A nice readable Headline and Sub head face, great for movie credits.

Orlando is a quirky display face inspired by Art Nouveau metal types.

JoAnne Display is an elegant, open face, display font in 1 weight.

An exciting new contemporary serif face; very powerful but yet very elegant.

A great animated sanserif headline face that has the comic book look.

A great multi-use face; powerful yet elegant with a little flair.

This is a standard, plain face with no special distinguishing features. It was created over a period of four months for use in small text in a cartographer package. While the face was extremely suitable for the purpose it was designed for, the party who was to purchase the family outright decided upon another design, allowing me to offer it up for sale. The original design for this face is nothing new, and has been greatly influenced by many others already in existence. It was not intended to be flashy, nor eye-catching, and I believe I have managed to escape any individuality that could have affected the face. It displays well in the lower text sizes, and, in my own opinion, displays some characters more clearly than some other similar faces that are currently in use (not all, some). While individuality makes a typeface stand out from all the others, this style of design would have been compromised with it.

In the 1970s, Face Photosetting in London was known as the preeminent typesetting house in London. Steve worked in the studio in Newman Street and Hanway Place. El Paso Pro is a family of typefaces based on a unique single font design from the Face Collection, called El Paso.

Although appearing at first as a no-nonsense bold titling face, Gordon actually offers a much greater complexity through the addition of a wide range of special superscript ornaments. This adds an element of spice and depth to the face, creating a wide variation of creative typographic possibilities.

Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for some interesting titling and short bits of copy.

Chipping is a brand new face inspired by Edwardian and 1920s letterforms. It's good for clear and legible headings which need a gentle and unobtrusive period touch, and is the latest is Greater Albion's line of faces to explore the 'small capitals' idea. You will see a broad similarity with our Chipperly family, and the two work well together in combined projects. Four faces are offered: regular and bold, as well as Black with a heavy drop shadow and white which explores the idea of 'whitespace' design.

Gastromond began about five years ago with a question: why are fat faces always based on Didot or Bodoni models? Was there a reason that the stresses of these display faces was always vertical or horizontal and never angled? It was time to find out. Gastromond is meant to blend the Renaissance stylings of the Garamond types with the Victorian outlandishness of the fat faces. The result is an emphatic take on a classic genre. Loaded with swashes and alternates, Gastromond has enough character to go around.

Albion's Americana is a fun display family and a tribute to our transatlantic friends. The stars and stripes motif is applied to an American inspired all capitals Roman display face, producing something that is bold and boisterous and well...American. The regular face is intended for conventional use, while the 'Black', 'Red', 'White' and 'Blue' faces are designed to facilitate patriotic multi-coloured lettering (of course, you can use other colours as well). It's worth trying out different combinations here- Black and White alone work well, as does read, white and blue minus black. Albion's Americana Companion is also offered, intended as a small or all capitals face for subsidiary lettering. Next time you need some graphic typesetting with that American feel, this is your answer!

Bourne is a comprehensive text and display sans-serif family consisting of 21 typefaces, all with a range of features including stylistic alternates, discretionary ligatures, as well as old-style and tabular numeral forms and fractions. The 21 typefaces include two widths and three weights of type as well as square and round terminal forms and oblique faces. Three specialised display faces are also included. The face is ideal for establishing a consistent 'look' across a range of projects and could readily become the basis of an organisation's house publication style. Bourne works well in poster and large scale design work, as well as for the setting of large amounts of text. Individual faces are priced economically and substantial discounts are offered for packs of multiple typefaces.

Although better known for his residential buildings, Richard Neutra’s commercial projects nevertheless resonate the same holistic ecology—unity with the surrounding landscape and uncompromising functionalism. His attention to detail even extended to the selection of signage for his buildings. It is no wonder that Neutra specified lettering that was open and unobtrusive, the same characteristics which typified his progressive architecture. House Industries brings the same linear geometry to Neutraface without sacrificing an unmistakably warm and human feel. FEATURES LIGATURES: This feature is on by default. It will substitute a long list of “f” and “t” ligatures. For example, open InDesign or Photoshop and type “ff” or “tt”. NEUTRAFACE DISPLAY ALTERNATES: Neutraface Display contains several stylistic alternate characters useful when a purely geometric setting is desired. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.

A great headline face very bold and graphic. Not recommended for small sizes!

The Chic font is a headline face ideal for packaging, posters and signs.

A Rough Face Updated in 2022 to include an expanded range of typefaces

A Bold Powerful Geometric design. Great headline face; works well in many applications.

A powerful yet happy look. A great headline face with a distinct look.

Banyan utilizes dramatic brush strokes to create a paradoxically strong yet delicate face.

Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.

TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance. TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface. TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Plusquam Sans is a humanist sans serif family in eight weights, roman and italic. It’s neutral character and legibility in smaller sizes recommend it as a text face, and wide range of weights and swash capitals make it usable for various designer purposes. While roman fonts are simple, although in humanist spirit, italics are more vivid. Typographic variants are supported through OpenType features. Several kind of numerals are offered: lining and Oldstyle, tabular and proportional, superior and inferior, fractions. Small caps and math symbols are provided. There is a range of standard and discretionary ligatures. Alternates sorted in three stylistic sets are created to soften the overall appearance. Most distinguished feature is a set of swash capitals balanced to match sans serif characters. Plusquam Sans comprises multilingual Latin and monotonic Greek characters.

Aromática—designed by Sofia Mohr—is a rounded typeface with a simple and clean look that reminds us of those strokes found in handwriting while providing functionality and readability. Aromática consists of 7 fonts: a monolinear Script, a Sans-serif of 5 weights, ranging from Extra Light to Bold, and a Patterns font, inspired by aromatic herbs and spices, which is the perfect companion to the Script and Sans faces. Aromática was specially designed for branding and packaging, but it may also be used for headlines, publishing and advertising. The family comes with a character set that supports 207 different languages.

Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is not a revival but rather a free interpretation of traditional design. Its lightest and darkest styles work perfectly in extra large sizes and Regular is suitable for a short text setting. Liberteen is a proper typeface for putting together allusions to the 19th century type revolution and a contemporary layout. The typeface was designed by Alexander Lubovenko and released by ParaType in 2015.

ITC Grimshaw Hand is based on the handwriting of its British designer, Phill Grimshaw. Warm and lively, this typeface has the look of spontaneous handwriting with a little extra panache. Note the jaunty k, the swooping f, the simply stylish s, and the absolutely zingy cap Q and R. Grimshaw designed this face in 1995, at a time when he was also playing the guitar and mandolin. Handwriting fonts give an air of intimacy to the graphic design of advertising pieces, packaging, invitations, greeting cards - and ITC Grimshaw Hand has the touch of sweet music in its enthusiastic strokes.

Michael Gills, formerly a resident designer at Letraset, created the Fling typeface in 1995. Fling's letterforms are based on the Ronde --or round--script style from France. The design includes intricate and generous capital letters, which are contrasted with a more reserved lowercase letters. This allows for a sophisticated and elegant appearance in text. Fling's letterforms are highly legible for those of a script face, and it is a typeface with many uses. Aside from short amounts of running text, Fling's capital letters serve well as initials. In the Opentype font are extra ligatures and alternative letterforms thatoffer expanded typesetting possibilities.

Weiss Modern Gothic is the first digital re-creation with a lot of improvements of a late seventies well-known edited typeface by Bauer. At the time known as Weiss Initials Extra Bold or Weiß Modern Gothik, the design was inspired by the famous Weiß Initialen N°2 drawn by Emil Rudolf Weiß (1875-1942); also father of the non-less famous "Neuland" typeface. Strangely, this beauty seemed abandoned while sister-flared faces like Friz Quadrata, Flange, Serif Gothic or Romic are in a new wave of revival. Hoping this one will not again disappear... Happy new life.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

Petulante is a striking and creative hand-drawn face with a scribbled feel. It's an all-caps font and brings two options for each letter and numeral for a more organic and natural look. There are yet a few ornaments to add an extra something here and there. Petulante is ideal for book covers, packaging, apparel, album art, posters, or any situation where you want a stylish and uncommon hand-crafted look. And let's not forget to mention the broad language coverage: Petulante speaks more than 208 languages, including Russian and Greek. Yes, just take it everywhere!

Hagenbeck is an old style font face with the intention to get really bold. It's a design from 2019, drawn during a rainy stay in the eponymous district in Hamburg, the designers ‘hood for a long time. There is the bold weight and a decorative stamped version of this font face.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

ATF Headline Gothic cries out to be used in headlines, and that is exactly how it was used after it was first created by American Type Founders in 1936 with newspapers in mind. It would be hard to imagine a better typeface for a shocking, front-page headline in a scene from an old black-and-white movie. With its all-caps character set, and its big, bold, condensed design, ATF Headline Gothic is the epitome of its name. “Extra! Extra!” The style of ATF Headline Gothic recalls the bold, condensed gothic display faces of the 19th century, but with more refinement in its details than many large types of the time (typically wood type). Its most recognizable trait is the restrained, high-waisted M, with short diagonal strokes that end with their point well above the baseline; this avoids the sometimes cramped look of a bold condensed M with a deep “V” in the middle, common in many similar headline faces. The digital ATF Headline Gothic comes in a single weight, all caps, like its predecessor, but offers two styles: one crisply drawn, and a “Round” version with softer corners, to suggest a more “printed” feel, reminiscent of wood type. Of course, in either style it includes a full modern character set, including symbols such as the Euro, Ruble, and Rupee, that didn’t exist in 1936.

FA Mobie is a contemporary decorative fat face. For use on posters, leaflets, ads.

Lawyerbait was designed to be a clean, light and easy to read display face.

Yngreena is a serifed typeface with calligraphic origins. In updating it in 2011, I began to add alternative letters and reached the point where it made sense to create an alternative family of faces rather than include all the alternatives as part of an OpenType font. The letters K, R, V, W, Y, f, g, k, t, v, and w are tamer in Yngreena Alt. As a result, though it is still a decorative text face, Yngreena Alt is better suited for lengthier blocks of text than is the original Yngreena face.

Heavy techno music, a personal computer, a font creation program and some inspiration had been the sources to the Face 2 Face font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage" Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. WhaleTree is a hommage to Walbaum. The word is a gemanized translation where Wal means Whale and Baum means Tree. :-)"