This new Handwritten font is written by our team, and ready to pop up your project by using this font for your party, event, invitation or at your wedding decor.

The initial idea for the Oops font, was to create graphemes, and by using them it could imitate a mark of a spilled liquid-stain. In an attempt to make the most convincing effect, those graphemes were written on glass. The final appearance of the graphemes, mostly remain in their basic form, and have the characteristic of a liquid, like fluidity in motion. This manuscript is expressive, but that does not affect the readability of the letters. The generated font was created by using Photoshop, Illustrator and a little bit of interventions in Font Lab. Font Oops is updated and edited version of an old version of the Art decor font, which had just basic letters. Today, Oops font contains Latin and Cyrillic letters, and it can be ideal for use in subjects like a paintball, art, expression, ink, water...

Galette is a contemporary all-purpose sans-serif for printing and online delivery, allowing the use of one layout both as printed material and online without loss of quality or legibility. Not only a high resolution printing font with extensive kerning, it was designed from the ground up for clear and uniform display on the computer screen. It displays more predictably than the traditional fonts: no overhangs are used, the stroke thickness of capitals and lower case letters is identical, making hinting or antialiasing smoother at any point size and zoom combination. The hint of Art Nouveau makes the font more expressive and individualistic. A number of alternative capitals allows the font’s expression to be turned up or down at will. A generous complement of accented characters (Western & Eastern European, Baltic, Turkish) enables multi-lingual use.

Graffiti Classic is a graffiti font that blends the improvisational urban quality of graffiti with the smoothness and regularity of a typeface. Growing up in Brooklyn, graffiti appeared to me as an explosion of expression and color in a sea of concrete. Inspired, I became a graffiti artist and practiced in both notebooks and subway tunnels. While I moved on to somewhat more traditional art forms in future years, with Graffiti Classic I pay homage to my artistic roots in a calligraphy marker/tag font. Like my other fonts, the entire Graffiti Classic font is spaced letter to individual letter so that the spacing will work smoothly, in spite of the expressiveness and irregularity of the forms. The Graffiti Classic family also includes an ornaments font, “Taglets,” which has clouds, underlines, arrows, crowns, halos and more to add flavor to your designs.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.

Introducing my new fingerprint typeface OldStamp. In addition to the Regular style, I added two more color styles. Typeface for casino labels, nightlife headlines, bright posters, detective cards, biometric access etc. What's included? * Regular, Violet and Green styles * Only uppercase * Numbers * Symbols * Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Vacui Inspired by the Latin phrase "Horror Vacui", translating to "fear of empty space", the Vacui typeface ironically portrays the meaning from a different perspective. Originally intended to fill an entire surface, this typeface playfully illustrates an alternate reality, embracing space in a new minimal form. The modern aesthetic utilises white space to suggest the shapes and curves of letters that we are familiar with, connecting the dots on a subconscious level while introducing new breathing room to the flow of characters and phrases.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Introducing my new modern Renaissance serif typeface Sogia. Vintage font with unique thin line decoration elements. Perfect to use in any fashion labels, glamour posters, luxury identity, etc. What's included? * Regular style * Uppercase and lowercase * Numbers * Symbols * Ligatures * Punctuation * Multilingual support I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Inspired by old letter engraving and tombstones, his font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm. OpenType Pro fonts- Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holm Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

Hello friends... We are proud to present our new font. New natural Longsile Display with a classy and Modern style makes this font look elegant, natural, stylish. Longsile would be perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme. Longsile was built with OpenType features and includes initial and ending stylistics, alternative characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports other languages. Enjoy!

De Ruyter font was inspired by old and new. Old beautiful calligraphy and blackletter fonts used across the ages and new clean, simple sans-serif style fonts which may be use in many types of modern media. This typeface include 438 glyphs which cover 98% of Latin Plus languages and 94% of Latin Plus diacritics. De Ruyter include regular and italic version which will perfect works in any branding, logos, magazines, films projects, badges and headlines. The font is distributed in TrueType format including kerning.

New month means new font. Let us introduce our latest (another) sans serif; Tawakkal Sans. This font is a mix of modern and classic style, its cleanliness and irregular shapes represent the future, while its elegant curve mimicking old style typography. Tawakkal Sans is highly versatile, you can use it on many designing fields, ex: headline, editorial, quote-writing, tees/poster design, logo, etc. Packed with lots of glyphs (including OpenType chars), this font is a must have weapon on your designing arsenal. Enjoy!

Introducing to the new signature font: Intensity Intensity is a natural & modern handwritten font. It's perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. This font include : Intensity OTF-TTF and also Multilingual support. - Very simple installation - PUA Encoded open - Very great for branding, logotype, handletteing, invitations, or fashion branding. - Multilingual Support - Support for Adobe Illustrator, Corel Draw, Indesign, Adobe Photoshop and Procreate 4.3 (NEW UPDATE) - Support for MAC or WINDOWS

Freda Sack and Colin Brignall collaborated to produce the Victorian typeface. Their work was inspired by late 19th century display letterforms, and they sought to create a new ornate font in the same style. Victorian superbly reflects the refinement of the late 19th Century. Victorian Inline Shaded was designed by Nick Belshaw. He was inspired by late 19th century display letterforms, and sought to create a new ornate font in the same style. Victorian Inline Shaded superbly reflects the refinement of the late 19th Century.

The renowned American illustrator and graphic designer Milton Glaser designed Glaser Stencil in 1970. Glaser Stencil is a perfect summation of both Modernist proportion and New York-style solidity and self-assurance. An all capitals font, the shapes of the letters are reminiscent of popular sans serif faces of the time, such as Futura and ITC Avant Garde Gothic. Like everything New York-related, Glaser Stencil should be used big, in headlines and display applications, where it can play a bold, proud, and confident role.

Ames’ Roman is a stylish ‘New-Style’ Didone Roman family offered in divers weights and widths. It is designed to embody clarity combined with dramatic contrast between horizontal and vertical strokes. All typefaces include small capital forms, new and old style numerals (and indeed ‘small capital’ numerals for consistency). Ames’ is a Roman with the charm of the past and the spirit of the future! It’s ideal for headings and titles and anywhere else you need text of distinction. Watch out for the forthcoming Ames’ Text…

“Zouk” is the transformation of the classic blackletter font into the modern world. The blackletter character is very strong and prominent will be the choice for a new style brand. This font consists of 750 glyphs with latin plus diacritics that supports more than 200 languages. We created alternate glyphs in stylistic sets (SS) 01, 02, 03 and 04 for all lowercases including the diacritics. We believe this font style will be a new brand choice that is more prominent and stylish in a classic nostalgic diorama.

“Ciclamino” is the Italian name for a small, elegant forest flower with a sweet but strong fragrance. This font is inspired by the peculiars characteristics of this flower, to the elegant shapes of the petals and its intense fragrance but sweet and refined. The result is a font with a particularly incisive but elegant layout suitable for high-impact graphic projects with a modern and decisive flavor but with a note of balanced elegance. There are no limits to the situations in which you can use it to give a touch of originality to your graphic creations but there are some project categories in which it could be a choice of great visual impact and help you express all your creativity. The particular can give excellent results in all those situations that have a flavor of modernity, and innovative technology and express innovation and dynamism and decision. At the same time, its decisive and sinuous lines also adapt to situations with a gothic and fantasy relish and even to tribal graphics. But this is just a minimal list of situations in which it can express its potential, it is a very versatile font and you can find a lot of other situations in which its use can make a difference and help you obtain an original result with a great visual impact.

Hi Designers. Everyone will try these soft and sweet typography at least once. All the angles and sharpness are transformed with soft and smooth. Each of these 18 styles has a unique personality and can be combined to showcase the designer's emotion more smoothly. Here is the advantage of being able to stay new without being bored. Of course, it can also be used in typography design for kids. And these soft styles include the following Ligatures. - La, Le, Lo, da, de, do, fi, fl, me, mo, mu, ne, no, nu, ta, te, th, to, tt

The Buum typeface evolved from the explosive lettering originally designed as part of a house style for an interactive science centre for kids. Beside its usual application as a strong display font in print and on screen, the bold angular shapes of glyphs are adapted for negative machine- or laser-cutting into structural materials such as iron sheets, plywood, or stone ... and for creating tactile expressive surfaces and 3D objects. This pictogrammic and dazzling font remotely echoes the morphology of the lettering of futurism and constructivism, when avant-garde typography was once an exciting adventure. It is a lettering building kit with a number of stylistic alternatives of glyphs that enable a user to shape the same word differently each time. Buum is recommended by nine out of ten old school futurists, favored by steampunk CNC operators and respected by the majority of infantile anarchists.

Cobbler Sans is a friendly type family in six weights and the humble cousin to Cobbler. With its rounded aspect and proportions of geometric type Cobbler Sans is expressively soft and contemporary. All terminals are shaped organically and even inner corners are rounded. The few remaining straight lines give the typeface the stability of a workhorse while keeping the playfulness that characterizes the entire Cobbler family so much. Additionally there is a pile of OpenType features built in. For example loads of discretionary ligatures that make capital letters interlock left and right. Other features include automatic fractions, case sensitive punctuation and contextual alternates. Cobbler Sans works great for branding, packaging, editorial or any display application – and it comes with an expansive character set that covers over 200 languages. Furthermore Cobbler Sans is manually kerned and auto-hinted for crisp display on screen also in small sizes.

The best way to radicalize your typographic expression is to use Blackletter! Gothic calligraphy had been used throughout all historical periods without much of the principal development the Latin typefaces underwent. However, since the invention of movable type, even now its slight variations over time can be seen. Blackletters are always used where emotions are required, be it spiritual literature, romantic novels, decadent poetry or extreme music. Dracula is a typeface dedicated to classical horror. I started to draw its letters along with my illustrations for Argo publishers in spring 2017. I needed a specific typeface for book cover and chapter titles to emphasize the mysterious atmosphere of the text. Sharp teeth and claws on a thin blackletter skeleton shall remind of the early vampirism in literature. Its slightly narrowed face enhances a thrilling feel of anguish and despair, whereas the darkest cut may work well on funeral announcements.

I created this font in 2016 with the name “Burtons”, and now here I am turning it into “Badhorse”. If you’re looking for the perfect touch of vintage flair for a design project, Badhorse is an exceptional choice. Pairing a rustic serif with a decorative handwritten script, Badhorse offers two distinct type designs that complement one another beautifully. This font duo is effective on product packaging, particularly for wares that prefer a handcrafted, artisan approach to their finished presentation. Badhorse is ideal for strong branding, identity, and logo design, as its letter forms effortlessly express a tone of familiarity, reliability, and timelessness. Advertising spreads and menu layouts will also take advantage of this modern classic, conjuring a sense of nostalgia and comfort in the viewer. Badhorse offers stylistic alternates and ligatures through OpenType, as well as symbols, punctuation, and international characters for additional language support.

Choco is a new upright script family designed by Andrei Robu. It has four different weights with lots of alternate characters which makes this typeface perfect for logotypes and cool packaging.

This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.

Okaycat proudly presents Little Japan, our new dingbats font full of traditional Japanese icons. See the sights of Japan - beautiful Mount Fuji, geisha, sushi, sumo, shiriken, geta and so much more.

Introducing of our new product the name is Relocation is Rough Brush horror font Bold handmade with ligature and Multilanguage support. Best for halloween poster, horror poster, childrenbook, cartoon, comic etc

Introducing the new hand made font " Taste Of Heaven " This font made from real hand writing. Looks clean and cool What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Supports Thank You, Regards!

Appetite is a bold sans font with a lot of sweet ligature glyphs. Specially designed for logotype, packaging & editorial design projects. Look at the new Appetite version — Appetite Pro — Release 2016!

Smoothy Pro, is a new version of Smoothy, our brushy textured font launched last summer. This summer we propose a smoother version without textures and also a light and slanted version

Just introduce my New Collection font. Hastag is a beautiful font for your brand and I love using this one with Photoshop for your requirement. What include : - Ligature - alternates for lowercase

Jusline is a modern handwritten font. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more.

Pearl River is a bold and elegant script font. Whether you're designing a logo, or poster or working on crafting projects, Pearl River can take your creativity to a new height.

Amiable Forsythia Script Font – a new modern, clean & fresh script with a lot of swashes and stylistic alternate, make this font looks elegant, natural, stylish and perfect for any awesome projects

Hello, Introducing my new font "Briskly Cabrales" The Briskly Cabrales is block handmade font. Strong, elegant, modern, calm. What's Inside The Fonts ? Uppercase Lowercase Symbols Numerals European Multilungual Thank you, Regards!

It is a new version of Clarence, with very noticeable changes, very funny and informal signs. It also contains different variants like Shine, Extrude and you can combine them enjoy it! :)

GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.

David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the plants.