a display typeface inspired by the elegant and exotic shape of hourglass. This typeface is perfect if you are in need of a fresh new elegant, rich and expensive feel. This font is filled with unique shaped glyph and several alternate letters. This typeface also comes with 2 styles, regular and connected. Switch in between according to your liking.

Tengu is a multiline display typeface digitised and expanded from Gustavo Pardo Sarmiento Tangui (1973). An intricate wirelike framework creates an elegant yet futuristic font ideal for apparel, books, t-shirts and posters. The font includes over 400 characters. Opentype features include digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.

Antartida is a sans serif typeface, while it is monolinear simple structure give it a kind of neutral feeling, is functional, clean and minimal. Is a family of 8 fonts, 4 weights and italics. This typeface contains alternate glyphs that help to emphasize text or headlines. You can also see AntartidaEssential, a simpler and less expensive version.

Jaggers is a handwritten typeface based on the letterforms Caslon. It may be hard to see the resemblance between these two since Jaggers is such a unique font. Its casual appearance is charming and easy to read. Jaggers has an expanded character set including European letters and symbols! This font is definitely one of Victory"s best.

Devama SRF was designed by Typodermic's Ray Larabie and provided for Stella Roberts Fonts. Available in Regular, Backlash and Forward, this typeface evokes a retro-80s look while still remaining clean and fresh. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Jimi is a tribute to classic rock posters of the sixties and seventies. It was inspired by and modeled after a 1969 sheet of dry transfer letters. Named after the famous American rock and blues guitarist Jimi Hendrix. Ideal for any design that intends to invoke or parody the era of classic rock, free love and mysticism.

Rolf is a modern font of condensed typeface, Rolf is a narrow neutral geometric font designed for headlines and posters. The Italic weights are designed with high-quality compensation for all circles and strokes, made to combine rotalik techniques and details on each slope. Rolf has expanded Latin coverage to be ideal for Western, Central and Eastern European languages.

Gigranche font Family is Modern Expanded Grotesque sans serif style and which is where this font is very strong and bold for digital manufacture/ printing industry. This font is inspired by streetwear (Urbanstreet) which relies on courage, art, and strength. The Gigranche font also comes with several symbols, fractional numbers and additional glyps from various languages (Multilingual Support).

Mint And Sage is a nostalgic typeface modernized from the old style serifs of the sixties and seventies. With soft serifs suitable for many projects: invitations, postcards, posters, books, advertisements, websites, blog headers, logos, branding, magazines, fashion, photography, editorial design and many others. Typeface Features: - 3 Font Weights (Regular, Outline & Extrude) - Numerals & Punctuation - Stylistic Alternates & Ligatures - PUA Encoded Characters.

Battlefly is a boxy typeface/font designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Features: Uppercase Lowercase Number Punctuation Symbol Multilingual All the pictures used in the preview are not included. They are intended only for illustration purpose.

HK Guise is a typeface with legible characters for maximum readability and legibility—perfect for interface and signage design projects. Inspired by Swiss Typographic design, HK Guise aims to be a standard go-to typeface for the adventurous graphic designer. Guise, defined literally; is an external form, appearance, or manner of presentation, typically concealing the true nature of something.

Karlisbad is a monospaced font in which lines expand and contract to form letters. The No-Lines styles can be used alone but it was their use in layers that inspired their creation. They can be used to give the letters a different color than the lines or to create an outline or hollow-letter effect.

Believe is a versatile font family. Strong capitals and a smooth, open lowercase are effective in a variety of applications. The geometric, near-monoline construction lends a classic durability, tempered by softened edges and vibrant shapes. Version Including : Thin, Regular, also in slant (Italic). Every letter has been redrawn and refined, with improved kerning and expanded language support.

Helsinki 2.0 is a completely updated version of our popular Helsinki typeface. We expanded the character set, changed the weight structure, and also added italics. Helsinki is inspired by the Finnish traffic sign typeface. It is based on geometric shapes, with technical and masculine forms. Helsinki is rather narrow, which makes it well suited to headlines and short text.

Malena is a typographic family created by Lentino and Muhafara like a shared working project which integrates both views on typography as a whole. Malena is intended to be used in lengthy texts with a wide range of variables, having a striking contrast, with consistent features and standard performance, Ideal to be used in paper with very good finish.

As a display typeface in expanded form, SpaceLab is a futuristic font of rigorous geometric construction designed for headlines or to label the intergalactic ships and other electronic and mechanical devices of the future. SpaceLab has a set of ligatures that make it more versatile to use. SpaceLab comes in two versions: Regular, Regular-Italic, Bold and Bold-Italic.

Linotype Reducta is a part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Austrian artist Herbert O. Modelhart with only a small number of constant form elements. The cool and technical Linotype Reducta is intended exclusively for headlines in large point sizes.

Display Haphazard is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Haphazard has an uppercase alphabet located under the character set keys and a full set of alternate uppercase characters located under the character + shift keys. It also has numbers with alternates, and punctuation.

Bella was designed in a hurry for the birthday party of a little girl named Isabella. The character set was expanded later and works for a variety of uses. It has a fun, informal quality that made it ideal for a preteen girl's party, but the sharp serifs and thick strokes make it equally suited to edgier occasions.

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

Magnox Display is a family of geometric and expanded display fonts. It brings impact and strength to titles and can be combined with many other sans serif types. It has smallcaps glyphs, alternates and rounded variation and their oblique versions. In 1.1 version you now have a variable version that has two axes: inclination and rounded edges.

A display font with expanded width, bold weight is cultivated with high contrast in strokes, suitable for ephemeral design applications. It simulates the impact of cut tools with paper, cloth, and comes along with a feeling of geometric suggestions. Jaina Sans also supports over 200 latin based languages with 235 accented characters along with basic OpenType features.

Modal is a sans serif type family intended for corporate, editorial and web design. Each weight comes with around 800 glyphs and supports a large variety of features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.

In 1938 the Frankfurt-based foundry Ludwig & Mayer released Eugen Weiss’ beautiful fraktur ‚Hoelderlin‘. Carefully redrawn and redesigned, this digitized version is intended to add another gem to the enthusiasts’ treasure drove of blackletter types. The font contains the historical long s which can be reached by the OpenType feature historical forms or by typing the integral sign [ ∫ ].

The legendary retro-futuristic typeface returns, now in digital format! While there may be copycats of varying quality, none of them have taken the time and care to revive, reproduce, and expand the original Roc Mitchell “Corporate” typeface like Corporatus has. Made directly from scans of the original type specimens and expanded to include the full WGL4, Corporatus is YOUR solution for your retro, futuristic, and corporate design needs. Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate and subsequently Corporatus is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. With the original Latin character set as well as Greek and Cyrillic lettering available, now you're playing with TYPOPOWER!

Gathes is vintage pop script with layered style, Since a few years I try to exploration of script with layered system. and this my third script layered from my collection font. Gathes is basic from 5 styles layered type. Base layer is regular, add an shine, extrude, extrude detail, and shadow to create a dimensional look. Several styles can be mix and matched together or can be used alone and/or in layered. The Script font have a opentype feature such a stylistic set, ligature, swash ornament. For additional we add a serif version in this family, so that it can be combined with script fonts. Gathes works great in any graphics app that allow to create a layered type and good to create the logo, badge, poster, heading, magazine, advertising design purpose and more. Features: - Opentype features - Ligatures - Alternates - PUA Encoded - Multilanguange

Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

Brother XL & XS is an expansion of Brother 1816, one of the best sellers of 2016: myfonts.com/fonts/tipotype/brother-1816 We decided to add new widths to the type system, designing a condensed version (XS) that is perfect for narrow spaces without loosing legibility, and an expanded version (XL) with a lot of character for display uses but without abandoning funcionality. Both typefaces where created to adapt in diverse design languages being able to be “retro” or “modern” making it very flexible and working well in texts or titles, in print or screens. Brother XL & XS mixies Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, condensed or expanded, or even mix between XS, XL, or its alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. It has a total of 32 fonts, which are divided into 2 groups: XS (16 condensed weights) & XL (16 expanded weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

Drummer is a large futuristic font family inspired by the Expansion TV series, old science fiction book covers and Honda Prelude and Porsche logos. The family contains a large number of styles and a lot of language support. 54 styles, 6 in width (Ultra Condensed, Condensed, Normal, Expanded, Extra Expanded, Ultra Expanded) and 9 in weight (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, ExtraBold, Black). The font also has a variable version. 573 glyphs, including 40 alternate characters. A lot of work has been done on the font. The fillets on the symbols have been well worked out and tested for a better visual and practical experience. The font combines the monospacing of many characters combined with kerning, which makes it very convenient for many purposes, such as vertical typography. The font is good in all sizes, both small and large, which makes it possible to use it anywhere. Branding, logos, titles, posters, texts, covers, merch, prints, web, titles, banners, games and design in games and much more. In the near future, it is planned to add another axis of variability - the slant. Consequently, the family itself will increase. It is also planned to add a small case (capital). If you want to say something about the font or get a font in other formats, then write to the mail: bunineugene@gmail.com .

Introducing, Regione Typeface. A modern typeface that embodies timeless elegance and aesthetic appeal. Regione Typeface accentuates uniqueness with a variety of stylish alternatives. Enhance your creative projects with the font's extensive collection of standard and discretionary ligatures, allowing you to add a touch of finesse to your text. Lunette Typeface is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more. Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded Hope you enjoy our font!

We’re in a lockdown of sorts (again) and things are pretty … uhm … boring at the moment. No going out for a coffee, no school (so the kids are at home), no meeting with friends… The new reality kinda sucks if I say so myself. Besides that, it turns out that we have a new dominant type of Covid in Holland.. wait, Dominant Type! Ahh, great name for my latest font! Dominant Type is a handmade all caps font. It comes with extensive language support (including Vietnamese) and 2 sets of alternate glyphs for that bit of ‘random awesomeness’!

Cerebri Sans is a design inspired by early geometric and grotesque typefaces. Subtle humanist details provide an undercurrent of warmth that simmers just beneath the bones of its contemporary simplicity. Cerebri Sans’ concept involved the development of a hybrid appearance. Its soft elegance and finely-tuned legibility make it appropriate for a vast range of applications including headlines, editorials, publishing, advertising, corporate communications, white papers, educational texts, web content, and mobile applications. Cerebri Sans' multilingual support is extensive, covering Basic Latin, Western European, Euro, Baltic, Turkish, Central European, Romanian, Vietnamese, Pan African Latin, Pinyin and Igbo Onwu for global accessibility.

Flexo Soft is the soft companion of Flexo. In Flexo Soft, the sharp edges of Flexo's characters have been tempered by a moderate rounding—creating a softer and friendlier typeface. Flexo Soft has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo Soft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features—so it’s ready for advanced typographic projects. For more information about Flexo Soft, download the PDF Specimen Manual.

Artographie is a Art Deco sans-serif family. The lettering was designed by Måns Grebäck during 2019 and 2020. It gives any project a moderist appearance, as a reinvention of the hundred-year-old style of design, adapted and adjusted to fit in present-time purposes and technology. The typeface is a family containing five styles: Thin, Light, Medium, Bold and Black. The weights are top quality and created to balance perfectly against each other. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Hoodie was born out of a love for retro Americana and vintage signs but designed with a contemporary fresh twist that makes the font a true attention seeker. The font is made up of 7 weights, plus 3 fun specials (dots, lines and shade) that create a multitude of uses and options. From logos to packaging and everything in between, Hoodie will be an attention grabber in all types of layouts and placements. Hoodie has features such as extensive language support, case sensitive characters, ligatures and number options (Denominator, Numerator, Superior and Inferiors), making it a truly versatile font.

My wife was watching ‘Memoirs Of A Geisha’ the other day, and I am going to take my son Sam to see Japan in May this year, so when I started drawing out the glyphs for this font, the name was already chosen! Tokyo Geisha is a handmade brush font. I made it with Chinese ink and one of the Chinese brushes my late father in law gave me. Tokyo Geisha is a font with speed and a certain flamboyance. It comes with extensive language support and a cool .notdef glyph. I am sure you will put it to good use! Arigato Kozaimasu!

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

Gingo is a wild brush script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its thick strokes are inspired by mid-century advertising, is full of spirit and progressiveness. The handwritten family consists of three weights: Gingo Thin, Gingo Medium and Gingo Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Chrysante is a flowing pen script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its thin lines are inspired by mid-century advertising, emits optimism and has a strong personality. The ink script family consists of three weights: Chrysante Thin, Chrysante Medium and Chrysante Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

“Valentia Nit” is a copperplate typeface enriched with swashes and extensions in alternate characters. Its main feature is the intense contrast between thick and thin strokes that gives you clarity of reading while providing a delicate and subtle texture in the text. Another feature is the spontaneity of its stems, the agile and casual ties, which in fact, these combinations can offer the designer a variety of possibilities to structure a logo or headline in sophisticated lettering style. “Valentia Nit” was designed to combine with our previous font “Valentia” in order to obtain the necessary hierarchy of texts using changing thicknesses.