Rengita is a serif font with a luxurious, elegant, modern, unique and classy look. This font was specially created for luxury themed projects, branding projects, Magazine, Social Media, Branding, Logos, website headers or simply as a stylish text overlay to any background image. and Many more need a Luxury touch. Rengita includes full set: Ligature stand discretionary Ligatures uppercase and lowercase multilingual character number punctuation If there's anything else you're not sure about, feel free to message me :) That's it! Have fun using Rengita Serif! Display!!

Martabat is an monoline script font wich natural movement. I made this font inspired by the concept of simple signature and made it into a modern yet clean style. I also added some ligatures and alternatives swashes that are very interesting when applied. This font is perfect for creating signature logos or just watermarks for your photography studio or print templates like posters, branding, quotes, or anything else. Alternative and swash characters are also available. Very recommended to use in Adobe Illustrator, Adobe Photoshop, CorelDraw.

Hello friends... We are proud to present our new font. New natural Longsile Display with a classy and Modern style makes this font look elegant, natural, stylish. Longsile would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme. Longsile was built with OpenType features and includes initial and ending stylistics, alternative characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports other languages. Enjoy!

Ames’ Roman is a stylish ‘New-Style’ Didone Roman family offered in divers weights and widths. It is designed to embody clarity combined with dramatic contrast between horizontal and vertical strokes. All typefaces include small capital forms, new and old style numerals (and indeed ‘small capital’ numerals for consistency). Ames’ is a Roman with the charm of the past and the spirit of the future! It’s ideal for headings and titles and anywhere else you need text of distinction. Watch out for the forthcoming Ames’ Text…

Hello, this time we would like to introduce a new product. namely "Chaviera", a Serif display font that has a classic, feminine, and elegant style wrapped with a beautiful Alternate stylist. The Chaviera font is perfect for various projects like logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermarks, special events or anything else. Feature Uppercase Lowercase Numeral Functional Ligature Stylistic Multilingual Suitable for use All adobe software Coreldraw Microsoft office Mac Or Windows

Hadriel is a beautiful light handwritten font with a unique feel and looks stunning. This fantastic handwritten font is best suited for headlines of all sizes, as well as for blocks of text. Whether it’s for web, print, moving images, or anything else. It will add a luxury spark to any design project! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

The Revolancer Pro font was designed in addition to the unique Revolancer font, so this font looks more familiar. But this is only at first glance. This typeface combines the simplicity of classic grotesque typefaces with the freedom and independence of a Revolancer typeface. This font will give you freedom. The freedom to be unique, not like everyone else. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.

Smart, legible and elegant, Gravesend Sans is a based on the unique typeface used for the iconic grass-green signage for the Southern Railway. In existence from 1923 to 1948, when the network was nationalised, the Southern Railway linked London with the Channel ports, South West England, the South coast resorts and Kent. The same design was also used for the ‘hawkeye’ signs on the London, Midland and Scottish Railway, differentiated by black letters on a yellow background. Reference for each letter was taken from vintage ‘target’ station nameplates and other platform signage. The rarest letters were the Q, seen in Queens Road Battersea, the X, seen in East Brixton, and the Z, used in Maze Hill, site of an infamous train crash in 1958. Being hand-made, the letters often differ in width and thickness. There was no lower case. The Bluebell Railway, a heritage steam line, runs over part of the old Southern Railway network and uses a very similar type. The design of the numbers differed considerably, but here have been taken from the Device 112 Hours font Smokebox. As well identifying platforms, they were used on the front of the steam engine’s smokebox, hence the name, and stylistically are more in keeping with the letters than some of the squarer versions that can be seen in old photographs. William Caslon IV is credited with the first Latin sans-serif type, shown in a 1816 Caslon specimen book. ‘Two Lines English Egyptian’, as it was called, was caps-only, and there are several other correlations between that type design and this one. Includes a selection of authentic arrows and manicules, plus abbreviated ligatures such as ‘St.’ (Saint or Street) ‘Rd.’ (Road) and ‘Jn.’ (Junction). The Cameo version includes many graphic banner elements that can be freely combined.

For more than 70 years the 10-foot tall letters displaying the word FOSHAY have illuminated the Foshay Tower in the Minneapolis skyline. However, the typestyle has never been made into a font before. This new modern font family, dubbed Fosho Book, is optimized for book print usage as well as functioning as big bold display type on screen. The Fosho fonts are available in three styles: Outlines, Dotted Bulb Inlines and Composite with both. You can use the three styles in overlapping colors for dramatic chromatic effects.

OpenType Layout features: Smallcaps, stylistic alternates, localized forms, standard ligatures, uppercase-sensitive forms and spacing, oldstyle figures, lining figures, smallcap figures, arbitrary fractions, superscript, subscript. Corbel is designed to give an uncluttered and clean appearance on screen. The letter forms are open with soft, flowing curves. It is legible, clear, and functional at small sizes. At larger sizes, the detailing and style of the shapes is more apparent, resulting in a modern sans serif type with a wide range of possible uses. This font is suitable for business documents, email, web design.

The Daytona™ typeface family grew out Jim Wasco’s desire to design a readable and legible typeface for video and on screen use. Because of its high levels of legibility, the Daytona family is additionally an ideal design for display usage in digital user interfaces and a wide range of print applications. Wasco drew each character with legibility as a primary goal, some of the letters having unique attributes to minimize the ambiguity. Daytona Variables are font files which are featuring two width axes and have a preset instance from Thin to Fat.

Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

Amster is an energetic & refined type created by Francisco Gálvez, with a sharp idea on how elegance & legibility can meet harmoniously. Amster can build a text that is highly readable as well as friendly. It has five weights of roman & cursive both with smallcaps and fully-equipped with all OT sorts and even a wonderful set of illuminated initials. Amster is a very versatile typeface, allowing for a wide range of uses: screen to print, small text to display, science to poetry. Amster speaks more than 200 languages.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. The Semi Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. The expanded versions of the semi serif, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston's typeface for the London Underground and Gill Sans. A humanistic san serif typeface with a British modern quality. Open forms with subtle contrast promote good readability across a wide range of media in both print and screen. The compact letterforms give it a strong lateral dynamic that is space efficient across design layouts. Details include 620 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details. There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes. Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen. Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko. The font was released by ParaType in 2018.

Anicon Slab font consist of 18 weight: from Thin to Black with each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a fonts superfamily, semicondensed sans serif and slab serif with humanistic forms of characters. This font was crafted with the intention to present a clean, legible, multipurpose font family that is easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium.

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Gerbera is a new sans-serif with a distinct personality that fuses geometric and organic elements. It is at once hip and quaint, clear yet idiosyncratic, restrained but sensual. Its deliberately varied classical capital proportions and geometric structure are balanced by slightly reversed stress and pinched terminals on curved strokes. This versatile font comes in five weights with their italics and offers a variety of Open Type features, including small caps, alternate characters and punctuation, five sets of figures, and CE, Baltic, and Cyrillic support. Designed by Gayaneh Bagdasaryan & Vyacheslav Kirilenko, 2014-2022.

Mr Chalk has a simple goal: being Mr Chalk. This font sets out to occupy a form indistinguishable from the real thing, and comes as close as ink will get. Looking at this font you can hear the scrabble of writing on a chalkboard, though the character is more of a mischievous child than a strict teacher. Round and free, Mr Chalk is a light and fluffy font ideal for an impersonal and friendly tone. If you're looking for another Chalk based font check out Lippy, a typeface for both lipstick and chalk based finishes!

Ponzastura typeface was inspired by Aldo Novarese's Eurostile, but in this case, monolinear strokes took on contrast and stress. The classical appearance of Ponzastura, whose name is inspired by the Italian city Pontestura where A. Novarese was born, is more of a reaction and interplay. The character set supports most European languages and contains ligatures as well as symbols, figures and alternative characters. Its strength is in a simplicity and format; recommended for use in headlines or short sentences. Ponzastura typeface can fill in a gap of high-contrasted fonts of nowadays.

Anicon Sans font family consist of 18 weight: from Thin to Black, each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a superfamily, semi condensed sans serif and slab serif with humanistic forms in the characters. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Loraine was born in London. She was an ordinary, hardworking family person, with nothing to worry about beyond paying the rent at the end of the month or keeping the fridge full. Until in 2009 she came to Barcelona on holiday. Soon after she arrived her passport was stolen from her and she had a series of problems with the British embassy. Somebody had made illegal use of her passport. So Loraine found herself in a strange place, unable to get home. She didn’t know anyone there and her circumstances meant she couldn’t ask for help from England, either. She had to sell all her possessions and, in time, learn to speak Spanish. “Living in the street is a wonderful adventure,” she says. In the street she discovered a new city, a new country and a new culture. “There are lots of people who prefer to sleep under the stars.” She also made lots of friends who helped her in a completely unfamiliar world.

The Rock is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, The Rock is ideal for logos, apparel,T-shirts, Hoodie, quotes, product packaging, or anything which needs a typographic turbo-boost. The Rock Regular is the standard version of the font. Perfect for titles and logos. The Rock Swash is if you need a cool underline under your text or a splash of paint. This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font. Language Support - We've added in a great deal of extra characters to support many different languages. Commercial/Extended License - This is in your design arsenal for life! Use on end products for sale is permitted with the standard license. Ligatures - Even though this is a capital letter, it is equipped with Ligatures.

Barata Display is an all caps script family font inspired by the street vendors and informal commerce in Latin countries. A condensed defined and thick stroke evokes the chalk signs that are made in "tianguis", markets, greengrocers, barbecues and flea markets from Los Angeles to Buenos Aires. It is a typeface that "SCREAM" buy me, save money, discounted, almost Free, opportunity!. What distinguishes the New Barata Display from Estudio Arellano Type Foundry is the expressive power of its structure. The Alphabet is built on the geometric principle of free traces from freehand writing. Composed of 236 capital Roman characters, Barata Display includes most common accents and diacritics. Barata Display can be used in any kind of commercial or personal promotion, in graphic design, web, print, animation, etc. Perfect for price labels, tags and other applications such as posters and t-shirts. It is a typeface ideal for headlines and Lettering.

hello creatives Introducing Vecthorized Graffiti which is inspired by street shooting writing which has a unique appearance with the addition of Alternate, Ligature, Swash and is accompanied by additional ornaments that you can adjust to your own style. Can be applied such as t-shirt designs, stickers, image styles, etc. FEATURES; Upper and lower case letters. Support Foreign, Numbers and Punctuation. Alternates, Ligatures, Swashes and Ornaments Works on PC and Mobile. Simple installation. Can be accessed in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, even works in Microsoft Word. Fully accessible without additional design software. Vecthorized is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any additional characters to paste into your favorite text editor/app. Thank you for visiting ;)

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

Proudly present Back In Black - Hand Brush Type, created by ikiiko. Back in Black is a hand-drawn brush font that attempts to reflect the urban vibe of suburban walls. The expressive stroke style of this typeface mimics the look of graffiti and other street art with bold strokes that produce striking, eye-catching graphics. Large-scale text elements work very well with this font. They can be used to produce a wide variety of designs, from playful and whimsical to edgy and rebellious. Additionally, a level of artistic expression unattainable with more conventional fonts is made possible by the strong strokes and asymmetrical shapes. This type is very suitable for making a poster, magazine layout, book cover, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Stylistic Ligature Multilingual Support Works on PC & Mac

Violia from HandletterYean is a simple, elegant and authentic signature font with a contemporary feel. It will add a sophisticated spark to any design idea. This font is suitable for your creative work on greeting cards, branding materials, business cards, quotes, posters, wedding cards, logo design, blog design, stationery, marketing, magazines and more! What’s included: 1. Violia (OTF) 2. Style in this font include: Regular, Bold, Italic, Bold italic 3. Works both on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and CorelDraw. More information about how to access alternate glyphs, check out this link ( http://goo.gl/ZT7PqK )

Debs was inspired by a thank you note sent from one of my friends to another. The recipient liked the handwriting so much that he passed the note on to me after having asked permission from Debs, the writer. I enjoyed the vigor and looseness of the handwriting, as well as admiring its legibility and style. Debs has all the characteristics of modern handwriting: It appears loose, unstructured, and free, while maintaining good form and great legibility. Its baseline is varied, creating an impression of notes written by busy people, while its characters remain well formed and readable. Debs comes in five styles, regular, lite, black, wide and wide-black. Use Debs for advertising, for casual greeting cards, for a casual, handwritten look on music or fashion media. Debs has all the features usually included in a fully professional font. Language support includes all European character sets.

Chronica Pro is a new contemporary font family focusing on balance and quality for high professional use. Designed with a lot of attention to details and versatility, Chronica Pro could satisfy all kinds of demands such as editorial design, brand creation, graphic design, signage as well as on screen, apps, web sites, ebooks, etc. With its 18 fonts, Chronica Pro can be defined as a humanist spirit in a geometric body and supports international communication extending to Central, Western and Eastern European languages. This typeface contains professional OpenType : alternate letters, case sensitive forms, proportional figures, tabular figures, numerators, superscripts, denominators, scientific inferiors, subscript, ordinals, fractions, arrows, ligatures. Chronica Pro has been also designed with a high level of Pro kerning to meet the needs of complex editorial design.

Arkeo BT is designer Brian Sooy's first typeface family published by Bitstream. Given very few design elements to work with, Brian has designed a bitmap font that is unique and very readable. There are three widths, Condensed, Regular and Extended. In our opinion, pixels never looked so good. Arkeo performs equally well on screen and as on paper. The OpenType versions include an extended character set featuring oldstyle figures, fractions and additional f-ligatures. Design was begun in late 2001 and completed in 2002. Sooy asked Bitstream to critique, which we did gladly. We also added additional characters for OpenType. This included alternate figure set, an extended set of fractions and additional f-ligatures. Sooy used preliminary versions for setting parts of the TypeCon 2002 material and website.

Qonora is an innovative new sans-serif text face that combines flowing, almost calligraphic strokes with a post-modern sensibility for a look that works as well on the printed page as it does on screen. Its comfortable proportions and no-nonsense streamlining (note the lack of spurs, serifs or any unnecessary ornamentation) make it an excellent choice for legibility even at very small point sizes. Qonora includes a true italic, drawn independently from the Roman. Strokes for the italic have been re-weighted to complement the Roman, and idiosyncratic italic glyphs have been substituted where appropriate. The typeface’s extensive Hebrew implementation (including diacritics and cantillation marks) is an important part of its character. The Latin, Cyrillic and Greek ranges of the face maintain a consistent ethic of form and function.

Tatline was intended to be a fun side project that developed into something cool and rather unprecedented. It's bold, it's chunky —and it just looks good whether it's a mock movie poster or a key element in a brand identity for a business. With serifs thicker than stems, it looks more down to earth, solid, reliable and firm. And yet there's an almost imperceptible playfulness in the way it looks and behaved on the screen and paper. Tatline would look great on posters and flyers. We've tried creating a coffee brand identity with it —and surprise, looks great again. Maybe it's magic, but we like to think it's just a result of tough work put into creation of Tatline. Try it yourself and let us know what you think!

This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities. FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen. This FontFont is a member of the FF DIN super family, which also includes FF DIN.

Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work. The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages. A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.

An offbeat alternate caps typestyle inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. This playful and childish font comes with an extensive language set, a stylistic alternates feature that auto-alternates between capitals & lowercase (alt caps), as well as a contextual alternates feature that auto-alternates between sets only where double characters are typed like SS, TT, etc. The contextual alternate feature also enables a few titling word options like " the " " in " and " in the ". As noted in the quotes, when these word sets are typed with a space before and after them, it will trigger the swap when contextual alternates is on. Switching on Contextual Alternates enables automatic alternations between caps and alt caps like AlTeRnAtIoNs to create a more randomized look.

Loaded with personality and functionality, Cresta is built to look good while surviving the worst conditions. It is at home on screen and in a magazine. Its six weights are intended to be used everywhere. Unlike most typefaces, Cresta was built without a reference. For this project, everything design choice was based on what worked best for a workhorse sans serif family. Cresta was originally created as the primary typeface for this website. This meant it needed to work in copy, headlines, and navigation across all devices, browsers and operating systems. This meant it needed to be sturdy and have enough character to make it stand out from other UI typefaces. With its large x-height, ample counters, and giant apertures, Cresta is meant for easy utility in rough conditions. Even with all of this, that doesnít mean that its dull; as the weights increase, the style of Cresta becomes more appearant. This style is defined most apparently by the terminals on the lowercase r and the angle of the joins between the curved and straight strokes (such as in the connection on the n).