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  1. Harriella by Letterara, $14.00
    Harriella is a refined and delicate handwritten font. This lovely script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs, swashes, and ligatures.
  2. Endlessly by Epiclinez, $18.00
    Endlessly is a sweet and elegant hand-lettered script font. Made with passion and love. Suitable for different kinds of purposes, such as logotype, product branding, wedding invitation, craft projects, and more. Add a romantic feel to your next project with this modern calligraphy-styled font. This script font is supporting more than 66 languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu, and more. So what's included : Basic Latin A-Z & a-z Numbers, symbols, punctuations, and ligatures Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you.
  3. Qonqueror by Wacaksara co, $18.00
    Qonqueror Typeface is a font inspired by writing on a blackboard. This font is very cool and can be mixed and matched with any ornament you like. this font is great for your next creative project such as blackboard menu design, book menus, sign boards, logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Qonqueror Typeface comes with uppercase, lowercase, numerals, punctuations and so many variations on each characters include opentype alternates, and also ligatures to let you customise your designs.
  4. Rincon by Rachel Kick, $14.00
    Rincon is a serif font with 201 glyphs including ligatures and alternatives. It was designed by Rachel Kick in Los Angeles, California. Inspired by beautiful serif while maintaining a friendly and approachable feel, Rincon is perfect for branding, display, or marketing. Rincon has the ability to hold it's own as a single word headline, or in a paragraph form. It also works well with simple sans serif or script font compliments. The ligatures increase its legibility and adjust each character to work perfectly with the character next to it.
  5. Getih West by Twinletter, $15.00
    Getih West It’s a Halloween font, but there’s no need to fear. It’s not just for Halloween fans; You can use it to create cool designs and logos for everything from snowboarding gear to new products at work. Or, if you’re in a hurry, use it to make a fun invitation for your next party — because everyone loves an invitation that screams “Boo!” Of course with this font your various design projects will be perfect and amazing, get a beautiful title and start using our font for your special project.
  6. Ghibli by Eyad Al-Samman, $-
    The word ‘Ghibli’ per se refers to a Saharan hot and dry wind commonly known as the Sirocco. In Arabic language, ‘Ghibli’ is known as ‘Qibli or Kibli’, meaning ‘Southern’ for those Arabic nations who live in the North of Africa. The ‘Ghibli’ wind is most common during spring and autumn, and can blow at almost 60mph; it is this wind which is responsible for the dry, dusty conditions on the Mediterranean coast of North Africa. ‘Ghibli’ can last for days making life miserable and is therefore feared by the desert dwellers in that region. It can also have profound effect on the landscape by moving vast quantities of sand and dunes. Inspired by the Studio Ghibli’s unique and magical characters, the ‘Ghibli’ typeface is designed as a Latin free and literary serif typeface. It strongly expresses transition, imagination, sharpness, characterization, and modernization. It is a literary type that can capture the eyesight of readers and other observers with its acute and stylistic letterforms, dots, and numerals. It has transitional serifs and it is generally based upon the Latin printing style of the 18th and 19th centuries, with a pronounced vertical contrast in stroke emphasis (i.e., vertical strokes being heavier than the horizontal strokes). It has more regular forms in which serifs are bracketed and more symmetrical. The main characteristic of ‘Ghibli’ typeface is in its new designed serif letters. Special letters that can be described as having modern designs include small ‘g’, ‘p’ (with their open ends), ‘x’, and capital ‘B’, ‘P’, ‘Q’, and ‘R’ (with their open ends). ‘Ghibli’ typeface has also both of lining and old-style numerals which makes it more suitable for any literary and printing purposes. This gratuitous font comes in only two weights (i.e., Ghibli Regular and Ghibli Bold). It is absolutely preferable to be used in the wide fields related to literature and publication industry. This includes typing titles of diverse literary and academic books, readable texts of novels, novellas, short stories, prose, poetry, textbooks, newspapers, and magazines. It is also notable if chosen for designs that include movies’ titles, logos of academic institutions such as colleges and universities, organizations and associations’ names, medical packages such as those dedicated for tablets and syrups, and also other different educational and social materials. ‘Ghibli’ is simply a free literary typeface dedicated for all who want to write and read using a modern and stylish serif font. Enjoy it.
  7. Coomeec by Linotype, $29.99
    Although Andi AW. Masry designed his Coomeec typeface with one eye on comic books, this is more than just another cartoon font. Even in our short profile of the font below, we're sure you'll find enough to be surprised by the calligraphic aesthetic and the wide range of potential uses of Coomeec. Typography had been one of Andy AW. Masry's hobbies before he turned professional in 2008 and formed his own agency in Jakarta in Indonesia. The former construction engineer had already spent many hours of his leisure time in following his pastimes of designing, photography and Latin typography. Fascinated by the close interaction between text and image in comic books, one of his first projects was the development of his font Coomeec™. The condensed letters of Coomeec seem to have more in common with a calligraphic brush typeface than a more conventional cartoon font. With the characteristic line forms of a brush font, the not unextensive variations in line thickness and numerous small embellishments to the glyphs, Coomeec can be used to enhance your projects with animated effects. You can achieve this not just in the larger font sizes; the font is also very legible in small sizes thanks to its large x-height. There are certain unusual letter forms, such as that of lowercase 'g', 's' and uppercase 'Y', that provide Coomeec with a touch of the exotic. As Coomeec has numerous character alternatives, you can use it not only to create diverse designs but also to ring the changes with the character of the text itself. There are variants for most lowercase letters, some of which exhibit only minor differences, such as the lack of a curlicue on the 'b', a modified downstroke on the 'h' and an elongated base for the 'k'. In the case of other letters, such as the 'q' and the 'r', there are significant disparities between variants. The uppercase characters are also available in a lively swash style with significantly extended terminals. Among the range of characters of Coomeec are oldstyle and lining figures designed for proportional and tabular setting. All alternatives are available in the form of the corresponding OpenType versions. Coomeec comes in two weights; Regular and Bold, each with its Italic version. The form of the slightly inclined Italic characters is identical to that of their upright counterparts with the exception of the lowercase 'f', which has an ascender in its Italic version. As an OpenType Pro font, the glyphs available for Coomeec ensure that it can be used to set not only western European but also central European texts. Coomeec is not just at home when used to set headlines. The excellent legibility of this individual and vibrant typeface means that it's also ideal for setting shorter texts. The various alternative letters provide the designer with the opportunity to vary the textual appearance, and to choose between creating a more formal or more light-hearted effect. Coomeec is not only available in an OpenType version but is also obtainable as a web font, so that you can employ its exotic features to good effect when creating internet pages.
  8. Honfleur by Typodermic, $11.95
    Looking to add a touch of elegance and luxury to your message? Meet Honfleur, the typeface that’s guaranteed to take your design to the next level. Inspired by the beautiful lettering on an antique perfume poster, Honfleur boasts a stylish design that exudes sophistication and refinement. Its exceptionally wide alphabet is perfect for making a bold statement, and is sure to grab the attention of anyone who lays eyes on it. Whether you’re designing a high-end fashion brand, a luxury product, or just want to add a touch of class to your next project, Honfleur is the perfect choice. With its distinctive charm and luxurious feel, this typeface is sure to make a lasting impression and elevate your message to the next level. So why settle for an ordinary font when you can have the beauty and elegance of Honfleur? Try it out today and see for yourself just how much of a difference it can make in your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.
  9. Feuerfeste Outline - Unknown license
  10. Beverly Catherine by Attract Studio, $16.00
    Beverly Catherine is a bold hand-drawn all-caps marker font that has really original brush edges and is rough in every stroke. Great for logos, merchandise, product packaging, quotes, comic book text, and hard-hitting titles. It also includes multilingual support.
  11. Brown Chunkers by Letterhend, $19.00
    Brown Chunkers is an unique serif based display typeface containing many alternates, swashes, ligatures that can make your lettering/logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind.
  12. Anonima by Gassstype, $29.00
    Hello Everyone, introduce our new product Font ANONIMA This Is Classic Bold Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.
  13. Scripty by Turtle Arts, $20.00
    Scripty is a hand drawn, calligraphy longhand handwritten font. With careful spacing, the letters can be used together to create words that look like theyπve been written with an old≠fashioned fountain pen, or used alone as embellishment to more plebean text.
  14. Shire Script by Bean & Morris, $35.00
    Shire Script includes alternate characters and discretionary ligatures to help you create settings when informality is called for. Variety in the lowercase x heights and connectors give an overall effect of handwritten headings and text. However, by considered drawing, legibility is not compromised.
  15. Tuxedo by Présence Typo, $36.00
    Tuxedo is a display & logotypes typeface. It is however suitable for short texts. Its design is inspired by the Bauhaus works. Tuxedo has been created directly on the screen without any sketch. Because of its "mechanical" structure, this typeface endure anamorphosis distortions nicely.
  16. Kaweah by RMtype, $15.00
    Kaweah is a sharp, condensed, serif typeface with wide language support and strong historical roots. The original inspiration for this typeface comes from text in the museum collection of Kings Canyon National Park. It is designed to be used in titles and subheads.
  17. Brigantia by Gassstype, $23.00
    Hello Everyone, introduce our new product Font Brigantia This Is Fast Marker Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.
  18. Mokka by Ludwig Type, $45.00
    Mokka is a robust and crisp typeface with strong serifs and individual forms. Even in text and striking in display, it is suitable for a wide variety of uses. The style-linked family includes oldstyle and lining figures both tabular and proportional.
  19. Painter Dude by Gassstype, $25.00
    Hello Everyone, introduce our new product Font Painter Dude This Is Display Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.
  20. Shapeingo by Hsan Fonts, $16.00
    Shapeingo is a modern elegant typeface that would be perfect for branding, logos, headlines or captions. The font could also work as a stylish text overlay on any background image you like, minimalist and warm while still being versatile enough to use anywhere!
  21. Amelia by TipoType, $19.90
    Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the different styles allow Amelia to work as a text or display font. Also it incorporates an Up version, calligraphic features that add a touch of informality.
  22. Brab by VSF, $30.00
    A bold grotesque typeface in the best traditions of the Star Wars logo. It has clean geometric lines, a humnaist character, it combines a tech feeling with a friendly organic feeling. Will work excellently as a white text on a busy background.
  23. Quant Antiqua by ParaType, $30.00
    The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1899). For use in text matter.
  24. Spicy Note by PizzaDude.dk, $18.00
    Here's my eye-catching alternative unicase font - build with a twist of grafitti and dash of pizzadude! Each letter has 5 slightly different versions and they automatically cycles as you type. A great way to make your text look naturally organic and dynamic!
  25. Allez Hop by Hanoded, $15.00
    Allez Hop is a very useful font: it comes with all accents, bells and whistles and has been created using scans of handwritten text. It has a certain 'quickness' to it, not unlike someone jotted down a couple of lines on a notepad.
  26. Sulky Adolescent by Ali Hamidi, $12.00
    Sulky Adolescent is a cute handwritten font that has a rather neat and simple vibe. It will add an incredibly joyful touch to your designs. Add this beautiful typeface to each of your creative ideas and notice how it makes them stand out!
  27. Vivala Sans by Johannes Hoffmann, $15.00
    The character of Vivala Sans Round is modern and stylish with elegant squarish shapes. The family includes five weights. A large x-height is ideal for titles and body text. The extended character set supports languages like Western, Central European, and Eastern European.
  28. Astoria by Alan Meeks, $45.00
    Based heavily on Gill especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well as a headline font.
  29. Logx 10 by Fontsphere, $12.00
    LOGX-10 is a geometric minimalistic all-caps display typeface. Designed for strong headers, original graphic designs, visual identification and for many types of designs. It works not only in headings and subtitles but also in arrangements of various sizes and long text.
  30. Barbecue by Gaslight, $20.00
    Experimental, geometric, bold sans. Ideal for posters. Only posters, only large size! If you want tranquility and prim punctuality Barbecue is not for you. If you want use Barbecue for body text - you're crazy. If you want madness and hooliganism - Barbecue for you!
  31. Kareemah by Sea Types, $19.00
    Kareemah is humanist typography, composed of roman and italics with 16 styles and 8 weights (800 glyphs) including ligatures, alternates, small caps,old style figures, fractions, superiors, inferiors and more. Perfectly legible and clean for long, simple texts in headlines. "Specimen Kareemah PDF"
  32. Road Trip by Melissa Lapadula, $19.95
    This font has wide letterforms and bends which echo the continuous roads traveled on when reaching distant holiday destinations. The typography aims to be clear and legible, as do helpful road signs. This font can function as headings, subheadings and body text.
  33. Taz by LucasFonts, $49.00
    Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.
  34. Larque by Furiosum, $20.00
    Larque is a slab serif text typeface. The tall x-height and the open counters makes the font very legible at small sizes. Larque includes extended latin characters, ligatures, oldstyle figures and Open Type features. It is available in roman and medium weight.
  35. Lonely Annie by Sander's Conspiracy, $20.00
    Lonely Annie is a fun font for titles or body text. Each letter of the font appears hollow, but with thick borders -- like a little stained glass window. It looks great in small and large sizes, especially with "Outline" or "Shadow" turned on.
  36. Velour Raw by SilkType, $35.00
    Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes. Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.
  37. Don Perry by Gassstype, $25.00
    Hello Everyone, introduce our new product Font Don Perry This Is Brush Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.
  38. TheSerif by LucasFonts, $49.00
    TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also been used successfully as a text font in its own right.
  39. CS Fuzzy Logic by URW Type Foundry, $39.99
    CS are the initials of Carsten Strinkau, a young German graphic and type designer who studied in Hamburg. CS Fuzzy Logic combines coincidence and logic. The individual glyphs of Fuzzy Logic are almost dissolved but keep its sharpness and readability in texts.
  40. Stone Print by Stone Type Foundry, $54.00
    Stone Print is a "green" typeface. It uses less space than the most popular text typefaces without sacrificing legibility. Made for the reader, the environment, and whoever pays the bills. Together with Cycles, SFPL, and Arepo it makes up a superfamily of typefaces.
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