Introducing our latest retro font design: Orelia Display font, a modern take on classic mid-century typography. Our simple retro font is designed to be humble yet eye-catching, with clean lines and simple shapes that evoke a sense of nostalgia while remaining relevant and contemporary. This font is perfect for projects that require a touch of retro charm without overwhelming the design. Its understated appearance makes it ideal for minimalist designs, logos, and branding, while the bold letterforms ensure that it still catches the eye. Crafted with care and attention to detail, our simple retro font is available in a variety of weights and styles, allowing you to customize your design and make it truly unique. Whether you're creating a retro-themed website, designing a product with a vintage twist, or simply want to add a touch of nostalgia to your work, our simple retro font is the perfect choice. With its timeless appeal and modern design, our simple retro font is sure to become a go-to choice for designers and creatives who appreciate the beauty of simplicity. Purchase now and add a touch of retro charm to your next project!

Sudtipos is really proud to announce the release of Regional, a solid workhorse type family of 27 styles inspired by the Old Style Bold models from the late XIX century by different type foundries. The unique diagonal in the "R" has been the key that inspired us to create many of the several alternates included in the set. From a delicate and expressive thin condensed to an exaggerated expanded black, Regional merges the past with the present, making it useful for a wide range of designs. We have imagined Regional to be used in magazines, packaging labels and posters. The addition of a complementary one-file variable format is included when you license the complete set.

Here comes our new font Flossy is a Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This font are handmade with brushes on Procreate. Then crafted carefully drawn into vector format. Flossy a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Here comes a New font, Golga is Unique Bold Display Font this is strong Font, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding.

In designing an advertising poster to show off the unconventional Safefont typeface, Steve drew what appeared as relatively traditional letterforms for the expository text. When these characters were as well received as the typeface which was the subject of the poster, Steve decided to expand them into a full-fledged graffiti style typeface of their own. While exploring where this new design might lead, Steve worked to elaborate the poster segment which had inspired it. He soon found himself staring at a drawing of a weapons-wielding Bonnie and Clyde. The desperate duo resonated with the graphic elements of the drawn letters; thus leading to the effortless fleshing out of the design, and to its name, Big Clyde.

Roaster is a Stylish Elegant Font In a new generations, we analyze that any designer or brand owner need to make their brand standout. As our focus that analyze any typeface that helps to leverage any logo design to look more modern and unique. We prepared this font with any unique characters to help you create unlimited variations for your creative needs. Roaster font ready with: Any options to get creative variations with unique letters 5 Styles Font (Black,Bold,Reguler,Thin,Light) Preview as a inspirations that you can do with Roaster font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Basilisk is a futuristic and retro-inspired typeface that works well in any sci-fi space thriller. This one is for you if you like futuristic fonts. The different weights give you a lot of flexibility when it comes to choosing the right typographic color for your project. The available Ligatures and Italic styles offer a wide range of characters to give your project design an unique design. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Caros Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros is a versatile type family of 18 fonts. Caros family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Be prepared, this Halloween party would be extraordinary . PUMPKIN ISLAND! A cute decorative Halloween theme Typeface, but still keeping the versatileness. Summoned for a Halloween theme look but doesn't lock the possibility to use in other attractive stuff. It fully pumps including ligatures & stylistic alternates in both capital or basic character, and the good news is . . PUMPKIN ISLAND also support multi-language within numbers and punctuations Glide through with every curve of each letter and be ready to rock pump your awesome needs! As how it looks, PUMPKIN ISLAND really fit for any needs such as horror books cover, posters, branding or any attractive design taste Here it goes! Have an awesome party ~ ----------- A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y ---------- **Features:** - A-Z Character Set - a-z Characters set - Numerals & Punctuations (OpenType Standard) - Multilingual Thank you and have a nice day

Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases. Now extended and updated as Rogue Nova, it sports additional weights, East European language support and reengineered spacing and kerning. It is now a versatile 30-font family, with five weights and three widths, all with italics. Powerful and authoritative, sharp-edged and contemporary.

Tazugane Info is a screen-ready Japanese font family, that follows on the debut of Monotype's first original Japanese typeface – Tazugane Gothic. It offers a more restrained personality, with calligraphic design details pared back to create a geometric letterform – a good alternative for designers looking for a matter-of-fact alternative to the warmer Tazugane Gothic tone of voice. Tazugane Info was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Info includes Reiwa designed as a single ligature and is encoded as U+32FF. “While Tazugane Gothic fits perfectly when your job requires an organic and friendly tone of voice, Tazugane Info provides a more solid look,” says Kobayashi. “I hope that having two options will make it easier to choose an appropriate tone of voice to convey information or brand messaging.” Its strokes create a smooth uninterrupted flow that's designed for use on-screen. Although books, newspapers and magazines are traditionally set vertically in Japan, smartphones, information panels and car navigation systems are all set horizontally – and Tazugane Info has been tailored to this environment, featuring a new set of kana phonetic symbols. Tazugane Info is available in 10 weights, and includes the complete set of kanji and latin found in Tazugane Gothic.

Bocahe, a delightful and whimsical doodle kids font, captures the essence of youthful imagination and playful charm. Each letter in Bocahe is carefully crafted with endearing doodles, resembling the spontaneous drawings of children at play. The font exudes a carefree spirit, making it perfect for projects geared toward a younger audience. Bocahe’s adorable characters bring a sense of innocence to any design, from playful invitations to colorful educational materials. The font’s hand-drawn aesthetic and vibrant personality make it an enchanting choice for conveying joy, creativity, and the boundless wonder of childhood in typographic form.

Auberjean is a playful handmade display font, great for social posts, editorial design, posters, book covers, signs, and more! This font has a hip and contemporary feel. It works well for headlines as both uppercase and lowercase, as well as short blocks of text like quotes and info blurbs. The thick, rounded style means it looks great with an outside stroke or offset outline.

A timeless serif with a distinctly contemporary attitude. The Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 5 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Bayside Tavern is a weathered version of our Tavern Alt font family. With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version. With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party. While our original Tavern Alt font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights. The Fill fonts in the Bayside Tavern family are meant to be layered behind the Bayside Open fonts, if you're using Bayside Open select Bayside Fill, if you're using Bayside Open L select Bayside Fill L, if you're using Bayside Open S select Bayside Fill S and so on.

CONCEPT/CHARACTERISTICS
 The constructed, clear and modern cha­rac­ter of the typeface based on the basic form of the triangle. The motto is geometrically and italic. APPLICATION AREA
 The modern, futuristic and constructed font „slan­ted ITALIC shift“ would look good at dis­play size for poster, flyer, comics and gra­phic novel let­te­ring and logos. Head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS
 Head­line Font | Dis­play Font | Geometric Font „slan­ted ITALIC shift“ OpenType Font with & 308 gly­phs & 6 styles (thin, light, regu­lar, medium, bold, black). Alter­na­tive let­ters, symbols and liga­tures (with accents & €) FONT IN USE www.typographicdesign.de/font-in-use-slanted-italic-shift/

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfil the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. Parachute® was set out to fill this gap by introducing the PF DIN series which has become ever since the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The first set of fonts was completed in 2002 as a group of 3 families which included condensed and compressed versions. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has proved itself valuable to numerous design agencies around the world. Ever since its first release, it has been used in diverse editorials, packaging, branding and advertising campaigns as well as a great number of websites. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. The whole PF DIN Text type system (with normal, condensed and compressed styles) includes 45 weights from Hairline to Extra Black including true-italics. Additionally, every font in the Pro series is powered by 270 very useful symbols for packaging, environmental graphics, signage, transportation, computing, fabric care. There are 2 versions to choose from: The PRO version is the most powerful. All weights support Latin, Cyrillic, Greek, Central/Eastern European, Romanian, Baltic and Turkish, with 20 advanced opentype features including small caps. The standard STD version is more economic. All weights support Latin, Central/Eastern European, Romanian, Baltic and Turkish, with 18 advanced opentype features including small caps. In 2010 Parachute® released 4 new families DIN Monospace, DIN Stencil, DIN Text Arabic and DIN Text Universal. All these are complemented by the popular DIN Display version. Altogether the Parachute DIN series is a set of 8 superfamilies with a total of 96 weights.

One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.

This is of Novecento Sans, a font family inspired by European typographic trends between the second half of 19th century and first half of the 20th. It looks rational and geometric. However, it is optically corrected and balanced. NEWS: you can add a layered effect with Novecento Carved as top layer. This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. Lighter faces provide a more contemporary and design look and feel, while the bolder ones definitely look retro. Novecento Sans family comes in 32 styles, speaks 76 latin based languages, has 590 glyphs and 16 stylistic opentype features for advanced typography.

Senko Hanabi (線香花火 - Japanese: incense-stick fireworks) is a type of Japanese sparkler. These traditional sparklers are said to evoke “mono no aware” - “an empathy toward things”; the flash of sadness when reminded of the fleeting nature of life. I am always a bit melancholic this time of the year, so when I created this font, I wanted to give it a suitable name. Senko Hanabi was made using a brush and Chinese ink. It is a beautiful font, which comes with stylistic alternates, discretionary ligatures and a sparkling amount of diacritics. Remains for me to wish you all a very happy new year. Let’s do our best to make it one worth remembering!

Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy

Travelling is a captivating display font designed to ignite wanderlust. Perfect for book covers, logos, and lettering, its bold and expressive design adds an enchanting touch to your creative projects. Embark on a typographic journey with "Travelling" and let your designs explore new horizons.

Gelion is a large family of geometric sans serif fonts. It ships both as two Variable Fonts or as 16 traditional fonts. Those static fonts span eight different weights, ranging from Extralight to Black. Each has an upright and an italic font on offer. The italics are carefully crafted, with an 8° slope. Gelion is inspired by 20th-century geometric sans serifs and classic neo-grotesque designs from the late 19th century and the middle of the 20th century. Its forms remain true to the gracefully geometric look of its classic predecessors, which will surely tick off any client’s long list of branding requirements. Letters in all of Gelion’s weights are drawn with virtually monolinear strokes. Its lowercase letters have a tall x-height. Yet, that still leaves enough room for the fonts’ diacritical marks. Gelion’s default “a” and “g” each have single-storey forms by default. The dots on the ‘i’, ‘j’, and diacritics are round, as are the punctuation marks. Gelion is an excellent choice for both corporate design and editorial design projects, thanks to its range of weights and its legibility in text. The fonts include a lot of ligatures, some monochromatic emoji, a set of arrows, lovely Roman Numerals, and more. Thanks to Gelion’s stylistic alternates, if a project comes up where you do not need a geometric vibe, you can activate Stylistic Set 1. That will replace many of the fonts’ letters with more humanistic-sans alternates, giving your text the feeling of a whole other type design with just one click. Last but not least, the descending “f” available in Gelion’s italics is a nice typographic trait.

Who doesn’t like Spaghetti & Cheese? Well, my son doesn’t like it, because he hates cheese, but he seems to be one of the few. Spaghetti & Cheese is also a handmade font: slightly slanted, slightly eroded, yet very legible and clear. It was made with a Japanese ‘Shake & Write’ marker pen. Comes with a generous topping of diacritics.

In the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers” is an example of poster lettering with the accompanying blurb “call this Chrysler”. This casual brushstroke design was slightly modified and then reworked into what is now Show Poster JNL and is now available in both regular and oblique versions.

Zombie Punks - The Retro Horror Video Font Introducing the first in a range of new font designs inspired by 80s VHS covers and the nostalgic video rental store experience. Starting off with a classic horror flavour, Zombie Punks is a grungy, hand-drawn brush font supplied in two styles with additional underlines and paint spills. The perfect choice for use on movie posters and trailers, album covers, books and much more. This all-caps design features punctuation, numerals and language support along with an alternative set of characters ensuring that you’ll never have to repeat your e’s or t’s for a more convincing and natural hand-made look. Check out the visuals for more details and cool usage examples.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

Introducing our new brush exploration, Rashavine. A freestyle brush font made with the high attention of the brush details. This font has the feel of energic, which challenges you to create a powerful design and fast! Rashavine complete with alternates characters, ligatures, and swashes which you can apply on T-shirt, label, title, books, hoodie, logos, sticker, website, and many more! Rashavine is an all-caps font that you can mix and match from different letterforms. Accented characters available for many different languages. Also, you can access the swashes with ease, by simply type 'underscore' and 1 to 0' from the middle of your word. That's all, folks! Thank you for watching and keep it up!

GEOMETRICAL PERFECTNESS Every letter of miometry has a ratio to one another SHARPNESS Due it's design,it has a elegant look at first sight RATIONALITY It can even be used in every kind of rational system like patterns etc INSPIRED BY Concepts like futurism,transhumanism,cyberpunk,cyberworld etc

Sign Stencil JNL was modeled from some vintage lettering stencils spotted in an online auction that were part of a store sign making kit. A variety of styles, sizes and designs were contained within a carrying case along with paints, brushes and instructions on how to paint attractive signs.

Algarabía Display was created for titles or to highlight a particular text. It includes a set of accented capitals and accented lowercases, almost one hundred ligatures, entry and exit capitals, symbols, punctuation and numerals, and almost 50 different kinds of dingbats. It is a typeface to have fun.

The idea behind the font called Chaco originated after testing the deficiency shown in road signs in Latin America. The design began after a long documenting period. Throughout the various stages of the work,  there were several  tests and checks  conducted of the formal solutions implemented which, based on the results, would gradually be changed until we finally reached, in this way, its definite design. The original project for the font features three steps, namely: regular, light and bold, yet by making progress in the development, it was possible for us to perceive that by enlarging the black and thin variances, the family with 5 different weights could offer very good results in mass media, such as newspapers, magazines and television. In order to expand its possibilities of utilization, the set was completed with italics and small capitals.

Albion’s Incised Masthead combines the heavy Black Letter forms of Greater Albion’s “Albion’s Old Masthead” with the ‘Hand-Tooled’ incised look demonstrated so readily by Mr Goudy. Another tribute to the engraver’s art…

Demon Beast is a font filled with dark and menacing vibes, making it a perfect choice to evoke an intense Black Metal atmosphere that aligns well with Halloween themes. Inspired by terrifying creatures and symbols associated with darkness, each character in the Demon Beast font portrays power and fear. With sharp lines and angular shapes, it exudes a strong and mysterious impression, creating an eerie and captivating aura. This font embraces gothic elements, featuring intricate artistic touches and sharp details. Each letter resembles icons related to the supernatural world, as if conjuring up frightening creatures from the depths of darkness. With Demon Beast, you can create text that is captivating, powerful, and enchanting. It is well-suited for use in designing posters, stickers, greeting cards, or graphic elements to celebrate Halloween, adding a mystical and spine-chilling touch necessary to set the right atmosphere for Halloween-related projects. If you're seeking a font that exudes a strong Black Metal aura and embodies terrifying darkness, Demon Beast is the perfect choice. With its captivating and mesmerizing appearance, this font will serve as a powerful asset in embodying the aesthetics associated with Halloween and the Black Metal music genre.

Noelia Script is a typeface inspired on the work of Doyald Young, Tommy Thompson, Matthew Carter and Giambattista Bodoni. This project is great to use in designs about sports, travel, and city postals, among others. This font has about 360 glyphs with stylistic alternates, old style numbers, serif caps, and a nice touch of classic penmanship. This is the result of a few months of work and that is it! Enjoy it! Thanks for buy it!

Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a scan of an old display face that has been radically modified to a much smaller x-height than I have been using lately, plus taller ascenders. Many of the characters needed a lot of correction to bring them into my taste. In general, I have decided that many of my fonts create a type color that is too dense. Aramus is an attempt to get away from that look. Although Amitale has been a very successful book family and excellent to work with, I find I still need something more open with a lighter color. Aramus is the first look at the new direction. The original hand-cut serifs vary a lot, different for almost every character. This gives a little looseness and helps the lightness I am looking for. It will be interesting to see where this all goes. This is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request. They will be in the final new book family). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

Modern Prestige is a unique serif which is combined with copperplate script letterform with all the swashes! This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

ITC Kumquat is the work of American designer Eric Stevens. He started with the logo for his company, Tower of Babel Design, and expanded upon the Mesopotamian look to create a typeface to match. Stevens imagined drawing figures in the sand with a stick and how this method would change the way one usually draws characters, usually with lines replacing curves. Most characters are slim but a few, like the uppercase A and L, were made to contrast with the rest. ITC Kumquat is a great display typeface for anything which should have an antiquated feel.""