The multilingual accidental typeface was inspired by the pathos of the late revolutionary asceticism and architectural projects of V.F. Twelkmeyer. All story on twelkmeyer.com This typeface is a spring swallow. This typeface is a dawn and optimism of alumnus of Higher Art and Technical Institute in Leningrad. This typeface is a mirror of the Soviet architecture 30’s. It reflects the impressions from Vesnin brothers and Ginzburg’s works, a curiosity to Bauhaus, and the first test of the waters of socialist reconstructions. This wide, dynamic, angular, drawing typeface will be perfect for serious branding and architectural projects. So, give it a try! From innovative ideas of the 30s to innovative projects of the XXI century.

Brittes is a fontface inspired in a formally English round hand, also called anglaise or Copperplate script. The calligraphy was the dominant style among 18th-century writing masters, whose copybooks were splendidly printed from models engraved on copper. In the mid-1800's, the Spencerian form of penmanship became a standard. An elegant handwriting was much prized. Today, in our computer age, a fine, beautiful, and legible handwriting brings a warm personal touch to your graphic design and visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals ornaments and tails.

Mirtha Display is a modern display font with distinct Art Nouveau details. Its lighter weights are condensed and sophisticated, while the heavier weights have a more powerful effect, making it perfect for headlines, posters, branding, logos, packaging and more. With a set of over 450 glyphs, this font supports a wide range of languages. Key OpenType Features include numerators and denominators, Old Style and Lining numbers, standard ligatures and localized characters such as Uppercase and Lowercase Sharp S. Mirtha Display covers 5 weights, 10 styles and 2 Variable cuts (regular and italic) to give you more design flexibility. Any suggestion to continue improving Mirtha Display will be welcome, do not hesitate to contact us!

Burlesk is a modern font family that originated from a Bollywood Hindi movie poster from the 1950's. Using 9 letters, a complete alphabet was made comprising of 360 characters. Everything is hand drawn and digitized afterwards. The Burlesk font family meets all the modern requirements that apply in the graphics sector. Don't take it too seriously with the designs and go for something else. You will probably enjoy it as much as those who see it. The Burlesk Font family is available in 2 styles - making it very popular as a great design on posters, flyers, magazines, packaging and all your other imaginative designs! You want the best deal for the best price? Grab the whole package!

Acklebury is a chunky, reverse contrast, slab-serif typeface available in two styles. It has heaps of personality, plenty of open type features, and a whole host of special characters and dingbats. Although it's drawn from historical sources, Acklebury is not a straight revival, rather more of an homage to the many, varied, extended lining figures of the late 1800's. Acklebury celebrates the once labelled 'hideous' combination of wide rounded forms and hard slab serifs. Only using modern type technology to fix the spacing and kerning issues that would of been impossible with metal or wooden type. Acklebury is not a French Clarendon, neither is it really an Italienne... but it is phat, wide and hella funky.

Monolinear Vintage Elegance The Gimbel Script typeface was inspired by a monoline, semi-connected script from a 1930's holiday greeting card. From its ascenders and descenders that stretch high and low to its gentle curviness Gimbel Script exudes the elegance of a bygone era while standing on a thin line between formal and casual lettering styles. See the 5th graphic for a comprehensive character map preview. Gimbel Script Opentype features include: - Swash Alternates for an alternate M and N. - Stylistic Alternates & SS01-SS06 Stylesets for 151 varying forms. - 219 Ligatures for a smoother typesetting experience, along with 181 initial, middle and final forms. - Full set of Inferiors and Superiors for Limitless Fractions. - Proportional, Tabular and Oldstyle figure sets.

Aloe is a characterful and friendly display font family inspired by headlines from 1930’s newspapers and calligraphy. The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts. It features a variable font with weight axis. Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with calligraphy gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects.

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

Introducing Polotan, the ultimate futuristic and modern sans-serif font. With its sleek and streamlined design, Polotan is perfect for creating a cutting-edge, high-tech look that's perfect for a variety of design applications. Featuring strong lines that convey a sense of power and confidence, Polotan is perfect for headlines, titles, and branding materials. But what sets it apart is its unique alternates, which give you the flexibility to create custom designs that stand out from the crowd. And with its alternates, you can take your designs even further and truly make them your own. Its clean and minimalist design makes it easy to read, while its sharp angles and unique letterforms create a sense of energy and movement!. Whether you're designing a high-tech website, a sleek user interface, or a modern brand identity, Polotan will help you make a bold and unforgettable impression. So why settle for a boring and outdated font when you can make a statement with Polotan sans-serif? Try it today and see how it can take your designs to the next level. And please message me if you want your language included or if there are any features or glyph requests, feel free to send me a message.

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.

Introducing Goldwyre, an extraordinary typeface meticulously crafted to captivate and inspire. With its seamless blend of elements from medieval to modern times, Goldwyre stands out as a truly unique font that embodies the essence of timelessness and elegance. Drawing inspiration from the intricate beauty of Gothic Blackletter and enriched with bold calligraphic strokes, this typeface exudes a mesmerizing charm that effortlessly bridges the gap between the past and the present. What sets Goldwyre apart from other typefaces is its ability to seamlessly combine medieval and modern aesthetics. By skillfully integrating the ornate and elaborate forms of Gothic Blackletter with contemporary design elements, Goldwyre offers a truly captivating typographic experience. This fusion of styles creates a font that is both classic and contemporary, making it an exceptional choice for projects that require a touch of sophistication and versatility. In addition to its captivating design, Goldwyre is available in two weights: regular and bold. The regular weight showcases the delicate intricacies of the typeface, while the bold weight accentuates its bold calligraphic strokes, adding a sense of strength and impact to any design. This versatility allows designers to explore a range of creative possibilities, whether it's designing eye-catching posters, compelling marketing materials, engaging titles, stylish T-shirt designs, or attention-grabbing headlines. Goldwyre is also a highly functional typeface, offering extensive multilingual support to cater to diverse audiences. It features a wide range of characters and diacritical marks, ensuring that it can effectively communicate in various languages and scripts. This broad language coverage expands the possibilities for global projects, making Goldwyre an excellent choice for international brands, publications, and design agencies. When conceptualizing Goldwyre, our design team aimed to create a typeface that harmoniously blends the grandeur of medieval typography with the sleekness of modern design. We wanted to pay homage to the rich history of typography while infusing it with a contemporary twist, resulting in a font that seamlessly integrates into both traditional and modern contexts. The deliberate fusion of styles and the meticulous attention to detail in Goldwyre's creation reflect our passion for typography and our commitment to delivering exceptional design solutions. Goldwyre was born out of a desire to provide designers and creatives with a captivating and stylish typographic solution that effortlessly merges the beauty of the past with the demands of the present. We believe that design is a powerful tool for self-expression, and with Goldwyre, we sought to empower designers to create visually striking and evocative designs that leave a lasting impression. Its timeless appeal and versatile nature make it the perfect choice for those who seek to elevate their projects and make a bold statement. Pairing Goldwyre with related families or other typefaces can further enhance its visual impact. It complements well with minimalist sans-serif fonts, such as Futura or Helvetica, providing a striking contrast between the intricate forms of Goldwyre and the clean lines of the sans-serif typefaces. This combination creates a harmonious balance, allowing designers to play with different aesthetics and create visually dynamic compositions. In conclusion, Goldwyre is more than just a typeface; it's a captivating journey through time. With its seamless blend of medieval and modern elements, extensive multilingual support, and versatile weights, Goldwyre empowers designers to create visually stunning designs across a wide range of applications. Whether you're designing posters, marketing materials, titles, T-shirt designs, or headlines, Goldwyre is the ultimate choice for those seeking to infuse their projects with a touch of timeless elegance and captivating beauty. Experience the magic of Goldwyre and unlock the true potential of your designs.

Moon Pretty, Font by Forberas Modern and beautiful handwritten script font! Great for wedding greeting cards, logos, branding materials, Invitation, business cards, quotes, posters, Cricut artwork and more! • No special software is required. The fonts can be opened and used in any software that can read standard fonts! • This font works with any application Microsoft Word, Adobe Photoshop, Microsoft Paint, Corel, Adobe Illustrator, Cricut, and many others!

Big, bold and with attitude to spare, no-one better get in the way of Yuko when it’s got something to say. Although it’s a gentle giant really, Yuko has a lot of opinions and it won’t go without being heard. Yuko is most effective when you need to say something loudly and with attitude to get people’s attention, especially if you’re competing for space.

It’s stronger than the Thing AND the Hulk! It can bench press 500 pound gorillas and send them scurrying into the corner. RIPPED BAM BOOM is a font that can tear through the alphabet faster than you can say “A to Z” and will work your chest, shoulders and triceps and help YOUR characters gain upper-body strength and muscle mass! Features alternate uppercase characters, Western & Central Europe, Vietnamese & Cyrillic support, Crossbar I Technology™ and 18 Chinese Sound Effects

Brotherly is a modern san serif font that is very different from the standard san serief form in general, this font is more artistic so it is very flexible to use for various design project needs, both formal and non-formal, but this font is based on the basic san serief font. easy to read and clear.

Sugar Cake this is a stunning handwritten font duo with hand-drawn illustrations. Script font includes many alternates, ligatures and swash with them you can create a more complete composition and make it more diverse and individual. A hand-drawn sans serif font will perfectly match the script and complement it. Also included in this font are hand drawn fancy illustrations that will be useful for design and decorate your project. Enjoy using!

Arrear is a modern sans-serif font family. It includes three weights: regular, medium and bold. Has cut corners for lowercase letters. This is a versatile font that suits any project and is modern and easy to read. With it, you can create websites, logos, use in advertising, packaging, magazines and much more. This font will inspire you to create impressive designs that will amaze everyone! Multilingual support: extended latin and cyrillic.

Froga font is designed to create minimalistic logos, wordmarks, titles, taglines. The place of lowercase letters is taken by usual sans serif letters, in place of uppercase letters there are unusual letters. You can use unusual characters to emphasize separate letters in your text. Use Mixcase Unmixed font if you need suitable usual lowercase letters. It has similar proportions and the same weight. For any questions about the font please contact: arbuzzu@gmail.com

Matchout is caligraphy sans serif with seven variation weigh, This font is comes in uppercase, lowercase, punctuations, symbols, numerals including basic and advance cyrillic. Matchout can used in various styles, casual, fun and simple letter. You are also worry-free because with more than 323 glyphs every weight, and Support for up to 73 languages Matchout perfect for branding, websites, quotes, invitation, flyers, greeting cards, poster, education, fun, logo, and marketing purpose

inceptum - Sans serif font family It help you develop your creative projects with its 10 styles and futuristic alternative characters and multilingual supports. With these features, it will be effective in creating alternatives in your projects. It is also assertive about being a highly readable font with different wights. Ideal for books and magazines, editorials, headlines, websites, logos, branding and more. This font family can meet your needs in all creative projects, modern and classic.

Thunder Heat is a monoline font duo with classic looks. You can play around to fit the form using sans serif and script mode. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

Cosen is an elegant, modern and contrast sans-serif font family, and a great fashionable solution for your project. It includes upright and Italic style, each of them has four weights from thin to bold. This is a multi-purpose font that is perfect for fashion project, it is contrasted, modern and easy to read. With it, you can create logos, banners, use in advertising, packaging, book covers and magazines, headings, descriptions and much more.

611 Studio proudly presents Gojet, Sans Serif font family with calm, gentle and friendly look. Gojet is available in six different weight, makes it flexible and widely usage possibilities, text, headlines, even logotype. Mix and matching different weight is absolutely the right decision to make your project more attractive, eye catching. The other fact that Gojet is based on ANSI encoding is additional point, multilingual support makes most languages can use this typeface properly.

If you like a bold and powerful all-caps sans-serif font to make your message stand out, Toner can be the choice to maximize your goals.иThis type family furthers the angular design by styling characters like O, R, P, etc. to be rectangular. To make it more attractive, Toner also provides opentypes features such as stylistic alternates and a stylistic set. Best for expressive headlines, posters, billboards and of course brand identities.

Monton is a wonderful font family that includes from thin to black style as well as in oblique style, a total of 18 fonts. This is a condensed block sans-serif font that is perfect for titles, logos, branding, posters, flyers, website design, advertising, labels, packaging, web titles, text descriptions and much more. It is well readable and irreplaceable in modern design and can be used as a main or additional one.

Otterco is a geometric sans serif with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications.

Slipstream font was developed by Letraset Type Studio in response to the growing need to convey competence and speed through typography. It is based on an italic sans serif letterform and its horizontal lines look like streaks left behind letters speeding to the right. Characters can be slightly overlapped for small spaces without losing this feeling of movement. Slipstream font is ideal for service-oriented advertisements, especially where efficiency and quick service should be emphasized.

Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target of design and can be used for any creative work. Additionally they all have been designed not to provide a feeling of strangeness when they are used in mixture each others.

Yukura is a charming and approachable sans-serif font that combines cuteness and friendliness. This font features a plump shape that is perfect for designs aimed at children or with a cute aesthetic, and its bold lettering makes it especially suitable for logos and headlines. With its endearing and approachable qualities, Yukura can effortlessly infuse your designs with an irresistible charm. Don't hesitate to incorporate it into your designs and showcase its adorable personality.

The typeface of Quan Slim is based on the successful Quan font family by font foundry Typesketchbook. Font designer Chatnarong Jingsuphatada created Quan Slim as a condensed version to Quan. Both type families consist of eight weights plus obliques and additional rounded versions. Quan Slim’s typeface has a clean and modern sans serif appearance. This modern geometric font is very legible and can be used for headlines as well as small and long text.

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as display type as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 Weights and Italics.

Otoiwo Grotesk is an extremely versatile sans-serif typeface with a closed aperture. It features whopping 126 styles over 7 widths, each containing 9 weights with corresponding italics. The mood of the family ranges from fairy neutral in Normal and Condensed widths to very flavorful Compressed and Ultra Wide. Rich language support, which includes Cyrillic and spans 131 language ovarall, makes Otoiwo Grotesk a worthy choice for brands that strive to reach international audience.

Brundox super bold font Inspired by vintage style, but made a little more modern. In combination with a solid and clean regular san serif type, you can explore the designs you need for your typographic projects. This font pack is perfect for magazines, titles, invitations, movies, product designs, brands, and other design projects. in: I really hope you enjoy using Brundox font, please don't hesitate to drop me a message if you have any question :)

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

Sabu is multitasking, modern sans-serif font family, and a great solution for anyone your project. It includes upright and Italic style, each of them has weight weights from thin to extra bold. This is a multi-purpose one that is perfect for big and small text, it is constructed modern and easy to read. With it, you can create logos, banners, use in advertising, packaging, books covers and magazines, headings, descriptions and much more.

Aflah Akbar is an elegant sans serif font with lots of ligatures in it, this font has 354 glyphs so it is perfect for those of you who want to use it as a logo or other design needs, whether it's for magazines, skincare, perfume, jewelry, stationary offices, newspapers, book covers. , web designing. The Aflah Akbar font has regular, smooth, slant, shadow, line and 3d options, the Aflah Akbar font itself can support 67 languages.

Introducing! Hillside Modern Font Duo A perfect blend of simplicity and elegance! This font duo features a clean and minimalist display font, which is ideal for creating a modern look. Additionally, the cursive script font style exudes sophistication and elegance, making it a great choice for personalized and decorative designs. The Sans & Script font duo is versatile and can be used for various design projects such as logos, branding, invitations, packaging, and more.

Introducing rounded sans serif Spiro. The family includes 3 styles: regular, bold and italic. Spiro supports multi language symbols as æ, ß, ç, etc. It also has all necessary ligatures and extra glyphs you may need. To use them you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.

Yes, you're right. Blauhaus should have been 'Blaues Haus', as that is the proper way of saying Blue House in German. But hey, Blauhaus sounds much better and in writing, it is quite similar to Bauhaus. Blauhaus is a stylish, rounded sans serif font, modeled after some early 20th century German typefaces. It is easy on the eye and it will certainly give your work a sophisticated punch. Comes with a classy collection of diacritics.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.