The 1934 Dick Powell-Ruby Keeler-Joan Blondell movie musical "Dames" gave us the classic song "I Only Have Eyes for You", but the sheet music for the song had the movie title hand lettered in a multi-line Art Deco sans serif design that just begged to be turned into a type font. From these few letters now comes Deco Multiline JNL, which is available in both regular and oblique versions.

Etalage Script was drawn for the first time in the year 2000, based on a early 20th century lettering stencil with what farmer Boelema at Lalleweer stenciled his grainsacks. Eventually the script letter was developed as a typeface with a wink to the ‘lost’ display types for the ‘display window’ of graphic designer Ariënne Boelens, who in exchange made the website www.lalleweer.nl. What originated the Ariënne should be evident now.

Seconda XtraSoft is the extra soft companion of Seconda and Seconda Soft. Friendlier, easier on the eye, more informal, more fashionable — but still the refined and reliable Seconda. Seconda XtraSoft’s extra softness comes from the moderate rounding of both the edges and the inner corners of its characters. Seconda XtraSoft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda XtraSoft in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its interesting details. For more information about Seconda XtraSoft, download the PDF Specimen Manual.

Little Cecily was designed on the base of a Russian calligraphy sample book for primary schools “Propisi pryamogo pis’ma” (Moscow, 1914). Such kind of scripts were implemented in school programs at the end of 19th-beginning of 20th century. There was an opinion that the straight writing is easier for learning and better for children from a medical point of view. The letterforms of the typeface are characterized by simplified constructions and upright design which distinguishes it from the list of typical school scripts and convey to it a naive charm and originality. The character set covers standard Western and Cyrillic code pages and it includes alternative letters and contextual forms for connected writing.

The early inspiration designs for Kalpa comes from some old wrist watches dials from an iconic diving watch company. The result is a sharp and sleek design that gives an extremely strong look to the font. Kalpa comes in 4 weights and italics to make it versatile and easy to use on all kinds of media. It is a wise choice for headlines, logos, branding, packaging, publications and websites. The design comes with some alternatives glyphs which enhanced the use of the font and let you customise your letter works. The name comes from a Sanskrit word meaning a relatively long period of time to connect with its early inspirations of wrist watches dials.

Neumatic compressed has a super compressed character set, increased cap height and tight kerning that combine to give you the ability to create large, beautiful and effective headlines and copy for your artwork. Neumatic Compressed packs punch when it comes to large copy lines and is perfect for posters, display copy, headlines in printed materials like magazines and books . The family comes in 8 weights from extra light to Black so it's versatile. Its extra light weight can give you some great height due to how narrow it is. Play around with the opentype Superscript with an underline or the Opentype stylistic sets which turns the default squared dots on i's, j's and punctuation to round dots.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcases the many interesting lettering designs Welo hand lettered for his book. One such example is an extra-bold serif typeface which is now available as Law Office JNL, which is available in both regular and oblique versions. --------------

Hairline display fonts are elegant and subtle with touch of luxury. They are the Champagne of type. Ambassador Plus Family represents a set of classy typefaces best suitable for magazines, cosmetics packaging, advertising or any kind of fine and sensitive design. The quality of spacing and kerning ensured by Igino Marini.

Crown Jewels is a massive Super Pro font like no other. This must be one of the most complex font ideas ever imagined. Based on an original font by George Williams, Crown Jewels takes that original idea to a whole new level. Containing thousands of glyphs, it has the size and complexity for any fancy job. This font is like hundreds of fonts in one. Many OpenType features and sub-styles to give you hundreds of different looks. Every single capital letter has been hand-sculpted into a unique complex shape like no other. Multi-language support for numerous countries including Greece and Russia. It also has advanced Open Type features like converting numbers to Roman Numerals automatically for your art projects. Numbers from 1 to 3,999,999,999 can be converted automatically to two different Roman Numeral styles. This font also comes with a nice large pdf manual explaining every function so please read it in its entirety so you can use this font successfully. There is a optional add-on font of Flourishes containing over 800 complex glyphs that can be used with this font or any font you already own. It will bring your fonts and art projects to life. It also has numerous OpenType features programmed so that each feature simply outputs 94 flourishes at a time to your keyboard. There is also a complete color-coded pdf directory of each and every one so you can find the shape you want fast. Every single one is available in recent versions of Photoshop and InDesign by simply turning on a OpenType feature and hitting a key on the keyboard. There is also a separately programmed ligature feature in case that is the only OpenType feature you have and just with that feature every single glyph can be placed into your documents easily. Crown Jewels is priced so you don't have to lay siege to the tower to afford it. It has a very low cost per glyph and is actually one of the best values here. This font took over nine years to make and it’s still just pennies a glyph. Usage: Photoshop styles, InDesign, Promotion Logos, Monograms & Signatures....That’s where it shines and it’s made for art, cards, fancy documents, really super fancy labels & even notes to Mom. If you have a fancy art project that needs doing this is the font to use.

The Colville fonts began their existence in 2015 as a project-specific typeface, made to be used on a custom-made headstone commemorating Canadian artist Alex Colville (1920-2013) and his wife Rhoda Wright. For that purpose, some initial shapes were modelled after letters Colville himself had used on a Governor General gold medal he designed in the mid-1970s. From there started a year-long project that culminated in a set of four comprehensive fonts ranging in weight from Light to Bold, each containing over 750 glyphs to cover Pan European language support, stylistic alternates, five sets of figures, automatic fractions, and some ornaments rooted in Alex Colville’s art. These fonts exhibit a strong art deco aesthetic that has always been a favourite of architects, metal casters, and sign makers. This is a very humanist geometry alternating from the precisely calculated to the curvy and lithe, subtle contrast, flat stroke stops, and airy proportions that make for a counterspace built for accommodation and comfort. The breadth and timeless humanism of the Colville set makes fit in a variety of applications, from straightforward headlines, titles, and emphasis captions, to branding and packaging.

Shelflife is a display typeface with some extras under the lid. It features all the Standard Open-Type features you'd expect, like Class Kerning and Ligatures, plus some other useful additions and of course accented characters for most European languages and others. In essence it's an easy-to-read headline font with clean lines and a bit of character. There's an outline version that can be layered with the standard version to give the shadow effect seen in the accompanying graphics, simplicity itself to do. There's boxed headlines for SALE, SPECIAL, DISCOUNT (20 in total) all ready-made, plus some which can be tilted at an angle, and done automatically - just easily typed in; easy-to-do bullet numbers; a choice of square or rounded dots on j,ffi, and so on in Stylistic Alternatives; and shorter alternatives for U and N with accents. Details are included in the zip files. The zip file will contain both the OTF and TTF versions of the font. Install only one version, either the OTF or TTF, but not both - otherwise you will get all sorts of incompatibility issues and problems.

Fungia is the result of an experiment to remelt loose natural forms to a coherent structure of a typeface. The idea appeared as a kind of joke: what letters look like if based on the shape of mushrooms. In a sense the structure of�mushroom has some affinity to the structure of�a letter: a cap and a stalk remind�a serif and a stem respectively. So it was pretty easy to design such straight letters like I, E, L, F. The captivating challenge was to apply the idea on round letters (O, C, D, G), letters with diagonal (N, M, Z) and signs without serifs (digits, @, &). The result exceeded expectations. The typeface turned sophisticated and vibrant but absolutely consistent. It became capital-only font in one weight. Because of its opulent forms Fungia performs best in large size and short inscriptions. However it provides readability in small size as well. Fungia is more likely thing-in-itself. Initially it wasn't intended to solve specific design challenges. But the alleged scope could include book covers, posters and billboards, street signs, magazin spreads and all situations that demand�expressive typography. Fungia supports extended latin and russian cyrillic script systems.

A modern sans-serif, Atria is pinched at the junction of certain strokes, providing a distinctive appearance and aiding screen definition at small sizes. The glyphs cover Baltic languages and Cyrillic.

This is the Viking font that I developed based on the letters in the Irk Bitig book, which is written with the brush line of the old Turkish runic alphabet, the information below. It was interesting work. Irk Bitig or Irq Bitig (Old Turkic: 𐰃𐰺𐰴 𐰋𐰃𐱅𐰃𐰏‎), known as the Book of Omens or Book of Divination in English, is a 9th-century manuscript book on divination that was discovered in the "Library Cave" of the Mogao Caves in Dunhuang, China, by Aurel Stein in 1907, and is now in the collection of the British Library in London, England. The book is written in Old Turkic using the Old Turkic script (also known as "Orkhon" or "Turkic runes"); it is the only known complete manuscript text written in the Old Turkic script. It is also an important source for early Turkic mythology.

Tomato is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare. This typeface is an obvious child of funk, the audio-visual revolution that swept America and put an end to the art nouveau period we now associate with the hippy era. Funk is of course little more than jazz with a chorus and an emphatic beat. Nevertheless, it became the definition of cool in the 1970s, thanks to blaxploitation movies with excellent soundtracks like Shaft and Superfly. Funk began as a commercial audio experience, then later expanded its signature to cover everything, from design to fashion to the later birth of disco, which is really a further simplification of funk. Funk had very strong and unique typographical elements, particularly a kind of titling with an essentially western, wooden core that suddenly changed and flared in unexpected areas until a very individual brand was achieved. Everything that can be tacked on to the alphabet was used towards that individuality. Things like curls, swirls, swashes, ligatures were always plentiful in funk, sometimes giving the titling a specific gender, sometimes bulging, sometimes speeding, sometimes fading in the distance, sometimes doing nothing but crazily aligning with other design elements, but the result was always a fascinating creature that seemed to invariably want to dance and have fun. Tomato was built in exactly that spirit. The original film type certainly had enough swashes and curls to be an unmistakable funk font in itself, but our further expansion of it cements it and makes it the definite font for the genre. With as many as 12 different possibilities for some letters, the designer's choices for a titling set in Tomato are virtually limitless. The Postscript and True Type versions of Tomato come in five fonts, including two fonts for alternates, one font for ligatures, and one font for swashes. These are split into two affordable packages. The entire family package is also available at an even more affordable price, and includes complimentary Cyrillic, Greek, Turkish, and Central European versions of Tomato. A Tomato Pro OpenType version is also available. It is a single font that includes over 650 characters, glued together with extensive programming for convenience of use in OpenType-friendly applications, where you can watch the letters morph and dance as you push the buttons and change the options of your OT palette. Now you know which font will come to mind when someone says the word "funky".

Bellagia Display is a blend of two hand calligraphy typefaces and vintage serifs with a natural bond consisting of 7 weights from Thin to Black. All the wildcards and binders are specially designed to bring out the letters that are unique, and interesting. This makes it a very versatile font that works in both large and small sizes. Perfectly supports your creativity in making various design projects such as logo designs, branding, posters, magazines, labels, merchandise, invitations, long and short texts, and many of your other needs. Bellagia Display Features: - 7 Weights (from Thin to Black) - 1 Variable font - Alternates & Ligatures - OpenType support - Multilingual - PUA Encoded.

Bit Player JNL is the extra-condensed companion font to Cast and Crew JNL, and features an additional oblique version. Useful wherever a large block of copy text needs to fit into a constrained space, Bit Player JNL can be applied to movie title credits, disclaimers, warranty information, end user license agreements and similar projects.

Nazgul is a modern dynamic sans serif font with subtle vintage characteristics. It works perfectly for film posters, headlines, block letters, subheadings, logo designs, big banners, classic and decorative typography, web designs, packaging and more. The two styles, Regular and Outline, include more than 100 ligatures and alternate characters allowing for versatility in design.

At the inauguration of a new suburb, the local authorities needed a poster typefont, but wanted a modern, trendy type. The Logoform font is commonly used in logotypes and trademarks.

Nautica is a new script typeface based on Copperplate’s ductus. High in contrast, it is a very original type with a strong character. With over 1000 glyphs and extensive language support, Nautica offers full professional typographic features. Ligatures and swashes are more inspired by brush pen strokes. Nautica provides three weights and one set of useful icons and knots to improve your graphics. Nautica works very well with Turquoise ; check it out.

Joseph Sophia! A new fresh ans modern hand lettered font with decorative characters and a dancing baseline. So beautiful on invitation like handicraft, greeting cards, branding materials, business cards, quotes, posters, and more design concepts. Features : Unique ligatures Stylistic sets Basic Latin A-Z and a-z Numbers International Symbols included Punctuation Please send a message if you have questions or problems, and don't hesitate to say hello on Instagram https://www.instagram.com/fargunstudio/ Thank you.

Sweet Dreams! A new fresh ans modern hand lettered font with decorative characters and a dancing baseline. So beautiful on invitation like handicraft, greeting cards, branding materials, business cards, quotes, posters, and more design concepts. Features : Unique ligatures Stylistic sets Basic Latin A-Z and a-z Numbers International Symbols included Punctuation Please send a message if you have questions or problems, and don't hesitate to say hello on Instagram https://www.instagram.com/fargunstudio Thank you.

Judger is a graffiti typeface that we created with the purpose of producing unique works that can be applied to a number of your projects, prioritizing high flexibility in order to make it easier for you to respond to your diverse needs. This typeface is not only versatile, but it will also make your project look appealing, attractive, and cool. When you use this font, viewers will perceive your project as high quality, professional, and well-designed, and your project will be highly rated. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

AutopromPro is a modern sans serif display font with a geometric touch contains 24 styles. It comes in 6 weights and its matching rounded and italics. The Thin weight and Black Rounded Italic is a free of charge, so you can use them to your projects.

The Republic Gothic series was among the last original wood type designs manufactured by Hamilton Manufacturing Co. It was first shown in Hamilton's New Gothic Faces in Wood Type (c. 1920). The design features a sans-serif style reminiscent of brush-formed letters popular with sign painters of the era. Originally issued in 6 different widths and in both outline and solid versions, this digital release features the "Extended" width known as Hamilton Republic Gothic series 775 & 776. The pair of outline and solid is designed as 'chromatics' that can be printed one over the other to achieve multiple color effects or individually as stylistic alternatives. This release features the first ever digitization of Republic Gothic. The two fonts are carefully aligned and kerned to allow for multicolor overlayment in any digital design program. It features a full Western and Central European Character set.

Full of texture and regal personality, Bell Martellus was derived from a book published in 1475 by Henricus Martellus entitled “Liber Insularum.” The writing style is based on the Carolingian Script created by the Emperor Charlemagne and his scribe, Alquin of York, in the 9th century A.D. This old world lettering comes with new world OpenType capabilities, including swash caps and small caps. The James Ford Bell Library at the University of Minnesota commissioned Bill Moran to develop this font as a means of introducing their amazing collection of rare books, maps and manuscripts to a wider audience. Once the historic script was fontified by Bill, it was forwarded to Chank Co, where we added some snazzy baubles for the discriminating typographer. Everybody can enjoy the antique genuine nature of Bell Martellus, but advanced OpenType users also get extra features in Adobe CS applications.

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere.

Milk Soda is an all caps display typeface that's bold, fun and playful. It's clean and versatile, making it a perfect addition to any designer's kit. Packed with personality, this font screams out loud. Suitable for headlines, logos and more! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You !

ITC Berkeley Old Style is based on a typeface designed by Frederic W. Goudy in 1938 called University of California Old Style. It was a private press type for the publishing house of that school. In 1958, about ten years after Goudy's death, Monotype re-issued the type under the name Californian, and it became a very successful face for book typography. Goudy himself said he designed this face to have the greatest legibility possible, and it is indeed free from the exuberances in some of his other faces. Tony Stan redrew the family for ITC for 1983, and it was named ITC Berkeley Old Style, Berkeley being the city where the University of California Press is located. Stan did a careful drawing of eight styles including italics. ITC Berkeley Old Style is a crisply beautiful tribute to a distinguished typeface, and it works well for books, magazines, and advertising display. Featured in: Best Fonts for Tattoos

Geometa is based on Paul Renners Futura Classic, the one that he designed before he had to soften it to make it more appealing to the broad public. I thought the normal rounded fonts needed a decorative sister. Here they are! Your type-designer for decorative solutions, Gert Wiescher

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Linear" for obvious reasons. The first "Alef" has a "fatha", this indicates that the name can be pronounced only one way, "AR-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). This calligraphy is very clear and no letters overlap. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Ta & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

Gritalina Modern Calligraphy is a new modern script font with an irregular baseline. Trendy and feminine style. Gritalina looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates and multiple language support. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Proudly introducing my new Font family Royal Castle. I designed this font to become a modern luxury sans serif family, but there it has a little touch of retro and vintage feel on alternate that can make it more popup. Royal Castle is perfect for projects such as logos, banner invitations, magazines, posters, fashion designs projects, and many more. Royal Castle also support a wide range of multi-lingual characters.

Sugar Garden Script is a new modern script font with an irregular baseline. Trendy and feminine style. Sugar Garden looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates and multiple language support. I made this font very carefully so that each letter looked very unique and had various beautiful alternatives.

YinYangMessages contains two sets of letters, those on the upper-case keys that fit on the left side of a yin-yang symbol and those on the lower-case keys that fit on the left side of a yin-yang symbol. One can alternate the two sets manually but the OpenType contextual alternatives feature does this automatically in any program that supports this feature. The family contains two fonts. In one the filled half is on the left and in the other the filled half is on the right. The slash and backspace keys contain blank halves of the symbol, which are useful for completing words with an odd number of letters. The two styles can be used in layers. YinYangMessages is a fun and playful family that every once in a while may be the ideal typeface for some unusual situation.

Friendly, warm and quirky, yet with a certain elegance, Pleuf Pro is a hand-drawn rounded serif family with extensive language support and a bunch of OpenType features. Great for projects which need a handcrafted, homemade, friendly, warm, personal vibe; it's individualistic without being overly eccentric, and quirky without being illegible. The clean, delicate lines of the lighter weights convey a graceful elegance without losing warmth. Ideal uses would include bar and café menus, greetings cards, food and drink packaging, and anything aimed at kids.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Swansbury, Inc. provides handwriting instruction to all ages, accompanied by two exemplar fonts, Barchowsky Fluent Hand.otf and Barchowsky Dot.otf. The basis for the design of the characters is the italic of the Renaissance. With the advantage of contextual alternates, Barchowsky Fluent Hand automatically joins lowercase letters so it can be used in any venue where a clean and elegant appearance of handwriting is desired. The fonts allow maximum instructional flexibility. Aside from their use in lesson plans, educators can customize pages for specific student interests, studies and needs. Included are all math symbols that one typically encounters in school curricula. Nan Jay Barchowsky, designer of this font, believes that children should hone their handwriting skills as they learn all subjects, reading, math, history and foreign languages. Both fonts support all Western European languages and Turkish. Barchowsky Dot is for young children or others who need remediation. The letterforms are identical to those in Barchowsky Fluent Hand. Used at a large point size open dots appear within the lines that form the characters indicating where one should start each stroke in a letter or number. Once formations are learned Barchowsky Fluent Hand can be used with the contextual alternates turned off until students are ready to write in the joined-up manner of a true cursive. Specifications: The technology for fonts that automatically join letters, or allow them to be unjoined is relatively new. At present, both fonts work on Windows XP with Service Pack 1 or later (or Vista), using AbiWord, a free word processor (go to abisource.com). They also work well with InDesign 2. Currently there is an unknown factor in later versions of InDesign for Windows that disallows joining. Macs completely support the fonts using InDesign 2 and later, PhotoshopCS and IllustratorCS. If you do not have these applications, there is an inexpensive word processor for Macs.

Ron is a vintage medium block typeface, a classic and bold display font with a cool vibe. Use it to add a smart feel to any design project.