Portgas Display is a beautiful and inspiring mix of classic calligraphy and modern serif based on a minimal and simplistic approach to elegance. The inspiration came from the fashion magazines. Its thick-thin, serif strokes express the modernity of the fashion industry. This typeface includes special uppercase letters and access to your OpenType features, alternate glyphs and more than 60 ligatures. Portgas Display is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design. Portgas Display is fully unicode mapped. Includes: - For access to Stylistic Alternates is required software with glyphs panel like Photoshop and lllustrator -- No special software is required to use Ligatures.

Introducing new classic display typeface it's call Moody Blue. Moody Blue typeface Inspired by Classic typografi design, vintage art, cover book and novel. OpenType features some characters that allows you to mix and match pairs of letters to fit in your designs. To access the alternat glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign No matter how is your design concept to looking serious. it can be FUN , scary, mystical, chilling, dark or light. With MOODY BLUE typeface, your design will more quieter, relax, enjoy, etc. You can use this font for various purposes.such as book cover, product packaging, labeling, logo, classic shop, badges, movie title, t-shirt, wedding invitation, posters, lable, greeting card, letterhead,logo, Titles Branding, etc. Open Type featuring Discretionary Ligatures Stylistic Alternates Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support or email me storictype@gmail.com Thanks and enjoy designing.

Hello! I'm happy to present you my new ethnic font family. I tried to create Latin letters font in Arabic style. Right now, you can type your text with Latin characters, and it can be read internationally. So, can you read this script? This font family consists of two font styles (regular and rough). Both of them will make an Arabic feel to every text you type using this font. I paid a lot of time for ligatures to provide flowing effect to every lettering. You can easily design Ramadan advertising, Islamic quotes posters, Arabic style greeting cards, Eastern brand logos, and others. You'll get: * Uppercase and lowercase * Mültîlíñgúãl Sùppört * Special Alternates and ligatures * Numbers * Symbols * Punctuation Please feel free to request to add characters you need: kaer.pro@gmail.com Best, Roman.

Boris is my son: he was born on January 7th and he is as cute as can be. Boris Brush font is a very loud, very useful brush typeface, which I created using some fine-haired brushes and black paint. It is all caps, but lower and upper case are different and can be freely interchanged. Comes with all the diacritics you need.

This font is based on a lot of the downtempo culture in Paris. Smoky bars, jazz clubs, that sort of thing. How a font can be influenced by intangibles is a question that I can't quite answer, but I can say that when I created it, it strongly reminded me of a couple of times spent in Paris back in the mid-90s.

We don't mean to gloat, but we have to say that it gives us immense, malicious pleasure and joy to supplant other popular germanesque letterforms with this, remarkably superior font. This successful addition to our DEAD cool POOL of ACHTUNG BABY alphabets will, no doubt, make you feel that your own library of teutonic fonts is now severely lacking. We're that mercenary, we're Mercs with Mouths, you might say. Wait, did we say that we DON'T mean to gloat? Actually, we do.

Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a scan of an old display face that has been radically modified to a much smaller x-height than I have been using lately, plus taller ascenders. Many of the characters needed a lot of correction to bring them into my taste. In general, I have decided that many of my fonts create a type color that is too dense. Aramus is an attempt to get away from that look. Although Amitale has been a very successful book family and excellent to work with, I find I still need something more open with a lighter color. Aramus is the first look at the new direction. The original hand-cut serifs vary a lot, different for almost every character. This gives a little looseness and helps the lightness I am looking for. It will be interesting to see where this all goes. This is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request. They will be in the final new book family). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

A girl’s handwriting written on the iPad Writing changes – throughout history over centuries, but also from generation to generation. Each new generation of students learns to write the basic forms of the letters a little differently than their predecessors. The role model is also changing. The cursive handwriting taught in school is getting closer and closer to printed type. The children no longer learn the forms of cursive handwriting required for connected writing, but first the “block letters”, only later should they develop their own individual handwriting from this, which many of them no longer do. And the writing tool is also changing. Of course, script looks different when children no longer learn to write on paper with a fountain pen, but on a tablet computer with the “pencil”. The writing experience is completely different, and the “material properties” are different too. There is practically no writing resistance that would make it difficult to move against the direction of writing. "Die Lara" was created based on the template by Lara Mörwald from the winter of 2023. The font version "Black" corresponds to the handwritten original, all thinner variants up to the wafer-thin "Hairline" are derived from it. In the variable font, the intermediate forms can be selected steplessly. In order to preserve the handwritten character of the font, "Die Lara" contains several alternates to most letters and numerals, so that different character forms alternate in the typeface. If the "ligatures" function is activated in the app (which is the default in most programs), these alternates appear automatically as you type. There is also an alternative "swashed" variant of some letters. So you can set somewhat livelier accents at the beginning or end of a word. "Die Lara" also contains fractions and tabular figures.

FF Marselis crossbreeds geometric and humanistic forms, creating a freshly dynamic sans serif family. All of the counters in the typeface are open; this aids readers’ eyes quickly flow across lines of text, without experiencing hang-ups. Certain superfluous strokes have been eliminated – there are no spurs on the b or q, for instance. The alphabet’s diagonals all bow outwards slightly, adding flavor to the “A”, “K”, “R”, “V”, “W”, “X”, “Y” and “Z”.

First of all: there is no such thing as a stupid question! But now there is a font called Stupid Questions! :) A classic handmade sans font - super legible and somewhat clean. Use your favourite of the 5 different versions, mix them in layers with your favourite colours. I've added 4 different versions of each lowercase letter, and they automatically cycle as you type - a great way to make your text look more natural and organic!

Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

The family keeps growing, Ciutadella Slab is the ‘serif’ counterpart of the popular Ciutadella font. The former alternate characters like 'a', 't' and '&' are now the default ones (and the former default characters are now the alternates), giving way for a typeface more suitable for texts. Thus, the new Ciutadella Slab is not only a great headline family, it will also work in texts of intermediate length and size. Especially appropriate for magazines, brochures or branding. This new addition provides even more versatility to the family started with Ciutadella and Ciutadella Rounded. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. As the sans version, the type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF.

Bourton Hand is a new typeface by Kimmy Design. It’s the hand drawn version of Bourton and a sans-serif cousin to Burford. In addition to a new look, it boasts more layering options, stylistic alternatives, graphic extras and even comes with its own script font! Okay...so here’s everything you get with Bourton Hand: • 6 Base Layer Fonts (Base, Inline, Marquee, Stripes A, Stripes B, Stripes C, Sketch A, Sketch B) • 6 Top Layer Fonts (Base Drop, Dots, Line Light/Medium/Bold, Outline Light/Medium/Bold) • 6 Extrude Fonts (Extrude, Outline, Shadow, Extrude Outline) • 5 Drop Shadow Fonts + 5 solo styles (Drop Shadow, Drop Extrude, Drop Line, Drop Stripes A, Drop Stripes B) • 2 Line Fonts for secondary text (Line Medium, Line Bold) • Bourton Hand Script Light • Bourton Hand Script Bold • Bourton Hand Extras - Ornaments, banners, frames, borders, flags and line break • Bourton Hand Extras - Flourishes Happy Creating!

Shàngó is CastleType’s beautifully-rendered interpretation of Professor F.H.E. Schneidler's elegant titling typeface released in 1936 with the name 'Schneidler-Mediaeval mit Initialen'. This latter design is usually referred to as Schneidler Initials. Although early on Medium and Bold weights were added to the somewhat delicate design of Shàngó, it seemed there were other possibilities that might be useful for display use. So, for the last couple of years I have been working on and off on a monoline version of Shàngó. This new design maintains the classic letterforms of the original, but its relatively even strokes gives it a more solid appearance, making it useful where a more modern, masculine look is needed. This new family is called Shango Gothic and is available in four weights: Regular, Medium, Bold, and Extra Bold. Shàngó Gothic is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

This contemporary typeface is inspired by the neo-humanist and geometric industrial tones presented in late 2000s typefaces. The font family is also composed of the normal width and display width in order to support different applications in delicate designs.

Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.

Introducing our new brush exploration, Rashavine. A freestyle brush font made with the high attention of the brush details. This font has the feel of energic, which challenges you to create a powerful design and fast! Rashavine complete with alternates characters, ligatures, and swashes which you can apply on T-shirt, label, title, books, hoodie, logos, sticker, website, and many more! Rashavine is an all-caps font that you can mix and match from different letterforms. Accented characters available for many different languages. Also, you can access the swashes with ease, by simply type 'underscore' and 1 to 0' from the middle of your word. That's all, folks! Thank you for watching and keep it up!

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

Modulus Pro, the extensive update to Modulus. This update was built around the original Modulus Font. This rounded sans-serif has a larger glyph set which covers many languages. Modulus Pro now comes in 8 weights from Extra-Light to Black. This updated version was designed with the designer in mind, you have many stylistic alternates to get creative with and make some really cool customised typography. A large range of examples have been designed to show just how versatile and creative you can get with this font family. It's fun but has a cool, edginess to it at the same time. Modulus Pro is not just another rounded sans-serif, you are going to want this in your font list.

Black Foroth is a san serif font with an elegant yet fun relaxed appearance. It differs from other san-serif fonts in its application because it was created by combining serious and relaxed themes, resulting in a font that can give the impression of seriousness while remaining convenient. Use it in your creative projects to get a unique look and feel. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Trebuchet™ Family, designed by Vincent Connare in 1996, is a humanist sans serif designed for easy screen readability. Trebuchet Family takes its inspiration from the sans serifs of the 1930s which had large x heights and round features intended to promote readability on signs. The typeface name is credited to a puzzle heard at Microsoft, where the question was asked, 'could you build a Trebuchet (a form of medieval catapult) to launch a person from the main campus to the consumer campus, and how™' The Trebuchet fonts are intended to be the vehicle that fires your messages across the Internet. 'Launch your message with a Trebuchet page'. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Elixir is a strong display pack of five styles and total eleven fonts. Elixir fonts are designed to act together but they also work just fine by themselves. Elixir Script is a monoline Script with plenty of OpenType features: Contextual Alternates helps to keep letter connections smooth whereas Swash, Stylistic or Titling Alternates can be used to add flavour to your words! Elixir Brush is a smooth brush script with Contextual Alternates, Swash and Titling Alternates. Elixir Sans is a sturdy all caps font with wider uppercase letters. Elixir Circus is a circus style version of Elixir Sans. Elixir Serif is a rounded slab serif. Elixir Print is a rugged version of Elixir with rough outlines and worn-out print texture.

Villages is a combination of serif and sans serif that produces a sans serif font with an elegant and modern look, comes in 3 weights with an italic style for each weight, and several alternative characters that you can use to suit your design needs. Use this font for craft projects, logos, posters, books, promotions, and any of your design needs that require a clean and elegant look! Opentype features : Stylistic Alternates Contextual Alternates Standart Ligatures Contextual Ligatures Discretionary Ligatures Small Capitals Ordinals Stylistic Set 1 Fraction Oldstyle Figures Superscript Subscript Multi Language Support Win and Max OS System We hope you enjoy this font, and don’t hesitate to leave a comment or message if you have problems or questions.

The Gleams serif display is unique, this font and is equipped with multilingual to be able to handle most typographic applications ranging. will be perfect and look luxurious for many projects such as fashion, magazines, logos, branding, photography, invitations, quotes, blog headings, posters, advertisements, postcards, etc. The Gleams serif include ligatures, capital letters and lowercase alternate letters. You need a program that supports OpenType features like Adobe Illustrator, Adobe Photoshop CC, Adobe Indesign and Corel Draw. and you can also access alternative flying machines via Font Book (Mac users) or Windows Character Map (Windows users). For sans style please check at https://www.myfonts.com/fonts/alandya-typefoundry/gleams-sans-display For serif playful style please check at https://www.myfonts.com/fonts/alandya-typefoundry/gleams-serif-playful Happy Designing . . .

Mangueira is a sans-serif geometric typeface that is made up of 2 sub-families: one standard more contemporary family perfectly suited for display use and one alternative version for short blocks of text and more neutral titles. Each subfamily comes in 9 weights and includes swashes, which can be easily accessed from the OpenType menu. One of its main features is the combination of geometric shapes and vertical terminals that resemble Humanist sans typefaces. A generous number of swashes along with unique details in some glyphs such as "g" and "k" make Mangueira a versatile font well-suited for editorial design, branding, packaging, web and broadcast use, etc. Mangueira contains a set of 502 characters, supporting over 200 Latin-based languages.

Rufo — condensed geometric sans serif with the closed forms. Contains 12 fonts. 6 regular and 6 italic. From thin to black. A rich palette gives full freedom for creativity and bright decisions. Extensive area of use. The versatility of the sans serif typeface covers various aspects of graphic design. Web, printed materials, clothing, logos, posters, labels and much more. Rufo is pragmatic typeface. Can save space and will accommodate a large amount of information in a limited space. The font was designed so that condensed letters remains readable even in small sizes. Opentype: alternate numbers, oldstyle numbers, arrows, fractions and automatic fractions, case sensitive forms, superscript and subscript, numerators and denominators. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

Amitale (A-mi-tah'-lay) is the union of Amitale Book and Amitale Wide into a new 8-font book family in my continuing objective of designing a better font family for readability in booklets. My goal here is for a full range of styles from light, regular, bold, and black without the plugged counters and clunky feel of most bold fonts. In my use, personally. I do not use Amitale Book Bold. I use Wide for the bold and Wide-Bold for the black style. In many ways, Amitale is Brinar with bracketed serifs. Many people find Brinar to be an exceptionally readable and beautiful humanist sans. This new serif font family has many of the same characteristics. This is also the debut of my new OpenType features set for 2009. There are more and more ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity.

Hirradista Script is modern calligraphy font. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Hirradista Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hirradista Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Bethanya Script is modern calligraphy font, including Regular. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Bethanya Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Bethanya Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Goldstone is a hand-brushed modern calligraphy script, created with both pen and brush. It includes a dancing baseline with separate swashes that can be applied to the beginning and ends of all lowercase. Goldstone includes several ligatures, alternates, and international support for most western languages. Perfect for branding, logos, greeting cards, wedding stationery and so much more. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Goldstone is PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor or favorite applications.

Ballurani Script is modern calligraphy font. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Ballurani Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Ballurani Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Randing Signature Font is signature style font with stunning characters, including Monoline, Regular and Bold. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Randing Signature Font features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Randing Signature Font is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Lovely Thing is modern calligraphy script. This font is casual and pretty with swashes. It can used for various purposes, such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Lovely Thing features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Lovely Thing is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Evelyna Stranger is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Evelyna Stranger includes a change of the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Evelyna Stranger is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use Character Map to view and copy one of the additional characters to insert into your favorite text editor / application. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing!

Alifia Script is a modern calligraphy design. This font is casual and beautiful with swashes. It can be used for various purposes such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Alifia Script includes a change of the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Alifia Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use Character Map to view and copy one of the additional characters to insert into your favorite text editor / application. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have questions, please let me know. I am happy to help!

Lambresia is a handwritten script with a natural & stylish flow. This font has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. This collection of scripts is perfect for personal branding. Lambresia is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!