Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Here's a fresh version of an old favorite, Loose New Roman, from the Schaedler Studio of New York. Easy, breezy and carefree, it's a natural for happy headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

Designed by Alex Rütten, Ginkgo is a stylish text typeface. It works well for setting extended passages of text at small sizes thanks to its open counters, generous character widths, and clear and unique letterforms. On top of that, the handling of details such as in the serifs, cross bars, and terminals are wonderful to appreciate when used at large point sizes as well. Gingko received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.

Remembering us of the early graffiti on the New York subways. And similar to creating and producing a graffiti, a "Piece", also the styles of Line44 are superposed in layers.

Genesee JNL is a medium-bold sans serif inspired by the letter shapes of Jeff Levine's Paper Stencil JNL, and named for the river valley that traverses Rochester, New York.

Belgian is a revival of an old type font from the Bruce Type Foundry of New York, Belgian was first designed as a caps-only font in the 1860s with the lowercase added in 1867. New to this classic font are the Black, Open, Inline and Distressed versions. Also new to Belgian is the addition of a Greek character set.

Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font from 1874 included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last 22 months. The OpenType versions of Silverland include between 230 and 370 kerning pairs each setup as auto ligature replacements, you will need an application such Adobe CS products in order to take advantage of this OpenType feature.

Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font from 1874 included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last twenty two months. The OpenType versions of Silverland include between 230 and 370 kerning pairs each setup as auto ligature replacements, you will need an application such Adobe CS products in order to take advantage of this OpenType feature.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

The renowned American illustrator and graphic designer Milton Glaser designed Glaser Stencil in 1970. Glaser Stencil is a perfect summation of both Modernist proportion and New York-style solidity and self-assurance. An all capitals font, the shapes of the letters are reminiscent of popular sans serif faces of the time, such as Futura and ITC Avant Garde Gothic. Like everything New York-related, Glaser Stencil should be used big, in headlines and display applications, where it can play a bold, proud, and confident role.

Picture yourself on a New York subway station platform with the location name set into the tiles on the wall. Borough Hall JNL evokes the feeling of urban industrialism at its best.

Sign Vendor JNL is a simple sans modeled from hand-lettering with a touch of Art Deco influence. The design is from a 1930s poster promoting winter activities in New York State.

Narrow Nouveau JNL come from the hand lettered title on a 1907 song folio for George M. Cohan's "The Talk of New York", and is available in both regular and oblique versions.

On the Town JNL is a reworking of Parks Department JNL, giving it a classic "solid black Art Deco treatment". The wide monoline font of the original design was inspired by hand lettering on a WPA (Works Progress Administration) poster. Art Deco typography and the streamlined style it embraced often conjures up images of New York City in the 1930s and 1940s, thus On the Town JNL is named for the classic MGM musical starry Gene Kelly, Frank Sinatra and Jules Munchen that was filmed on location in "the city that never sleeps".

The Federal Art Project division of the WPA (Works Progress Administration) employed numerous artists, musicians, actors and other creative sorts in a effort to help many survive the Great Depression of the 1930s. One of the posters created by this project was for a "Card Party and Barter Benefit" with proceeds going toward the Nassau Art Teachers Benefit Fund - taking place at the Coca-Cola plant in Rockville Centre, New York. East Village JNL was derived from this poster, and is available in both regular and oblique versions.

Like a bright star shimmering on a still and quiet summer night, Arched Gothic Condensed is a glowing example of Victorian type. Thin in the middle with clumpy wedges on top and bottom, it truly bears the spirit of a bygone era. Originally known as Concave Extra Condensed, this typeface has shed its waist-high spur notches and gained new figures and lowercase letters. Developed around 1885 by the James Conners & Son Foundry (New York), Arched Gothic Condensed is a marvel of sparkle and glitter in nineteenth century typeface design. Arched Gothic Condensed is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The free-form geometric shapes of the lettering on a vintage piece of sheet music entitled "Four Pictures" is the basis for Park Slope JNL, named for a neighborhood in Brooklyn, New York.

Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture. We recommend to combine Blaq with: Turquoise Nautica

Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

In the last decade of the 19th century, Bruce Type Founders, New York - among others - released this shaded typeface which they named Bowery. Carefully redrawn and digitized, RMU Bowery breathes fresh life into this great design.

A new gothic with the look for today. Available in 3 weights, universal, works for all applications.

Hey there! I'm happy to introduce to you my new ethnic-based font. Hurray! It was long and hard work because every glyph is unique. I sketched each letter of the font. Each letter is uniquely designed and has nordic folk art in the background. What you will get: Filled and Regular styles Icons and patterns font Uppercase (lowercase glyphs are same) Numbers and symbols Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL, which is available in both regular and oblique versions.

This stencil font, inspired by a fleeting glimpse of a Bronx plumber’s van seen through the rain-spattered window of a New York taxi, is evocative of urban grit, knock-down warehouse bargains and military supplies labeling.

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true. Yuge is a handwritten font - made with a Sharpie pen. Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

The Bruce Foundry in New York gave this Italian Clarendon the catchy name of Ornamented No. 1529. The original had a top right white shadow which we eliminated. Additionally we improved the color of several of the characters.

Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities for pirating other foundries' types.

Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.

A bold new look great for headlines, magazines very powerful yet very distinguished works extremely well for many applications.

New York vibes FS Irwin was born in New York while Senior Designer, Fernando Mello, was studying an intensive 5 week typeface design course at the Cooper Union. His brief was to design a perfectly clear typeface that could communicate well, without loud or overtly mannered design features. Fernando was influenced by the subway font in New York: ‘It is very in your face and clear, always in bold. It doesn’t shout much but at the same time is very present and unique. The design is completely different but it was this spirit I wanted to capture for FS Irwin.’ And the vibe of the city: ‘In a similar way to London, New York is so mixed and so cosmopolitan. I was amazed by the different styles and identities I saw there, and tried to encapsulate this essence to create something new, relevant and very now.’ Incisive quality Rather than focusing on quirks or distinctive characteristics, the key to FS Irwin is the quality of its design and spirit of simplicity. The design, proportions and details are usable and authentic and it is suitable for countless situations, without running the risk of being instantaneously noticeable. Families like this can be used on nearly anything, from more playful designs to serious corporate IDs. ‘Extensively tested and precisely drawn text-oriented typefaces are what I enjoy designing the most. There is a beauty and a different approach, a different way of making them interesting, sellable and usable rather than adding flicks or unexpected details.’ Inscriptions and calligraphy FS Irwin’s origin lies in Fernando’s studies in inscriptional lettering and writing-calligraphic exercises at the Cooper Union. Mello started the process by digitising his explorations and adapting them into a more workable sans serif structure. The traditional forms of writing which gave the basis to Latin type as we know it today were the perfect place to start. This influence can be seen in the proportion of the capitals and in slight writing-calligraphic details in the lowercase, such as the slightly angled, chiselled spurs and their open terminals.

This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts are not too well known.

Sweet boho is this amazing typeface handmade script font we created in freestyle for those of you who do work and crafts. It's perfect for any type of work you're working various purposes such as logos, wedding invitations, headings, t-shirts, letterheads, signage, labels, news, posters, badges etc.