Jean Evans' interest in type design dates back to her third-grade fascination with fancy script writing. Years later, work at a sign-painting school she found in the Yellow Pages® cemented her relationship with letterforms. Evans went on to study with master calligraphers and type designers, including the likes of Donald Jackson, Hermann Zapf and Matthew Carter. Evans' designs have been exhibited and collected around the globe, and her distinctive calligraphic style has been lauded by leading trade organizations, annuals and publications. Hatmaker, one of Evans' more popular typefaces, was originally developed for the Boston-based broadcast design firm of the same name. Inspiration for the design came from Ben Shahn's famous hand-constructed alphabet. Shahn's alphabet, however, was limited to capital letters. Daunted by the idea of designing a lowercase that would measure up to Shahn's capitals, I developed a second set of caps-simple, quirky, yet almost classic-to work as 'lowercase' with the Shahn-like caps," explains Evans. Mixing the two in Hatmaker, creates a lively interplay of light and dark."

At the end of every road in Transylvania stands a dark, foreboding castle, seemingly clouded by impossibly dark shadows. Bat-like creatures scurry across its gargoyle-festooned towers, and slimy green patches of moss climb inexorably up its cold walls. Blood has been spilt in the tombs of this chilling location, and there, etched in stone above the arched entranceway, is inscribed -- in Comicraft’s TRANSYLVANIAN typeface -- a simple legend: ABANDON ALL HOPE YE WHO ENTER HERE. TRANSYLVANIAN is a small-caps font that includes Comicraft's revolutionary Crossbar I Technology™, to locate that mysterious character in exactly the right places. Artwork from ASK FOR MERCY by Richard Starkings & Abigail Jill Harding, available on Comixology.com Features Four weights (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

Barclay Outline is a headline font in the style of a modern typeface. The letters of the Barclay Outline font are like a bold modern face with a fine outline contrasted and strong shadow strokes.

I just launched brush script font in the new collection Sandblast is a extreme textured for brush script, I design it with real write my hand, I really hope you will enjoy it so much when using this font.I love using this one with layer masks in Photoshop, really look natural written. Please contact me if anything question,I'm glad to help :) Happy Designing, Haksen Studio

Dynatron is a bold condensed retro-style font inspired by the old sci-fi comic covers, an example of which I have mocked up here.

An old extended Grotesque for use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.

Alstoria is a Bold Serif Display font. Suitable for your projects like branding, packaging, printing, header, and many more. Contains 320+ glyphs and 10 ligatures. You could check the full glyph map at this link. This font also contains many swash alternates option to play. Works well for vintage and modern style like you see in our preview images.

The family of Tipografia Maracatu was born in 2020 when we could not leave the house because of the coronavirus epidemic. I had no idea how it would turn out. I just wanted to draw letters. When I finished the regular version, I thought it looked a lot like the art and music from the Northeast of Brazil, and that is why I came up with the name Maracatu. Maracatu is a musical-style original from the Northeast of Brazil. After I had the font style and the Regular version, I thought it would be nice to have Bold and Light.

Introducing the pretty amazing script font that will add a bold feel called Hallo Berthany. This font has already OpenType features such as swashes, alternates, stylistic alternates, SS01-SS06 and supports 17 languages. Hallo Berthany is suitable for greeting cards, logotype, wedding, invitation card, signature mark and more. I've made the special font for all OpenType features like alternate, swashes, stylistic alternates etc. Get inspired by its unique style. What's included: - PUA encoded - Multilingual support - Opentype features If you have any questions or need technical support, don't hesitate to drop a message or contact me. Thanks have a nice day!

Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.

The cover of vintage sheet music for "With Plenty of Money and You (The Gold Diggers' Lullaby)" from the Warner Brothers musical "Gold Diggers of 1937" had the movie title hand-lettered in a classic Art Deco style. Bold, brash and totally fun, this became the model for Golden Opportunity JNL.

Brough is a carefully crafted bold sans serif font. You can use it for a variety of design projects like posters, business cards, invitations, games, covers, social media posts, quote photos, branding, editorials, and much more.

Hagenbeck is an old style font face with the intention to get really bold. It's a design from 2019, drawn during a rainy stay in the eponymous district in Hamburg, the designers ‘hood for a long time. There is the bold weight and a decorative stamped version of this font face.

Nice for an authentic old fashioned flavor without being over-bearing.

Mastadoni is a bold headliner/masthead typeface, with high vertical contrast in a Didone style. That's the starting point at least. There's much more to this font than another modern clone. It is a specialized (only one weight) typeface that comes in five optical grades. Use G1 at very large sizes and G5 at smaller sizes. The grades can be combined so that the thins of type set at different point sizes appear the same thickness - a very useful feature for magazine layouts. Optical grades could also be used in circumstances where a logo needs to be size-specific; the text on your bistro sign can afford to be more delicate than that on your coffee cups. This is a typeface with a big x-height, small cap-height and stubby ascenders and descenders, which contribute to an overall appearance somewhat different from must Didones, and make for some interesting layout possibilities in tight spaces. Mastadoni features a number of useful OpenType features. All fonts include standard ligatures and automatic fractions. In the discretionary ligature feature, you'll find the esoteric "percent off" glyph. Just type '%ff' with dlig engaged and there it is! Case-sensitive forms are available in all the fonts. The contextual alternates feature performs a subtle trick that resolves an optical illusion whereby two ascenders next to each other appear to be different heights. The Roman and Italic styles have a different group of stylistic sets as follows: Roman: SS01 substitutes a less decorative 4; SS02 is a different eszett; SS03 substitues the # with an attractive numero glyph; and SS04 gives an alternate K. Italic: SS01 and SS03 are the same as in the Romans; SS02 gives you more bulbous variants of v, w, and y letters; SS04 is a single storey g; SS05 changes C, G and S to non-ball-terminal varieties; and SS06 changes the swash versions of E, L, N and Q (when the swash feature is engaged). Speaking of the swash feature, the italic fonts feature swash capitals from A to Z, and swash variations for lower case h k m n v w and z. Lastly, the discretionary ligature feature in the italic fonts has vi, wi, KA and RA ligatures. Mastadoni is a typeface that would find itself immediately at home in glossy magazines, while offering a different aesthetic palette from the more standard choices of Didones.

The name's Heironymous Flask. Some of my acquaintances call me 'Hip.' Those that know me really well don't call me at all. In my game, you don't make friends. You make excuses. Like it says on the door, I'm a private hippopotamus. This is my story. This is my font. Features: Six weights (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lowercase alphabets.

Introducing a classic bold font Hallie. It's an elegant typeface with very high contrast shapes. Thin curly elements combined with bold base shapes brings vintage and modern impression at the same time. Hallie also has a lot of ligatures and swash symbols that helps to create an original lettering composition. It's perfect for labels and postcard design. Thank you and have a nice day!

Inspired by bold and slanted handwriting style, we present to you History Walker, a handwritten font with bold and slanted characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. History Walker is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

Phoveus Modern Serif, This professional resource is also powerful because each font has its own magical design. Comes with four versions Regular, Italic, Bold, Bold Italic. You can use it for almost anything like blog headers, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, invitations and quotes and so on. Feature: Uppercase Lowercase Number Accent (multilingual character) Thank you for your purchase!

"Back Wild" is a bold and chubby graffiti font that includes swash characters. Fonts with these attributes generally feature bold and wide letterforms, often with playful and rounded elements. Swash characters add decorative and stylish touches to the font, If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

Introducing Mottona Bold Script (OpenType Font) Mottona Bold Script is a modern script font, every single letters has been carefully crafted to make your text look beautiful. As a modern script style this font will be a perfect fit for a broad range of projects, like wedding invitations, greeting cards, posters, name cards, quotes, blog headers, branding, logo, fashion, apparel, stationery, etc. Mottona Bold Script allows you to customize your text by making use of the many character variations included: Stylistic Alternates in Stylistic Sets, Initial and Terminal Forms as well as ligatures can be activated in OpenType savvy applications like Adobe Photoshop, Adobe Illustrator or Adobe InDesign or accessed via glyphs panel. Just change the regular character variant to its design alternative to customize to the layout of your dreams! Files included: - Mottona Bold Features: - Basic Latin A-Z and a-z - Numbers & Symbols - Stylistic Set & Ligatures - PUA-encoded characters - Latin "Pro" characters Thanks for your visit :-)

Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs. Due to the high contrast in the design - slightly reminescent of didone typefaces - Blacker has been developed in two optical subfamilies. The display version offers tighter tracking, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering at smaller sizes, with lower contrast and looser spacing. In the pro version, two additional condensed variant families have been added (condensed display and condensed text) allowing for more freedom and versatility in typesetting where space constraints are present. Also, three titling uppercase-only variants have been added, with a slightly extended feel, and two decorative subfamilies (inline and diamond). Each of these seven variants has been developed in six weights from light to heavy, with matching italics, for a total of 69 styles covering a wide range of editorial and advertising uses. All Blacker Pro feature a revised and extended character set covering over two hundred languages using the latin, cyrillic and greek alphabets. Open type features include small caps, positional numerals, fractions, superior & inferior figures, alternate forms, and an extended set of standard and discretionary ligatures. With its bold personality, Blacker aims to be a modern classic used for bold statements and self-conscious brands, making your text look great both on paper and on the screens.

A monospaced typeface meant to look and feel like an old typewriter.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

This time, I would like to introduce a bold typeface called "Madame Karoline", which has an attractive retro atmosphere. This font looks interesting too, as I've added some alternatives that you can use. Don't forget to add an extruded style to make your design look more appealing. This font is suitable for those who want a design that shows an old-school side but still relates to a modern look that is attractive . No problem if you have experience using this font in your designs. Make this font one of your computer's font collection.

In Lewis F. Day’s 1910 classic, Alphabets Old and New, the author presented the inspiration for this typeface as an example of German monumental lettering, most likely to suggest not that the typeface was really big, but that it had been found on German monuments. Bold yet charming, the face takes its name from a picturesque village in the Bavarian Alps which was the ancestral home of the Gröbl line of Curtii forebears. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Introduction to Celan Bold Serif Font The Celan – Bold Serif font stands out with its robust and masculine appearance. It features thick, strong lines and minimal white space. This design choice gives it a dominant presence, making it ideal for impactful titles. Characteristics of the Font Celan is characterized by its bold, assertive strokes. The limited white space between letters enhances its solidity. This quality makes the font appear more masculine and forceful. Its serif design adds a touch of classic elegance. Ideal Uses of Celan – Bold Serif This font is perfect for powerful titles that need to command attention. Its boldness makes it suitable for headers in various mediums like posters, websites, and magazines. The strong character of the font conveys confidence and authority.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

I’m glad to present my new hand-drawn typeface Blueberry Spot. The clearances in some letters are filled as if somebody put a blueberry blot in them. Also, I created the second style of this font. If you don’t want blots use a clear style. This font is perfect for making your project look pleasantly scruffy, handmade. Use it for nice identity, funny craft package, blog posts, holidays poster, etc. What's included? Regular and Clean styles Uppercase and lowercase Multilingual support Numbers Symbols Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Kwaliteit is the result of a love story. The love story between a font designer and an old embossing label machine. The big bold letters produced by such machines are wonderful to convey a big bold message (big bold messages are fun!), but sometimes you just can't walk around with one of those antique label machines… That's why this font can come in handy! Its uses are numerous… be the boss of emboss!

Skizzors is a family designed by Ethan Dunham created by cutting letters out of paper. The fonts have an irregular edge but are clean and legible. The bold version is almost black and complements the regular version nicely.

Solastion is a signature style font that looks both bold and sheer. An elegant looking font and lots of unique characters like natural hand strokes. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Stylistic Set, Swash Ligature, Multilanguage

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Our new font is versatile. DEEP INSIDE is suitable for completely different needs and areas of your activity and business. But most interestingly, it will be seen in the composition of logos, slogans, various titles and headlines. We are currently developing various typefaces for the DEEP INSIDE font family. Keep for updates. We will be glad if our font complements and improves your project and leads you to success!