Modern and bold, LemonTwist gives your designs a little zest of fresh feeling...

A great headline face very bold and graphic. Not recommended for small sizes!

This bold and high contrast typeface is mainly used for extreme outstanding headlines.

Ringa is extra bold slab serif typeface with a fun and sympathetic feel.

FG Nadja is bold and beautiful - with a real artistic flair around her.

A bold slab-serif typeface influenced by Spagetti Western posters of the 1960s.

Grand brother of Super National in extra bold. Looks nice in all size.

The bold presence is in every weight you choose - for packaging, signage etc.

Xaltid is a somewhat odd, decorative, calligraphic typeface in plain and bold weights.

The street is the new runway. Pasarela is a display typeface inspired by the new culture of fashion in the streets. A global phenomenon across continents, traveling through social networks, fashion bloggers and street style. Everything is possible, everything is combined. The new culture of fashion is eclectic with hints of each culture at miles away. The complexity generated by the start page of this mix styles is solved perfectly with his neutral and clean tone, streamlined structure and thin strokes. It has been designed in two weights plus a set of borders that can generate graphic compositions for application in blogs, magazines, posters and tv. No one needs to be a fashion victim to cross the pasarela.

In the world of typography, there’s always a desire for something new and innovative that can make your design stand out. If you’re looking for a typeface that is as unique as it is bold, look no further than Ulian. Ulian is a striking display typeface that fuses the best of two worlds: the flat sides of traditional blackletter and the contemporary shapes of modern letterforms. The result is a typeface with a refreshing twist that is sure to capture the attention of your audience. One of the most striking features of Ulian is its distinctive flat sides. These straight lines give the typeface a bold and confident feel, perfect for grabbing attention and making a statement. But Ulian doesn’t stop there; it also features elements of modern typefaces, including curved serifs and varying thickness in the strokes. The squared geometric typefaces have also been incorporated into the design, adding a touch of sleekness and modernity. This combination of traditional and contemporary design elements creates a unique visual impact that is both striking and memorable. Ulian also comes with a range of variants, including Regular, Italic, Bold, and Bold-Italic. This versatility allows you to use the typeface across a range of applications, from logos to headlines and everything in between. But Ulian doesn’t just look good—it’s also functional. In OpenType-capable applications, you can access old-style lowercase numerals, giving you even more flexibility in your designs. Overall, Ulian is a one-of-a-kind typeface that is sure to elevate your design game. With its distinctive flat sides, modern letterforms, and unique flair, it’s the perfect choice for anyone looking to make a dauntless statement. So why settle for ordinary typography when you can have Ulian? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Almighton is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Almighton comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

The original version of Salloon was what has become Salloon-Wide. It was designed a year or two before 1990. The narrower version, which is now the regular version of the face, was constructed a few years later. There never has been a true lower-case set of letters for these fonts, but the narrower version introduced a second set of caps by removing the side bumps from the letters. Although Salloon may look like an old font, no historic font closely resembles it. Fonts with bold, thick stems such as Salloon invite interior decoration. The five striped versions and the shattered version of the font were produced a year or two after the construction of the narrower Salloon when the arrival of a font distortion program made it easy to cracked and stripe fonts. In 2019 an outline style and two highlighter styles were added to be used in layers with the Salloon-Regular and one highlighter style was added to be used with Salloon-Wide.

The Data Error AOE Family was one of my earliest typefaces, at a time when I had become obsessed with all forms of "digital/techology" typestyles. It's been awhile since the early 2000's, but I've had a hankering for awhile now to revisit this typeface, giving it a more expansive language character set and fill it out with some Opentype features. Inspired by some old printouts of BASIC programs and an Atari 1050 Disk Drive manual with pin printer examples, comes the familiar yet oddly restricted style with this Data Error family. This family comes complete with Regular and Bold versions with their respective Oblique versions. Odd pin printer restrictions inherent in this typeface are: no characters extend below baseline or above ascender line, (except international accents). A nostalgic typeface for computer programmers everywhere, strong and legible at any size, Data Error is perfect for so many purposes, get it today!

Meet Haboro Contrast, the stylish little sister of the Haboro hyperfamily. While built from the same clean, geometric shapes of Haboro Sans, this new addition has been rebalanced for elegant performance with her high-contrast sans letterforms and has been adjusted to provide the greatest impact for each weight. It's a personality all her own, gentle in approach yet refined and modern with a confident appearance. Capitalize on Contrast's style with OpenType features, too. Packed with options like OpenType ligatures, stylistic sets, fractions, crafted small caps and old-fashioned figures, this font will keep your work fresh and attractive. If you need even more combinations for the right statement, use the entire Haboro hyperfamily and create the right balance to capture your reader's eye. Haboro Contrast (along with the rest of the Haboro family) has been tested for the web and is ready for use in both print and digital applications. Designed to serve as a display character for such publishing projects as magazines and company brochures, Contrast gives you comfort in having a great amount of versatility in the fonts you rely on. It's a prime example where high contrast simplicity lends itself to achieve excellent design results.

Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 105 family comprises of six weights, and is closely related to Kaleko 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kaleko 105, where they are two-storey in Kaleko 205.

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.

Hello, Are you looking for a stylish and unique font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Milky Berly a Bold Stylish Font Milky Berly a Bold Stylish Font, Inspiring from playful stylish quirky style typography. This Bold Stylish font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Milky Berly font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Oculi Magni is a new sans serif type family of 8 weights with italics. This font was specially designed for the composition of texts in small size as captions or footnotes but the thin and black weights can also be used in display sizes. The x-height, as tall as possible, allows the composition of very tight, very dense texts while maintaining a perfect readability.

In the "Rounded Elegance" font family you will find modern, clean and elegant fonts. The family is thought and designed to provide smooth and modern logo creation as well as writing subtitles and brand slogans for end customers. The "Rounded Elegance" family is a unique sans serif type, with smooth, rounded contours. The package contains the new version (2.0) of the well-known Rounded Elegance font.

Looking for a break from modern calligraphy? Tired of skinny scripts? Here's something seriously relaxed. Chill Script is a totally new typeface, it eschews any brush influence, but maintains a warmth that comes from not being rigidly constructed. It's a sans serif script, with a nice top-heaviness that makes it friendly. As you expect from fonts today, it's loaded (but not pointlessly overloaded) with OpenType features.

It's not a new idea, but it's always a fun one... a typeface comprised of 35mm film frames. Film Crew JNL is Jeff Levine's version, utilizing his Koehler Sans JNL as the lettering inside the frames. The lesser and greater keys have solid black frames for end caps or word spacing, and there's an alternate pair of frames with clear centers on the brace keys.

Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual starting point. The inline/outline was then applied to sans and serif variants, and extended into a multi-line prisma and an offset layered shadow version, probably inspired by Face Photosetting’s Stack.

Introducing our new product the name Caparison Vintage Typeface Font. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

Introducing our new product the name Metrofutura Modern Sans Serif Font. Modern Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

TG Praktikal is new modern geometrics sans with 8 styles & 1 variable font. Inspired by geometrics and gothic typefaces like Bell Centinel, Whitney and Metric, with an additional touch of monospace characters. That makes that TG Praktikal has a unique character set and fit perfectly for body text. Coupled with 3 flavors that can provide different impressions, including approximately 90 multilingual with various OpenType features.

Chesna grotesk is a geometric form-based sans serif typeface. It has 20 weights 10 uprights and 10 italics. Bringing a new approach to the classic grotesque design, Chesna was inspired by typefaces such as Avenir, Futura and Circular. Each weight includes extended language support, fractions, tabular numbers, arrows, alternative characters and ligatures. (Please see the pdf specimen for more information.) PDF Specimen, Horizontype.com

Jx Tabe is New techno sans serif typeface with super family. inspired by robotic, mecha and aethetic machine - a font suited for the future technology. This multi-purpose typeface will grab reader's attention with its stylish and neat design. With 9 Weight + Italic and 2 Axis Condensed and Expanded, With total 54 styles its a timeless workhorse for many possible application from branding to editorial.

Hello Everyone, Introduce our new collection, Brexo – Extended Sans Display famous logos of Technology and brands that have very strong characteristics, very suitable for posters, t-shirt, packaging, branding, logotype and more. Brexo font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Hello Everyone, Introduce our new collection, Piersob - Extended Display Sans Serif inspired by famous logos of Technology and brands that have very strong characteristics, very suitable for posters, packaging, branding, logotype and more. Piersob font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

PLAM is a sans serif font in Geometric style, based on the new concept ofstructure and ratio between the elements of the letters. The proportions are subordinated to the decorative element present inall signs, which creates a sense of rhythm, dynamics and drive. The representation of PLAM in various designs reveals itsartistic touch - a symbiosis between the classical and decorative vision reveals various application options.

Introducing new font_ "Adegoke". This is a sans serif font, designed with contrasting countur differences. Gives a simple impression with a thick serif flavor. Some alternative characters are available to give each user freedom in creating headings such as magazines, posters or brands. While the basic character can be used as body text. This font family is also available in oblique style to add variety of users.

Gaude is a sans-serif typeface. Crafted with care, maximizing neatness in shape. With thickness balancing with negative space. Making it fitting when strung together into words, or sentences. Added with alternative glyphs, to make it more alive. Gaude comes with 3 widths, namely: normal, wide, and expanded. And also a soft version, making it 6 styles. Gaude is perfect for branding, titling, headline, and more.

A poster circa 1930s-40s designed for the WPA Federal Art Project promoted free band concerts at the Brooklyn Museum in Brooklyn, New York. Its headline (“Free Band Concerts”) was hand lettered in a dual line Art Deco sans serif design. Now recreated digitally, the font takes its name after the poster’s topic. Band Concert JNL is available in both regular and oblique versions.