“The Mumbai Sticker” is a layered script font. I have created this font from the sticker I designed for my Mumbai trip for my friend’s wedding, you can watch a short video of the process and the story behind. https://youtu.be/bO8e9lQ0DNU instructions to use: • for smooth connections of v s, v r, v z, w s, w r, and w z please enable “standard ligatures” in open type features panel • Type a text with the “Regular” version, then copy and paste in back (cmd B) and switch to “Outline” version. Please make sure you give it a different color to make the main font visible. Looks best in Black and white as you can see in the poster image but feel free to play around! (Please refer to the PDF included within the downloadable .zip file. • • • For full version and commercial license please visit https://rolandhuse.com or contact@rolandhuse.com The full / commercial version contains Western and Eastern European accented characters and special characters, punctuation and ligatures. @rolandhusedesign Follow me on Instagram

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Milchella is a luxurious and elegant Serif font. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 2 Font Style: - Regular - Italic Milchella Features: - Uppercase - Lowercase - Numbers & Punctuation - Alternate - Ligature - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Sapodilla is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more. Sapodilla offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Sapodilla is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Clocko automatically turns the time stamp text into an analog clocks using the OpenType ligatures. Even when the ligatures are turned off, the time is still visible and readable, and it does not change or ruin the layout. Perfect for web usage and even for small sizes. For a crisp look, please use sizes divisible by 30, for example 30pt or 60pt. To make a custom analog clock, type any uppercase or lowercase letter to have a border (see previews for examples), and then type the time in 12 hour or 24 hour format with or without seconds. Use colon, comma, semicolon, hyphen, period or plus as a separator. Few examples: 12:45 9:25:46 10.50 13:30.10 The borders can be mixed together for more interesting look, please see the screenshots above. An additional background shape can be added to the clocks by typing a symbol (! # $ % & ( ) < = > ) as a first character, for example %A12:40:55. Please note that in order to keep the clocks visible, the background shape and the clocks need to have a different colors.

Examors is an ultimate sports display font, and with a style that is very different from the others. This font comes in four styles, Regular, Outline, Oblique and Oblique Outline Version. Examors is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.

Shadow Script is a modern script calligraphy, dynamic and pretty with swashes. Can used for various purposes. such as the title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Shadow Script features Open type feature, including initial and terminal letters,ligatures and International support for most Western Languages is included. Files included: Shadow Script (Otf) To enable the OpenType Stylistic alternates, you need a program that supports features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Shadow Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Charissa script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Charissa features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Charissa PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Proudly present Mockey Clown - Cloud Type, created by ikiiko Mockey Clown is a decorative hipster font in a cloud style. This font is a contemporary and stylish typeface that is ideal for any creative project looking for a distinctive and trendy look. This font style is ideal for designs that need to communicate a sense of movement and whimsy because it has rounded edges, flowing lines, and a slightly bolder appearance. This letter has 3 styles that you can mix or play with to make it more decorative with the addition of bold or contrasting colors, creating a trendy look that is perfect for modern designs. Overall, this typeface is a sleek, customizable choice for any design project that needs a fresh, trendy look. This typeface is perfect for an youth stuff, magazine layout, poster, fashion brand, urban style, quotes, or simply as a stylish text overlay to any background image. What's Included? 3 Styles: Regular / Outline / Fill Uppercase & Lowercase Numbers & Punctuation Ligature (Bonus) Multilingual Support Works on PC & Mac

" Bontour" AnElegant & Luxury Display Font Style !! Bontour - An Elegant & Luxury Typeface is my new elegant serif font that will bring in your projects a touch of luxury and style. It's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines and much more. Flip through all the previews and get inspired like I was while creating this font. A modern take on a Caslon style typeface, It's got hundreds of characters and ligatures plus all those European letters! Bontour pairs perfectly with a light scripts font or minimal sans serif. What you get? - Letters, Numbers, punctuation - Multilingual support - PUA Encoded Using Bontour definitely make your text stand out.The Bontour comes includes full set of gorgeous uppercase and lowercase letters, multilingual support, punctuation, and ending numerals .Perfect for DIY projects, greeting cards, labels, quotes, posters, wall art, branding, packaging, websites, photos, photo & photography overlays, signs, window art, scrapbooking, tags and so much more! Check my other Font here : https://gilarstudio.com/ Feel Free contact me if u any question.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Braylen is a modern script with handwriting, decorative characters, designed to perfectly combine informal, romantic, sassy, sweet scripts. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, logos, web design and editorial, prints, invitations, crafts, quotes, and more. Braylen includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Braylen is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Nameh is a single weight sans-serif headline font designed by Naghi Naghashian. It is a condensed big title font. This font is a contribution to modernize the Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Nameh supports Arabic, Persian (Farsi) and Urdu. It also includes proportional and tabular numerals for the supported languages. Nameh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Nameh was developed for multiple languages and writing conventions. Nameh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Mela was created with a pointed brush and walnut ink using thick brushstrokes. The original idea was to make a kind of urban graffitti with a fat brush, but the final result is more refined and elegant. Something new - light and bold together. The letters are a little bit slanted using sharp strokes, the brush gives the illusion of a fat-tipped marker. This handmade typeface has a lot of contrast, it brings together the beauty of the calligraphic shapes and strokes with the esthetics of a modern urban style. It creates a carefree feeling, contemporary, adding a perfect modern touch to your work. The possibilities for customized layouts are limitless, using the opentype ligatures and alternates to you make Mela your own. Mela Pro contains 473 glyphs: alternates, ligatures, icons, ornaments, and much more. Mela regular is limited to letters, figures and punctuation. Mela & Mela Pro are perfect for headlines and short texts. Use it for magazines, packaging, advertising, branding, posters, editorials, TV, movies and websites to give to your projects the unmistakable human touch of beautiful handwritten letters.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Looking for a font that’ll make your branding radiate playfulness? Something that’s versatile, stylish, and eternal? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be. You only need to change one element to engage and convert your clients. Then this is the perfect font for you. Grindel Milk-A Display Font Grindel Milk is a display font designed to bring your branding to life and add a touch of elegance, cheerful, and style. We are hoping that through this playful font, you can maximize your designs! In turn, you’ll communicate the perfect idea to your audiences or clients. The best choice for branding projects, book/magazine cover, fashion designs, quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

This font has a whimsical mix of four kinds of handwritten lettering: plain, looped, blotched and stylish double lined. The playful letter mixture really livens up the text. Cute. Perfect for scrapbooking :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Dutch type designer Albert-Jan Pool created this sans FontFont between 1995 and 2009. The family has 20 weights, ranging from Light to Black in normal and condensed styles (including italics). It is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Looking for the new Thin and Extra Light weights? They are available through fontshop.com, linotype.com and fonts.com. FF DIN provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also partly supports the Cyrillic and Greek writing systems. In 2011, FF DIN was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF DIN super family, which also includes FF DIN Round.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Organic versus geometric are two different universes that converges on nature systems and has its reflection on this new sans serif typeface. Frambuesa is a half humanist-half geometric sans that merges decorative curves with straight lines looking for a balance. The result: a solid but somewhat romantic, nostalgic type program that go ahead harmoniously, dancing to the rhythm of a naturally imperfect melody. Frambuesa can’t hide its family genetics. Structure and proportions come from Elisetta, her older sister they so both have a really good text performance. Regular variables and italics feel comfortable in a lot of contexts and are useful for little words or big title compositions. All seven weights are carefully adjusted to achieve soft transitions between one and the other resulting in high readability levels on program combinations and complex uses. This new font family name is a tribute to Lucia’s childhood, a very happy one. Frambuesa honors this sweet intense red fruit that her grandpa’s Coco gave to his grandchildren every Sunday in the summer.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

Someri (English: Sumerian) is an Arabetic type design with a Cuneiform spirit. The Someri family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Someri employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Someri family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Right Beginning is adorable and cute fonts, there are various variations in each upper and lowercase letter, making this font suitable for you to place and use in any of your projects or in any media you want, this font is surnamed script with cute and beautiful nuances. It also has a charming modern character, perfect for Halloween and Cristmast nuances. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.

The Catenary typeface was designed with the goal of creating an extremely-readable sans-serif font that could weather the future. Inspired by the beauty of the catenary curve, it's a blend of the transitional and the geometric that allows it to be readable while keeping its forms precise and consistent. Every character in its set is unique, leaving no confusion between similar letter forms. Sixes and nines can be distinguished even when they're upside down or sideways. The number one, the lowercase-L, and the uppercase-I can never be confused with one another, even without context. Throw b, d, g, p, and q into a jumble and the challenge of distinguishing the characters can easily be overcome. The Catenary family consists of eight fonts, six of which, the standard light/italic, regular/italic, and bold/italic, work as both excellent text fonts and exceptional display fonts. The two bonus fonts, a stencil and a guerrilla grunge style, make for great additional display font choices. The Catenary family is extremely versatile and ready for your toughest design work.

Seychell Script is a calligraphic manuscript modern, dynamic and pretty with swashes. Can be used for many purposes. such as title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Seychell Script features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Seychell Script is PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Thank you very much for looking and please tell me if you have questions.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Yes Dear is a hopefully humorous acknowledgement that men and women communicate differently — one of those Mars-Venus things. Women tend to talk about their feelings. Men hide in the cave. It sounds funny, but it can have serious consequences in people’s lives and their relationships. T. D. Jakes deals with the subject effectively in his DVD, He-Motions. We guys need to find our way out of the cave. Our women need to recognize what is going on and gently help us emerge from the cave. Men and women were certainly never meant to be identical, but it would be useful if we could learn to communicate our feelings in more healthy and effective ways. Yes Dear has a full character set, including accented caps. Two empty frames are provided at positions 135 & 137. The Gallery includes a PDF file showing some text and the full character set and a JPG looking out from the cave. A lot going on outside the cave. Be sure and take a look.

Natasha is a modern script typeface that every single letter contains beautiful characters alternates and feature ligatures. This font come with 70+ Ligatures, Contextual alternates, and Stylistic alternates. This font is stylish, fresh and ideal for adding the special look to your designs. Natasha font that is special for fashion and matches applies in some designs such as the logotype, brand, magazine, website or blog headlines, packaging, branding, quotes, invitation cards, greeting cards, business cards, and wedding more. Natasha is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Natasha Includes: - 70+ Ligatures, Contextual alternates, and Stylistic alternates - PUA Encoded Characters - Fully accessible without additional design software - Multilingual support for English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Phoska Dangers is an sports sans serif display font, and with a style that is very different from the others. This font comes in four styles, Regular, Outline, Oblique and Oblique Outline Version. Phoska Dangers is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.

Ouster Sans offers various options for creating logos, titles and titles. Great for books, editorial, packaging, advertising, branding and more. A modern sans serif font with a vintage touch, giving users the freedom to create compositions. Ouster Sans includes a Collection of Uppercase Letters, Styles, Latin Based Language Support, Numbers and Punctuation. Style Sets are available in Lowercase to Uppercase. Ouster Sans Also Included in 12 different weight and italic font file styles Ouster Sans is coded with PUA Unicode, which allows access to all features without special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy additional characters to paste into your favorite text editor/app. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn feel free to message me if you have any issues or questions :) If you need any help or have any questions let me know or send an email. I'm happy to help :) Thanks & Happy Designing!

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

The Ampersand Forest has its first book family! Budinger Oldstyle is elegant and approachable at the same time, with five different weights, making it a perfect choice for text or display in situations that require a hint of scholarship, fine arts, craft, erudition, and clarity. Budinger Oldstyle has the legibility of a Garalde (like those of Garamond, Manutius, et al.), with a whiff of Venetian revival (after the fashion of Schneidler & Goudy). The letters are arbitrary, with conventions like cupped serifs and leftward stress. It also has a higher x-height than might be expected, to give it an upright posture and openness in the counters. The italic is more compact, with more clearly calligraphic letterforms and conventions like Swash Caps. Its many features include OpenType alternates (a one-story a and g, and a K, R, and Q with elongated descenders), full and true small caps, both standard and discretionary ligatures, oldstyle and lining numerals, and Swash letterforms in the Italic (all capitals and descenders, plus the ascender of the d). Plus, the most adorable pudge of an ampersand you've ever seen!

Jekta is a sans-serif headline font designed by Naghi Naghashian. This is a single weights font, ExtraBold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jekta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Jekta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jekta was developed for multiple languages and writing conventions. Jekta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

The "Voluptate Pack" font is a smart sophisticated handwriting pack that includes ‘Voluptate’, ‘Voluptate Classic’ and ‘Voluptate Elements.’ Every single character in our ‘Voluptate’ font distinct and given every letter a unique identity – very much like a person’s handwriting. Of course the characters are similar enough to work hand in hand, but not so similar as to appear as an obviously computer generated type set. The ‘Voluptate Classic’ is very similar in design and ever so slightly informal in its appearance. A thoughtful mix-and-match of both these fonts can give a delightful appearance to your designs. You could use the Voluptate on most areas of the text for example, and the ‘classic’ to emphasize a more personal touch to certain areas, say for example where you may be quoting somebody’s word. When you get the pack you also get a handy ‘Voluptate Elements’ set of designs that can enhance your creations in so many ways. All 3 are available individually, but it's like getting the elements for free when you buy the pack.

The original Jessen typeface, named in reminiscence of the great supporter of the printing art at the end of the 19th century, Peter Jessen, was designed in the years of 1924 until 1930. Bible Gothic was created by the famous German designer Rudolf Koch. Ralph M. Unger digitized this font exclusively for profonts in 2005, keeping his digitization as close as possible to the original design of Koch in order to preserve the distinguished character and the partly unconventional, original forms. The concept of a Bible Gothic was developing for years in Koch's mind and drove the direction of his work, but only after the experience with his Neuland design could he start the creation of his Peter Jessen typeface. Produced quite like Neuland, Jessen, however, is much more refined and more accurate in detail than Neuland. At first glance, it seems to look plain and simple, but if you look closer, the richness of its distinguished upper case forms unfold to a perfectly clear flow of text