Voska font is a new collection of display serif typeface. Well designed font with high-contrast proportion, short serif and legit x-heights. Either sharp or rounded shape version both have classy, elegant yet explicit looks that works perfect mostly for branding, editorial purpose and more project on printing. Voska font contains alternate characters, ligatures and discretionary ligatures that give you an easy way to create awesome project.

Bebas Neue SemiRounded is the Bebas Neue with rounded corners. As you know, Bebas Neue is the most widely used free font recently. This semi-rounded version is the new style for more widely use. The basic theory and proportion are same as Bebas Neue but rounded shape gives a warm, soft and natural impression. A bit more rigid than Bebas Neue Rounded. Available at an affordable price.

The 1951 sheet music of "I Like the Wide Open Spaces" has the cover title set in a casual type design that emulates the "one stroke" or "speed letter" style so popular with sign painters in that decade. Taking the lettering on the sheet music and expanding the character set with a new interpretation, the result is Sign Work JNL which is available in both regular and oblique versions.

We have created this family inspired from the set of well known Auriol fonts used by the French popular "cheerful" satirical magazine Fantasio (1906-1948). The present version contains Normal, Italic, Bold and Bold Italic styles, in use for texts, plus narrow titlings and normal outlined with upper and lower case, both in use for titles. This family may be used together with 1906 French News, 1906 Titrage and 1890 Notice.

Here's another mosaic marvel from the New York subway system, to complement Midtown Tessie. This style is based on signage at the 34th Street station, with connections to Brooklyn. A full tile background is available at the bar position, and a marvelous meander can be found at the German double-s spot. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Here’s the follow-up to my Route 66 series, patterned after the typeface used on signage on the U.S. interstate highway system for fifty years. The numbers and uppercase letters are true to the original, while a number of the lowercase letters show the influence of the new Clearview type. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Circus Wagon is a revival of the old circus style font named Big Top in the Dan Solo catalog. This version has been freshened up with a new matching lowercase. Our original release of this font was named Buckhorn, this 2020 updated release changes the name and adds additional accented glyphs plus Opentype case sensitive forms. You will need an Opentype aware application to access Opentype features in this font.

Scholar is a new editorial serif with clean and smooth lines, tight curves, and subtle yet sharply contrasting serifs. It is a typeface series that exudes elegance and confidence. Scholar comes in two font versions: Regular and Italic. It is designed perfectly to meet all your needs, whether you're creating nostalgic designs that remain clean and elegant, or working on projects like headlines, magazines, logos, packaging, editorials, and more

NEW! Includes a set of 54 connecting word character glyphs! COIFFEUR is a bold vintage-style sans-serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set is a reduced version of the uppercase set for small caps use. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".

Verger Junior is a serif font designed for editorial design, books, and magazines. But not constrained by anything but your fantastic imagination! Verger Junior is a part of the Verger Font Family. Junior is a moderate redesign with a ... specifik Ten-version for small text (footnotes, picture texts etc.) slightly narrower width a more conventional italic style new swash family Don't let its classic look fool you. It’s a working horse!

Vivala Unicase is a modern, rounded linear grotesque that is easy to read even in small font sizes. The composition of uppercase and lowercase letters results in a unique typeface. The new version contains five weights, including a boldface, which greatly expands the design possibilities. With an extensive set of characters and symbols, it is ideal for posters, t-shirt design, promotional products, car design, labeling, trademarks and headlines.

Artigo Display is the odd sister of Artigo text typeface. It is a contemporary interpretation of handwriting shapes in a display version of the italic. It is more expressive and it has its own personality. It was renovated with five new weights that bring more flexibility to use the typeface in different mediums. Artigo Display has won a Certificate of Typographic Excellence from the Type Directors Typeface Competition in January 2018.

Buddy Slender is the narrower version of the companion sans for Contenu, the book font family designed for a book on book family design called Practical Font Design. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 2-font Buddy Slender family of Regular & Bold. I made a new more limited feature set for these fonts due to their designed usage.

At one time, the Hampton Publishing Company of New York specialized in producing reading and activity books for children. The “Letters and Numbers Stencil Book” (probably from the late 1940s or early 1950s) was the basis for Kiddie Stencil JNL. This bold sans serif type style replicates the handmade steel rule dies used for cutting the stencil pages of the book, and is available in both regular and oblique versions.

The addition of serifs to an existing typeface can drastically change the look and feel of a design. Sign Card JNL and its oblique version is just such a treatment of Sign Shop JNL. By adding the serifs, there is not only a brand-new Art Deco typeface possessing a regal and formal style, but a distant resemblance to a Russian Cyrillic font with its mechanical form and function.

An ad spotted in a 1964 issue of Billboard magazine with the words “STAND BACK…” introduced the first record album from then-new stand-up comedian Bill Cosby. The lettering of those two words was in a stencil sans serif design that was a perfect candidate for developing into a digital font. The end result is Advertising Stencil JNL, which is available in both regular and oblique versions.

Picaflor soft, is a continuation of "Picaflor" now in a rounded version, especially for titles, it contains different styles from Thin-Black, in addition to multiple languages

Hey guys! I'm happy to introduce you my new Ancient history based font. Recently I made an adventure to the North and visited a rock art attraction. This font based on pictograms I saw. The font may be used for creating ancient prints, logo design, clothing embroidery, product packaging, historical header, etc. What you will get: * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation

A new design inspired by the various mastheads used in children’s comic books in the United Kingdom, published by D.C. Thomson of Dundee, Scotland.

Try out one of the most distinguished text faces for free! Andron is a new design inspired by the best of classical Roman typefaces.

This font is a new fresh type of caligraphy hebrew font. The opentype features are much better then those are in the font market.

Ptoxina. Pixels join Circles. Ptoxina is a new member oft the Atoxina family with experimental character. In this experimental hypnotic font pixels join circles.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Decomic Oblique is one of the handmade fonts of illustrator Paul Hoppe who lives in New York. The font was digitized by Boris Kahl.

Top Hat JNL is an new treatment given to Jeff Levine's Art Lover JNL capturing the classic look of Art Deco at its boldest.

The story of Scripps College Old Style is a heart-warming and inspiring chronicle about a young librarian, a handful of students, a wealthy grandmother, a dedicated educator -- and two eminent American type designers. The story begins in 1938, when Dorothy Drake, the newly hired librarian at Scripps College, a small women's college in southern California, became an impromptu dinner companion of the American type designer Fred Goudy. By the 1990s, the original fonts that Goudy had created for Scripps College in the 1940s had become prized -- but they were seldom-used antiques. Scripps needed digital versions of the metal fonts. This goal posed two immediate challenges: finding a designer familiar with letterpress printing who was skilled at creating digital fonts, and locating the money to commission the designer's services. The first challenge was the easiest to conquer. Sumner Stone was my first and only choice," recalls Kitty Maryatt, the current curator of the Scripps College Press. "I knew he had letterpress experience, was an accomplished calligrapher, and that his typeface designs were simply exquisite. The choice was easy."The second challenge was more difficult. It took the dedication, hard work and tenacity of Maryatt to bring the beautiful Goudy designs into the twenty-first century. While Stone was eager to begin work on the project, the college had no more money for new typeface designs in the 1990s than it did in the1930s. Years of lobbying, cajoling and letter writing were necessary to obtain the college's approval for the design project. Once she had the necessary funding, the design brief posed yet a third challenge. Goudy had provided two sizes of type to the Press: 14 point and 16 point. Which would serve as the foundation for Stone's work? In addition, the Goudy fonts were quite worn. Should Stone use printed samples as his design master, or base his work on the original Goudy renderings? The 14-point master drawings were the ultimate choice, with the stipulation that the finished fonts would provide both a seamless transition from the worn metal versions and a faithful representation of the original Goudy designs. Once the budget and design brief were established, the process of converting the original Goudy drawings into digital fonts took just a little over two months. Stone delivered finished products to Scripps in the fall of 1997. The first official use of the fonts was to set an announcement for a lecture by Stone at Scripps in February of 1998. But the story is not quite finished. Maryatt was so pleased with the new digital fonts, she wanted to share them with the graphic design community. At Stone's suggestion, she contacted Monotype Imaging with the hope that the company would add the new designs to its library. An easy decision! Now Monotype Imaging is part of the story. We are proud to announce the release of Scripps College Old Style as a Monotype Classic font. The once exclusive font of metal type is now available in digital form for designers around the world. "

Linotype Zapf Essentials is the modernized version of Zapf Dingbats and was also designed by Hermann Zapf himself. Over 372 characters and symbols are included within six fonts and make life a little more communicative, a little more informative, and a lot more interesting. The fonts contain symbols for both professional and everyday uses. With their markers, ornaments and arrows they are informative as well as versatile, timeless and lively. An interesting note to the story of Zapf Essentials: in 1977, Hermann Zapf created about 1000 sketches of signs and symbols. ITC chose those which became known around the world as Zapf Dingbats. For a typesetter, dingbats are the characters in the corner of the type box which can be used for just about anything. The last decade has seen the appearance of new symbols for e-mail, fax, mobile phones and other developments. These are now part of Linotype Zapf Essentials, just as they are now a part of everyday life. For a quick overview of the different Linotype Essentials variations, see the keyboard layout PDF in the Gallery section. It shows the keyboard layout of each font. A helpful hint from Hermann Zapf: Linotype Zapf Essentials should be used sparingly so that the characters retain their emphasis.

2018 Update: We extended the language support, added a Black version and added new ornaments. Thank you! Papercute is a cute hand-drawn font designed by Fanny Coulez and Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, easy to play. Small caps are a little different than caps to create alternative glyphs. We also designed a set of cute paper ornaments, to enhance your designs. We also designed an inline version of this font: Papercute Inline . You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup!

HWT Aetna is a revival of the sturdy Roman style of wood type most often called simply Aetna. This new digital version by Aaron Bell features four widths all based on the various widths commonly offered by 19th Century wood type manufacturers. In addition, there is a four-layer all-caps version Aetna based on the the famous Wm. Page Chromatic Types, that allows the user the ability to easily create these chromatic streamer and shadow effects. Both the multiple width Aetnas and Streamer component fonts support full Western and Eastern European languages.

Sebastian Goen is my new elegant serif font that will give your projects a touch of luxury and style. It's perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator. Thanks.

Introducing The Chatalestick - Font Duo is a new Strong Condensed Sans and Classy script font. Elegant and Best Quality script that is written casually and quickly with 65 ligature. The condensed Sans versions are solid and intentionally making strong statements even in small spaces. The Chatalestick also provides the script version which has Natural handwriting with Rough stroke and classy flow. It comes with various opentype 65 ligature to achieve the natural handwriting look. The Chatalestick is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

The original sheet music for Ted (Is Everybody Happy?) Lewis’ signature tune, When My Baby Smiles at Me, inspired this whimsical wonder. The sheet music was discovered in the Library of Congress American Memory Collection, an incredible online resource. The typeface gets its name from a slightly loony early 1900s comic strip by Fontaine Fox. This new and improved version has beefed-up outlines, so it renders well even at smaller sizes. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

Darwin Rounded, the resequel to Darwin, is ready for sea and new adventures! A new fresh design with an updated language support and different sets of figures. Darwin Rounded comprises 3 subfamilies: Darwin Rounded Pro, Darwin Rounded Essential and Darwin Rounded Alt Essential. The font includes alternative characters available as an OpenType feature as well as Oldstyle figures, numerators and denominators. Special thanks to Eli Hernández for her help with digital editing.

Spoodbrush is a new lowercase brushed textured font family designed to perfectly combine the different styles with one another and allow you to create beautiful designs with a personal touch. It also contains some ligatures and swashes and additionally a Spoodbrush Sans style. Perfect for branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything requesting personal charm. Fonts Included : Spoodbrush One Spoodbrush Two Spoodbrush Bold Spoodbrush Slant Spoodbrush Sans Spoodbrush Extra

Cosima is a sans serif workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you’re creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio Thank you for checking Cosima. If you have any questions, please send an email to hello@typethis.studio - We are looking forward to hearing from you.

The Renaissance affected change in every sphere of life, but perhaps one of its most enduring legacies are the letterforms it bequeathed to us. Precisely Romanesque style formed the basis of the new font Ring Rome. New addition of the Ring font family is more readable and clear. I'm sure I'll continue to improve unique Ring font style to allow them to claim a place in type history! The Ring Font Family continues expand solidly!

Hello friends... We are proud to present our new font. New natural Glaston with handwriting and script style makes this font look elegant, natural, stylish. Glaston would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else that requires a taste for handwriting. What this font includes: Glaston (OTF) Fully accessible without additional design software. Fonts include multilingual support. Enjoy!