CCS Monterio sans is a all-caps sans serif contemporary Art Deco typographic style , If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs (alternate and multilingual characters included), now it’s your time to go crazy and explore the uniqueness of this typeface!

A set of charming letters of the alphabet combining picturesque landscapes with inventive lettering. This entrancing and uniquely inventive font depicts a beautiful and decorative alphabet representing an idyllic era now gone. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters.

A holiday issue for the then-weekly women’s fashion newspaper “Harper’s Bazar - Easter A. D. 1896” features the cover information in a beautiful condensed spurred serif type face with many flourishes to some of the letter forms. This is now available as Holiday Nouveau JNL in both regular and oblique versions.

Aside from his 1920s and 1960 editions of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers”, Welo also published “Lettering - Practical and Foreign” in 1930. A monoline Art Deco Alphabet from that book is now available digitally as Ladies Wear JNL in both regular and oblique versions.

The cover of the 1902 sheet music for "I'll Be Baby in Baby's Place" features the title hand lettered in a wonderful Art Nouveau slab serif style with many eccentric letter forms. This is now available as the digital typeface Nouveau Slab Serif JNL, in both regular and oblique versions.

Elevator is a variable, industrial sans serif created by TJM Type. It has two variable axes; a weight axis and a stylistic axis that raises and lowers the letters crossbars. Elevator is perfect for poster and print design, and now as a variable font, it's even more fun on the web.

Sting is a hybrid of Blackletter lowercase with Roman Capitals. This style drawn by Michael Clark in pen and ink evolved over several years and is now avaiable in font form. 12 alternate lowercase characters are included. Great for historical and official document titling as well as many decorative uses.

In their book "Lettering of Today" by W. Ben and Ed C. Hunt, an Art Deco "thick and thin" alphabet with some stylized characters (which leaned a lot toward a calligraphic style) stood out from the rest. This is now available as Stylized Deco JNL, in both regular and oblique versions.

Considerable heft and clean lines—with a few whimsical grace notes—characterize this font, based on a typeface originally named "Ryter Night". Powerful yet playful, this gentle giant is the perfect choice for engaging headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The 1930s French publication L'Art du Tracé Rationnel de la Lettre was a treasure trove of font revival ideas from the Art Deco era. One example featured a serif typeface with a number of stylized characters. This is now available as French Bistro JNL, in both regular and oblique versions.

A modern fraktur briefly based on the typeface Deutschmeister originally designed by Berthold Wolpe in 1934. With a lot of blackness and playful style it is well suited for posters, signage on windows or a book cover. Only one wight for now, but it may be expanded in the future.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” you’ll find a bold, hand lettered Art Deco sans serif typeface designed by Welo with a decidedly 1930s-1940s look. This is now available as Pastry Shop JNL, in both regular and oblique versions.

The cover of the 1939 sheet music for "I Wonder Who's Kissing Her Now" has the title set in an outline sans - or is in an inline? With almost equal space and line weights, it can be either! Outline Sans JNL in available digitally in both regular and oblique versions.

Similar to date and numbering stamps, there once was manufactured rotary band stamps with different letter and number configurations that were used for various identification purposes. From a set of vintage bands acquired from a now-closed rubber stamp shop, Marking Device JNL replicates the serif typeface used on these devices.

Sheet music for the song "I'm the One That Loves You" has the title hand lettered in a narrow, Art Deco-influenced sans serif, which is now available digitally as Dance Band JNL in both regular and oblique versions. The 1937 composition was popularized by Tommy Dorsey and Sammy Kaye.

BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own Bullets in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I added six more designs and perfected the Bullets for all of you. The following is a »must read«! Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will have gaps!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Your very practical Gert Wiescher

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

A classical proportioned text font - with a Celtic twist! Perfect for that oldstyle look, but still very readable. I have cleaned up the outlines, improved the spacing and kerning, modified a few letterforms - and then expanded the character set by 440%! A bolder weight has now also been created, and a rough version for a more antique look. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This is a must read!!! BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own BulletNumbers in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I perfected them for all of you. Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will overlap!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Yours very practical Gert Wiescher

Churchward Typestyle is a clean sans serif font, originally designed as a photo font by Joseph Churchward back in 2002. Under exclusive license, BluHead Studio has digitized this typeface by using his original drawings. We added any missing glyphs, being careful to maintain the aesthetic that makes this a classic Churchward design. Joseph intended this to be a six weight family, so we digitized the Light and Ultra Bold weights and interpolated the middle four. We enhanced the functionality of the family by creating a complimentary set of small caps, as well as creating a 10 degree oblique of each weight, being careful to correct the slanted curve forms of the letters. Churchward Typestyle is now an extensive 12 weight family, ranging in weights from Light to Ultra Bold, making it extremely useful in a broad range of design applications, from text and print, to display, posters and billboards. It’s sanserif design is clean and open, with a few of those characteristic Churchward goodies. Joseph loved his ink traps, so look for many of those! They especially become more apparent in the heavier weights. All of the Churchward Typestyle fonts support the major Western European languages, and have OpenType features for ligatures, smallcaps, tabular figures, superiors, inferiors, fractions, and ordinals.

Qoutiens is a signature style font. made by following the handwritten pattern to produce a natural and elegant shape and produce a beautiful and classy shape. This font also comes with an Opentype feature to add an alternative style to the design. happy work and enjoy this awesome font ..

Okay, ya finally wangled yer widget out from between the framistat and the whatchamacallit, ya assembled yer Avengers and ya hooked up yer hoojamajigger to the doohickey. But ya still ain't gonna get yer contraption to work until ya plug the widget into the thingamajig! Sheesh! Wotta Revoltin' development!

Tiger Rag is the work of English calligrapher John Viner, who was inspired by Japanese calligraphy when creating this dramatic, informal typeface. The font is extensive and flexible, with many alternate characters. Tiger Rag is an excellent choice for casual display typography which should produce a fresh, random effect.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

Callista (from the Greek for "most beautiful") is a fat cursive typeface, inspired by the works of Francois Boltana in the early 1970s and those of Milka Peykova in late 1970s. With its Full Latin and Cyrillic support, Callista is a perfect choice for short headlines and logotype design.

Inspired by many Blackletter styles, ID Gotira Blackletter is a contemporary take of the historic Blackletter, also sometimes referred to as Old English. Modern, versatile, while not losing it's classic touch, it's also equipped with multi-language support and works best for headlines, body text, branding, packaging and posters.

Saddlery includes the first font that you can use alone or add the optional second fill font behind the first using different colors for a more decorative look. You will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

Chewatext is a sans serif typeface that minimalism, geometric, and technological look. This versatile font family offers a staggering 18 styles, support Latin-1 and Thai Unicode for character. Making it the ultimate choice for contemporary design projects. Whether it is various printed works, both online and offline.

Popfun is a display typeface with playful taste. It comes in two different styles, normal and extrude paired with a mono style, this font fits perfectly. Really playful font to make it easier for you creative work such as — branding, film titles, packaging, advertising, posters, and web or app.

This is a playful child-like typeface perfect for any fun quirky design work! This font can be used for anything such as T-Shirt designs, phone cases, greeting cards, invitations, mugs and so much more! Get creative! Thanks for checking out this font. I hope you enjoy it!

Bellissimo Display boasts an impressive range of handsome all caps ligatures that would make even Herb Lubalin jealous. Despite its iconic features, Bellissimo works surprisingly well as a text face as well. Small capitals, alternate glyphs and both lower and upper case figures are intrinsic in the design.

Ronttsly script brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ronttsly script brush font. Cheers, Maulana Creative

Johann is an elegant, geometric, san serif typeface who's clean, simple structure and form create a versatile typeface that works effortlessly across print & digital applications. Created in 2012 by NiceType, the Johann family consists of 5 weights, plus corresponding italic sets that all have their own individual strengths.

Khalitta is a modern calligraphy font. This font is very elegant and beautiful and is perfect for all types of your work. This font is perfect for weddings, branding and logos, for marketing your business, status updates on social media, and for capturing beautiful and romantic moments, and more.

Vivaldi was designed by Friedrich Peter. Generous, intricate initial caps combine with a more reserved lowercase to create a beautiful script font. Vivaldi's letterforms incorporate an elegant mixture of calligraphic and copperplate elements. It is ideal for invitations, announcements, certificates, or other work requiring a distinctive, formal appearance.

Segment Rough a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Ainsley has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks.

Bettylavia is a script font that has a distinctive handwriting, it is perfect for making certain labels and business events and you can use them for unique works. Alternate characters in the Bettylavia font are divided into OpenType features such as Stylistic Alternate, Stylistic Sets, Swash and Ligature.

Baleny Elegant Font Duo is a combination of a serif font & beauty handwritten script font based on the expression of real handwriting. Baleny Elegant Font Duo will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic.

Fine Hand font is the work of British designer Richard Bradley and is based on his handwriting. Its capitals are designed for initialing purposes only. The elegant Fine Hand font includes many alternative letters which help give it the spontaneity of true handwriting. Featured in: Best Fonts for Tattoos