A timeless serif with a distinctly contemporary attitude. The Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 5 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Italian type designer Alessio Leonardi created this display FontFont in 1995. The family has 7 weights, ranging from Regular to Black and is ideally suited for festive occasions, film and tv, music and nightlife as well as poster and billboards. FF Letterine provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic proportions of Capitalis, which dates back to the first century AD during the reign of Augustus. It should be set with a widely spaced bias. Augustea is distinguished by its balanced, classic and majestic image.

Mega Drone is a black and fat display font with unique lowercase. You can use this font for many project that require strong and bold vibes. This font also including icons and catchwords that you can access just from ligature. Just mix the uppercase and lowercase in a word for better looks. This font also suitable for logo and more. Mega Drone also support multi language!

The inspiration source for Arteaga Borders Two is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Two Guidebook” if you would like to learn a little more.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

Arventa was designed to be highly legible and flexible. Arventa offers a high quality alternative to contemporary humanist sans serifs and is a flexible family for editorials and corporate branding. Arventa comes in seven weights (ExtraLight, Light, Regular, Medium, Bold, Black and UltraBlack). I wanted to create a very refined family that could be used for display or body copy, for print or digital.

Based on the outline of each character, Divert works by re-directing each outline as a single meandering stroke that moves back and forth to create a quirky yet clean typeface. The typeface contains an uppercase character set plus two lowercase character sets (one standard and one alternate) and two sets of numerals. Plus all punctuation and basic latin European accents. See glyphs for full character set.

Wesal is an Arabic typeface with an elegant and modern feeling. It’s luxurious, strong, legible, Clear, Simple, and contemporary. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Wesal has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 9-weight versions from thin to Black.

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sánchez & Sánchez Condensed comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .

Slightly off-kilter to give this rigid geometric a little personality, Contraption started as a digitization of a film typeface called Intrigue by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of useful widths, weights, and obliques: from spindly thin and light weights, to chunky bold and blacks. An additional Inline style has been developed to further enhance the family dynamic.

Variable is a sans-serif monoline typeface family that can be used in a variety of typographic environments. The UltraThin weight is perfect for use at large sizes in magazines or anywhere a hairline effect is needed. The Black weight feels reminiscent of wooden router lettering. Variable is very versatile due to its calming curves and can be used in print or on-screen environments.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Acarajé is a grotesque font that stands out thanks to its versatility. Its personality blossoms through its particular modulation, which grows with weights; making it a rather jovial typeface that does not abandon the characteristics of more classic grotesques. With two styles available: normal and italic, and a variety of 7 weights that range from "Black" to "Regular", this font offers incredible flexibility for your designs.

Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called "pork-belly-ads": ads for food-stores! I think it is very useful for all kinds of advertising that demands a lot of bang! Your powerful typedesigner Gert Wiescher

The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes. The creative concept has a feel from the mid-30s of last century, reaching a taste of retro and vintage style. Includes oldstyle numbers, slashed zero, standard and discretional ligatures.

Archivio is a neutral font family based on the sans-serif typefaces of the early 20th century. Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It was designed for display and text usage.

The sheet music for the title song of the 1960 movie "Exodus" had the name hand lettered in a block stencil style with rounded corners and narrow "rails" [the breaks between the stencil parts]. Loosely based on this design and working from just the six letters of the title, Cartage Stencil JNL is available as a digital font in both regular and oblique versions.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface. It has a natural thick-thin swelling and shrinking of the strokes as if it were draw calligraphicaly. Displace font family includes five weights with italics: Light, Regular, Medium, Bold and Black. Try it!

Quatsity is a squarish or boxy serifed font with rounded corners. Quatsity is is suitable for titles or signage and legible enough for small blocks of text. Quatsity-Light was constructed in 1995 by blending two very different faces, a typeface very similar to Kwersity (with low contrast) and one similar to Qwatick (with high contrast). The other seven styles were added in 2020.

Vast is a variable sans serif with a range of styles from thin to black and from normal to extra wide. This versatile font family of both of a serious and friendly nature can be used for various purposes, such as text, logos, headings, and branding. Vast was designed by Manvel Shmavonyan with the assistance of Alexander Lubovenko and released by Paratype in 2021.

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Introducing "ZT Monstion," a fusion of sans and grotesque styles, both in bold weight, radiating an essence of simplicity and modernism. Crafted meticulously, this typeface embodies the purity of sans-serif aesthetics while embracing the boldness of grotesque forms. Its carefully refined x-height and expertly smoothed angles create a mesmerizing balance, where minimalistic design meets commanding boldness. With each character empowered by the weighty black typography.

Yukas is a funky and sexy typeface where the proportions are based on the optical balance between black strokes and white shapes. Ideal to enjoy on a large scale. It takes its references from the psychedelic movement, old-school western movie posters, and mid-19th century American wood type with those big, heavy capital letters. Includes several Open Type alternatives to customize your design however you want.

Tact Slab is geometrically slab serif font, black and condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab is compatible with the sans serif font Tact. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.

In B-movie awesomeness, Air began as Grotesk vs. Grotesque. I was trying to unify the prevailing traits of German and English Grotes(que/k)s in order to make something different but familiar. I am NOT trying to reinvent Helvetica (snore), so get that out of your system. From the onset, I intended this typeface to be a true workhorse that offers infinite options and flexibility for the user. At its core, it is the maturation of the Aaux Next skeleton I developed years ago. I worked out Aaux Next to settle my issues and love for Akzidenz. With Aaux Next, I strove to be mechanical, cold and unforgiving with it. I was single, young, cocky and it fit. Now I'm married, kids, dog and have found that I've turned into a big softy. When I look at Aaux Next (and have for the past few years) I see another typeface trying to eek out. I wanted it to avoid the trappings of robotic sans, quick tricks and compromises. The typeface’s DNA needed to be drawn and not just generated on a screen — so I set aside a year. I love type. I love working with type. I hate when my options for a slanted complement is only oblique or italic. I set out to produce both to balance usage — there are more than enough reasons to prepare both and I want the user to feel free to consciously choose (and have the option to choose) the appropriate typeface for print, web, etc. That flexibility was central to my decision-making process. The Oblique is immediate and aggressive. The Italic was redrawn at a less severe angle with far more movement and, as a result, is far more congenial when paired with the Uprights. Condensed and Compressed. Yep, why not? I know I would use them. There are nine weights currently available. The logical progression of weights and the intended flexibility demanded I explore a number of light weights and their potential uses — this has produced a number of ‘light without being too light’ options that really work based on the size. The result is a robust 81-font superfamily that is functional, professional, and highly legible without compromising its personality. Pair that with over 900 characters per font that includes ligatures, discretionary ligatures, stylistic alternates, fractions, proportional/tabular lining and proportional/tabular oldstyle figures, numerators, denominators, ordinals, superiors, inferiors, small caps, case-sensitive functionality and extensive language support and you have a versatile superfamily well-suited for any project.

Say Hello to Gegor, an experimental serif display font. Gegor is freedom of our hand when creating the letterform without many references. We try to let the pen tool flow and dancing according to our imagination. The characters of this typeface are adopted from the letter "r". She was born and influence each other. The simple shape on the shoulder are slightly pointy at a thick weight and curves at a thin weight have a big influence on other letters. The unique form of letter "r" takes us to further development to get achieve a distinct harmony as a display typefaces. If you look at the teaser images and get an idea, we are in line. Gegor consists of 14 families from thin to black, and 1 outline style in black weight equipped with discretionary ligatures, case-sensitive forms, ordinals, small capital, and fractions. Consists of multilingual support including Western European, Central European, and Southeastern European. Gegor is perfect for posters, logos, branding, magazines, websites, and more. Gegor will give a unique vibe to your works. Supports languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Serling Galleria is a classy, classic serif font that exudes an air of fine art and high-end creativity. With its clear, legible letterforms and modernist inventiveness, Serling Galleria brings a touch of strict creativity to your designs, making them stand out in sophistication. This versatile font family is perfect for projects that require a refined, elegant aesthetic. With its variable font feature, you have the flexibility to fine-tune the font to your specific needs and create a truly bespoke typographical experience, or use the pre-defined font styles: Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic The diverse styles in the Serling Galleria font family provide unmatched versatility, allowing you to adapt your typography to various design contexts and moods seamlessly. With this array of weights and styles at your fingertips, you can effortlessly create a visual hierarchy, emphasize key elements, and establish a cohesive, engaging design language across your creative projects. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. Built with advanced OpenType functionality, Serling Galleria ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique and tailored to your needs. Serling Galleria offers extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all the characters and symbols you'll ever need, including all punctuation and numbers.

A new modern calligraphy font with Latin & Cyrillic support is here: It's Wonder Garden Script. This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding. Wonder Garden Script includes Uppercase and Lowercase Cyrillic and Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates (for initial and final letters) to perfectly re-create natural calligraphy. Wonder Garden Script supports Latin & Cyrillic alphabets giving a huge range of language support, including: - albanian, belarusian, bosnian, bulgarian, croatian, czech, danish, dutch, english, estonian, filipino, finnish, french, german, hungarian, icelandic, indonesian, irish, italian, latvian, lithuanian, luxembourgish, polish, portuguese, romanian, russian, slovak, slovenian, spanish, swedish, swiss german, turkish, turkmen, ukrainian, welsh and much more. You can check your language typing characters in text box above. The Sans Serif font is perfect pair to the Script. It's a classy, high-contrast font that contains only uppercase characters, numerals and punctuation. Now creating your own wedding invitation is super easy and quick.

Amour is a calligraphy script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Amour Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, and others. . Amour Script features 1550+ glyphs and 1320 alternate characters. including multiple language support. It features OpenType with style alternatives, character binding and strokes, which allows you to mix and match letter pairs to match your designs, as well as a touch of ornament to make this font look elegant. • New Updated • Amour Script! Amour has now been updated to include 4 styles; bold/bold italic version, regular & italic version. This gives you the option to completely change your font style with the click of a mouse, whether you're looking for a smoother style, a bold version, or an italic finish.

Plantin is a Renaissance Roman as seen through a late–industrial-revolution paradigm. Its forms aim to celebrate fine sixteenth century book typography with the requirements of mechanized typesetting and mass production in mind. How did this anomalous design come about? In 1912 Frank Hinman Pierpont of English Monotype visited the Plantin-Moretus Museum in Antwerp, returning home with “knowledge, hundreds of photographs, and a stack of antique typeset specimens including a few examples of Robert Granjon’s.” Together with Fritz Stelzer of the Monotype Drawing Office, Pierpont took one of these overinked proofs taken from worn type to use as the basis of a new text face for machine composition. Body text set in Plantin produces a dark, rich texture that’s suited to editorial and book work, though it also performs its tasks on screen with ease. Its historical roots lend the message it sets a sense of gravity and authenticity. The family covers four text weights complete with italics, with four condensed headline styles and a caps-only titling cut. Plantin font field guide including best practices, font pairings and alternatives.

Eurostile® is one of the most important designs from the Italian font designer Aldo Novarese. It was originally produced in 1962 by the Nebiolo foundry as a more complete version of the earlier Microgramma, a caps-only font designed by Novarese and A. Butti. Eurostile reflects the flavor and spirit of the 1950s and 1960s. It has big, squarish shapes with rounded corners that look like television sets from that era. Eurostile has sustained the ability to give text a dynamic, technological aura. It works well for headlines and small bodies of text. The Eurostile font family has 11 weights, from roman to bold and condensed to extended. In 2009 Linotype released a revised version in the Platinum Collection under the name , with three weights in all three different styles. And additionaly there are now new weights for the Eurostile family as , and ."

Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Aston Script has 1330+ glyphs and 1039 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation. ? New Update, Now the Aston Script font has been updated or has two styles with the Aston Script Bold version.

MANUFAKTUR is a gas-pipe sans. A typeface influenced by an cast iron sign on an old Swedish industrial machine. The simple curves of the characters suited well for an 21st century update and the new and modern MANUFAKTUR is now a variable typeface with thousands of combinations of width and weight. MANUFAKTUR comes with stylistic alternates (smaller glyphs with underline) and small caps. The small caps also works as lowercase glyphs by default. With an OpenType-enabled app - or your website - you can control the width and weight of the typeface via a slider or with code. VARIABLE FONT SUPPORT: Currently Adobe only supports variable fonts in Photoshop and Illustrator. InDesign are still waiting on variable font support. This hardworking sans serif is perfect for display use, signage, poster, prints, editorial use, branding, logos, magazines, films and lots more. The variable weight and width makes MANUFAKTUR very versatile and flexible. If variable fonts isn't your bag MANUFAKTUR also comes predetermined weights and widths as a traditional font.