Comic book font dedicated for fantasy characters like dragons, elves, angels, trolls, orks etc.

FG Lova is a small connected script font that looks like old letter writing.

Saga is a gorgeous bold script, strong and special. Perfect for highlights like headers.

Inspired by Alf Becker's Rounded Block letterstyle. Nice 30's/40's era appeal.

AggressIan is the release of the first font I ever drew. It was done by hand with triangle and parallel rule back in the mid-1980s. I originally called it Aggressor, but I never liked it. My local type designer friend, Ian Roberts, really likes this type of drawing and told me I had to release it. So I named it after him. The small caps should work well if you need a bolder version. It has oldstyle and lining figures, plus the small cap figures. I hope you like it.

Nerone is a quasi-unicase display type family in four weights, from light to black. In its lighter versions, it's reminiscent of dignified flared serifs like Albertus. In its black version, it's comparable to display faces like Serif Gothic, with a hint of Mostra-like despotism... Inspired by ancient Roman capitals, Nerone takes a whimsical look at how they might turn into a black fatface, and how a matching lowercase might give the whole affair a whimsical feel — specifically when applied to fun branding and marketing uses. Part of The Ampersand Forest's Sondheim Series.

Federico is a typeface based on the handwriting of Federico Garcia Lorca, the eminent Spanish poet and playwright (1898-1936). Original version was designed for a book about Lorca. The face has two styles. One looks like an original poets writing, the second looks like if Lorca would write with a ball pen. Federico includes many alternative glyphs and ligatures, which make it look like a real writing of an emotional, negligent, creative man. Despite the fact that Garcia Lorca has written in spanish, the font has western and eastern european, cyrillic, turkish letters.

I‘d like to introduce “Charlonka“ to you. When my daughter finished high school, she wanted to get rid of her entire school stuff. So I saved a few sheets of her beautiful handwriting and promised her to create a typeface out of it. That‘s how the idea of Charlonka was born, a typeface family out of Charlotte‘s handwriting (by the way: that‘s her name). Some characters of Charlonka have extended crossbars, like in upper case A or H, and reduced descenders, like in lower case g or y.

A biscuit and a cup of coffee, a biscuit and a cup of tee ... both are obvious - but what about a biscuit and a glass of juice? I loved that combination as a kid (and I even crumbled the biscuit in the juice...yuck...I wouldn't do that today!!! Anyway, here you have a legible uppercase font with a nice handmade look. I've added 4 different versions of each letter, which makes the font look really nice and slightly jumpy. I even added two nice swashes to the N and K. Enjoy!

Soul Skull ist a special Version of my Font „Soul“ (soul ultra black). For a long Time i want to make a Font like this. Before FL6 that was impossible. I know it is a big File Size for a Font with all the Graphics but i need a Font like this for a Halloween Projekt. And so i did it myself. I hope you like it as i do! At this time i will say Thank you for FontLab 6 It is so much better than V5. I love this App :)

Like many cities in the Midlands and North of England, Stoke-on-Trent has a rich history linked to making and industry. In Stoke’s case it was pottery. In the early 1900s bottle kilns could be seen covering the landscape of the six towns making up Stoke-on-Trent with hundreds of factories producing some of the best ceramics in the world. But by the 1990s most of these had gone. Torn down for development of housing or just left to rot. During the next few decades Stoke continued to change. The industry was in a decline and Stoke itself was seen as another poor midlands city with a dwindling industry. Then in 2008, Spode, one of the largest and most famousceramics factories in Stoke entered into administration. Pens cast aside, drawings left half finished, designs left in the turned-off kilns; Spode factory was abandoned. This was a real shock and the way everything was getting thrown into skips to be put on the tip was heartbreaking. Thankfully people salvaged some of the technical drawings, sketch design, old sample pieces and ceramics that people hard worked so hard on. Potbank has been in development over a number of years taking inspiration from the heritage and designs from the ceramics industry. It has a mixed Clarendon and Antiqua style structure with its main purpose to be used as a printed type.

Pauline Script is a Vintage inspired Monoline script. It's a contemporary script inspired by the past, now available to the Instagram era. Pauline Script is a follow up to the popular Pauline typeface. Pauline was one of my first typefaces, all the way back in 2008. Inspired by a variety of influences, from Art Deco signage, to a simple spice label, Pauline Script has very little stroke contrast and was inspired by Retro connected scripts. Over the course of its evolution, it started to take on more influence from geometric sans serif typefaces and lost the connectors. There's a strong geometric streak, derived from 1930s sans serifs like Futura. Tall ascenders and descenders give it a unique look. Now, this script version has now come full circle, utilizing the original sans serif face design and adding connectors back in, with an optically corrected dynamic slant. For invitations, signage, logos or other applications, Pauline Script is there when you need something that stands out with a touch of class and a sense of uniqueness. Turning on Contextual Alternates (non connecting ending forms) and Discretionary Ligatures (better letter connections) is highly recommended. There's a wide range of weights available. It's a playful typeface with options to either have everything connected, or alternate forms which allow for letter connections that still maintain the sense of flow of a script. Includes plenty of ligatures!

Palatino Arabic is a collaboration between Lebanese designer Nadine Chahine and Prof. Hermann Zapf. The design is based on the Al-Ahram typeface designed by Zapf in 1956 but reworked and modified to fit the Palatino nova family. The design is Naskh in style but with a strong influence of the Thuluth style as well. This is evident in the swash-like finials and the wide proportions of the letterforms. It is designed for use in print in both large and small sizes. The counters are wide open to allow for better readability in small sizes as well as to maintain an open and friendly appearance. The font has 1091 glyphs and includes a large number of extra ligatures and stylistic alternates as well as the basic Latin part of Palatino nova and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Palatino Arabic wins Type Directors Club award. Each year, the New York-based Type Directors Club judges typeface designs from all over the world in their TDC2 contest. Linotype is pleased to announce that a very new typeface of its own is among 2008’s winners: Palatino Arabic. A collaboration between Nadine Chahine and Prof. Hermann Zapf, this face is an extension of Zapf’s Al-Ahram Arabic type from 1956 recreated to join the Palatino nova family.

I recently walked part of the South West Coast Path in the UK. A couple of days in the hike, I came across a small cafe and I decided to have an oat latte (I am lactose intolerant). Since it was early in the morning, the breakfast menu was out and one of the items I noticed was ‘Overnight Oats’. I normally cook my oats with some lactose free milk and water, but apparently you can soak them overnight, add fruit and nuts and eat it like that. I tried it, it’s ok, but I think I prefer the cooked version. Overnight Oats is a bit of an odd font: it is very higgledy piggledy, yet legible and unique. If you want something out of the ordinary, then this may be your font!

Lukara Script Font is a script decorative font with which you can achieve handwritten-type lettering feeling on the spot. Of course, Lukara supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all European languages. In addition, the font has a really nice flow so you use it in a large text if you want to give them a handmade aesthetic. Also, it can be used on social media content, for branding, wedding invitations, or packaging. The bouncy romantic flow of this font is perfect for “save the date” cards and any other wedding print material. Again, this modern script font is perfect for a variety of graphic design needs like social media quotes, blog headers, posters, stationery, and branding.

Thanksgiving Joy - Various Fun Font is a whimsical and playful typeface designed to celebrate the spirit of Thanksgiving. With its rounded and friendly characters, this font adds an element of fun and warmth to your designs, making it a perfect choice for projects related to this special holiday. This font boasts nine delightful decorative variations, each inspired by different Thanksgiving motifs like turkey, pumpkins, pie, leaves, and hats. It's an ideal font for creating Thanksgiving-themed designs, including invitation cards, birthday invites with a Thanksgiving theme, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more. With its charming and playful style, Thanksgiving Joy captures the essence of gratitude, celebration, and the joy of Thanksgiving, making it an ideal choice for any project that aims to bring the warmth of this holiday to life

Sharik Sans (named after the brave and smart dog-hero from my favorite TV series) has a warm and gentle personality. It does not shout; it does not stand out. Sharik serves his master in everyday work. Although it is a sans serif, you can feel a calligrapher’s touch in its subtle details and endings. They shine out, especially at display sizes. The family consists of nine weights plus matching italics. It meets most of the needs designers deal with on a daily basis, including web usage. It is stuffed up with various OpenType features such as small capitals, a wide set of numerals, fractions, ordinals, alternates, and, of course, ligatures. And it perfectly harmonises with my other serif-like typeface family Clavo. NB: This font is NOT style linked by weight!

Tall, thin and elegant, Marian Churchland’s fonts are very much like her.. and now available from those awfully nice chaps at Comicraft to allow you to pretend that you are too! Marian Churchland was born in Canada in 1982, and was raised on a strict diet of fine literature and epic fantasy video games. She has a BA in Interdisciplinary Studies (English Literature and Visual Arts) from the University of British Columbia, and has been doing professional illustration work, including book covers and magazine articles, since she was 17. Last year, she became the first woman to solo-illustrate a CONAN story, and this year she’s illustrating three issues of ELEPHANTMEN for Image Comics. Artwork by Marian Churchland from Elephantmen #20. See the families related to Marian Churchland Journal: Marian Churchland .

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

Foncy Serif features open, ligature and alternative types that are packaged in 3 fonts: Regular, Italic and Bold. Foncy fonts include uppercase, lowercase, numbers, punctuation and multilingual support. Foncy Serif is an elegant and unique serif font, thin yet impressive. Expertly designed to make your creations look amazing, this font will look beautiful and impressive with a variety of characters to display and is perfect for use on various ideas such as Editorial Projects, Logo Designs, Weddings, Clothing Branding, Product Packaging, Magazine Headers or simply as a stylish text overlay for any background image which will make your presentation more stunning and stand out. Foncy Serif also supports Multi Language and is PUA encoded !! Give us "likes" and support our work. Thank you very much. Have a nice day and Enjoy!!!

Tulipán Broken Caps Pro is new variable/complement of Tulipán Broken Caps, it includes 200 interesting ligatures, specially designed for games, apps, books, logos and packaging. Its bold structure is perfect to give great effects.

The font consists of two styles, includes more than 200 essential symbols that can satisfy any task. Suitable for banner designs, book covers, magazine headlines, website titles, and logo design. Thank you for your purchase!