projects that require a charming appearance.
  40. Blocksta by AVP, $30.00
    Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.
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