Greetings. Introducing our new font "Monabelia". The elegant playfully font which made with a combination of sans serif and brush script style. Almost all of the letters have sans serif taste at the top and script taste at the bottom of the shapes, also the tails/flourishing. You can feel the freestyle with combine the stylistic, contextual alternate and the ligatures but still elegant with the neat layout of the shapes. There are 100+ additional glyphs in this font that you can use it for your design, especially for your headline, display (recommended), subheadline and quotes!

If you've got style and love all the luxuries in life, you're Bon Vivant! Add a touch of luxury and style to your projects too, with the new Bon Vivant Font Collection. It's highly recommended to turn your Opentype features on while using the script font, to make use of it's best features - the multitude of OpenType ligatures. As you type, your text looks like natural handwriting, and less like a monotonous font. The handsome serif comes in 2 weights, regular and bold. Designed to be a perfect complimentary font to the script, its just as striking used on its own.

Manhattan Midnight owes its style to Art Deco fonts of the early 20th century. It has the opulence of New York City in the 20s and 30s, the glitter of city lights, the glamour of movie stars, the razzmatazz of Manhattan in the bad old days. You can use Manhattan Midnight for all advertising with an art deco flavor, for music media needing a bluesy, retro look, for movie posters reminiscent of the era, and so many more applications. The font has all the features usually included in a fully professional font. Language support includes all European character sets.

Introducing Kagnue Serif Font - A Brand New Serif Font with Classy and Modern style, Kagnue Serif font made with combination from classic italic font and modern shape. Kagnue Serif font come with More Opentype Feature, more neat curves. WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. I really hope you'll get pleasure using Kagnue font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Hello Everyone, introduce our new product Font Nice Postman is a Fun Brush Font .This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Nice Postman is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. You can activate 19 Ligatures glyphs and Alternates glyphs OpenType panel.

I created my new »EXEC« sans font during the years 2018 to mid 2020. The Normal »EXEC«-family has 7 weights, ranging from Thin to Bold (plus 7 italics). This elegant Sans is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC« has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC« comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC« supports Basic-, Western-, and Central-European Latin-based languages.

Introducing our Art Deco Font: a classic yet modern and elegant typeface that adds a touch of sophistication to your logo designs. Inspired by the iconic Art Deco movement, this versatile font is perfect for creating sleek and stylish editorial layouts. It's clean lines and geometric shapes bring a sense of timeless beauty to any project. Whether you're designing a magazine, website, or branding materials, our Art Deco Font Editorial will elevate your work to new levels of elegance and professionalism. Embrace the allure of Art Deco and make a bold statement with our captivating font.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

Yekuana Pro is a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan signs, visually rich and originally used in the enrichment of various utilitarian objects with high symbolic and cultural content. It’s a family that is composed of 330 glyphs y of two weights, including Inline and Outline versions, Stylistic Alternates, Fractions, Ordinals and Ligatures. The combination of their styles through the use of layers by contrasting colors application of allows to obtain new interesting results. Its use is recommended for titles or short phrases and elements of oversized visual communication.

Bacterio is a typeface I designed for this hulk of a friend of mine who is a kitchen designer. He is huge but has a very delicate feeling for form. One day he said he was trying out something new and if I couldn't make a font for him. Then he showed me the surface design, a hard-plastic covered multilayered wood. The surface design was called "Bacteria" and it looked just like that, only in multicolors. Well here is "Bacterio" the font that looks just like that surface of my hulky friend. Yours very design infected Gert Wiescher

"Sweet Christmas Monogram" is a script monogram font with a Christmas theme. This font is very beautiful with a variety of Christmas decorations equipped with a large logo in the form of a very amazing Monogram letter. This font is perfect for Christmas, New Years, invitations, and many other types of work. This font is very complete, because it is equipped with uppercase and lowercase letters, uppercase alternates, lowercase alternates, swash and titling, ligatures, monogram, multilingual support, numeral and punctuation. How to use this font is very easy and there is also a guide for its use in the preview.

Introducing, Lunette Typeface. It's strong and classy with an elegant touch of typeface. A unique modern font that is a mix of old and new. Lunette boasts 3 stunning styles, with beautiful upper and lower case letters, numbers, and punctuation marks. Lunette Typeface is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more. Don't wait to add this font to your collection and explore the uniqueness of this typeface! Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded

I designed Mirage using ink and a calligraphy brush to evoke the writing styles of ancient and exotic civilizations. After completing the project, it was filed and forgotten. About 15 years later, I was sifting through some of my old art files and found a "photostat" of the entire character set... a truly a magnificent archeological discovery. Then I thought, hey, maybe it's day has come. Why not share it with the world?... a completely digitized version for the new millennium. This unique font is a versatile, calligraphic option for travel, history, and greeting card themes. What other uses can you imagine?

Proudly introduce our new font Bogemian decorated with geometric elements inspired by the Boho style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.

Following in the footsteps of his brother Frankie, FrankieDos entered our catalogue a few years later. FrankieDos follows the same pattern: how to imitate analogic features in a vector-based typeface.

One Code was made in the end of 1998. Original naive character was specially created for an unique design project, but now it is ready for use as an ordinary typeface.

A tall upright CAP font with small caps. Now includes the Capital German double S (Eszett) ß. Applications include Captions, headlines, packaging, posters, ads, greeting cards, book jackets and/or covers.

Another of my hand drawn originals now digitized. It started out as a very bold, decorative initial capital letter - a 'font within a font' - but got extended to the full alphabet.

Bonislawsky pulls off a beauty in these letterforms rendered with barbed wire. In our view, it couldn't have been done better. Now you can contain the animal in you with style.

Weeneez JNL is an out-and-out novelty font made entirely of hot dogs. The font contains only the alphabet and numerals and a few other symbols including basic punctuation marks.

Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.

Sign Decal JNL is an outline version of Sheldrake JNL - lettering based on original water-applied decal transfers once made by the Duro Decal Company (now Duro Art Industries) of Chicago.

Casual and sugary, Candykitchen is an inline face with a weight problem. Frosted with occasional swashy finishing strokes and a few errant bulbous terminals, this face wants space in your cupboard.

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Variable offers you more FF DIN than ever before. Pushing font technology to its limits, Variable fonts provide creatives a tool to dial in hyper specific variations which thrive in any design space. FF DIN Variable take bold steps in engineering, which the typefaces behaviour which brings in FF DIN’s technical look-and-feel into the smooth and almost organic world of Variable Fonts. Available in both upright and italic styles, there is a lot more FF DIN to discover with new era of type technology. FF DIN Italic is a sloped roman style, however it is optically corrected – slightly thinner, slightly narrower. As a result, FF DIN Italic stands out subtly. FF DIN Variable stays faithful to its parent’s DNA, the utmost care was taken to ensure that the new instances of FF DIN Variable remained consistent with all the well-known weights. Precision is the mantra of FF DIN, the FF DIN Variable is no exception to this design philosophy. Produce exquisitely fine-tuned typography and expressive animated headlines for any design. Infinite styles, intelligent, and powerful.

Feel Script is based on lettering that calligrapher and logo designer Rand Holub created for Intertype for his face Monterey. Fortunately, I didn’t have the technological limitations today that Intertype had back then. Holub’s lettering is presented in its entirety within Feel Script. Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), along with many new alternates, ligatures, ending forms, and strangely beautiful character combinations. The experience I’ve accumulated from my previous calligraphy typefaces (Ministry Script, Affair, Buffet Script, Burgues Script, et al.) made it easier for me to apply Holub’s lettering in a new context using OpenType technology. The usual extended treatment was given to Feel Script, all the way into the implementation of three-letter ligatures and the dreamiest swashes I could imagine. I changed some of the connections between the lowercase letters in order to fit Holub’s calligraphy as opposed to the limited Intertype metal attempt. I hope you like Feel Script. I also hope what I contributed to this particular Holub design is somewhat of a happy ending to a calligraphy story that crosses many technologies. From the pen to computer Bézier. My part of this story stops here ... and yours begins. Feel Script has more than 1200 glyphs including: stylistic alternates, contextual alternates, titling alternates, swashes, and ligatures. Check out the PDF!

Tazugane Info is a screen-ready Japanese font family, that follows on the debut of Monotype's first original Japanese typeface – Tazugane Gothic. It offers a more restrained personality, with calligraphic design details pared back to create a geometric letterform – a good alternative for designers looking for a matter-of-fact alternative to the warmer Tazugane Gothic tone of voice. Tazugane Info was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Info includes Reiwa designed as a single ligature and is encoded as U+32FF. “While Tazugane Gothic fits perfectly when your job requires an organic and friendly tone of voice, Tazugane Info provides a more solid look,” says Kobayashi. “I hope that having two options will make it easier to choose an appropriate tone of voice to convey information or brand messaging.” Its strokes create a smooth uninterrupted flow that's designed for use on-screen. Although books, newspapers and magazines are traditionally set vertically in Japan, smartphones, information panels and car navigation systems are all set horizontally – and Tazugane Info has been tailored to this environment, featuring a new set of kana phonetic symbols. Tazugane Info is available in 10 weights, and includes the complete set of kanji and latin found in Tazugane Gothic.

My first font for the summer of 2009, Abrect is a new sans serif font where I try to maximize the x-height and keep the design fresh and personal. It fits in with my continuing objective of designing book fonts that I can really use. Abrect is a tangent for me just taking an idea out to its end. In particular, it is a radical modification of my first font in 1993, Nuevo Litho. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. With many of the new releases I see, the digital perfection is getting pretty extreme. It’s looking like a Rococo stage of development for many with decoration taking over from function. I'm consciously trying to head a different direction. This is not a normal font for me in that it has caps, lowercase, with the appropriate figures for each case, no small caps. This is the first time I have skipped small caps in over a decade. This font has all the OpenType features in the display set for 2009 except for the small caps. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more and many of them are experimental in form. Enjoy!

Stone and steel FS Benjamin is a flared serif typeface designed by Stuart de Rozario. Consisting of 12 styles ranging from Light, Book, Regular, Medium, SemiBold and Bold with Italics it has clear, delicate letterforms, punctuated with brutal chiselled angles. With a pure and crafted feel to the forms the typeface has traditional roots but has been designed to work in a contemporary setting. Archetypal proportions in terms of x-height to cap height and ascender to descender ratio, allow the typeface to feel familiar and be legible in all platforms. Delicate brutalism Inspired by the contrasts of London and named after Big Ben, FS Benjamin was designed by Stuart de Rozario and founder, Jason Smith. Walking around London Jason was inspired by the juxtaposition of the old and the new. Glass and steel architecture can often be found amongst traditional signage and coats of arms seen around the City. These surroundings sparked an idea to create a modern design based on an alphabet that would traditionally be carved from stone. “Much of the typography we see today is so similar. I thought what if we created a typeface with traditional roots but modernised it to sit amongst the punk and noise of the streets of London? Old with new. Business with busyness. This is what London is all about.” Jason Smith

Originally designed in 1998 as a 3-font family, updated in 2016 by new italics, small caps and many OpenType functions, resulting in a set of highly visible poster typefaces. If a  text is set in a  good Egyptienne, we can observe a  kind of sparkle in the lines. Slab-serifs are cheerful typefaces, possibly due to the fact that they developed simultaneously with Grotesque typefaces. The design principle originating from the first half of the 19th century does not have such firm and long-established roots as for example, the Venetian Roman typefaces, hence it’s much more prone to a  “decline”. We know of Egyptiennes with uneven color, with letters falling backwards (this often happens in the case of “S”), and especially with slightly bizarre modeling of details. In the course of time, however, it was realized that such things could be quite pleasant and tempting. After a  century and a  half, we find that such Egyptiennes could refresh uniform computer typography. The forms of many twisted letters resemble the gestures of a  juggler: others, rectangularly static ones, reflect the profile of a  rail or a  steel girder – things which, in their times, were new and were observed by the first creators of Egyptiennes. These typefaces are ideal for circus posters and programs for theatre performances, just as for printing on cement sacks.

A funny looking font with circular shapes and cutouts - both hippie and futuristic at the same time. I have completely redrawn all the glyphs, and introduced a lot of alternate and new letterforms to make a little more variety between upper- and lowercase (the original layout with all the "old" letterforms can easily be accessed by using the OpenType menus "stylistic Alternates" or "Stylistic Set SS01"). All diacritics and accents are totally new, and made large - in the style of the original dotted i. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Medallion is a new and fresh font script that comes with a vintage and neat style. so this font can be used easily, even in mix and match with other fonts. so it can provide new alternatives and sensations for designers or craftsmen, in working on various projects. This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more! The following characters are ideal to make an attractive message, mix and match Medallion with a bunch of alternative characters to fit your project Medallion comes with 318 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software. Mail support: If you have any question, please contact me Via e-mail "unicodestudio@gmail.com" Thank You!

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Variable offers you more FF DIN than ever before. Pushing font technology to its limits, Variable fonts provide creatives a tool to dial in hyper specific variations which thrive in any design space. FF DIN Variable take bold steps in engineering, which the typefaces behaviour which brings in FF DIN’s technical look-and-feel into the smooth and almost organic world of Variable Fonts. Available in both upright and italic styles, there is a lot more FF DIN to discover with new era of type technology. FF DIN Italic is a sloped roman style, however it is optically corrected – slightly thinner, slightly narrower. As a result, FF DIN Italic stands out subtly. FF DIN Variable stays faithful to its parent’s DNA, the utmost care was taken to ensure that the new instances of FF DIN Variable remained consistent with all the well-known weights. Precision is the mantra of FF DIN, the FF DIN Variable is no exception to this design philosophy. Produce exquisitely fine-tuned typography and expressive animated headlines for any design. Infinite styles, intelligent, and powerful.

Palatino Arabic is a collaboration between Lebanese designer Nadine Chahine and Prof. Hermann Zapf. The design is based on the Al-Ahram typeface designed by Zapf in 1956 but reworked and modified to fit the Palatino nova family. The design is Naskh in style but with a strong influence of the Thuluth style as well. This is evident in the swash-like finials and the wide proportions of the letterforms. It is designed for use in print in both large and small sizes. The counters are wide open to allow for better readability in small sizes as well as to maintain an open and friendly appearance. The font has 1091 glyphs and includes a large number of extra ligatures and stylistic alternates as well as the basic Latin part of Palatino nova and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Palatino Arabic wins Type Directors Club award. Each year, the New York-based Type Directors Club judges typeface designs from all over the world in their TDC2 contest. Linotype is pleased to announce that a very new typeface of its own is among 2008’s winners: Palatino Arabic. A collaboration between Nadine Chahine and Prof. Hermann Zapf, this face is an extension of Zapf’s Al-Ahram Arabic type from 1956 recreated to join the Palatino nova family.

Mount Hills, this typeface has been made carefully to make sure its premium quality and luxury feel. The many alternate character on serif makes this typeface unique and stands out rather than the regular sans font, perfectly for headlines, logos, posters, packaging, T-shirts, coffee shops, restaurants, magazine's headers, signs or gift/post cards, cafe's and weddings or any type of advertising purpose.

Alejandra Monoline is a bold font that is perfect for your design project. Alejandra comes with OpenType features such stylistic alternates, stylistic sets & ligatures which makes it great for logotypes, posters, badges, book covers, t-shirt design, packaging and many more. Features: • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature There it is! I really hope you enjoy.

INTRODUCING Bright Aurora is a fun handwritten font, Mix uppercase and lowercase for a fun and unique look! Bright Aurora is perfect for quotes, t-shirt designs, websites, branding, store brand, kids designs, svg designs, blogs, poster, logos, invitations and more! Have fun using Bright Aurora!!! Feel free to follow, like and share. Thank you very much for checking my store!

Rummy is powerful, precise, and packed with personality. Simple and initially unassuming, Rummy may seem a reluctant hero. But, when called upon, Rummy will lend you all of its considerable strength and versatility in order to win the day. Influenced by sports branding and 1940s film, Rummy is an underdog that won't let you down. Need more height? Try Rummy Tall!

Black catty is a font that is designed for commercial purposes such as, covers, films, logos, business cards, t shirts, weddings, and many more What's include: Ligature Stylistic set for lowercase PUA Encoded Characters - Fully accessible without additional design software. Basic Latin Language Support (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆß ) How to access alternate glyphs? you can see it on this link ( http://goo.gl/1vy2fv )