Central was developed specifically as a titling font for a theatre-hub website. The pure geometric forms and elegant simplicity provide a pleasing contrast to small screen text sizes.

Snow Now is a frisky, frosty, and snowy font family for active winter use. It includes two text fonts plus great pictures of snowflakes, tools, sculpture, animals and more.

Modernist sans serif with a "big" look and lots of weights. Compact, elegant and strong, Sense commands any kind of page -- from the largest headline to the smallest text.

GHEA Warm Font is a non-serif style text, tytle and Display typeface. It has two weights- SemiBold and SemiBold Italic. The font is very elegant and easily readable.

Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.

Moderator JNL is a casual, light weight serif font that is perfect for headlines, short blurbs or display text. The font is available in both regular and oblique versions.

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, or text, somewhat geometric in form, a bit narrow.

This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)

Sharp angular terminals, squared off bowls, and a balance of curved paths with straight. Formative is a grotesk with charm. Includes a stylistic set featuring standard 'text' style terminals.

BaselSans is a discrete, legible typeface, inspired by the international typographic style, with a humanistic touch. It is suitable for many uses, from small size texts to large titles.

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

A great overall Text and Headline face, with its matching drawn Italic it has unlimited possibilites. Even as a stand alone, the Italic will work in just about any design.

A little bit of thick-and-thin Art Deco hand lettering is offered up in Wonderful JNL, based on some promotional text found on an old piece of sheet music.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

JH Hadi is an Arabic Naskh typeface, including three weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

Letters and Lace is a replica of hand-crafted lace letters. Delicate and artistic, these letters will give warmth to any text. Comes with a full set of accented characters.

A beautiful face that really works well for any application a distinguished clean look. Headlines, subheads and text anything goes. Will also work as a bolder version of California Sans.

ALL CAPS font with lovely traces after the brushstrokes. With contextual alternates, which makes sure that your text varies between 5 different versions of each letter - and they cycle automatically!

Tapas Signpainting is a typeface based on traditional sign painting letters designed by Cifonts. This family has six variants and is useful to compose display texts, vintage logos, headlines & packaging.

Penmanshift JNL by Jeff Levine is actually a semiscript - a vertical text font with the curved lines of a script alphabet, but the look and feel of a poster letter.

Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.

TG HALO font is a relatively round font, which can be used in catering industry, children's products and so on. The application of title and text can be well recognized.

Bevelle is a serif font with characters that have beveled corners. It is ideal for headlines, titles, branding, small blocks of text or wherever a clean, fresh look is desired.

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.

Karmina Sans follows the steps of its successful award winner cousin, Karmina Serif. It shares the same technical excellence and it achieves similar stylistic features, but the new sans serif version proposes a much more versatile tool for editorial designers. Karmina Sans has six different weights with their matching italics, from light to heavy and from continuous text to headlines to small text. The heavy weight delivers one of the darkest and most powerful impressions out there while the text weights are perfect companions for Karmina Serif. The OpenType Pro package of Karmina Sans includes nearly 900 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet.

The handwriting typeface Escritura was created for editorial purposes and the letter forms are influenced by chancery handwriting from the Italian Renaissance. The asymmetrical shapes of the undulating serifs cause the characters to have a large aperture. Originally designed for display sizes, the typeface also comes in a text version for small sizes. With taller vertical proportions, the text version has slightly longer serifs and increased white space between the characters to optimize legibility in small sizes. Ascenders and descenders and serifs are shorter in the display version, which has more economical letter spacing resulting in a visually compact text image. The stress in the letter strokes create changing widths according to their direction, improving the calligraphic rhythm in the characters. The oblique crossbar as well as other typographic details lend the typeface that typical Renaissance atmosphere.

Bahar was inspired by the playful-energetic nature of Cooper Black from Souvenir's soft but confident stance and was born from the idea of creating a new structure by blending this structure with calligraphic strokes. The title and body are presented in two sets for perfect results. Bahar has a wide variety of character alternatives to create the perfect and fun title. It offers calligraphic flavors with swashes, start-finish forms, and fun ligatures. Bahar Text is prepared for Body texts and offers a good reading experience. Does not include swash and style alternatives. Bahar consists of five weights, Bahar Text four, a total of nine weights, and 18 styles with true italics. For each weight, there is a complete set of open type features including ligatures, small caps, old-style and table numbers, and positional numbers.

My pet peeve for many years has been with the 'rn' in small texts, especially with my smart phone. I felt that perhaps others may have the same peeve. I decided to try and fix that with Atlantica. As you can see in poster No. 4. "With the combination of 'rn' in small text it tends to appear as 'm'. Therefore it may be read as 's t e m' instead of 's t e r n'. Altalntica has an alternate 'rn'. By invoking the < Contextual-Alternate > feature. Atlantica will replace each 'rn' - or you may individually change them if you desire". Also note the deep cuts to help legibility for smaller texts. This combination apparently does not appear in many words, but when it does it can suggest a different word as in; eastern, stern, tarnish, Tornado, Turn and in some names as well.

To be independent or to be dependent? The formula “one plus one is one” is here essential for this to work. The different cases, upper and lower is dependent on one another. To give us clarity they have to work together, to be like one the upper and lower cases must work together. Expedition One works best in InDesign or equivalent software. How to use it: write your text in lower case, copy the text frame and ”Paste in Place”, change your lower case text to upper case (you do that under top menu->type->change case). Change colour if you want to and maybe change the blending mode in the effects window to “multiply” makes it even more sparkling. On numbers and ampersand for example, you have to use the glyph window in InDesign to find their second half.

The Overleys is a handwritten font with quick dry strokes and a signature style. perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. The Overleys has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'The Overleys Swash' , ‘The Overleys Alt' or ‘The Overleys Brush’ in your text-tool. The Overleys includes 3 Font files: 1. The Overleys - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. The Overleys Alt - The second version of The Overleys, with a completely new set of both lower and uppercase characters. 3. The Overleys Swash - A set of 26 hand-drawn swashes, with cool touch to underline you’re The Overleys text.

Fantastic, elegant, informal handwriting. It's Hand of Joy! Comes with alternate (end of word) characters with extra swooshes.

Bold and Benevolent, Earthling is funky and fun to use. Mix it up with caps for extra groove.

A Warholesque Rogue's Gallery of extras from one of my mental movies. Creepy. Kooky. Mysterious. Spooky. 72 characters.

A simple and uneven handmade brush seriffed font. Great for that extra dip your handmade looking designs need! ;)

Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin to Heavy, all weights are well synchronized to match ideally. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Masifa has compact, simple, functional and neutral body structure. It has 5 widths from Normal to Ultra Condensed. Each width includes 9 weights from Hairline to Black and their matching italics. Also, every weight includes rich OpenType Features like Small Caps and custom number styles. Due to its large family, it is ideal for a wide range of usage from large-scale designs to small product labels.

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

Mixed Tape is a brush typefamily inspired by music and based on calligraphy. It has 3 different styles so that you can choose which you need or combine them as you like. Mixed Tape Regular is a casual neutral brush script, Mixed Tape Small is a more elegant variation and Mixed Tape Capitals is an energetic, probably even brutal brush script. You can freely play with the three of them creating your typographic compositions. You can use Mixed Tape for posters, prints, menus, packaging, book covers and headlines, cards and as a starting point for logotypes. Mixed Tape has a lot of alternates and ligatures which are built into the ‘Liga’ feature that is turned on by default. It also has swashes, titles, fractions, ordinals and case sensitive forms. Let’s all enjoy good music and typography!