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  1. NT Fest by Novo Typo, $26.00
    Fest is a highly detailed, ornamental unicase typeface for display use. Designed by Novo Typo - (typo)graphic designers from Amsterdam - The Netherlands. Fest is perfect for designing sophisticated logos, fashionable headings or other beautiful display typography. The glyph set of Fest contains a lot of extra elegant glyphs, swooshes and ligatures.
  2. Maleys by Luxfont, $48.00
    Welcome to the world of Maleys color fonts - where trendiness and playfulness meet in dynamic harmony. These fonts give your designs a breath of fresh air, adding originality and inspiration. Features: - Real Golden effect - Extras - Kerning - Multilingual IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters.
  3. Grand Bold by Supfonts, $17.00
    GRAND BOLD is ultra heavy font inspired by the nostalgia and aesthetics of the 80-90s. Ideal for advertising, headlines, editorial design, branding, and posters. GRAND BOLD Font Features: - Full Set of standard alphabet and punctuation - PUA Encoded - no special software needed to access extra characters - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ
  4. Kirillik by Irina Mir, $17.00
    Kirillik is a hand-drawn font, based on early Russian cyrillic script (“Ustav”), elegant calligraphy written with flat ink brush. Traditional Slavic feel for ethnic Russia-inspired design. This is an all caps font that includes Latin and Cyrillic alphabet with extra characters (covering most European languages), numbers, punctuation and symbols.
  5. NS Champtone by Novi Souldado, $25.00
    The NS Champtone Font Collection is inspired by Copperplate Script, Sign and vintage style labels. Comes with two font styles and extra swashes, ornament borders, panels, ligatures and stylistic alternates. Makes it ideal and perfect for creating a design piece such as letterheads, posters, signage, charters, labels, packaging, logotypes, etc.
  6. Black Rider by Hanzel Space, $25.00
    Black Rider is a supercharged street brush font full of energy. With extra attention to quick strokes and sharp detail, Black Rider is guaranteed to deliver a very loud & fast message; ideal for logos, clothing, quotes, product packaging, movie titles, book covers or anything else that needs a typography turbo-boost.
  7. Arista 2.0 by Zetafonts, $29.00
    Arista is a soft round font, perfect for 2.0 logos and contemporary headlines.
 Arista 2.0 is the definitive release of Arista, with extra characters and corrected kerning. 
It includes a light version, a extrafilled version for 2.0 style fat borders, and an Alternate version with a lot of style changes.
  8. Retail Price JNL by Jeff Levine, $29.00
    Redrawn from lettering found on a British publication circa the 1930s, Retail Price JNL is an extra bold display inline sans that’s great for catchy headlines, price cards, banners or any other attention-getters. Retail Price JNL is offered in regular, oblique, solid and solid oblique versions. Caps only Fonts.
  9. Southen by Garisman Studio, $20.00
    SOUTHEN combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts Advantages: - Simple installation - Works for PC and MAC - Multilingual Support - Extra Swashes - Detailed dry brush
  10. Identa by Sudtipos, $39.00
    Because we know that you will never get tired of using them and that you will always need a new tool for Identity Design, we created Identa. Conceived to translate corporate and humanist ideals in its typographic form, it seeks a dialogue between neutrality and contemporaneity. With a pragmatic attention to functionality that does not forget aesthetics. It is a Sans serif model, accessible and well-founded. All-terrain, workhorse that seeks to be reliable and durable. It solves any type of content with efficiency, intelligence and professionalism. Its clean forms and x-height make it a very competent face for both short identifiers and long text bodies, ideal for display use where legibility and personality must match new design needs within a company. It is available in eight styles, ranging from its White version to the darker Vantablack, each optimally set with its respective italic variables, and a Dingbats font designed to solve everyday cases. Each font contains 737 glyphs, macro and micro aesthetic details inspired by current visual communication systems and trends. The dingbats font includes 303 signs and is a set of icons and symbols that can be used in multiple environments, both for print and digital media. This typeface family seeks to meet the needs of brand designers looking to create an assertive appearance, whatever the case. It is a solid and self-confident typeface, without appearing overly constructed; on the contrary, its nuance makes it look fresh.
  11. Radona by insigne, $29.00
    Radona is a blast from the 80’s that's rader than rad. Radona is the typeface version of Synthwave, an electronic music subgenre that takes influence from the 1980s but builds on it, resulting in a construct that lives in the minds of both those who have experienced it and those who haven't. Radona expresses a nostalgia for 1980s culture, attempting to replicate and appreciate the era's vibe, but extends it further with something new. This sans family has plenty of 80's flavor, but with some fresh twists to push it to the limit. Radona is a geometric sans-serif typeface. Radona has a few quirky characteristics, but it has a generally neutral tone and structure that makes it ideal for usage in print, especially when a contemporary look is desired. It looks amazing in both body text and headlines. The geometric grotesques that were popular in the 1980s served as inspiration. It's a typeface that's been crafted for usage in a range of design fields, from branding to packaging, and it can be used in anything from interfaces to apps. Radona is an excellent typeface for use on websites and other digital applications. Radona comes with a wide variety of styles and a large selection of stylistic alternatives, ligatures, small caps and other special features. Along with parachute pants, synthesized guitar riffs, and VHS scanlines, Radona brings back the 1980’s.
  12. Polar by Daniel Uzquiano, $150.00
    Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.
  13. Linotype Automat by Linotype, $29.99
    Distinguishing characteristics of Frank Marciulano’s Linotype Automat™ are its strictly constructed basis and its uniquely placed stroke contrasts. The emphasized vertical strokes are reminiscent of bars and give text a static feel. The forms of the letters are distinctly modern, an interpretation of a typeface meant for machines. Automat is not recommended for text but is particularly good for headlines in large point sizes, which allow its unusual forms to really stand out.
  14. Fogthree by Glukfonts, $7.00
    Decorative, semi-serif fonts with high contrast: - Fogthree-ACL (AllCaps & Ligatures) with lots of unique (92 basic and 144 diacritic) Ligatures. - Fogthree as an accompanying, classic font with delicate feel, ideal for headlines, short text, logos, packaging and advertising. Ligatures gives text a unique, elegant and romantic feel. These Ligatures are PUA encoded and can also be accessed from Glyph Palette or Character Map. It comes in OpenType format with extended language support.
  15. Krok by ParaType, $30.00
    Krok is an experimental geometric sans serif designed by Zhanar Bereketova. It’s suitable for posters, packaging, brand elements and short memorable texts. Each character of this font adds a visual accent to the message. There are many alternative forms, designed in two stylistic sets and one contextual set that allow you to create a different mood of the text -- from electronic folk to science fiction. The font was released by ParaType in 2018.
  16. Booden by Lithographe, $36.00
    Booden is a name not to boo but to use in display type situations. but as texts funtion s to be read its functionality ges beyond a Cyber-tech font single weight single time use. it can be used for branding purposes or any type of editorial text because of its readability. Be it a logo, or a Title headliner, web or print booden typeface can certainly entertain your need for simple variation.
  17. Susan by ParaType, $30.00
    An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face was named after the designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs. The family contains true italics developed like in humanist sans serif fonts. Susan is well suited for short and middle range text composing as well as for use in advertising and display typography.
  18. Rockzane by Sign Studio, $15.00
    Rockzane is a classic stylish font inspired by basic concept of bold serif letters. It looks amazing at display sizes and is easily readable in text size. Rockzane comes with OpenType features, stylistic alternate character for uppercase (A-Z) and Small Caps. This is a display font made mainly for headlines, branding, logotypes, titles, and other short texts and is well-suited for advertising, packaging, titles, editorial design and classic style design.
  19. Laurens by Letteralle, $23.00
    Introducing, Laurens! a bold font with a touch of soft curves. Laurens brings vintage look as well as modern designs. With a variety of alternative letters and ligatures, it will make your text more unique and interesting. Laurens is a very versatile font, perfect for editorial projects, Logo design, Wedding, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. I hope you enjoy! Letteralle Studios
  20. Roundy by Linotype, $29.99
    Roundy was designed by F.K. Sallwey and appeared with Linotype in 1993. This calligraphy font is true to its name with its soft, round characters. The regular strokes give text an easy, relaxed feel. For variation and emphasis, Sallwey included swash capitals in this font. As initials, the swash characters add zest to texts and can be combined with other alphabets. The calligraphic elegance of Roundy is a perfect contrast to constructivist typefaces.
  21. Poynter Gothic by Font Bureau, $40.00
    Morris Fuller Benton’s drawings at the Smithsonian show a creative concern for effects of scale on typeface design. Tobias Frere-Jones began with 4pt ATF Franklin Gothic drawings, modifying proportions to mix with Poynter Oldstyle and Benton Gothic, and adjusting ends of the curved strokes of C G S a c e r s to suit news printing conditions. Poynter Gothic Text excels as subheads used with Poynter Oldstyle Text; FB 1997–99
  22. Easysans by Gassstype, $23.00
    Introducing Easysans is a All Caps Handmade Sans Serif Font,Textured Sans Serif Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Easysans has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text,design more interesting. Easysans is perfect for homeware designs,branding projects, Logo design, Quotes product packaging
  23. Berani by Gassstype, $25.00
    Hello Everyone, Introduce our new collection BERANI is a Strong Display Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why BERANI has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. BERANI is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.
  24. The Soulmate by Almarkha Type, $35.00
    Introducing The Soulmate - Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why The Soulmate has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, The Soulmate Perfect for designs,branding projects, Logo design, Quotes product packaging.
  25. Ratafly by Ingrimayne Type, $9.00
    Ratafly is versatile serifed font that can be used for display or text. The family has ten styles, with five weights and italics for each weight. The name Ratafly is a reference to the origin of the family. It began by blending two very different serifed typefaces, Rataczak and FlyHigh. After a lot of cleaning up, the end result is a family that works better for book text than either of the parents.
  26. Caswallon by Scriptorium, $18.00
    The original Caswallon font was based on samples of 17th century text script, featuring a decorative upper case character set with clean, basic lower case letters plus some bonus decorative ornaments to add flair to any design. The popularity of the original script style has lead us to develop a full family of associated fonts, including the recently released Caswallon Ornament set, plus the brand new Caswallon Archaic Text font and Caswallon Alternate script style.
  27. Susan Classic by ParaType, $30.00
    An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguished by one- and two-sided rounded serifs. Susan Classic is well suited for short and middle range text composing as well as for use in advertising and display typography.
  28. Korto by Talbot Type, $19.50
    Korto is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Avant Garde, this elegantly minimal typeface is available in a comprehensive family of seven weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A highly versatile, contemporary sans-serif, Korto is suitable for more-or-less any text or display purpose.
  29. Hushed by RagamKata, $14.00
    Love Beach is Vintage Serif Font with a touch of modernity. It looks amazing at display sizes and is easily readable in text size. Olive Village comes with access to your OpenType features, large selection of alternate glyphs. Love Beach is a display font made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.
  30. NorB Felt Marker by NorFonts, $28.00
    NorB Felt Marker is a variation of my NorB Marker font, It's handwritten text font witch you can use with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 8 weights: Regular Italic Medium Medium Italic Bold Bold Italic Heavy Heavy Italic
  31. Better at Class by Gassstype, $23.00
    Introducing Better at class – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Better at class has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging
  32. Jenriv by Linh Nguyen, $25.00
    Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.
  33. Veritas by Altered Ego, $45.00
    Veritas is a serif text family. It is a narrow-width typeface, with a taller x-height than Times Roman for added legibility, but maintains a similar character count in text. It is typeface designed for publication, newspaper (anywhere where narrow columns are necessary) and identity design. It is exquisitely spaced and kerned, even in European characters. The Digital Type Review states "...Veritas is one of the most important contributions ... from any independent foundry."
  34. Asterlight by NREY, $19.00
    Hi, friends! Introducing new typeface - Asterlight. It is a new display font with 2 styles and cool characters. Asterlight has multilingual support includes cyrillic. Many ligatures make your typography most variable. It works well with normal size text and for large displays or short words. You may combine uppercase and smallcase in the text body, as alternates symbols. The Asterlight typeface is suitable for : product packaging, labeling, logo, classic shop, ethnic shop, titles, etc
  35. Raleigh by ParaType, $30.00
    Raleigh was produced in 1977 by Robert Norton based on Carl Dair’s Cartier typeface which was designed for the 1967 Montreal World's Fair. It was renamed after Dair’s death. Adrian Williams added three weights for a display series, and Robert Norton developed the text versions. A contemporary old style serif with calligraphic features. For use both in text and display typography. Cyrillic version was developed at ParaType in 2001 by Vladimir Yefimov.
  36. Modern Cowboys by Gassstype, $25.00
    Here comes a New font, Modern Cowboys is a Cartoonist Western Typeface Vintage Serif Display font this is strong vintage Typeface western-looking display font. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. That is why Modern Cowboys has Stylish and unique characteristic more natural look to your text with a more modern look to your text.
  37. Ambulatoria by Pepper Type, $30.00
    Ambulatoria is a sturdy open aperture sans-serif that comes in four variations. Each variation, A, B, C, and D, contains alternative variants for certain glyphs that allow the designer to change character and texture of the text. The font family contains 80 fonts altogether, each sporting rich language support including pan-European Latin and Cyrillic. The typeface is intended to work in both large and small text sizes, which makes it a versatile workhorse.
  38. Carlony by Keristyper Studio, $14.00
    Carlony is a delicate, elegant, and flowing handwritten font. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Fall in love with its incredibly versatile style and use it to create spectacular designs. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even a long text letter, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!
  39. Moonless by Franzi draws, $-
    Moonless is a charming handmade font duo, designed for texts, with a matching display font for titles in four different styles. The text font has true-drawn small caps available as an OpenType feature. In case you have no access to OpenType features, there is "Moonless SC" - the small caps version of the font. Moonless is perfect for children's books, poetry, invitations and design magazines. Moonless for texts comes in four different weights: light regular semi bold bold Moonless SC the small caps version of Moonless Moonless SC Regular is free! :) The display font comes in four styles: regular ("night") engraved ("shine") with dots ("stars") outline ("space") The font name was inspired by one simple word from Farid Attar's poem "The Conference Of The Birds".
  40. CAL iWasLike Pro by California Type Foundry, $47.00
    CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.
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