Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Two Cents Plain JNL is a simple sans design for titling, sign work, display ads and so forth. The name is derived from the way folks in the Northeast used to ask for a glass of seltzer water at restaurants and soda fountains decades ago: "Give me a two cents plain." It was always cheaper to order plain seltzer than to have flavored syrup added, and this was especially true in the years during the Great Depression when every penny made a difference.

Schola Serif is a neo classic serif font that reinterpret the classic Latin style structure and expression in a modern and intriguing way. Schola Serif looks sharply defined, giving clear-cut impression. It features sharp serif and details and presents its own distinctive character when used in title or sub headline or written with over 16pt. Font with 5 different weights, over 60+ languages, 9 OpenType features. It really does work in everything ranging from editorial design, graphic, and even integrated branding design.

Bloery is a neo grotesque font modified with extended proportion. Comes with a modern look, this font suitable for display and body text. Bloery is a good choice for editorial design, branding, app design and web design. Comes with 7 weights from Thin to Bold with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 540+ glyphs supporting all western, eastern and central european languages (over 200 languages supported).

Oh no, not another typewriter font! But Klaklak is different. Not only has Klaklak four weights from worn out ink (light) to typing twice (bold), an Italic (which is Regular with authentic underlines as there is no Italic on typewriters) and an x-through font called Klaxxx (no need to erase your typos – just x them out (just kidding 😊)). It also does a lot to avoid repeating letterforms by first replacing about 320 common letter combinations by ligatures and then mixing them up with 4 style sets which results in about 1300 ligatures and more than 2600 glyphs in total per font. The result is a very realistic appearance of a mechanical typewriter. All you have to do is turn on Ligatures and Contextual Alternates in your favourite layout app. Of course Klaklak is multilingual, supports a lot of Latin based languages and has all glyphs for even demanding layout tasks. Enjoy!

Asbigan is an beautiful and very elegant font for brand and logo design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This font have 126 BEAUTIFUL LIGATURES is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Asbigan is also included full set of: ligatures uppercase and lowercase letters multilingual symbols numerals punctuation HOW TO ACCESS LIGATURES CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Thanks for checking out our font! I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most “ausgezeichnet” scripts and text faces to ever come out of Europe. This typeface, though lesser-known among Poppl’s other masterpieces, was one of the first in its genre to abandon blackletter influence and attempt letter variations based strictly on Roman alphabet shapes. Poppl’s idea spawned a whole generation of neo-gothics that can now be found on many a movie poster or book cover where the design must hint at secrets and dark sides. Lionheart succeeds with the idea of gradual curves leading to sharp concave or plano-concave terminals, to effectively build serious letter forms that speak of historical mystique and mystery. This font was was named after Richard I, King of England for a decade in the late 11th century. He reportedly exchanged many gifts of respect with Saladin, even though the two kings were on different sides of the Crusades. Lionheart comes in all popular font formats, with some alternates placed in accessible cells of the character set.

A narrow, modern Slab Serif. JOSEFOV is directly derived from the sans serif text font ”Hedwig“. Therefore, of course, it pairs best with “Hedwig”. The basic thought was to create a font with heavy rounded serifs in the style of ”Clarendon“ but which hardly reminds one of that particular font. The form principle of rounded serifs is applied whenever possible — for example at the points where the individual strokes of the characters join one another. JOSEFOV seems very technical, very constructed (and truly is). In order to soften up the rigid impression, the serifs are applied at some points contrary to the tradition handed down, as with the upper case A C G K M V W and the lower case a b d h i j k l s t. Historically there is no example of the laterally oriented serifs of capital and small s (S) and C G. On the other hand, the double-sided serifs on the stems of b d h k l appear at the beginning of modern times in the very first serif types from five hundred years ago. The double-sided serifs of A M V W were also customary in the first decades of printing. JOSEVOV is particularly suitable for topics such as nature, folklore, culture, music, nutrition.

Kolgar is a modern and classy serif font with a modern twist. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.

No mystery here—it's a larrupin' good lighter version of the original Whiz-Bang Woodtype goody, Dime Box. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Intense Emotion is a cute and simple handwritten font. No matter the topic, this natural and friendly font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

I really wanted to make my own condensed typeface for memes and such. I think i have succeeded. This typeface is so average looking that no one would suspect that it is in fact very radical.

This slab serif has an incredible type system. By using power of OpenType alternates, typographic flexibility going up and up as its name indicates. Serifs transform, change to small caps and ligatures give you rich typography.

P22 Snowflakes takes the DNA from many P22 fonts and ornaments and presents them in a geometric crystalline remix as snowflakes. No two are alike and these are also very different from any other snowflake font.

Flatsider JNL is a simple block (square) stencil font available in both regular and oblique versions. Plain, stark and with no unwanted embellishments, Flatsider JNL gives the look of structured compliance to any stencil-based text.

Neutrinos includes seven assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. Neutrinos is cholesterol free and contains no artificial sweeteners.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Loubag is a combination of modern sans serif and serif with a retro touch which makes Loubag unique. This family has 9 weights from thin to black, also includes a Variable style as well as multilingual support, numbers, and currency symbols. This versatile font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop. how to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Barsillago serif font family is a modern and bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! Augillion also support Multi Language Features Uppercase & Lowercase, Number & Symbol, Multi language, Ligatures, Alternates for each characters. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: -In Adobe Photoshop go to Window - glyphs -In Adobe Illustrator go to Type - glyphs Thanks & Happy designing

Jollin Family is a pretty, attractive and fashionable sans serif, has ton of alternates that you can use to create a simple but pretty letters. Jollin has 8 weights and 3 Widths and also available in Variable version Jollin Family Variable contain three configurable axes: weights, width, and slant, you can adjust the font axis setting to get the desire size. Jollin Perfect for Heading, logo creation, Advertisements, Christmas, Label, business card, branding and more! Get inspired by its fashionable appeal! to access alternate Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

He’s been mixing one part artist and one part barbarian since 2005. Brutal, ruthless, cutthroat, he moves through the concrete jungle, unsheathing his, um, sword, taking what he wants without care or remorse. He follows no rules. He is the URBAN BARBARIAN. The Spoils of Battle Await Him! Is he Conan? Roger ‘Mad Men’ Sterling? No, he’s Dan Panosian. Artist. Author. Lover of fine women, drinker of fine scotch, drawer of fine pictures. This is his fine font. Well, one of them. See the families related to Urban Barbarian: Dan Panosian Features: Two fonts: all-uppercase GIANT and upper/lowercase DWARF.

The Lamore Collection is a Minimalist Modern Elegant font faired prefect with Signature script font. Full of beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Lamore font is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Get Lamore Script on our website http://kaligra.co/

Scirocco is a hot and humid wind that blows from the Sahara over to France and Italy. It crosses the mediterranean sea and carries lots of fine desert dust with it. Once it hits the coast of Provençe one can feel it grinding ones teeth and see it as fine dust covering every car. It makes people go nuts! Scirocco, the typeface has that same hot moving character and the finer hairlines giving it a kind of Arabic touch. If you use it too much, it will make you go nuts. Your pretty crazy Gert Wiescher

Introducing Matterdi, an elegant High-Fashion serif family with tons of unique and fashionable ligatures. This versatile serif family contains 100+ unique, elegant ligatures and alternates. 9 weights available from Thin to Black which gives you many possibilities to layout your next projects. Perfect for word-marks, monograms, logos, branding projects, or to use as web font. Try Matterdi Bold for display titles or Matterdi Thin for a fashionable and elegant look. It is also perfect to pair with a hand-drawn script! How to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Introducing Lagerta it's bold monoline script with vintage texture inside the shape. This font comes with a retro style for a retro design, Lagerta a combine from modern script touch with some little roughness inside the shape to make this font look more like an unfinished old style. Lagerta will be perfect for designs such as logotypes, headlines, branding, signage, clothing, label, packaging and etc. Features: Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely. News Gothic BT™ font field guide including best practices, font pairings and alternatives.

Prettywise - Modern Retro Family Unique and beauty Modern serif family including 30+ ligatures and 100+ alternates to mix and match for a stunning display or header. This versatile family consists of 10 weights, variable styles as well as multilingual support, numbers, and currency symbols. Suitable for use in many design forms, for example, magazines, logos, web design, DIY projects, quotes, packaging, postcards, vintage or retro look badges, old classic music, the 60s, 70s, 80s era, stickers, label, wedding theme and many more. We recommend using Adobe Programs. to access alternate Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Fresh Mango - Retro Serif Font is a Classy Retro Serif typeface that looks incredible in both large and small settings as a display. Suitable for any branding purpose. Fonts Features : - Italic - Multilanguage - Alternates - PUA Encoded - Ligatures - Very easy to use in any software (Instructions included) HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Window - Type – glyphs I really hope you'll get pleasure using Fresh Mango font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you and enjoy!

Comma Base is a sans typeface for it has no serifs. No wait, it is a typical serif typeface because it has a high contrast. Strictly speaking, Comma Base is a missing link between serif and sans, offering the best of both worlds. Comma Base supports several OpenType features for advanced typographic control. It consists of 16 styles, 8 weights from Hairline to Ultra, in both roman and italic. Comma Base is a uniwidth font. This means changing a text from normal to bold doesn’t effect the set width, a professional feature that is highly appreciated by graphic designers.

I have no great love for walls, especially when they are built to keep people out. When I started working on this font, I realized it looked a bit like protest graffiti, found on… yes, walls. Down The Wall is a great little font: it is handwritten, messy and in your face. It has no real baseline and glyphs jump all over the place. Use it for book covers, posters, album covers - anything really. It certainly would look good on a wall too! Comes with a whole bunch of diacritics, so whatever you have to say, the world will understand.

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.

Just another ordinary brushfont? No! There is more to the picture than meets the eye! Ordinary Guy has 8 different versions of each letter! Just like magic, they cycle as you type! Included is multiple language support!

Perfect Day is a stylish handmade font: it is cute, neat and happy. I can’t guarantee that this font will make your days perfect, but you can give it a go and see where it takes you!

Yogurt Luber is a collections of cute and lovely doodles in one font. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.