Introducing, Della Brian - a lovely wedding typeface. This font has many stylistic alternates, ligatures, swashes so you can play around with them using opentype features and creates lettering with natural touch. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Konya is a signature script-style font with a very luxurious look. It can look very soft and very firm in an elegant frame, high but not too towering, and flat but not too low. Its appearing with a balance like dervish whirling around in ‘Konya town’ with two hands stretched, one hand facing to the sky and the other hand facing to the earth. This font is perfect for branding, as we equipped it with a number of alternatives that allow you to make it a feminine and masculine logo, and some swash to add to the firmness of signature. This font also has ligatures to present a natural handwritten impression.

Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color" of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold, and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger, headline text, the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines, and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is included in the Take Type 5 collection from Linotype GmbH."

Discover Deadfall, the ultimate horror display font that will send shivers down your spine! What sets Deadfall apart is its unique blend of fear-inducing aesthetics and multilingual capabilities. This Monospace typeface exudes a captivating dripped and splash style, adding an extra layer of terror to your designs. Notably, Deadfall supports the Cyrillic alphabet, making it an ideal choice for a global audience. Deadfall offers both regular and italic variations, granting you even more creative possibilities. Whether you're designing posters, crafting marketing materials, conjuring chilling movie titles, creating Death metal logotypes, or working on Halloween-themed crafts, Deadfall will infuse your projects with a bone-chilling atmosphere. To ensure versatility, consider pairing Deadfall with related font families or other typefaces that complement its macabre charm. Its functional aspects include an extensive character set and special features, making it suitable for a wide range of applications. The design concept behind Deadfall revolves around the idea of capturing the essence of horror. The font's distinctive dripped and splash style adds a sense of chaos and unease to any composition, immersing the viewer in a world of terror. The inclusion of the Cyrillic alphabet reflects our commitment to providing a font that caters to diverse audiences, bringing fear to every corner of the globe. We created Deadfall to meet the demand for a truly spine-tingling font that conveys a sense of horror and foreboding. Whether you're a graphic designer looking to evoke fear or a Halloween enthusiast seeking to amplify the spooky atmosphere, Deadfall is here to unleash terror in your designs. Get ready to embrace the darkness with Deadfall - the ultimate font for all things haunting and macabre!

Presenting Gilligan Shine! A Handwritten Monoline Font with some Ligatures and Extra Dingbats. This font made with the perfect combining of each character. You can combine with Extra to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Gilligan Shine looks stylish and unique on design projects. So, Gilligan Shine can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, Gilligan Shine also has some ligature that gives a surprise when you type certain characters combining. The ligatures are or, ss, on, ill, st, of, ar, arr, rr, ff, ll, tt, at, it, and itt. WHAT'S INCLUDED? 1. Gilligan Shine • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Extra Dingbat • Included 19 Dingbats. You can feature all with typing c_1 until c_19 A Million Thanks Colllab Studio

Pyke's Peak is a spirit type descended from Paeleoflex: The Angel of the Odd. Wraith-like forms mix Roman inscriptional letters with an ar'deco theme for an ethereal graphic art effect. Suitable for magazines and editorial design, book jackets & interiors, posters & broadsides, art & craft objects and other things needing a touch of the extraordinary. Over 500 extra characters give Pyke's Peak unusual range and ability. Mirror capitals, phantom forms, dot phantoms, "superposed" (overlapping) ligatures, capitalized ligatures and fitted pairs for hours of trippy rub-down arcadian magic. Includes hanging numerals, lining numerals, full punctuation, standard math & monetary symbols. Accented characters for Latin 1 and Latin 2 cover the following languages: Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Spanish and Swedish. Available in OpenType format only. Pykes Peak comes in two versions: (1) Pyke's Peak the full-blown OpenType version with over 500 extra characters, (2) Pyke's Peak Zero, the zero cost version with full Latin 1 & 2 character set but no extra characters. Pyke's Peak Zero is free to download, is licensed for commercial and personal (non-profit) use, and may be embedded on webpages using the CSS @font-face property. This typeface is dedicated to Australian musician James "Jock" Paull, who is a free spirit.

“A picture is worth a thousand words” and here, that’s more than true. Take a look at Erotica’s Booklet; Erotica’s Poster Design and Erotica’s User’s Guide before reading below. THE STYLES The difference between Pro and Std styles is the quantity of glyphs. Therefore, Pro styles include all the decorative alternates and ligatures while Std styles are a reduced version of Pro ones. Big and Small styles were thought for better printing results. While Big is recommended to be printed in big sizes, Small may be printed in tiny sizes and will still show its hairlines well. INTRODUCTION I have always wondered if the circle could ever be considered as an imperfect shape. Thousands of years have passed and we still consider circles as synonyms of infinite beauty. Some believe that there is something intrinsically “divine” that could be found in them. Sensuality is many times related to perfectly shaped strong curves, exuberant forms and a big contrasts. Erotica is a font created with this in mind. THE PROCESS This story begins one fine day of March in 2012. I was looking for something new. Something which would express the deep love I feel regarding calligraphy in a new way. At that time, I was practicing a lot of roundhand, testing and feeling different kinds of nibs; hearing the sometimes sharp, sometimes soft, sound of them sliding on the paper. This kind of calligraphy has some really strict rules: An even pattern of repetition is required, so you have to be absolutely aware of the pressure of the flexible pen; and of the distance between characters. Also, learning copperplate can be really useful to understand about proportion in letters and how a minimum change of it can drastically affect the look of the word and text. Many times I would forget about type-design and I would let myself go(1): Nothing like making the pen dance when adding some accolades above and below the written word. Once something is mastered, you are able to break some rules. At least, that’s my philosophy. (2) After some research, I found that the world was in need of a really sexy yet formal copperplate. (3) I started Erotica with the idea of taking some rules of this style to the extreme. Some characters were drawn with a pencil first because what I had in mind was impossible to be made with a pen. (4) Finding a graceful way to combine really thick thicks with really thin hairlines with satisfactory results demanded months of tough work: The embryo of Erotica was a lot more bolder than now and had a shorter x-height. Changing proportions of Erotica was crucial for its final look. The taller it became the sexier it looked. Like women again? The result is a font filled with tons of alternates which can make the user think he/she is the actual designer of the word/phrase due to the huge amount of possibilities when choosing glyphs. To make Erotica work well in small sizes too, I designed Erotica Small which can be printed in tiny sizes without any problems. For a more elegant purpose, I designed Erotica Inline, with exactly the same features you can find in the other styles. After finishing these styles, I needed a partner for Erotica. Inspired again in some old calligraphic books I found that Bickham used to accompany his wonderful scripts with some ornated roman caps. Erotica Capitals follows the essentials of those capitals and can be used with or without its alternates to accompany Erotica. In 2013, Erotica received a Certificate of Excellence in Type Design in the 59th TDC Type Directors Club Typeface Design Competition. Meet Erotica, beauty and elegance guaranteed. Notes (1) It is supossed that I'm a typographer rather than a calligrapher, but the truth is that I'm in the middle. Being a graphic designer makes me a little stubborn sometimes. But, I found that the more you don't think of type rules, the more graceful and lively pieces of calligraphy can be done. (2) “Know the forms well before you attempt to make them” used to say E. A. Lupfer, a master of this kind of script a century ago. And I would add “And once you know them, it’s time to fly...” (3) Some script fonts by my compatriots Sabrina Lopez, Ramiro Espinoza and Alejandro Paul deserve a mention here because of their undeniable beauty. The fact that many great copperplate fonts come from Argentina makes me feel really proud. Take a look at: Parfumerie, Medusa, Burgues, Poem and Bellisima. (4) Some calligraphers, graphic and type designer experimented in this field in the mid-to-late 20th century and made a really playful style out of it: Letters show a lot of personality and sometimes they seem drawn rather than written. I want to express my sincere admiration to the fantastic Herb Lubalin, and his friends Tony DiSpigna, Tom Carnase, and of course my fellow countryman Ricardo Rousselot. All of them, amazing.

photogenic is natural handwritten that suitable for any purpose like wedding invitation, template, headline, branding, logo and so on. It has beautiful inky texture on its letter form. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes.

Ventralie is authentic and modern blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Extra Ornaments Thanks for downloading premium font from Din Studio

Unytour Display is a modern sans-serif font family of 36 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour Display features excellent legibility for print, as it does for reproduction on TV screens and more.

Masterpen Script is an handwritten font that is suitable for branding, signature, wedding invitation, promotion, product packaging, and other needs. This font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes

Treves Sans is a scratchy, messy, hand written display font. It has the look of charcoal or a brass rubbing, reversed in lighter tones it looks like chalk. It reminds me of Edward Gorey's or Eddie Campbell's styles of sketching. It has about 200 glyphs including all those extra pesky foreign features.

Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.

Here's a companion font for the fun and playful typeface Doowop JNL from Jeff Levine. Doowop Initials JNL features an initial over the silhouette of a 1950s-style singing group. For an extra bonus, there's a handful of 50s-style icons on the number keys in both the upper and lower shift positions.

Greature Typeface Come with more 400 glyphs, 2 style ( Regular and Shine ) including Stylistic sets, Ligatures, Contextual Alternates and some extras font for helping your design. Greature is inspired by Tattoo art, Typografi design, Sign Painters, Lettering, Vintage art and Ephemera Perfect looking for Label, Poster, Logotype, Letterhead, Titles, Branding, Packaging, Typography etc.

Dark Blow Brush Font is a new font with textured stroke detail, also provided some ligatures and swashes extra. Perfect for projects posters, logos, product packaging, invitations, greeting cards, brands, news, blogs, everything including personal charm etc. Thanks so much for looking and please let me know if you have any questions.

The Dutch De Stijl movement (1917-1931) sought to create an art which took abstraction to its logical extreme, as exhibited in the paintings of Piet Mondrian. Inspired by the movement's philosophy of pure form, P22's De Stijl set features three rigid, balanced, and angular fonts and a set of geometric extras.

This hand drawn calligraphy font was made with a wide nib pen. It is all cap with different glyphs for the upper and lower case letters for mixing and matching. The Splatter family comes with extra splatter glyphs. Great for use when you need some added punch in a headline or callout.

Introducing BegovaStylish Classic Serif. Begova is a classic and stylis display serif with rich stylistic alternates, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Begova equipped with Ligature and many Alternates and come with clean lines and smooth curves give any project an extra touch of class.

This Art Deco-inspired face is based on the Baltimore Type Foundry’s Tourist Extra Condensed. Graceful and elegant, this typeface’s compact design also packs a lot of information into very little space. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Seeking to redefine your brand's image or add an extra essence to your projects? We've got you covered. Introducing Bustellina - An Elegant Sans Serif Font. Whether it's logos, digital assets, or print media, Bustellina leaves an enduring impression. Amplify your brand's visual identity with the captivating allure of this font. Have fun!

These charming little cartoon figures, known in the trade as "midgets", added a little extra oomph to everything from business cards to matchbook covers from the 1920s to the 1950s. Each font contains 52 different cuts, ready and waiting to spice up your layouts, and each carefully hand drawn from authentic historical sources.

Better Step is a handmade font with stunning characters. Made with a brush and high-quality water-based ink. Ideal for name tags, handwritten quotes, product packaging, merchandise, social media, greeting cards, etc. To make your designs look even more naturally handwritten, Better Step has 1 extra set of alternate lowercase letters.

Meet Strangeways! A cute handwritten font in 2 weights, bold & italic, with: A-Z, a-z, 0-9, accents punctuation and symbols Ligatures Extra squiggles that can be used to underline, strike through or decorate your text. New! Cyrillic alphabet Strangeways great for any of your cute designs, in quotes, postcards, logos.

Starella Script is a decorative typeface created by Måns Grebäck. It is bold, beautiful and works perfectly for majestic logotypes and graphics. Starella Script also includes alternate and swash letters, to give extra flexibility. Use underline to create a swash, example: S_tarella The typeface has support for all European, Latin based languages.

KD Dekorat - Artdeco font for display use. Initially submitted for a font design competition, it's now redrawn and polished with extra glyphs incl. Cyrillic script. All letters stay true to the uniformity of the modular design. Create catchy headlines, logos, large billboard messages that will drag client's attention. Pairs nicely with sans families.

ITALIANO DOC is a fontface inspired by the Italians Futurismo artists in the early of the 1900's. The font is completed with a Grunge Wall version, great Extra Icons and lighted futurist weigth. All the glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.

Adagio is a spontaneous, casual kind of font but don’t be fooled into thinking just because it’s all uneven and painted that it’s a pushover. There’s a bold brush pen at the heart of the design as well as a full set of alternate lowercase characters if you’re looking for something extra.

Two word examples (“nice” and “bud”) from the J.G. Cooley & Co.’s Specimens of Wood Type catalog for the typeface ‘Roman Triple Extra Condensed Fifty Line’ offered only seven letters to work with. Despite this lack of characters, it inspired Compressed Wood JNL, which is available in both regular and oblique versions.

Gloriz Vintage is the bold and distinctive retro serif font that adds a touch of rustic charm to any project. Designed by Mans Greback in 2023, this font features rounded edges and a heavy, printed appearance that will give your work a vintage look. Perfect for headlines and logotypes, Gloriz Vintage is the perfect choice for designers looking to add a touch of personality to their work. Don’t miss out on this one-of-a-kind family! The Gloriz Vintage family consists of six high-quality fonts: The three weights Regular, Light and Bold, are each provided as both Upright and Italic styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive language support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you’ll ever need, including all punctuation and numbers.

Introducing the Buckwheat Font Collection; Each and every font within the Buckwheat Collection was carefully created to be timeless, super versatile, and effortlessly cohesive. An essential kit to come back to time and time again for any number of design projects; from clean and modern, to rough and organic. What's Inside? - Buckwheat TC Regular: A condensed heading/titling font boasting real small caps (along with numerals, currency glyphs and more to match the small caps). - Buckwheat TC Sans: A rounded sans-serif font with several stylistic alternatives for various capitals (A, B, G, H, J, K, P, and R). - Buckwheat TC Script: Tying everything together, a simple yet effective monoline script font designed to look great big or small. - Rough and Smooth Styles: All of the aforementioned fonts are available in both smooth and textured styles. The textures are consistent throughout the collection, improving the cohesion of the fonts and eliminating the need to texture them yourself. - All of the typefaces within this collection include multilingual support and a full western character glyph range.

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

In Ancient Greek, Kuma means wave. This wavy, dynamic and poetic all-caps display typeface is useful for headlines or short texts. Kuma is the result of a graphic and perceptual game that, using experimentation as a working method, explores the possibilities of writing as an image. This grid-based typeface creates different shapes and directions, never predictable. There are different types of waves created by the wind. That's why there are three different versions of Kuma: Kuma, Kuma Rounded and Kuma Square. Each version is available in seven weights which can be combined together. In their black and white rhythm, they guarantee global readability and balance. Kuma was designed by Jérémy Ruiz. Supported languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavian, Norwegian, Polish, Portuguese, Provençal, Romanian, Romany, Sámi (Inari), Sámi (Luli), Sámi (Northern), Sámi (Southern), Samoan, Scottish Gaelic, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Tagalog, Turkish, Welsh.

Happy Ramadan is a delightful display font that captures the spirit of the sacred month with a touch of playfulness and warmth. Happy Ramadan is not just a font; it's a celebration of the Ramadan spirit with a playful twist. It's a versatile choice to convey cultural richness, joy, and a welcoming atmosphere. The characters in Happy Ramadan are crafted with soft, rounded shapes that evoke a sense of joy and friendliness. The font's letterforms resemble bubbles, creating a unique and whimsical appearance that adds an element of fun to your text. In addition, you can also enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Happy Ramadan fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders which help children to distinguish between letters; rounded edges on all letterforms help focus the reader on the individual letter shape; and modified characters (eg. a, g,) ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special needs use (eg a, d, b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia and primary school teachers, and are now released in response to hundreds of requests from publishers, designers and teachers to purchase them. They have been trialled in schools and learning institutions over an 8 year period, and are a favorite for use in both print and electronic product. The modern, clean aesthetic of the fonts ensures that their use can span beyond educational application.

This modern display typeface expands the Absentia collection with an impactful option for headlines, titles and logos. Graced with the geometric DNA of its distinctive lineage, the new addition emerges as a refreshing alternative for large size typesetting. Absentia Display borrows design attributes from the Sans and Slab families, in the form of slanted finials (‘a’, ‘e’, ‘C’) and one-sided serifs (‘b’, ‘F’, ‘H’). But in contrast to its relatives' measured restraint, it distinguishes itself with uninhibited boldness. Featuring stencil face breaks, basic glyph components are either abridged or completely omitted, as the shoulder of lowercase ‘m’ or the diagonal stroke of capital ‘W’. Modular letterforms set this typeface apart with a stylish appearance; round diacritic dots (‘i’, ‘Ü’) and curved transitions (‘E’, ‘L’) breathe a lighthearted attitude. Designers can scale up and go loud with Absentia Display, available in ten weights with matching italics and two variable fonts. From the refined Hairline to the robust Black, this versatile family serves a wide range of needs and styles.