Battur is the perfect handwritten font for logos, posters, watermarks, and more! This is best used for logos, wedding stationery, social media, and quotes. Test in the box above to see how your next project will be! Battur Signature handwritten font comes with alternative characters (OpenType features). Sharing end ending swashes With multilingual support, this font is also suitable to be combined with san-serif fonts to get amazing results for your design project. Features: Begining & ending swashes ligature Multilingual Alternate Character Uppercase and Lowercase Encode PUA

Mr Eaves is the often requested and finally finished sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complimentary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves’ DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in six weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Mr Eaves is the sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complementary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves' DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in three weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Introducing our UPDATE "Holiday - Script Handwritten Font" Two years ago we created a script handwritten font that we named Holiday, we didn't expect, hundreds of designers have use the Holiday font, this is really cool font. And today, we've been working hard to make this Holiday font even better, it's the best script handwritten font we've ever made, we've named it Holiday2. Holiday2 - Script Handwritten Font is a handwritten script font with a simple and classy style, this font is great for your next creative projects such as branding, watermark on photography, signature or signature logo design, quotes, album cover, business card, and many other design project. From business cards to photo watermarks, Holiday2 is here to elevate your work to the highest level. However, we still included our old Holiday font, we created Holiday2 to be easier to read and of course with a better design and clean. Holiday comes with uppercase letters, lowercase letters, lowercase alternative letters, numbers, punctuation, ligature and multi lingual support To use alternative end text is just block end letters and select alternative letters on glyphs option. it may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. we hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

Fusion is a titling and short text typeface inspired by medieval decorative initials (versals) and bodoni letters. Each sign exists in two versions.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.

Beautiful curved shapes of this serif font family make it a high legible and distinctive companion for setting texts as well as headlines.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, medium and bold weights.

Train OnTime and Train Delayed are based on the text used to display the destination info on the front and rear of trains.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.

Hello! Introducing vintage hippie style font "Lovebus". It has smooth authentique design and 26 automatically replaceable ligatures to make your text more original.

Specially designed to improve legibility in long texts, Tascinorm is a unique, modern typeface which will meet the needs of a vast audience.

A text and display font suitable for various applications, many of which include, letterheads, packaging and logos. Excellent for very large typographic layouts

Hallandale JNL is versatile enough to be a headline font as well as a text font, without a loss of style or integrity.

Kona is a display font perfect for branding, homeware design, product packaging, magazine headers - or just perfect as display text against any background.

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

Valimo RMX is a destroyed hard-to-read typeface. It's suitable for creating text "textures" where you don't necessarily need any actual content.

Ellen is a charming elegant serif face. Great for headline display and text use. Many alternates and ligatures are included with this font.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

The robust impression of these titles will sure leave no dought as to how serious this book is.

A 1960 edition of the Speedball® Pen lettering instruction book yielded the model for China Doll JNL.

Stricken Brush is a very cool brushed font. Suitable for posters, movie titles, book covers, quotes and more.

You want to write differently: HopefulGrasshoper is for you. Recommended uses: packaging, children's book, title, brochure, label, advertising...

The alphabet that inspired Midtown JNL was found on a page from an old 'how to' lettering book.

Berenjena is a captivating font family designed by type designer Javier Quintana Godoy in Santiago de Chile. Berenjena has the right combination of comfort in reading and a lyric spirit. This helps keep readers in the delicate atmosphere in which novels and tales can display all their charm. Most typefaces created for books cannot reach this. Either they are too expressive so they tire the eyes of the reader, or they are dull and reading becomes a tedious task. Berenjena was designed for text use bearing in mind this concept of subtle balance. Berenjena (Spanish for aubergine or eggplant) gives your text that spicy environment in which words shapes are easy to read while letterforms maintain their capricious feeling. It comes in roman and cursive declined in four weights: Blanca, Fina, Gris, Negra. All Berenjena character sets include extensive diacritics coverage for more than 200 languages plus the usual contextual features. The Berenjena Pro fonts (available at PampaType.com) include smalls caps, elegant ligatures, cute swashes, every kind of figures, and all contextual sorts. Berenjena will give your design a very individual character. It wears captivating details of calligraphic poetry which link subtlety to vernacular sign painting from Santiago de Chile. See a pdf of Berenjena here http://origin.myfonts.net/s/aw/original/306/0/156716.pdf or visit PampaType.com for more information.

Flamante Sans is a group of eight corporate typographies of geometric construction, without serifs and neo-grotesque style, are fonts with an excellent readability for titles, short texts or for use in signage. The group of fonts is made up of 4 weights: Light, Book, Medium & Bold plus their respective italics. This initial development of Flamante Sans typography has been the basis for the drawing of the "Flamante family" fonts composed of 5 styles (Sans, Serif, SemiSlab, Round & Stencil) making a total of 40 fonts that are perfect corporate use, advertising or editorial titles or signage of public spaces for example. They include the Bitcoin symbol. Swiss-style fonts built on a 4 ◊ 6 building grid, formed with 144 x 119 units (Medium version), two digits taken from the fibonacci and Perrin sequences, these measures define the width and height of the vertical and horizontal antlers and the overall proportion of the font. The metrics and kerning have been carefully set up for fluent reading in paragraph texts. ================================== - OpenType Features: Standard Ligatures, Additional languages, All Alternates, Alternate Annotation Forms, Superscript, Kerning, Superiors, Capital Spacing, Localized Forms, Superior letters, Discretionary Ligatures, Subscript, Fractions, Slashed Zero, Inferiors, Extended Fractions, Scientific Inferiors, Ordinals, Denominators, Oldstyle Figures, Numerators, Historical Forms, Historical Ligatures. They include the Bitcoin symbol. - 500 glyphs. Latin Extended-A ï OTF & TTF

Introducing Gadimon Layered Bold Script. This font is used with layers method, so it can generate interesting fonts to see, you no longer need to worry about how to make effects on the text. Use the Gadimon Basic style for purposes without shadow effect and when spacing is important for a project. Gadimon is suitable to use as a logotype, product designs, labels, watermark, social media posts, apparel, invitations, signboards, sports club, motor/car, special events or anything that need handwriting taste. What you get: - Gadimon includes capital and lowercase letters, Alternates, and Ligatures - Numbers + punctuation - Foreign language support I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Polias Varia is an all-caps uniwidth variable weight typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great’s inscription, only that this is its first datable appearance.” In Polias Varia, the letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias Varia is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias Varia is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias Varia can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias (family) is one of the seven typeface designs in Esintype’s ancient scripts of Anatolia project, Tituli Anatolian series.

Casta is strong Modern contrasts make this typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Casta come with elegant style, strength and contrasts, with features an extended latin character set of 429 glyphs covering over 28 languages, and includes advanced open type features like standard and discretionary ligatures, positional numerals, stylistic alternates and case sensitive brackets. Mixing versatility and personality, Casta is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

Slapjack is a unique rendition of a broad-edged calligraphic script ideal for packaging, signage, and titling. Its presence is strikingly bold and rhythmic, yet stylishly elegant. With a glyph count well over 700, Slapjack is a fully-featured pro font. Both regular and light weights have contextual and stylistic alternates, stylistic sets, swashes, ligatures, fractions, and Central European language support. Using Adobe InDesign which supports Stylistic Sets allows you to instantly convert your text to a version without baseline connectors for a more streamlined look. These can also be selected via the glyph palette. As a bonus feature, unlike most script fonts, Slapjack is designed to also set well in all caps adding to its versatility.

Brolly Fight is a fun, slim line font with off-kilter lines. I had so much fun creating this one! It has a stick figure art deco feel. It's fun and playful, with lots of ligatures and alternates to play with. Mix and match lowercase and uppercase letters for a unique look. There are four alternate ampersands, and fun double letter ligatures, as well as playful ligatures for r, k + a, e, o, u combinations. That high lowercase o with an underscore has a twin lowercase a alternate you can access too! Mix and match capitals and lowercase (plus the ligatures & alternates) to create unique text designs. Now with a bold version!

Looking for a sans serif that is ready to work hard for you? Meet Onward; simple and elegant in all sizes as well as legible in small sizes. Explore and write some sample texts here on the website and see all the fine distinctions between weights and styles regular, italic, bold and bold italic. Onward also offers many ligatures, arrows, alternatives, small caps, special numerals for capital letters/small caps/regular respectively ... and more! Onward is a natural choice for a corporate font, for logos, for brochures and a whole range of other purposes in relation to creating a strong visual and modern identity. Keep the family together and get a discount: $55.

Bufallo is a style of handwritten script with a simple hand stroke that makes this font look simple. It can be used for various purposes such as greeting cards, business designs, product designs, quotes etc. FEATURES; -Uppercase, Lowercase, Foreign Support, Numbers and Punctuation. -Works on PC. -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. -Fully accessible without additional design software. Buffalo encoded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use the Fontbook, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. See you again ;)

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

The Modern Symphony Font Duo is trending and elegant font pair that will bring in your design a unique style and luxury look. This font duo particularly well suited for wedding invitations, cards and feminine branding. Modern Symphony Font Duo includes two beautiful fonts - elegant Script and Serif fonts. Modern Symphony Script includes three full sets of gorgeous uppercase and lowercase letters, numerals, punctuation and a large range of ligatures to perfectly re-create natural calligraphy. And you can check them all in this presentation. Modern Symphony Serif is a classy high contrast font that contains only uppercase characters, numerals and punctuation. You can check your language typing characters in text box above.

Toothpaste Two is a reworking of Toothpaste . The new font has all the features of the original Toothpaste, but is now even crazier, with the line twisting and turning over and under itself, making a tangled string of text bordering on the edge of legibility. As in Toothpaste, every letter and number connects and there are numerous contextual alternates and ligatures to keep it all running smoothly. This is a fun, decorative font. It would look good on kids' websites, scrapbooks, party invitations and the like. It works best in brighter colors on darker backgrounds, which give the characters a neon light quality. Also, try it with a stroke for a cool cartoony effect.

Rotato Sans is a geometric sans-serif typeface that brings a fresh, modern look to any design. This minimalist but distinctive font is defined by its crisp composition and symmetrical elements — designed for optimal legibility at all sizes. Available in three different weights, Rotato leaves an understated impression of elegance & futurism! Currently available in three standard weights (more coming soon): Rotato Sans Bold – Strong and futuristic Rotato Sans Regular – Clean and crisp Rotato Sans Light – Elegant and modern FEATURES Three (3) Font Weights + Italics Numbers & Punctuation Special Characters Rotato Sans is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text.

It is up to you how big and voluptuous statement you will be making with this font, as Hinzatis is about old Hollywood glamour and attitude. With lots of options encoded in handy open type files you can easily fine-tune your text for best visual effect. Looks perfect when placed as: titles, headers, labels, names, business cards, just to name a few. Open-type Pro version features 1200 + characters including initial and terminal letters, numerous caps styles, ligatures and alternates. Other versions feature over 1000+ characters and focus mostly on foreign languages with accented letters (incl. Vietnamese); So depending on option you choose you can create realistic and multilingual hand-calligraphy on all of your creations!

MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.