Louis L. Lemoine created the font Linotype Spacera in 2002. Linotype Spacera is a fun font from the new TakeType No 4 which contains 182 fresh, new, experimental, freaky and above all contemporary fonts. This is a contemporary typeface that could be a good choice when a modern futuristic look is desired.

This font is dedicated to the glorious flag of the U.S.A., "Old Glory". The family consists of two versions: a base and one called "composable" composed from a set of glyph (characters) that they can be inserted to pairs. One of blue color and one red for to obtain one glyph to two colors. As an example inserting "Aa" with a red 'A' and the a blue 'a' will produce a single letter 'A' colored to white stars in a blue field and white stipes in a red field, thus producing the most impact.

A new year has begun, new resolutions have been made. Fresh ideas are popping up and a new life is about to begin. All in all, I figured New Beginnings was the perfect name for my first font in 2016. It is a very happy, very original typeface. All caps, but upper and lower glyphs differ and can be interchanged. New Beginnings font can be used virtually anywhere, but children’s books and product packaging spring to mind. Comes with an abundance of diacritics.

Yzerfontein is an angular variation on the classic German blackletter that started with a sketch of a lowercase 'g'.

On October 12th 1976 a new basilica was inaugurated in honor and in gratitude to the Patron Saint, the Virgin of Guadalupe, loved by the Mexican people. This basilica was designed by the Mexican architect Pedro Ramírez Vázquez (died on April 16th 2012). It stands out by its hug spacious interior, generously decorated with bronze elements. The aesthetic value of these items even includes many signs and text inscriptions in a particular typeface and style, of which this font is a reinterpretation. The purpose of this project is to revival this eclesiastical written letter forms in bronze and taking them to digital format. I was inspired to this on my last trip to Mexico in September of 2012.

To start this year, we present a beautiful and attractive font. Font inspired by calligraphy strokes in the Middle East. Murisa Valeria is a beautiful font. With care and patience, we created and processed the font with a deep artistic effect. We believe that the fonts we create have high appeal. We make it with all our heart. Murisa Valeria is a font that you really deserve.

Kuximen is a groovy display font and is a psychedelic-inspired typeface. Elegant, geometric, and contemporary, this font is the ideal choice for all your projects. With a cool retro vibe and fun character, it can be used in a variety of circumstances either as an elegant or unique addition to your designs. Stop procrastinating and start adding this font to your arsenal right now!

Art Nouveau typeface "Gaisma Latin" ("Light" in Latvian) draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. It contains characters for all the European languages as well as a huge set of contextual and stylistic alternates and historical characters to replicate texts of the era.

Anthurea is a modern classy serif typeface. Featuring an elegant and classic all-caps style, this font reflects the elegance and style of the past. With its modern and minimal treatment, it makes a great starting point as well as an enhancement for your design. It is perfect for Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Apparel, Web design, magazines, books, etc.

Madita started with the idea of an upright sans script. Unlike other script typefaces, some of the characters look fairly constructed. The endings are either vertical or horizontal. On the other hand there are the swashes of a flowing script woven into the sans stroke that create an interesting tension. Madita is surprisingly legible, even in smaller sizes. The upper case letters even work in all caps.

Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .

Boughy – Font Family is a versatile display serif font family with 9 weights from ultra condensed to extra expanded. perfect for headings, titles, branding and much more. Boughy – Font Family contains everything you need to create stunning typography – from headline fonts to body text fonts – all in one place. Whether you’re starting out or you’ve been designing for years, Boughy has everything you need.

Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."

A classic serif font with a twist. WBP Emperio has an interesting shape. She has rounded corners and a slightly 'curvy' look. The little indent makes her stand out above the rest. A sensation in the making. Emperio has two styles. The Regular: Great for designing friendly corporate identities. And there's the Hand Drawn style: Great for design posters of prints with a handmade feel. Combine the two and you can go infinite. WBP Emperio was a sketch I designed when I started my company. So you can say it's been five years in the making XD. When I was invited to add two pages to the Typodarium 2022, I speeded up the process and added the hand-drawn style. The end result is awesome. A classic serif font, with a crazy extra style.

The inspiration source for MFC Phonograph Monogram is a vintage monogram specimen named “Kent” showing only a CBA sample. It was a style I could find no other reference for, but was desperate to recreate this record like styling of monogram. Finally, it all comes to life in MFC Phonograph Monogram. I even threw in a little dog and phonograph icons hidden in the font as decorative icons reminicent of old Victrola records. Phonograph Monogram supports two and three letter monograms, although the two letter style break from the circular record design and creates a zulu style shield design. MFC Phonograph Monogram uses the Ligatures feature, available in most OpenType savvy applications, such as Adobe Illustrator CS (see Fig. 1). The Ligatures feature is typically enabled automatically, but you may need to confirm this in your program if you are not certain. If any second lowercase letter typed does not automatically switch to form the right side of the rounded form, you do not have Ligatures enabled.

This font was called differently when I started out building it, but after a long and insightful conversation with a good friend, I decided to call it Nebulous Promise. Nebulous Promise was made using a broken satay skewer (I like using those!) and Chinese ink. It comes with a full set of alternates for the lower case letters and extensive language support.