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  1. Espania - Unknown license
  2. Athena by Solotype, $19.95
    This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.
  3. The Vision Type by Oleg Coada, $19.00
    The Vision font is a display font with a temper. Has a bold and cheerful personality. Ideal if you want to add a new experience to your work.
  4. Widia Hand Brush by BBA Key, $10.00
    Widia hand brush is a script in a new, modern, handmade calligraphy, with decorative characters, suitable for invitations, greeting cards, branding materials, business cards, quotes, posters, and more.
  5. Southern Colonialist by Intellecta Design, $19.90
    Southern colonialist is a new slab typeface from Intellecta, based on ancient advertisements from the Wild West of America Good for titling and display usage; in many styles.
  6. Noki by ActiveSphere, $30.00
    The new release is called Noki. A font family Ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and certainly in advertising. Check it out !
  7. Alro by Artyway, $12.00
    New modern font with aesthetic principles of renowned Bauhaus design school. It's based on radically simplified forms, functionality and rationality. The embodiment of modernism, modern and authentic style.
  8. North Blue by Aldedesign, $18.00
    North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.
  9. Western Sky by FontMesa, $25.00
    Western Sky is a revival of a late 1800s Italian font known as Italian Slab Fancy or Dodge City. New to this font is the rope swash version.
  10. Artie Deco by A New Machine, $19.00
    Completely new font inspired by 1920's design and architecture. This elegant font is suitable for titles and bold headers and would work great on invitations and posters.
  11. Rotunde by Gerald Gallo, $20.00
    Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.
  12. Nostrand JNL by Jeff Levine, $29.00
    Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.
  13. La Rotonda by Jonahfonts, $25.00
    A single weight rounded font, similar to the popular Futura font with several new twists. Usage recommendations include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.
  14. 2031 by Noir Typo, $15.00
    The 2031 typeface is a toolbox made of fonts from the 2030 typeface. 3d, outlines, shadows and other graphic effects remix each style into a new postmodern typeface.
  15. Beaches & Cream by BA Graphics, $45.00
    A unique looking sanserif that connects like a script. It's different and innovative design creates a whole new look. A great decorative display font with lots of applications.
  16. Misano by Dieza Design, $10.00
    Misano a new, modern and fresh script with a handwritten style making this font looks elegant, natural, stylish and perfect for any awesome projects that need handwriting taste.
  17. Nakeisha by BBA Key, $10.00
    Nakeisha New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !!
  18. ITC Zapf Dingbats by ITC, $40.99
    The Zapf Dingbats originally had been a selection of 360 symbols, ornaments and typographic elements from over 1200 designs. (For the first time a lady's hand is shown for the index symbol, the fist). The exisiting Zapf Dingbats offers a small selection out of this great offer. Therefore Hermann Zapf created new symbols for the set of the Zapf Dingbats, which are available today from Linotype as "Zapf Essentials?" 6 fonts with new and fresh symbols like fax, cell phone and internet symbols.
  19. Zabars by K-Type, $20.00
    ZABARS is a full font developed from the six characters in the spectacular logo of the Zabar’s speciality foodstore in New York City. The Zabar’s lettering is a jewel, possessing greater sophistication and subtlety (and a more contemporary flavor) than the usual bifurcated (split serif) font which might simply suggest ‘Circus’ or ‘Old West’. And it’s been given an even fresher twist through the addition of a new lowercase which helps add to the 1960s countercultural aspect of the font’s personality.
  20. Thyga by Fateh.Lab, $10.00
    Thyga is our newest font, this is good news for those of you who are designing your best work and your biggest projects. Thyga has a very strong and elegant character, comes with the support of three styles in one family and is supported by 92 languages. Thyga is the best answer for you right now. One more good news is. Thyga has Italic font and dingbats Icon font!. Be the first to use this professional and premium Thyga font!
  21. GHEA Samo by Edik Ghabuzyan, $30.00
    GHEA News is a super family font. It has 8 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thicker than Bold can be used as Display fonts. It is an easily readable two side serif font and the eyes don't get tired while reading. GHEA News has a contrast style and at the same time is quite bright and clear.
  22. Pixel Arcade by Comicraft, $19.00
    GAME OVER, MAN, GAME OVER! Time to grab your joystick, turn to channel 3 and level up, Player One, or you'll never beat the high score on your new game cartridge. Or bring a stack of quarters and a couple of friends to the mall, and we'll play some Rick Astley and Kajagoogoo over the PA while you scope out hotties near the food court. Either way, eight bit lettering has never looked more eighties than it does in our new PIXELARCADE font!
  23. Skratchbook by CozyFonts, $30.00
    Skratchbook is a new handwritten font from the sketch pad of designer Tom Nikosey of CozyFonts. The family exists in 3 versions, Regular, Italic, & Back Italic. This font is a casual, coarse style meant to be used for personality and spontaneity. It's style conjurs anything from quick grocery lists to Halloween Party invites. It maintains amazing legibility in small sizes and it's true personality is revealed the larger it is set! Hoping this font finds your voice! Skratchbook, New from CozyFonts Foundry.
  24. Sincerity Stencil by Océane Moutot, $32.90
    Sincerity Stencil is the new extension of the typeface Sincerity. It's a fierce and elegant typeface identified by its high contrast, sharp shapes and triangular. The stencil component of this new version will add originality to your designs. Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. It's a great fit for branding, magazines, newspapers, and so on. Sincerity Stencil is available in 16 styles, from thin to black in roman and italic.
  25. Selfie Neue Sharp by Lián Types, $29.00
    INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold, see also Selfie Neue Rounded for more!) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Sharp was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Sharp Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING
  26. Cranberry Cyr - Unknown license
  27. Misirlou Cyr - Unknown license
  28. The Electric Hermes AOE font, designed by Astigmatic One Eye, stands out as a distinctive and energetic typeface that captures the essence of classic signage and retro futurism. Astigmatic One Eye is...
  29. Caride Script by Krafted, $10.00
    Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!
  30. Sharplion by Zeki Michael, $30.00
    Sharplion is a typeface family designed by Zeki Michael and Leyla Melis Aslan. It’s a simple, but sharp display typeface with a clear yet powerful personality, created to not only optimize space, but also build contrast on the printed page and on the screen. Sharplion, coming in two weights and a matching slanted version, is designed to give that neo-vintage industrial feel in 'titles and hierarchic subheadings, logotypes and cases of short and simple copywriting for the artisan, hand-made and small batch look.’ The first 4 letters for what is now Sharplion, were designed in 2018 by Zeki Michael to be used as a logotype for Depo Coffee Roasting’s branding project. In early 2019 after Zeki designed all the letters, numbers and glyphs, he teamed up with talented designer, Leyla Melis Aslan to add strength to the project. The full Sharplion type system includes Regular, Black and Slanted styles – providing a simple but sharp contrast type solution for digital and print design work.
  31. Cy Grotesk by Kobuzan, $25.00
    Cy Grotesk is the result of combining the clear forms of mid 20th-century European neo-grotesks and the expressiveness of the 19th-century grotesques. It is display typeface with an eccentric character and a special rhythm. Symbols have sharp long angled spurs and large wedge incision between the bowl and the stem, diluting it with smooth curves and the tight aperture. Built like a multifunctional workhorse that has a wide range of font uses. This type family consists of 27 styles that are adjustable in weight and width. Or one variable font with 2 axes. From pure thin to radically black. From roomy key to catchy grand. All styles include an extended set of Latin characters and a basic Cyrillic. Features: – Total glyph set: 676 glyphs; – 27 styles (3 widths x 9 weights) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss10); – Ligatures; – Case-sensitive forms.
  32. Pop Manta by Kickingbird, $24.00
    Pop Manta delivers the perfect punch when impact is needed. Useful on everything from boxes of bubble gum to pro wrestling posters. Pop Manta has been described as "Morris Fuller Benton meets Roy Lichtenstein". Benton's 1903 neo-grotesque letter shapes set to a Pop Art beat. With over 650 glyphs, characters, symbols and ornaments, Pop Manta is a complete design kit in one font. A full range of accents and extras allows Pop Manta to speak well over 70 languages. Including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, Swedish, Croatian (Latin), Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian, Turkish, Afar, Azerbaijani, Belarusian (Latin), Chichewa, Croatian (Latin), Gikuyu, Greenlandic, Guarani, Igo/Igbo, Kuskokwim, Luba (Ciluba), Malay, isiNdebele, Oromo, Pilipino/Tagalog, Setswana, Sidamo, Somali, Sotho (Northern and Southern), Swazi, XiTsonga, Tuareg, Uzbek (Latin), Vietnamese, Welsh, isiXhosa, Yoruba, and isiZulu.
  33. Tagalog Doctrina 1593 - Unknown license
  34. Pepino by Robert Petrick, $19.95
    Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.
  35. Numbers Style One by Gerald Gallo, $20.00
    Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.
  36. Manus Smooth by JOEBOB graphics, $25.00
    The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.
  37. Qualio by BBA Key, $10.00
    Qualio is a new modern font. It is perfect for stationery, logos, t-shirts, paper, print designs, website headers, photo frames, leaflets, music covers, posters, image sliders and more.
  38. Aksara Murka by Gassstype, $29.00
    Hello Everyone, introduce our new product Font Aksara Murka This Is Blackletter Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement.
  39. Xtoxina by FSdesign-Salmina, $39.00
    Xtoxina. Squint-eyed Pixelfont. Xtoxina is a new member oft the Atoxina family with experimental character. The designer must have a serious view issue! Experience strabismus too, with Xtoxina.
  40. Outlander Nova by Device, $29.00
    Outlander Nova is a reworking of Outlander, and adds uppercase characters in addition to the previously available unicase versions. This new version also provides italics for the first time.
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