ntroducing Hexore – Modern Display Slab inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Neon Party is a nostalgic neon sign display font. Carefully handcrafted to become your favorite, this font will elevate your project no matter the topic!

A great new display face. The slight serif gives extra character to this solid looking design, whilst the outline version has an open, clean look.

Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.

Cadabra is an incredibly unique and interesting display font. A little bit quirky, this font looks incredibly adept on a wide variety of Halloween contexts!

Arbuckle is a bubbly and buoyant display typeface. The family contains two layering fonts to allow for the control and styling of the bubble highlights.

Display type-family in op-art style with Latin, Greek and Cyrillic scripts support. Award: The Best Of Ukrainian Design in Typestyle and typography 2016.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

Marlyn Angolie is a distinctive display typeface with a psychedelic and retro style: perfect for logos, brand identity and modern typographic designs for your project.

Thought to have developed from a display face first listed in 1890, the Derek Italic font is a heavy face ideal for short titling purposes.

Lucifer is Modern Display Font. This typeface is perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image.

Megot is a modern fancy display font with playful feel. Comes with opentype features, Megot also supports multilingual covering Latin based language (Latin Extended Additional)

Horror Hustle is a casual display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

Macaron is a lovely, playful handcrafted typeface with inconsistency. It's designed to suit your homemade products and crafts and is also best for display purposes.

Saferick is a quirky and great display font. It’s perfect for logos, stationery, branding, packaging and it will add a cheerful touch to your designs.

Magic Holiday is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

PT Adventure™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

Subway Ticker is based on a 5x7 grid, electronic display observed on a New York subway train in February 2005 en route to Coney Island.

Phi is a simple geometric sans, inspired by the Golden Ratio. It is rock solid, versatile, legible and excellent for both text and display usage.

Pixelar font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is pixel display typeface. Pixelar consists of 4 styles.

Chitchy is a rough-hewn heavyweight display face perfect for headlines and emphasis body copy. Extended character set includes foreign language support for many countries.

Minnie is a clean monoline upright script. This fun-loving font is great for headline display and text use. It comes with numerous alternate characters.

Led font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is dotted display typeface. Led consists of 2 styles.

Introducing Modesfa – Modern Display Serif inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Introducing Quinger - Unique Sans Display inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Kimaus is reverse contrast display font. It's letterforms are inspired by the classic cartoon style. Fit for titling and unique looking designs and creative projects.

Introducing Galisteo, a subtle retro-aesthetic serif typeface. This font will be suitable for display design projects and creative ideas that need to stand out.

Introducing Luxoorea – Stylish Display Serif inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

Tasmik literally means thickening, this font is thick like extrabold in wight, impressed firm but flexible, suitable for display text and the center of interest.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short ascenders and descenders, serifs triangular.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

Sakurata is a unique and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out!

Introducing Glamorez - Luxury Display Serif inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Hello Angel is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs. When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern. After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it's frequently used on Tequila bottle labels. I originally planned three weights for the Taco font family, however, after completing the bold weight I've decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can't estimate a release date for the two other weights. To use the fill font layers you'll need an application that allows you to work in layers such as Adobe Creative Suite products. The Taco Fill Uno font may be used as a stand alone font, however, we recommend searching for our Tavern font family where you'll find three different bold weights of this same design. Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco. While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing. Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment. We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color. The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house, after dinner I searched to see if there was a commercial font named Taco. There was no such font named Taco and the rest is history. The old Stephenson Blake Algerian font has come a long way since 1908, and we're not done with it yet. We hope you enjoy our Taco font family, we're looking forward to see it in use.

The Ancient South Arabian script (Old South Arabian 𐩣𐩯𐩬𐩵 ms3nd; modern Arabic: الْمُسْنَد musnad) branched from the Proto-Sinaitic script in about the 9th century BCE. It was used for writing the Old South Arabian languages Sabaic, Qatabanic, Hadramautic, Minaean, and Hasaitic, and the Ethiopic language Ge'ez in Dʿmt. The earliest inscriptions in the script date to the 9th century BCE in Yemen. There are no letters for vowels, which are marked by matres lectionis. Its mature form was reached around 800 BCE, and its use continued until the 6th century CE, including Ancient North Arabian inscriptions in variants of the alphabet, when it was displaced by the Arabic alphabet In Ethiopia and Eritrea, it evolved later into the Ge'ez script, which, with added symbols throughout the centuries, has been used to write Amharic, Tigrinya and Tigre, as well as other languages (including various Semitic, Cushitic, and Nilo-Saharan languages).