Jasmin is a tribute to the ancient stories of The Thousand and One Nights, in which a main story serves as a connection for a series of other stories, just like all the other glyphs are derived from one of Jasmin's letters or from a sign. A graphic path in which we tried to combine the calligraphy designed with a quill with geometric research. Among the glyphs there is one referring to a letter from a famous font by Paul Renner, made by Fonderia Bauer in 1927.

Linotype Startec, from Jan Tomás, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This is another fun font from Tomás, who also designed Alphabat, and the two share some characteristics. Linotype Startec is an outline font whose unique forms are reminiscent of futuristic dreams and space adventures. It should be used in point sizes of at least 18, but the phrase 'the bigger the better' fits this font well. The careful details and figures of the alphabet turn into UFOs and space ships from another world when set in very large point sizes. Linotype Startc is best for very short texts and headlines.

Marita combines sternness with swing and, from this, develops its own, unique elegance. This makes Marita quite versatile, also and especially for headline settings. Apart from numerous ligatures, the font also includes old style figures. Marita is based on brush writing with drop-shaped serifs. The idea was to try to apply a given design criteria (also see Volker Schnebel's Manuel and Martin fonts) to every single character. In other words, start with a character and develop all of the others from it. This is quite easy for some characters but extremely difficult for others. This process generates creativity and the characters move away from the initial constructed sketch. Together in a typeface, the individual characters are now all of a piece and character.

BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif. The font was engineered with essential OpenType features, that allows the user to compose the headlines in two different heights, with case-sensitive punctuation, symbols and special ligatures such as “the”, “of” and “le”.

A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.

A set of blocky shadowed outline capitals designed by Tom Carnase for ITC.

Digitization of some of classic William H Bradley's characters, from America vintage heritage

Nouveau Never Dies is a compreensive family of ornaments from Art Nouveau era.

Deveren is a font based on goosefeather writings from the late 1600's.

Doodles ranging from cute animals to Easter eggs to flowers of various types.

Tasci Kursiv is a typeface which is transformed from the designer’s own calligraphy.

Revival of typographer and punch cutter Guillaume LeBe’s Hebrew typeface from the 1580.

A distinguished new font from Oporto Design, Capa is clean, modern and urban.

This font was inspired by music from the band The Devil Wears Prada.

North Arrow Assortment contains 47 north arrow designs ranging from simple to intricate.

A collection of 174 calligraphic designs derived from early 20th Century European arabesques.

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.