Bloem, two new fonts with oodles of character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. This new font family includes a sans regular and a script font. The script has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, up to nine Stylistic sets by letter that allow you to mix and match pairs of letters and  a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. All OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Bloem Sans is a complementary handmade font, that works in harmony with Bloem script to create accurate typographic designs quickly! Bloem looks lovely on wedding invitations, greeting cards, logos, business-cards, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Lumina combines a fluid, informal look with an upright, fairly formal character structure. The font is reminiscent of leaded or stained glass, suggesting a trying to-be-solid outline with flowing inner spaces. Characters are softened by the use of staggered heights and slightly irregular widths, creating the impression of hand-crafted, ink-drawn shapes. Lumina is unusual in that it gives a medieval treatment to a modern character outline. The outline has been given an irregular, slightly hand-crafted look that is at variance with its modern character and hints at both the informality of a grunge font and the carefully hand-drawn quality of medieval illuminated scripts (hence its name). It is one of the few informal, compressed fonts that retains a high degree of legibility. Use it when you want your text to be both relaxed and readable, and yet take up very little space on the page. Lumina Regular is not an outline font in the usual sense, since it contains one or more rounded hollows or lacunae within its outline. Use Lumina for: —Ecclesiastical book headings and illustrations —Church posters —Book covers —Greeting card design —Advertisements —The "fine print" The font contains a full 256 character set (upper and lower case, punctuation, diacritical characters, special symbols and numerals), in which all characters have been fully kerned and letter-spaced.

Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind. Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. Sirba is available in the four classic styles plus a special heavy (Black) version, which is particular in that its proportions are designed so the counters remain big enough when set in very small text sizes. This means that Sirba Black’s spacing and letter width are rather generous in comparison to other typefaces of that colour. This ensures excellent legibility. During the design of the typeface family, much attention was given to the italic and regular as counterparts of each other. The italic distinguishes itself just enough while reading without creating strange spots within the text when looking at the text as a whole.

Yumo is a new, textured remix of the original 2010 Yume typeface, and has plenty to offer of its own. Angular and blocky, this typeface creates impactful text with a hint of playfulness, expanded upon by its rough finish. There are no extraneous edges to this font because most of them have been subsumed into the characters themselves, so any sharpness it may have from the squared corners is removed by the lack of thin strokes or serifs. Perfect for headlines and large text that wants to stand out, Yumo’s big, bold text will help your message make an impact. Playing with colours on the textured surface only helps to strengthen this effect, so that Yumo will blow people away, whatever you want to say.

Joe Shmoe is the regular guy, the one who doesn't attract too much attention, but is always there when you need him. So is Joe Shmoe font: it is an easy-going, regular, nothing fancy kinda font and it comes with all the accents!

Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface

"Whimsy Comic" is a display font featuring charming and playful characters. This font exudes a sense of cheerfulness and lightheartedness. It offers four styles: regular solid, regular shadow, italic solid, and italic shadow. These variations allow you to experiment with different looks for your designs.

The 80s era of techno/angular/mechanical fonts is typified in Wrenchworks SRF. The original design is by Ray Larabie with a remix by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

This imaginative and unusual serif text face was developed by Jeff Levine from an old Ray Larabie design. Improved and updated, it is exclusive to Stella Roberts Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The typeface Garaldus was presented in 1956 by Italian designer Aldo Novarese, inspired by Venetian tradition of the sixteenth century: the font name derives from Claude Garamond and Aldus Manutius. A peculiarity of this font is to change appearance, acquiring a form a more or less angular, depending on the size of the text and the way in which it is printed.

Shard was originally commissioned for Nickelodeon’s 3D reboot of the Teenage Mutant Ninja Turtles franchise. It complemented the show’s new angular logo, which Rian Hughes also designed. There are alternative versions of many letters available in the upper and lower case keys, and a selection of around 90 ligatures that automatically substitute themselves in running text to give a tight, interlocked fit.

The Occidental family is a geometric, sans-serif text face marked by its angular construction. Occidental is suitable and economical enough to set large blocks of copy, but at display sizes Occidental's inherent character takes over making it useful for headline setting as well. The family includes four weights, each with corresponding italics (excepting Display) for a total of seven fonts.

Bigband was designed by Karlgeorg Hoefer in 1974. The font lends text a sense of unpredictablility and change due to the irregular design of the inner areas and outer contours of the characters. Bigband is available in two weights, Bigband and Bigband Terrazzo, which can be combined effectively. Bigband is a striking and modern display font which lends itself to numerous applications.

«Fluse» is an accidental sans-serif font. It has an angular design but smooth and sleek shapes. The font is suitable for both active titles and medium-sized texts. It can also be an accent in a poster or the basis of a corporate identity. Fluse supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

Rumble sans serif. Combines elegant in letters, making this font look exclusive and elegant. With high letters display and thin in the anatomy of each letter. Rumble is a gorgeous sans-serif typeface that is both classically elegant and inherently modern. Create beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Rumble for any graphics that require a Elegant look with a vintage flair.. Rumble is based on classic letterforms for publishing and display graphics, so you can give your text a classic, elegant feel with Rumble clean.

Quadrone is a hand-brush script font inspired by urban fashion movement. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Quadrone is available with so many variations on each character in Opentype include Uppercase, Lowercase, Numerals & Punctuations, Stylistic Styles, Ligatures, Discretionary Ligatures, and Titling to make it look even more natural than a standard font. You will also discover extras swash added to give that finishing touch to your texts.

Hello Everyone, introduce our new product Font SANTAI is a Fun Display Font .This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font SANTAI is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text.

Here comes a New font, Sunmori Party is Unique Display Font this is strong Font and cool, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is Font Sunmori Party has Stylish,Cool and Unique characteristic more natural look to your text with a more modern look to your text.