Bloody Camp is a horror blood font. Bloody Camp has a scary look and feel which makes it a great Halloween or thriller themed font. Suitable for Horror Game, Spooky T-shirts or crafts, Halloween Invitation, and many more.

Take a look at Embarla Firgasto - my new enchanting family of four styles. They pair beautifully together in all kinds of applications. Embarla Firgasto comes with uppercase, lowercase, standard punctuation and special letters for most of the European languages.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

The Navue font is a typeface designed with an elegant and feminine style, making it suitable for enhancing the quality of your product branding. This font is well-suited for various purposes, including displays, printing, branding, and many others.

Innuendo, despite its name, is a straightforward font. It is an all caps, hand-drawn typeface with an elegant look and some cheeky curls. Upper and lower case differ and like to mingle. Comes with a bagful of diacritics.

Created by Blambot’s Nate Piekos for a party invitation, IRISH STOUT has a deep, dark aroma and a creamy, white head. Serve ice cold with a heaping plate of Shepherd's Pie! Comes with a six-pack of European characters.

A new script label typeface named Spicy Taste. This typeface contents caps and small letters, numbers, punctuation signs and some alternates for small letters. This is a handwritten brush font with authentic dry brush strokes like drawn on paper.

Behila is a classic serif font. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

This font can make a great art element to emphasize, to provide impact, can stand out as a banner, or with a few words in headers and headlines and allow you to optimize space and keep neat and organized.

Discover the allure of exquisite script typography with the Bradlay Script Font. Infused with timeless sophistication, this typeface effortlessly captures the essence of graceful hand-lettering, making it an exceptional choice for projects that demand a touch of elegance.

Longstride was inspired by Romans letterforms. A low contrast charismatic typeface with uppercase, lowercase, small caps, numeral, and multilanguage support. I also add ligature and alternate options to make it more versatile when you use it in your project.

Chilling Atmosphere is inspired by classic horror movies and is super useful to for your creepy postcards, flyers, clothing or perhaps packaging. I've added 6 different versions of each letter, to make your creepy text stand even more out!

Hypatia Sans is a geometric sans serif with humanist undertones. Its rich features and wide range of weights make this family both versatile and expressive at larger sizes yet still clear and readable at text sizes in short paragraphs.

Sunstar is a multi-purpose font designed by Daily Studio. This font has its unique style in every letter. Making your works look spectacular. Perfect for headlines, logos, posters, and branding. Contain full uppercase, lowercase, punctuation, and multilingual lettes.

Introducing Delluza - Authentic Condensed Sans with strong and challenging nuances. very suitable for the title, typography, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional, You can activate Ligature OpenType panel.

Ausion is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Caps only fonts.

Hello Everyone, Introduce our new collection Syhthetic - Playful Typeface Font Fun All Caps Font and display for posters, packaging, branding, logotype and more, for your design needs, making your designs more modern and professional for kids,unique and sweety.

Kiks is the Danish name for biscuit. Just like a biscuit this font throws its crums in every direction with curvy, bold letters. A display font made for headlines and everything else that needs to be visually loud. Enjoy!

Slimpick Brush Stroke Font results out of a stunning pairing of a brush pen and pencil that makes it look incredibly endearing and authentic. Use this gorgeous and unique this handwritten font to bring any DIY project to life!

Bunnyheart is a modern handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler who did many fonts for Mackellar.

Vingiloth is a delicate script which simulates natural handwriting. Vingiloth includes Vingiloth Regular and Vingiloth Caps, designed to contrast and compliment each other with elegant beauty and contemporary style, making it an excellent fit for projects of all types.

Dave West's eponymous Futura Casual, designed for Photo-Lettering, Inc. in the 1960s, inspired this loosy-goosy take on a classic face. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Sweet Love Land is a decorative font family with heart-shaped forms, perfect for various uses like weddings, greeting cards, and more. It supports multiple languages, including German and Dutch (ẞ, IJ, ij), making it versatile for creative projects.

A neater version of my font Complete in Him, a hand-drawn marker font. Hand drawn with a brush marker, this font is neat but still has enough twists to make it fun. Perfect for painted or brushed looks.

The latest font from liartgraphic studio. With the name single binghod which means single (one) in English and binghod means (damaging) in Hindi. Our fonts are multilingual, and our alternate glyphs are suitable for creating handwritten logos and posters.

Scripio A was the first font which I submitted to MyFonts.com. It is a decorative font. Little bit technical. I wanted to make a font which would be interesting to all. To some extent it has justified my hopes.

Cute and lovely display font that comes with a unique style to make it suitable for any purpose, such as handicrafts, product packaging, quotes, product design, craftsmen, labels or any other projects which need a playful and lovely touch.

Initially created as a less quirky alternative to GillSans Schoolbook, Fiendstar has been developed into a family of widths, weights and styles. High legibility makes it suitable for signs and school books, especially for readers with poor reading ability.

Hello! Introducing a creative all caps font named Old Fat Boy. It's a vintage shape smooth typeface with authentique 90's style look. This font includes lots of multilingual characters (check out a screenshot with available letters and signs).

Speedblur - the name says it all really! Want a display typeface that suggests speed and motion? Well this is it. Ideal for all those retro-future designs, anything streamlined or the boy (or girl) racer in all of us!

Hello Everyone, introduce our new product Finabilla It Is Handwritten Script Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. You can activate 15 Ligature glyphs OpenType panel.

Introducing Rajomon the hand drawn script made with dry brush. All European languages are in. More of all there are initial, final and alternative letters for making your lettering on a high level as a peak of the rock!

Occidental Tourist JNL is based on a set of die-cut cardboard letters used by teachers. They were primarily found on classroom bulletin boards or felt boards. The font's name is a pun on the movie The Accidental Tourist.

Congratulatory New Year and Christmas font consist of 36 calligraphic greetings letterings. Letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

Introducing December Holidays December Holidays a playfully display font make from handdrawn ideas in typeface. This font includes full of Alphabetical glyphs, Numerals, and punctuation. This is so perfect for invitations, monograms, wedding, fashion, branding, label, handdrawn or logotype.

Colmena (means Beehive in Spanish) features soft viscous shapes and high contrast that resemble bees and honey. The font was entered into TypeArt Contest in 2005 under the name "FD_Harvey". Suitable for display purposes especially in books for children.

In the world of typography, there’s always a desire for something new and innovative that can make your design stand out. If you’re looking for a typeface that is as unique as it is bold, look no further than Ulian. Ulian is a striking display typeface that fuses the best of two worlds: the flat sides of traditional blackletter and the contemporary shapes of modern letterforms. The result is a typeface with a refreshing twist that is sure to capture the attention of your audience. One of the most striking features of Ulian is its distinctive flat sides. These straight lines give the typeface a bold and confident feel, perfect for grabbing attention and making a statement. But Ulian doesn’t stop there; it also features elements of modern typefaces, including curved serifs and varying thickness in the strokes. The squared geometric typefaces have also been incorporated into the design, adding a touch of sleekness and modernity. This combination of traditional and contemporary design elements creates a unique visual impact that is both striking and memorable. Ulian also comes with a range of variants, including Regular, Italic, Bold, and Bold-Italic. This versatility allows you to use the typeface across a range of applications, from logos to headlines and everything in between. But Ulian doesn’t just look good—it’s also functional. In OpenType-capable applications, you can access old-style lowercase numerals, giving you even more flexibility in your designs. Overall, Ulian is a one-of-a-kind typeface that is sure to elevate your design game. With its distinctive flat sides, modern letterforms, and unique flair, it’s the perfect choice for anyone looking to make a dauntless statement. So why settle for ordinary typography when you can have Ulian? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Tropicane - Stylish Typeface refers to a font that possesses a distinct and attractive aesthetic, often characterized by unique design elements, creative flair, and an overall fashionable or contemporary look. Stylish typefaces are crafted to make a visual impact and are frequently chosen for design projects where the typography plays a crucial role in conveying a specific mood, personality, or brand identity. Here's an in-depth explanation of the characteristics and significance of a stylish typeface: - Distinctive Design Elements: Stylish typefaces stand out due to their distinctive design features. This may include unique letterforms, creative ligatures, elegant serifs, or modern sans-serif shapes. The goal is to create a visually appealing and memorable set of characters. - Contemporary Aesthetic: The term "stylish" implies a modern and fashionable design. Stylish typefaces often incorporate contemporary design trends, keeping up with current aesthetics to ensure that they remain visually relevant and appealing. - Versatility: Stylish typefaces are often versatile, suitable for a variety of design applications. Whether used for branding, editorial design, websites, or marketing materials, these typefaces maintain their stylish appeal across different contexts. - Attention to Detail: A stylish typeface is characterized by meticulous attention to detail. Designers pay close attention to the shapes, proportions, and spacing of individual characters to create a harmonious and visually pleasing overall appearance. - Expressive Characters: Stylish typefaces can convey a sense of expressiveness and personality. This expressiveness can be achieved through unique letter shapes, playful elements, or the incorporation of design features that evoke a particular mood or emotion. Applicability to Branding: Brands often use stylish typefaces to create a distinctive visual identity. A stylish font can contribute to the overall brand image, helping to communicate the brand's values, tone, and style to the target audience. - Innovative Typography: Stylish typefaces are often at the forefront of typographic innovation. They may push the boundaries of traditional letterforms, experimenting with new shapes, styles, and arrangements to create a sense of novelty and creativity. - Readability and Functionality: Despite their emphasis on style, these typefaces generally maintain a balance between visual appeal and readability. Clear and legible letterforms are crucial, ensuring that the text remains accessible while still making a stylish statement. - Adaptability to Trends: Stylish typefaces are often designed with an awareness of design trends. This adaptability allows them to stay relevant over time, making them a popular choice for designers who want their projects to reflect a contemporary and stylish aesthetic. - Customization Options: Some stylish typefaces come with additional features, such as alternative characters, ligatures, or stylistic sets, offering designers the flexibility to customize the appearance of the text for specific design needs. In summary, a stylish typeface is a carefully crafted font that goes beyond mere functionality, aiming to enhance the visual appeal and expressiveness of the text.

Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic). Maestrale is all about the lowercase; its capitals are deliberately understated so as not to steal the limelight. In fact, the font works very well when set exclusively in lowercase. Maestrale�s small capitals are fitted into the core space of the lowercase, allowing them to be freely interspersed with lowercase characters. Alternately, an OpenType feature is available to replace a and e in small-caps text with their lowercase equivalents for a fresh unicase look. Since alternates and ligatures play such an important role, Maestrale offers three different modes of use. The most straightforward approach is simply to start typing using Maestrale Pro � the extensive OpenType programming will ensure that collisions between extenders are avoided and attractive ligatures are substituted for common glyph combinations. A more interactive approach is provided by the font Maestrale Manual, which allows the user to manually select alternate forms and ligatures even in typographically unsavvy applications, such as PowerPoint (as long as standard ligatures are supported). Stylistic alternates are simply represented as ligatures of their base forms with one or more instances of the rarely-used by easily-accessed characters "~" (ASCII tilde) and "`" (spacing grave accent); linking forms are built with �_� (underscore), multi-character ligatures with "|" (pipe), and initial and terminal forms with the �less than� and �greater than� characters. For instance, the Maestrale wordmark in the posters above was simply typeset with the string (`ma`est|r_a```l```e)| in Maestrale Manual (The parentheses represent �less than� and �greater than� characters here.) Feel free to type this string into the test line below and see what happens! Make sure Standard Ligatures are enabled. An instruction sheet listing all alternate forms and their accessibility is available from the Gallery tab on this page. The third mode of usage is aimed at professional designers, who make use of sophisticated software with extensive OpenType support. These power users are advised to use the font Maestrale Pro again, where all glyphs are accessible as stylistic alternates. Maestrale Text is a less extravagant but more versatile variation on the design of Maestrale, replacing Maestrale�s swashes with efficiently compact extenders. It is intended to serve as a perfectly matching text companion to Maestrale calligraphy, but constitutes a full-fledged typeface in its own right. It is equally at home at display sizes as it is in pull quotes, titles, and high-impact blocks of text. Maestrale Text comes in three complementary faces: A serif-style Roman, an upright Cursive, and a tilted Italic. Maestrale is the Italian word for �masterful�. It is also the traditional Italian name for the northwesterly mediterranean wind, better known by its French name, Mistral. Acknowledgements: I am grateful to the helpful souls on the Typophile forums for extensive feedback and encouragement on Maestrale, and to the TypeDrawers forum for feedback on Maestrale Text. This font is dedicated to Simone.