Merchanto is a condensed sans serif display typeface made up of 8 fonts in a variety of styles and weights. Included are over 500 stylized alternate glyphs for creative control and customization. 8 fonts total Over 500 Alternates Multilingual Over 2300+ glyphs

Digitek is the work of David Quay, a futuristic typeface inspired by output of a coarse resolution computer bitmap. This condensed font is best in large headlines with large letter and word spacing. Digitek is perfect for anything needing a computer-age look.

CANABI - A classic serif font designed for logo, headline, and suitable for classic design. Combination between serif and condensed style! This is our first product and we will give you the best experience! Multilinguals Numbers & Punctuactions Ligatures Thank you for supporting us!

With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than fifty years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova. Hermann Zapf and Japanese type designer, Akira Kobayashi, collaborated on the project, which included re-working of the existing weights and the addition of several new weights: small caps, old style figures, light, heavy, and condensed. The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima nova has a complete range of beautifully designed real italics; the new italic forms, of the e, f and g are especially notable. The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage. Optima Nova® font field guide including best practices, font pairings and alternatives.

Graphic designers of any nationality and background know very well that the art of composing titles correctly is not easy, Especially when it comes to periodical publications where there is need for both flexibility and graphic coherence. Tablet Gothic was originally engineered as a titling type family, meant to help designers working on publications that require output as hard copies and a variety of digital platforms at the same time. As such, it is a grotesque sans serif that looks to the future of publishing with a clear understanding of its history, and reminiscences that go back to nineteenth century Britain and Germany. Tablet Gothic delivers the sturdy, straightforward and clean appearance expected from a grotesque, but it allows itself a good measure of personality to make it stand out on the page. Its 84 styles –six series of condensation and seven weights in each series plus obliques– guarantee that, whatever the publication format is, there's a Tablet Gothic font that will do the job and perform well both technically and aesthetically. Furthermore, the rounder styles, Tablet Gothic Wide, Normal and Narrow achieved amazing results at very small sizes, producing  a beautiful texture and highly readable text blocks. Tablet Gothic fonts can be purchased individually, by series or as a complete bundle (best value!)

In the world of webfonts, Condensed proportions are key to maximizing your page's premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne's Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web's unique constraints. Enter Coegit Sans. Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer. Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging. While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.

Here is a decorative condensed antique design that is sure to fit a variety of contemporary situations. The Bruce Type Foundry (later acquired by V. B. Munson) developed this wonderfully shaded Tuscan in the 1880s - or possibly earlier. It was known back then as Style No. 1050 and carried a pronounced three-dimensional look with a thin hairline at the bottom and right of each stroke. It is best to use Frisco Antique in large display sizes because it is easy to lose these delicate hairlines. A lowercase and several alternate characters have been provided for your convenience. Frisco Antique Display is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

Poruka is slanted script typeface with connected letters with gently condensed look. Letters are designed as monoline forms with decent dose of elegancy and stylistic uniformity. Poruka is imagined mainly as typeface for shorter texts or headlines, where text needs to stand out from other elements of content. It can be used successfully both as webfont and on printed materials – all kinds of invitations, labels, packages, posters and editorial use. Poruka comes with two Stylistic Sets – 01 which activates uppercase letters with full font height (from the top of ascender to the bottom of descender) and 02 – which activates handwritten forms on "b", "d", "h" and "l" letters. Also, Poruka is equipped with Swashes and Discretionary Ligatures which doesn't really represent classical pack of expected ligatures, but more as graphical version of a couple of words like "yes", "no", "wait", "ciao" and a few more.

Aviator, also known as Ventura Slim, is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Angular and at the same time aerodynamic, this low-waisted typeface is great for tight-fitting headlines and other condensed titling situations. You may find it equally useful in developing company logos with a truly retro look. This resurrected digital version of Aviator comes with a convenient and stylish set of alternate characters and small figures. Now enjoy your flight! Aviator is now available in the OpenType Std format. Some new characters have been added to this OpenType version including stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Wood Type Grotesk JNL was re-drawn from a set of vintage wood type purchased from a closed rubber stamp shop. Although the style of lettering is referred to in old type catalogs as a "grotesk" face, in truth the lettering has charm and effectively gets the printed point across to the reader. This typeface is available in both regular and oblique versions.

The hand lettering for the movie posters and collateral items for the 1962 film "Mondo Cane" inspired Doggone It JNL, which is available in both regular and oblique versions. "Mondo Cane" loosely translates into "A Dog's World", and the subject of the travelogue documentary consisted mainly of unusual cultural practices around the world that many would find perverse, depraved or shocking.

In the 1934 edition of the American Type Foundry’s “Book of American Type” is a selection of letterpress fonts which emulate typewriter faces. One design named “Bulletin Typewriter” served at the model for Cub Reporter JNL, and is available in both regular and oblique versions. The font has been monospaced in order to add a more traditional typewriter look to any project.

While viewing a YouTube video of film footage in and around New York in the mid-1930s, one scene showed some people “window shopping” by the storefront office of the French Line, an international steamship service. A screen capture allowed the storefront sign to be recreated as the digital typeface Steamship JNL, which is available in both regular and oblique versions.

Inspired by an image of a 1960s rock and roll concert poster for “The Beach Boys Summer Safari”, this typeface captures the casual, informal lettering of the main headline and makes it available digitally. Evoking sunny days of fast cars, pretty girls and riding the waves, the playfully hand lettered Summer Safari JNL is available in both regular and oblique versions.

Good Sport JNL has nothing to do with any of the major sports activities such as baseball, football, basketball or soccer. Instead, the typeface gets its name from the sport of camping, as the lettering was spotted on an image of an old ad for the Colonial Forest-Master boy’s pocket knife. Good Sport JNL is available in both regular and oblique versions.

Jazz Trumpeter JNL is an unusual type design modeled after the title card for the 1945 movie comedy “The Horn Blows at Midnight” starring Jack Benny and is available in both regular and oblique versions. This Art Deco sans serif font has the distinction of being somewhat calligraphic, yet futuristic in its visual appearance… and even has some subtle hints of Blackletter influences.

Quartz was originally published on the shop Font Forestry, but they are planning on closing - So now Quartz will live on Hustle Supply Co. Quartz is a minimalist All-Caps Sans Serif typeface that comes in 7 different weights. It's perfect for projects looking for that minimalist / clean aesthetic. Quartz includes regular, oblique, thin, bold & outlined versions. Western European Characters are included. Thanks!

Bizmo font family is meant for display, it's characteristic is in it's wide letterform which is suitable for use in large or long spaces. Bizmo consist of 9 weight with each matching obliques. Several uppercase glyphs can be stretch wider by double or triple typing the letter and using discretionary ligature. It's contain 420 glyphs which covered broad latin languages.

The August 11, 1929 issue of “The Film Daily” carried an ad for Tiffany-Stahl Productions’ presentation of a special film release featuring a wrestling match between “Strangler” Lewis and Gus Sonnenburg. The hand lettering for the ad was rendered in an Art Deco sans serif style, and is now available digitally as Film Event JNL in both regular and oblique versions.

Stibium is a mix between a garalde character and a transitional character. It is inspired by the humanist calligrahy of the Renaissance, the axis is oblique but with more compact proportions and pointed serifs inspired by the pen drawing. It has 7 different styles with the italics. Each contains 685 glyphs with an alternate "A", small caps, Old Style numbers and symbols.

Deco Signage JNL was inspired by the cast metal letters of a German wall sign “Kaspar Stanggasinger-Haus” in an online display of European signage photography - and is available in both regular and oblique versions. Although the original age of the sign is unknown, the tall, thin monoline font it’s based on evokes a definite 1940s Art Deco design influence.

British Green is a font duo consisting of a script font and a serif font that stylizes attractively when placed side by side. Which comes with upper and lower case characters in each individual font. British Green is a versatile set of fonts that can be used & suited across a variety of design projects. Includes: Serif, Oblique, Script. Multilingual Support PUA Encoded Characters.

Dollar Tree Stores imports a number of items from China, and many times these are limited-run products only available until the existing supplies run out. One such item was a sans serif stencil lettering guide with rounded ends that takes on the look of 1980s-influenced techno lettering. This is now available as Import Stencil JNL, in both regular and oblique versions.

Oceanfront Property JNL was modeled from the hand lettered title on the cover of the 1932 sheet music for "There's Oceans of Love by the Beautiful Sea". A simple sans, it still reflects the beginnings of the Art Deco Era with its approach to letter forms and varying widths. This type design is available in both regular and oblique versions.

It’s Art Deco “thick and thin”… It’s wide… It’s quirky… It’s a hand lettered sign over the lanes of the Bryant-Lake Bowl – a landmark bowling alley in Minneapolis, Minnesota… and it was spotted in an amazing YouTube video from a “drone tour” of the facility! The sign inspired the font Pin Spotter JNL which is available in both regular and oblique versions.

Gift Wrap JNL takes a classic wood type display font and cuts it into diagonal striped lines to emulate package wrapping paper. An interesting side effect of the lettering is that at first glance you might perceive the style as being an oblique, but the letters are actually vertical. This typeface is perfect for holidays, birthdays and special events featuring a festive theme.

From the titles and credits of the 1952 British comedy “Song of Paris” comes this whimsical, hand lettered type design that’s casual, playful and charming. The digital version is called French Song JNL, and is available in both regular and oblique versions. This font release is the 1800th type design Jeff Levine Fonts has issued since its inception in January, 2006.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

"Secret mango" ia a simple character shapes and open counters, make for an exceptionally legible design. Secret mango consist 9 weight of slab serif with matching oblique to make more touch and allowing you to make each word look completely stylish. True to the reflection of Slab serif, always associated with confidence, solidarity and courage, "Secret Mango" represents all of that.

Starburst is a gestural light script, created initially with an oblique nib for Copperplate and pencil. The idea was to interpret a real expressive energetic and gestural calligraphy, playing with pressures and angles following always a very dynamic flow. Rhythmical and full of grace, Starburst is the best fusion between calligraphy and typography. Every stroke has been sketched first by Giuseppe Salerno.

The chamfered block style of lettering has been a workhorse for years. From the early signage of the 1800s to military markings to the techno fonts of the 1980s and beyond, its clean and simple look gets the message across easily and boldly. Industrialist JNL and its oblique partner were modeled from the title on a piece of sheet music from the 1940s.

While Student Council JNL was not influenced by any school activities, the design is based on a lithographed cardboard sign (circa 1930s) for Spizz Sparkling Water, a bottled seltzer from the Dr. Pepper Bottling Company of Lexington, Kentucky. A squared letterform with angled semi-serifs, this Art Deco typeface grabs attention. Student Council JNL is available in both regular and oblique versions.

A 1940s-era book from the U.S. Army Corps of Engineers entitled "Topographic Drafting" features a page for "lettering construction and spacing" in the process of map making. The letters and numbers were formed on grids using that mechanical drafting process for uniformity in stroke width. This was the basis for Topographic Sans JNL, which is available in both regular and oblique versions.

Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces. According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926 Display Board JNL is available in both regular and oblique versions.

A set of oil board stencils from Great Britain (probably from the 1950s) was the model for Sussex Semi Stencil JNL, which is available in both regular and oblique versions. Because many of the characters are ‘solid’ rather than containing the breaks [known as ‘islands’] of a traditional stencil letter, this is why the type design was given the ‘semi stencil’ designation.

Overland Trail JNL is Jeff Levine Fonts’ interpretation of “Italian”, first introduced in 1821 by the Caslon & Catherwood Type Foundry. Unique and somewhat similar to Faux Pas JNL with its eccentric stroke weights (opposite what is considered normal for serif fonts), the typeface features a design most associated with the Old West. Overland Trail JNL is available in both regular and oblique versions.

Sidefont is a sharp, square family of 18 fonts inspired by the Sidemen Logo: The font broadens its use by supplying weights all the way from Thin to Black, Normal to Oblique. Perfect for posters, headlines and logotypes. OpenType features give you access to: Alternatives Kerning Fractions Numerals & Punctuation Accented characters Multilingual Support Supports most Latin-based languages and few others.

Inspired by an image of the chamfered block lettering of a semi-faded “ghost sign” for the Thomas Drug Co. in Thomas, Oklahoma, Local Druggist JNL is available in both regular and oblique versions. “Ghost Signs” are the visible remnants of hand-painted signs on buildings where the original business had long closed or moved, yet the lettering had survived the passing years.