Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - "Black", for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.

Nexa Rust from Fontfabric Type Foundry is a multifaceted font system consisting of font sub-families Sans, Slab, Script, Handmade and Extras. Each of these sub-families contains a number of font weights which have a characteristic warm, rough look and display a few degrees of saturation. Nexa Rust is a rough version of the already popular Nexa and Nexa Slab families with added new matching Nexa Script and Nexa Handmade fonts. Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra “cherry on the cake” to each unique design.

Grab our new font, Xagetif Groovy font, and start creating your own custom project. Use it to add a little flair to your editorial work or use it for branding or product packaging with a bold and fun character. Time to add some oomph to your next project with this font. This retro-inspired typeface features a psychedelic, bold and fun character ideal for branding and product packaging. This elegant typography is simple and contemporary but with a touch of simplicity that gives it a modern feel. To create your own custom project, start using this font now!

In the late 60’s, one of the best art publications in the country was Motive magazine, published (amazingly) by the United Methodist Church. Filled to the brim with poetry, essays, line drawing and woodcuts, it also featured some cutting-edge typography. Boxy/Code is based upon my memories of woodcut typography from that great magazine. Since Boxy/Code ’s lowercase consists of the uppercase’s negative spaces, it’s easy to combine the two with Layer Styles in Photoshop in order to achieve the effect I used in one poster above. It also works great if you use a well-known text as a background. This new version is totally redrawn and features all the Latin-accented letters. Uppercase consists of black capitals in boxes; lowercase features the negative spaces of those boxed capitals. Uppercase and lowercase line up exactly for 2-color effects.

Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic. Building on that internal analysis, Dokument Pro is the thoroughly reworked and expanded of the original main set released in 2005, with different widths still in the pipeline. This new version updates Jim’s work to six Pro weights and their italic counterparts, each of which takes advantage of OpenType stylistic sets to introduce different degrees of graduation from gothic to humanist. Dokument Pro is now a unique text sans family, with an adaptable personality suitable for the kind of edgy, uncompromising corporate and media typography that just tells it like it is, instead of having to resort to the common contemporary luring and baiting tactics. Dokument Pro’s range of weights, styles and features (over 775 glyphs per font, built-in small caps, alternates galore, and support for over 45 Latin languages) allows for multi-application versatility and clear, precise emotional delivery. This is the kind of straight-shooter sans that should be in every designer’s toolbelt. For more details on the fonts' features, text and display specimens and print tests, consult the Dokument Pro PDF availabe in the Gallery section of this page. 20% of Dokument Pro’s revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Ardalista is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Ardalista has a script typeface and extra letters that allows you to be more free in designing. What's new? Hey..look at this. besides you get a font with over 150 alternates, ligatures and swashes. let's imagine what you can do with all that. yeah that's awesome. For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Ardalista also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share.

The new version of Bordonaro Script includes rounded corners. Bordonaro Script Rounded - Bordonaro Spur Rounded’s partner Meet it!

Instamood is a new signwriting script full of ligatures. Perfect for your Instagram post and for casual posts.

A beautiful new sans serif great for magazines, ad work, text or headlines works for all your needs.

Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One way to understand it is looking at it like a combination of sculptures that have to work together to achieve a certain harmony, where each letter form is one of those sculptures. Most people understand and appreciate that a sculpture starts from a rock of an incomprehensible form, which is manipulated by someone into becoming the recognizable or abstract work of art it eventually is. Consider type design a kind of two-dimensional sculpting. You have a rectangle. Take away as a little as possible from it until it is recognizable as the letter A. Repeat to get the letter B, and so on. After all 26 minimal letters are made, do they actually function as an alphabet to build words and sentences that are recognizable to the human eye? This exercise can trigger thoughts and theories about the overall subjective nature of identifying abstract yet somewhat familiar shapes. It can go into the psyche of art in general. But one thing for certain, this exercise has so far helped a few people find a new appreciation for finely crafted typefaces. If you are a design educator, your students' typographical perspective and arguments would benefit from it. And if you are a designer, well, fat faces are all the rage these days, and this is as fat as it can get. Please note that that this typeface, due to its minimalistic nature, does not include accented characters. It does however support the full C0 Controls and Basic Latin Unicode set. All proceeds from this font go to support the Type Club of Toronto.

The story of Scripps College Old Style is a heart-warming and inspiring chronicle about a young librarian, a handful of students, a wealthy grandmother, a dedicated educator -- and two eminent American type designers. The story begins in 1938, when Dorothy Drake, the newly hired librarian at Scripps College, a small women's college in southern California, became an impromptu dinner companion of the American type designer Fred Goudy. By the 1990s, the original fonts that Goudy had created for Scripps College in the 1940s had become prized -- but they were seldom-used antiques. Scripps needed digital versions of the metal fonts. This goal posed two immediate challenges: finding a designer familiar with letterpress printing who was skilled at creating digital fonts, and locating the money to commission the designer's services. The first challenge was the easiest to conquer. Sumner Stone was my first and only choice," recalls Kitty Maryatt, the current curator of the Scripps College Press. "I knew he had letterpress experience, was an accomplished calligrapher, and that his typeface designs were simply exquisite. The choice was easy."The second challenge was more difficult. It took the dedication, hard work and tenacity of Maryatt to bring the beautiful Goudy designs into the twenty-first century. While Stone was eager to begin work on the project, the college had no more money for new typeface designs in the 1990s than it did in the1930s. Years of lobbying, cajoling and letter writing were necessary to obtain the college's approval for the design project. Once she had the necessary funding, the design brief posed yet a third challenge. Goudy had provided two sizes of type to the Press: 14 point and 16 point. Which would serve as the foundation for Stone's work? In addition, the Goudy fonts were quite worn. Should Stone use printed samples as his design master, or base his work on the original Goudy renderings? The 14-point master drawings were the ultimate choice, with the stipulation that the finished fonts would provide both a seamless transition from the worn metal versions and a faithful representation of the original Goudy designs. Once the budget and design brief were established, the process of converting the original Goudy drawings into digital fonts took just a little over two months. Stone delivered finished products to Scripps in the fall of 1997. The first official use of the fonts was to set an announcement for a lecture by Stone at Scripps in February of 1998. But the story is not quite finished. Maryatt was so pleased with the new digital fonts, she wanted to share them with the graphic design community. At Stone's suggestion, she contacted Monotype Imaging with the hope that the company would add the new designs to its library. An easy decision! Now Monotype Imaging is part of the story. We are proud to announce the release of Scripps College Old Style as a Monotype Classic font. The once exclusive font of metal type is now available in digital form for designers around the world. "

Museum is the Wundes foundry's first font revival. These letter forms are scanned from the engravings of Freeman Delamotte who in 1879 published a spectacular set of ancient and mediaeval ornamental alphabets. The original forms for this font were created in 1490, a few years before Columbus discovered America. There was not much information on the origin of this font, save that it came from a British museum, hence the name. The original character set was missing the letters J,P,V and W so I've constructed these letters in the same style to complete the alphabet. Other than those 4 additions, the engravings are true to their original forms.

Hello Everyone have a nice day, let me introduce our new Classy Serif Font called "Gilbert Qualifi" !! Are you ready to make the project more elegant and classy? makes every eye that sees it stunned and silent for a moment This font is part of our dedication to the world of fonts, the work that takes a long time, makes us make this font as our mainstay font Whether you have a client that needs a new chic logo, or you're designing your social media posts. Maybe you're preparing your wedding mood board, stationery, invitations, Gilbert Qualifi font is just perfect for all of that and more. you can check it all on preview !! Enjoy !! and start Creating !! Include Multilingual : ÀÁÂÃÅÄĄĀĂÆÇĆČĎÈÉÊËĘĒĖĚĞÌÍÎÏĪİÐÑŃŇÒÓÔÕÖŌŐOEŔŘØÙÚÛÜŪŮŰŲŚŠŞŁÝŸŻŹÞ àáâãąåäāăæçćčďđèéêëęěēėğıìíîïīðñńňòóôõöoőoeøùúûüūůűŭųþýÿŕřśšşłżźž

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Sans. 2/3 series of Korean vibes typefaces. It’s a sans-serif font with bold and strong vibes to catch up with today’s graphic design trends. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the second drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Handwriting. 1/3 series of Korean vibes typefaces. It’s handwriting-based fonts with the reference of the ancient style ink and brush strokes but make it modern. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the first drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Letterforms in F2F Metamorfosi are parts of other characters that have been rotated to take on new meaning. For instance, an upside down V has become an A, a German ß has become the B, and a left parenthesis has become the C, etc.

»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new look. The pleasant flow and warm touch combined with great legibility makes Supra unique. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts.

Dear friends, we are so excited to share with you our brand new font! Just check out this new typeface called the Upstairs Font. Cool looking and unique typeface that gives your work an awesome look. This font is great for books, magazines, logos, branding, photography, quotes, blog header, poster, advertisements, etc. the Upstairs is a display typeface that comes in two styles: Regular and Wide. This typeface gives your work a cool-looking and unique style also this typeface is great for awesome headlines. So take a dive into “The Upstairs”, it’ll be awesome! Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Let me introduce our cool new sans serif font Logica Sans! It is a versatile font. Great for logo design, mobile apps, online and print use, and a wide variety of projects. We will be constantly updating our font. Add new languages, glyphs, font styles. Follow the updates! We will be glad if our font helps in the development of your project!

Synopsis draws inspiration on the classic proportions and letterforms of old romans. In addition to this a new modern twist has been infused to it, giving it a dimensional double stroke or virtual inline that makes the round parts twist in and out. Specially gorgeous in big sizes it brings the best from the past merging it with new ideas.

The extremely narrow Robotik was created by the British typeface designer David Quai and appeared with ITC in 1989. The figures are robust and strong and form tightly packed, bar-like lines. The characters' slim, narrow and angular forms suggest mechanical exactness and cool distance. The similarity of the forms are also reminiscent of machinery and the letters form chains of words. The form principle shows parallels with the constructivism of Moscow after the First World War. Robotik is best used for headlines in large point sizes.

Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline. Alternate letters ‘A’ & ‘S’ are provided. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension. Advertisers Gothic became quite popular because it was effective. It can work equally well for a flyer advertising a non-profit event as for a magazine product ad. This font refuses to be a wimp. Use it boldly. Advertisers Gothic ML represents a major extension of the original release, with the following changes: 1. A total of 335 glyphs (compare) with added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt ˜ with total 13 lookups. 3. Added 209 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Hello, We are so excited to announce our new fonts "Rainy Candy" is unique display font. Use it to make your ideas even more realistic like a kids, sweet packaging, merchandise and create spectacular the Christmas designs! Features : Uppercase and lowercase Numbers Symbols Multilingual Accent What you get : Rainy Candy. OTF If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

Introducing a new font called Hillary Dream - Handwritten Font inspired by urban fonts with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Hillary Dream came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

Hello Everybody, I just want to introduce my new twin cute fonts in one. These are "Angry & Hungry". As the preview images, This font comes with funny, cute taste. These fonts can be used in everything your requirement. What's include : - Angry & Hungry otf - Angry &Hungry Shadow otf - Angry & Hungry Script otf - Angry & Hungry Script Shadow otf If any question, please contact me. Happy Designs, Haksen

A new font called Murottal Stylish Handwritten inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Murottal came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate

Here comes our new font Good Explorer This is a handwritten brush that is written casually and quickly. comes in two mode = Standart and italic. this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Good Explorer has Rough and strong characteristic more natural look to your text with a more modern look to your text.

Say hello to South Pacific Marker , a new bold inky font with a casual handwritten feel. South Pacific includes a large selection of natural-looking ligatures and extra alternate characters ( see previews) in it's Opentype Features - make sure you have your stylistic alternates switched on to enjoy all the extras. Four handy swashes are also included in the glyphset - accessible via your glyphs panel.

New release! Kindson brush script is a font duo with a strong handwriting style . It is available in two styles: Kindson Clean & Kindson Rough. Kindson fonts are perfect for various purposes such as boutique brands, photography, magazine, quote, business cards, logos, posters, labels and many more. Kindson is equipped with multilingual support, ligatures, and is PUA Encoded. Files included in complete family: - Kindson.otf - Kindson Rough.otf

Hello Everyone, introduce our new product Lonesome Zombies Terrible Bloody Typeface Brush font Best for poster, horror poster, childrenbook, cartoon rough, comic and project that need horror vibes. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Lonesome Zombies has Stylish and strong characteristic more natural look to your text with a more modern look to your text.

Introducing a new font combination script and serif called Heykido inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Heykido came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. MULTILINGUAL ACCENT : ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ FILES INCLUDE : Heykido Script. Otf Heykido Serif. Otf

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

Warm welcome to my new sans serif typeface PHONEMA. Six stylish and modern fonts are included into this type family. Looks great as headlines on posters, text in magazines, presentations. Also can be used in logos and blog posts. Will reinforce your creative work with eye catching and bold message. Each font has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

Introducing a new font called Lambreta inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Lambreta came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate • Swash

PLAM is a sans serif font in Geometric style, based on the new concept ofstructure and ratio between the elements of the letters. The proportions are subordinated to the decorative element present inall signs, which creates a sense of rhythm, dynamics and drive. The representation of PLAM in various designs reveals itsartistic touch - a symbiosis between the classical and decorative vision reveals various application options.

Our most up-to-date Futura adapted to the new times. Its peculiarity lies in the curved endings of three of its letters (“j”, “l” and “t”), which gives the typeface a more dynamic and modern look, making it easier to visualize on small and low-resolution screens. The original designs of these characters are also included. Futura is a Trademark of BauerTypes SL

Ergo is a relatively new font oriented on the form philosophy of Univers and Frutiger, namely, that a font which the eye should see as correct cannot be constructed. The eye tends to enlarge horizontals and to perceive verticals as weaker, and the stroke differences of Ergo are therefore designed to accommodate this tendency. Ergo makes a dynamic and modern impression and is extremely legible.

Cabarga Cursiva is the work of the father and son team of Demetrio E. Cabarga and Leslie Cabarga, both New York designers. The details of the sharp strokes almost give the impression of a knife blade, whether straight or curved like a scimitar. The capitals should be used only as initials and are complemented by a robust lower case alphabet as well as alternate forms and ligatures.

Introducing new font_ "Adegoke". This is a sans serif font, designed with contrasting countur differences. Gives a simple impression with a thick serif flavor. Some alternative characters are available to give each user freedom in creating headings such as magazines, posters or brands. While the basic character can be used as body text. This font family is also available in oblique style to add variety of users.