Buckin is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 691+ glyphs. Buckin comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Geonik Pro and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Johnny is the latest addition to the long line of popular psychedelic/hippy/funky art nouveau fonts representing the retro side of the Canada Type library. It is the digitization of a popular 1969 Phil Martin typeface that was known by two different names: Harem and Margit. The film type version had plenty of irregularities and quirks that made it seem like it was done in a hurry. In this digital version the errors have been corrected and the character set expanded to include international characters with built-in alternates, to be on par with what today's layout artists expect from a high quality font. This font saw a lot of use on record sleeves and music posters throughout the pre-disco part of the 1970s, which makes it a veteran of both the psychedelic and funk periods. This makes it the sharper, sturdier art nouveau contemporary personality of Canada Type's Tomato font. This font contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

Inspired by winter and Christmas, this modern calligraphy font duo is right for any of your projects. These fonts are in perfect harmony with each other and complement each other. With them you can create a beautiful composition. You can also use them individually. There are alternatives in the script that will help make your project more attractive, in a sans font you will see bold and thin letters that diversify your design.

Leronine is an elegant, modern and contrast sans-serif font. It includes upright and Oblique style. This is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Leronine includes stylistic alternates and ligature. with them, you can change the style of your project and add personality to it and make it more stylized.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

NarrowPath is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family was derived from the font family NarrowWay by adding true lower-case letters. Some alternative letters forms can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. Uses may include packaging, signage, and titles.

Inspired by retro movies and theatre display design. A very condensed font made by Minor Praxis. Perfect for headlines, tall-format prints, posters, and displays which can utilize space of a medium. Neugen is a condensed type of font with a very dense kern. Give a strong impression which can be matched with basic sans serif fonts as a body copy that can make it more casual and modern looks. Available in medium and medium-rounded style with multi languages support. Ligatures, alternates, and stuff like icons and symbols.

Sangkane sanscript is a modern bold script font. This font is a combination of uppercase and lowercase which can stand alone or as a unit. For example, sans serif uppercase can be used for titles, headlines, logos, branding or others. Lowercase that can be used for wedding invitations, greeting cards, or as complementary text in each of your designs. Of course, the uppercase and lowercase combination will stand out even more if combined. Masterfully designed to become a true favorite, this font has the potential to take your every creative idea to the highest level!

Logik is a futuristic square sans serif typeface. Its personality is defined by squared-off corners that you would normally expect to be rounded, this sharpness gives the glyphs an eccentricity that the eye quickly adjusts to. Sharp, incised/stylised ink traps along with slightly tapered/curved horizontals and verticals add to the character of each letterform. These subtleties combine to give Logik a distinctively futuristic aura. Logik’s main use would be for headlines, short runs of text, branding and display purposes – ideally suited for film and book titles, Logik could be widely used for sports, media and recreation purposes also. Logik comes in 7 weights (from Thin to Black) across 3 widths – Regular, Wide, and Extended. Each font covers all European Latin-based languages and includes Old Style Figures, Small Caps, and some Case-Sensitive Forms. Key features: 7 Weights in Roman and Oblique 3 Widths – Regular, Wide, Extended Small Caps Old Style Figures European Language Support (Latin) 550+ glyphs per font.

Type designer Hannes von Döhren created Klint. A sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, regular, and extended. All of the 15 Klint variants have a companion Italic, rounding out family at 30 fonts. Klint's large x-height makes the design especially legible at small point sizes. In today's day and age, appliance manufacturers and/or companies in the mobile phone, computer hardware and software or Internet sectors are becoming ever more important. Klint fills the rising need for superfamilies with a technical feeling that are also legible in both text and display settings. Through conspicuous letters like R, K, k, or g, as well as the independent nature of its Italic, Klint exudes an ethos that separates it from the competition. Longer text passages in brochures, catalogs, or magazines would be well served by Klint's Light, Regular, and Medium weights. The heavier cuts are optimized for poster settings and headlines."

Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o», in an exercise of minimalist construction, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading. I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts for billboards, video games, movie titles, logos, publications, etc. They include the symbol of Bitcoin and other Cryptocurrencies.

Archive Garamond is a typeface roughly based on the designs of Claude Garamond (ca. 1480 – 1561), a French publisher and a leading typeface designer of that period. Garamond’s influence on type design is reflected in many typefaces that are today known under different commercial names. While the majority of contemporary digital interpretations of the “Garamond types” are cleaner and more polished versions of that genre, Archive Garamond tries to keep the rough nature which was typical in the early days of printing. Archive Garamond has a rather unique, distinctive temperament which is even more emphasised with the preserved non-uniformity, such as irregular glyph shapes or a variable baseline. Although Archive Garamond was clearly made to be used for display sizes it works surprisingly well in text. Archive Garamond is availale in three versions, each containing approximately 600 glyphs (in Pro versions). Archive Garamond Pro A Professional version of the typeface contains all glyphs, including the advanced typographic forms, such as different sets of figures, small caps, swashes, historical forms, etc. The font also enables full use of the OpenType features. It fully supports the languages listed in the language list. Archive Garamond Std A Standard version of the typeface is meant to be used for the basic typographic work. It typically contains the most common glyphs. The standard figures are proportional lining. Besides kerning this version does not contain any advanced OpenType features. A Standard file type fully supports the languages listed in the Language list. Archive Garamond Exp An Expert version contains glyphs that are supposed to be used in advanced typographic works. This type of file contains uppercase and small cap glyphs with the proportional oldstyle figures as the default set. Besides kerning this version does not contain any advanced OpenType features (all OTF features have to be replaced manually). An Expert file type fully supports the languages listed in the Language list.

One Ton is a really chunky stencil face that sticks to some strict rules, giving it a distinctively industrial, angular look. It's designed so that the spaces between characters all align in a strong grid. It can bring a ton of personality to signage, branding, editorial and packaging projects where you can afford to be a bit experimental.

British type designer Chris Burke created this serif FontFont in 1994. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for editorial and publishing and small text. FF Celeste Small Text provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Celeste super family, which also includes FF Celeste and FF Celeste Sans.

Fregan Typeface is sharp serif font with an elegant feel. Unique character by combining geometric shapes with organic curvy details. It is a unique typeface for your individual personality. Inspired by old-style serif and contemporary fonts. And additional Fregan Sans, working in harmony with Fregan Serif to create typography awesome creations. Perfectly for elegant branding, magazine design, logo design, headlines, posters, packaging, cards or your wedding invitation and more. 4 styles: Regular and Bold Latin based languages. OpenType features, including ligatures. OTF files. If you need help or advice, please contact me by e-mail "seniorsstudio@gmail.com" Thank you!

A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.

Baradig is a versatile grotesque sans serif font family. Baradig provides a unique collection of glyphs with wide spacing and strong yet subtle geometric outlines. Baradig will give you an extraordinary modern visual experience. These fonts also have alternate and ligature features which are perfect for completing various projects such as logos, brands, products, labels, websites, posters, and many more. Baradig fonts feature Open Type Format, kerning, ligature and alternate packed in 10 styles: Light, Light Italic, Regular, Italic, Medium, Medium Italic, SemiBold, Semibold Italic, Bold and Bold Italic. Baradig fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display and serif FontFont in 2000. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Serif provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Script.

German type designer Siegfried Rückel created this sans FontFont in 2011. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for film and tv, logo, branding and creative industries, software and gaming as well as web and screen design. FF Nuvo Mono provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular oldstyle, proportional oldstyle, and tabular lining figures. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo.

American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Providence super family, which also includes FF Providence Sans.

BERO – An elegant sans serif font BERO is clean and modern. This typeface provides a timeless look for any design. Use BERO for branding, magazine design, logo design, headlines, posters, packaging, cards or your wedding invitation. Regular, Bold & Extreme Multilingual support Numerals & Punctuation Recommended to use in Adobe Indesign, Illustrator or Adobe Photoshop. ___ Follow my shop in order to receive notifications for the latest updates including additional glyphs and more languages. Do not hesitate to message me if you want your language included or if you have any requests regarding features or glyphs. I am happy to assist you.

Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular and Light. Graphemic offers broad language support, upper and lower case letters, extended numbers and punctuation. Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold 'goods'. Thank you for viewing! (and more thanks for the purchase)

Okaluera Sans Serif font seamlessly blends elegance and luxury with a touch of minimalism, creating a sophisticated visual experience. Its sleek and graceful letterforms exude opulence, making it ideal for projects that demand a touch of class. The font's minimalist design adds a sense of modernity, ensuring it remains versatile for various applications. Whether used in print or digital media, Okaluera effortlessly captures attention, making a bold statement with its refined aesthetics. Good for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

French Art Deco lettering found within the pages of the 1934 publication L'Art du Tracé Rationnel de la Lettre (roughly translated to “The Rational Path Art of the Letter”) have provided a number of designs well-suited for digital revival. A hand lettered sans with varying character widths was the basis for Colmar JNL, which is available in both regular and oblique versions. As the source of the lettering design was a French publication, the typeface is named for the city of Colmar, which (according to Wikipedia) is the third-largest commune of the Alsace region in north-eastern France.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau family consists of two subfamilies - Neubau Sans and Neubau Serif, each of them in three weights - light, regular and bold. Neubau typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.

A 1964 piece of sheet music entitled “Old Soldiers Never Die (They Just Fade Away)” was based on the farewell speech General Douglas MacArthur gave to Congress on April 19, 1951. This particular edition of the song sheet had part of his speech (as well as its title) hand lettered in a free-form sans serif reminiscent of the lettering done by such noted lettering artists as Paul Coker and Saul Bass. The casual and playful style of this type design became the inspiration for Swing Vote JNL, which is available in both regular and oblique versions.

Syabil is a sans serif font family designed by Eko Bimantara. This font crafted with the intention to present a clean, legible, multipurpose that easy to read wether it on screen or print. Fit for all purposes; Text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium. This font consist of 9 weight; Thin, Light, Book, Regular, Medium, SemiBold, Bold, ExtraBold and Heavy with each weight paired by italic. Also including Latin Plus language support with more than 11.700 glyphs in all weight which make this font contain broad language support.

Darkness of the Night is a modern style sans serif brush font. What’s included: 1. Darkness of the night TTF 2. Style in this font include: Regular & Italic 3. Works both on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and CorelDraw. More information about how to access alternate glyphs, check out this link

The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.

Lark is a modern calligraphic sans inspired by a rich history of broad-edge and translation contrast calligraphy. By combining its sharp geometry with flared curves, Lark exhibits a nice warmth as a display face. Lark was initially conceived as a final project as part of the Type@Cooper West Extended Program's post-graduate certificate program in typeface design, so its journey has benefitted from routine feedback from experienced typeface designers. Comes in Bold, Medium, Regular, and Light weights for both roman and italic, and supports multiple languages including Danish, Dutch, English, French, German, Italian, Portuguese, Spanish, Swedish, and more.

Rougant is a unique sans-serif typeface. Drawn and created in 2021, this lettering has a distinct vintage style and a strong personality. Use it for a motorcycle logotype or any graphic with a rock'n'roll vibe. Provided in three styles: Rougant Regular/Solid, Rougant Rough and Rougant Bold. Rougant is built with advanced OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced. The style range of Fact is wider than of any cognate type family, including weights from Thin to Black and widths from Compressed to Expanded. Fact type system contains 48 upright styles and 48 italics with variations in width and weight. The font was designed by Alexandra Korolkova and Manvel Shmavonyan and released by Paratype in 2018-2019.

The Bellonte is a fashionable and relaxed handwritten font with a unique feel and a stunning impact. Comes with rough style regular and italic. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Sheet music for the tune "Put Your Arms Around Me Honey" (from the 1937 film "Coney Island" starring Betty Grable, George Montgomery and Cesar Romero) has the song title hand lettered in a condensed Art Deco sans serif design. This became the basis for Deco Nights JNL, which is available in both regular and oblique versions. For trivia buffs, the song was written by Junie McCree and Albert Von Tilzer and was first featured in the Broadway show "Madame Sherry" in 1910 and was revived for a second time in the 1949 Judy Garland -Van Johnson film "In the Good Old Summertime".

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”