Young Generation is brush script font. The shape is modern and unique and the writing style is very natural. You can create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

Originally presented as an alphabet suitable for movie title cards, this font is based on a 1920 work by showcard artist E. C. Matthews, and named after the eponymous 1940s radio show about a local saloon and its never-present owner. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

Kis Classico™ is named after the Hungarian monk Miklós Kis who traveled to Amsterdam at the end of the seventeenth century to learn the art of printing. Amsterdam was a center of printing and punchcutting, and Kis cut his own type there in about 1685. For centuries, Kis's type was wrongly attributed to Anton Janson, a Dutch punchcutter who worked in Leipzig in the seventeenth century. Most versions of this type still go by the name Janson. In 1993, the Italian/Swedish type designer Franko Luin completed Kis Classico, his own contemporary interpretation of the Kis types. About the Kis/Janson story, Luin says: If you understand Hungarian I recommend you read the monograph, 'Tótfalusi Kis Miklós' by György Haiman, published in 1972 by Magyar Helikon. It has hundreds of reproductions from his Amsterdam period and from the time when he was an established printer in Kolozsvár (today's Cluj in Romania)." Kis Classico has five weights, and is an admirable version of this classic type.

Supertuba is a :) geometric sans vernacular humanist :) display type family with 6 weights. There's literally dozens of ligatures in this font so It works very well for flyers, package, stickers and posters, also you can use it as a text font if you're looking for something slightly bold. Supertuba has multilingual support and useful open type features. Letter boards that used to be seen in churches, dive bars and butcher shops are the main inspiration for this typeface. The name Supertuba came from an old supermarket that no longer exists in the city of Indaiatuba , I just believe this name is super fun (at least in Portuguese) and wanted to keep it alive. I was in Indaiatuba when I get started designing this typeface so this is fair enough. Supertuba the third piece of a particular trilogy of fonts that Stubby and Stubby Rough take part, from the lazy vernacular drawing to an unusual geometry. Enjoy!

Jubilee is a glyphic font family with moderate stress, slightly inclined serifs, and storied history. Its original design was created in 1934 by famous English type designer Eric Gill for the Stephenson Blake type foundry. The development name was “Gill Text,” but this was changed to “Cunard” once the famous steamship company showed interest in using the typeface. The company, however, never utilized it. Stephenson Blake changed the name to Jubilee in 1935 to commemorate George V and Queen Mary’s Silver Jubilee Wedding Anniversary announcement. After International TypeFounders, Inc. acquired the exclusive rights to the Stephenson Blake collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) revived the family exclusively for the Red Rooster Collection in 1994. A new, Medium weight was created to accompany the original Light and Bold weights. Jubilee has an inscribed, Renaissance feel, and performs well at all sizes. Its letterforms are sturdy, yet there is an undeniable delicacy to the face.

Gerücht Typeface is a family of digital fonts designed in 2019 by Gabriele Bellanca for Rumors Foundry in three different weights and their corresponding slanted versions. All rights reserved. Gerücht (in English rumor) is the name of the font-family: today the name of a font is part of the graphic design itself, unlike in the past, where it usually consisted of a simple retrospective description (such as in the case of Gothic Condensed No.2) of its characteristics. It's a "one-word advertising slogan", writes Tobias Frere-Jones, which serves to build an idea and a charm to associate with that type of character.

First of all, I don’t have an uncle called Edward, nor do I know anyone by that name. When I had finished this font, it had a strong ‘Uncle Edward’ feeling to it, so the name stuck. Uncle Edward is a handmade script font. I used a Japanese brush pen and some rough paper to create that ‘vintage’ look. Use Uncle Edward for your book covers, your invitations or your product packaging. Create labels for your vintage record collection with it, or print a guest list for your Christmas dinner party. Uncle Edward gives you his blessing. Comes with ligatures for double letters and a whole bunch of accents.

London is one of my favourite cities, so it was about time I named a font after it. Well, technically, I named a font after one of London’s districts. Southwark comes from the Anglo-Saxon word Suthriganaweorc, which means ‘Fort of the men of Surrey’. The font Southwork is a handmade Clarendon. I used a Japanese brush pen to create the outlines. I gave the glyphs texture by filling them in with a brush and Chinese ink. Southwark, therefore, has an uneven look and a brushy texture. It looks good on just about anything, but posters, greeting cards and product packaging come to mind.

Eckhardt Bold JNL continues a series of sign painter-inspired type designs and is named in honor of the late Al Eckhardt, a talented sign man who was a good friend of Jeff Levine for about 18 years until his passing. The font is available in both regular and oblique versions and was inspired by an example found in the 1928 edition of E.C. Mattthews' "How to Paint Signs and Sho' Cards". Both squat and wide for maximum use in wall and window applications, the original name for the design is "Heavy Plug". Plug was the sign painter's term at the time for describing this type of letter form.

Floridium grew out of an affection for the old wood types of the 1800s. Painters Roman* was the initial inspiration. It was the source for the �banana� and �snake head� serifs. But the design�released by Adobe as Juniper�was too quirky to be useful. I tried to make it more sophisticated and modern while keeping the original personality of the 19th century types. The name resulted from a trip to Miami while the initial drawings were being made. Not the best way to name a typeface, but while we were in Miami Beach there was this tall blonde in a bright yellow bikini sitting on this bright yellow Porsche and...

The name of this robust typeface is adopted quite literally from the slice taken out of certain characters. The same sliced angle is also applied to many of the terminals, creating a clean-cut styling throughout the family. Tilted versions emphasise the descriptive name further, with an implied cutting stance. Wider versions go even further still, taking on a more thrusting, squat dynamic compared to the condensed styles. The standard Sliced family is complemented by Sliced Open, a lighter, more open set which extends the versatility and design flexibility of the typeface and comprises a total of 14 font styles, all with extended European character sets.

This ornamental font is the interpretation of ornaments of Trypillya culture. Trypillya culture, or Cucuteni-Trypillya is an archaeological culture of neolithic times. Its name derives from the name of the village of Trypillya nearby Kyiv. This culture experienced its culmination between 5500 and 2750 BC. The Trypillians lived in the territories between the Carpathian Mountains and the Dniper River of the modern Ukraine, Moldova and Romania. Many interesting ceramics decorated with original geometric ornaments survived to amaze us. Its heritage is still a little unknown to the public and therefore the patterns that are reproduced in this font have no analogues in the digital format.

Introducing “Balbek” – A modern “condensed” sans serif ligature typeface. Designed by graphic designer Martin Katibi. The balbek font is an eye catching heavy and condensed sans serif type face. The inspiration for this font were other condensed sans serif such as Gabo Drive and Impact. The Balbek font is great for use on headlines, advertisements, product packaging, newspapers and posters. Balbek fully supports multilingual characters, it also come with a full set of alternative uppercase letters, ligature and small cap. All these features will make your next project standout. The font comes in eight styles, which are Regular, Cut, Outline and Soft. Each of these font styles comes with an oblique version. If you are looking for something modern and eye catching for you next project, Balbek is the font for you. WHAT YOU GET: Balbek Regular.otf Balbek Oblique.otf Balbek Cut.otf Balbek Cut Oblique.otf Balbek Outline.otf Balbek Outline Oblique.otf Balbek Soft.otf Balbek Soft Oblique.otf BALBEK INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternates. Small Caps. Multilingual symbols. Here is a short list of some of the unique ligatures: AB AD Æ AF AH AK AL AM AN AP EH EK EM ET FT HE LH LK LM MB MD ME MM MP NE NN Œ TE TH TT TU THE Th ZH ZK ZM æ ? fj ? ? ft ? œ tt ty We hope you enjoy using the Balbek Font.

Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

P22 Kelly is a Celtic-styled uncial font with a medieval gothic flavor and an overall contemporary feel. The font is an addition to Ted Staunton’s collection of historical and period-based fonts. It is ideal for uses that need to evoke the Celtic spirit or the medieval period. Based on half-uncial Irish monastic handwriting of the 8th to 10th centuries, but instead of having a traditional upright stress, has an italic slant. Some Gothic influence is evident—like the thorn-like tick-marks decorating the capitals—but the rounded forms of h, m, n, u emphasize a wide, open, horizontal visual texture. The font is named in honor of the Book of Kells, the 8th-century masterpiece of Celtic calligraphic art, which is kept in Trinity College, Dublin.

Geza Script is a wild, calligraphic typeface. It has a foreign look that is hard to put a name on, it could be seen as Eastern inspired or as a forgotten script from the European 1500's. Use Geza Script in a urbane logo or graphic project you want to emit confidence. The font is created by Måns Grebäck and contains an alternate alphabet, ligatures and support for hundreds of languages.

Suburban Collier is a dreamy, humanist demi-serif sister of Romford Stencil typeface. It was created during the COVID-19 pandemic and its name is inspired by Collier Row, a suburban area of Romford, East London (UK). Suburban Collier features subtle ligatures, an alternative ‘a’ and supports Western, Central, Southern, and Eastern European as well as Pinyin. Use it to add character to your body copy or as fancy display text.

An unusual handlettered alphabet from the 1922 chapbook Modern Show Card Writing, by Joseph Bertram Jowitt, provided the pattern for this whimsical face. Its letterforms, as well as its name, conjure up visions of faraway places, and is sure to add a unique charm to your next project. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Kurkuma (Turmeric in Dutch) is a spice I use in all of my curries. And I love curry! It's not more than fair to name a font after my favorite ingredient, so here you have it: Kurkuma. It is a unique and somewhat bizarre font with both an angelic and a diabolical side. I wouldn't set a whole text in it, but it does look great in headlines, posters and websites.

The front page of a late-1940s sales catalog for the [now defunct] Duro Decal Company of Chicago had its company name hand-lettered in a tall, condensed chamfered sans serif type design. Although chamfered lettering had been popular for decades, the way the "R" was shaped gave the letters a bit of an Art Deco influence, and this influence was carried through in the creation of Durable JNL.

Novelty songs and their often crazy or extra-long titles were all the rage at the beginning of the 20th century. A piece of sheet music for the 1920 song "When Chu-Ching-San weds Paddy McCann" had the title hand lettered in an unusually bold form of Asian-inspired lettering. This has been recreated digitally as the type font named for the song - Chu Ching San JNL.

This typeface is an amalgam of Edwardian and Art Deco letterforms: the lowercase letters come from a turn-of-the-twentieth-century typeface named Amsterdam, and the uppercase letterforms come from a 1930s logotype for the Théâtre Moderne in Paris. Like its namesake, this typeface is not easily overlooked. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

An entry in the Palmer and Rey 1884 specimen book named, somewhat prosaically, Geometric Gothic provided the inspiration for this rectilinear romp through the alphabet. As apt as it is for a period piece of its time, it's also oddly and equally comfortable in a retro space-age environment. Both versions include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Speyside is a round, curved and controlled sans serif with an additional set of decorated uppercase letters, initials and small caps. It's appropriate for text, titling and display. The origin of the name is taken from a small location in Tobago. The font is inspired by the local handicraft, the batik in particular. Each pro font style includes small caps and decorative initials as well as several OpenType features.

Back in 2013 I released an all caps font called Rum Doodle. Rum Doodle is a really nice, really weird font with angular glyphs and a unique look. I decided that it would be nice to tweak this font a bit and design a lower case for it. The result is Chew On This. I chose that name for no apparent reason - so don’t make a fuss about it…

Nastaleeq (Nasta?l?q) ASC is a script font supporting Urdu. Urdu is the nation language of Pakistan. The Nastaleeq ASC font is Unicode encoded. The Nastaleeq ASC font requires an application program which supports Arabic fonts (right-to-left composition). Urdu is also spoken in Afghanistan, Bahrain, Bangladesh, Botswana, Fiji, Germany, Guyana, India, Malawi, Mauritius, Nepal, Norway, Oman, Qatar, Saudi Arabia, South Africa, Thailand, the UAE, the UK and Zambia.

Shadowland was a magazine dedicated to the arts, and was published from 1919 through 1923. The lettering for its masthead was hand lettered in a then-contemporary Art Nouveau style. Although the photoplay (movies) was just an incremental part of the magazine’s overview of the arts, the digital version of the type design has been named Cinema Nouveau JNL, and is available in both regular and oblique versions.

Derived from the world famous Rennie Mackintosh Font, the Scotland St. version gives an outline form of the genius of Charles Rennie Mackintosh. The "Scotland St." name comes from one of Mackintosh's most famous architectural works - the Scotland St. School in Glasgow, Scotland. This wonderful legacy of Mackintosh's genius can be visited daily FREE OF CHARGE, as it has been classed as a museum by Glasgow City Council.

Here’s a not-often-seen variation of Milton Glaser’s 1968 creation Baby Teeth, distributed by Photo-Lettering Inc. as Baby Teeth Baroque. Actually, the sinuous swirls suggest, rather, an Art Nouveau influence, which is why this version has its name. Well, that, and the original design didn’t need any fixing. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

PiPi is named after a happy Italian cat with a remarkable pattern, color and attitude. Designed by Andre Toet in 2011. Every letter is a different expression in itself although it has an identical base. It gives a joyful feeling to use this font in all your designs whether they be graphic or digital. M E O O O W ! Concept/Art Direction/Design: André Toet © 2017

Fun Write is a font characterized by a playful and enjoyable nature, much like letters inscribed with full-hearted merriment, as implied by its name. With its simple and naive font structure, rounded edges, and an absence of sharp angles, it eschews the pointed facets typical of expressive marker strokes. This font is exceptionally well-suited for your design projects requiring a whimsical and delightful character reminiscent of a child's world

Rosewind is an elegant, full-featured script font with tons of alternate characters and OpenType features. The name Rosewind is inspired by the rose behind the house that is often blown off. It is a hand-lettered style and is particularly well-suited to invitations, branding, and editorial design. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Tombouctou is the French name for Timbuktu, a city in central Mali. I have been to Timbuktu several times; usually arriving after a three day boat trip up the Niger river. Timbuktu is a smallish city, literally in the middle of nowhere, with a treasure trove of UNESCO listed sights. Tombouctou font is a handmade brush font. It is nice and elegant and will give your designs an ‘oriental’ touch.

Hagalind is a beautiful new script with a natural flow from Swedish type designer Bo Berndal and the T4 font foundry. Hagalind is elegant and friendly with ligature style capital letters, inspired by 18th century writing. The name comes from Swedish national poet Carl Michael Bellman and his songs about the Haga castle in Stockholm and its beautiful surroundings. It is an OpenType creation, for both PC and Mac.

African Shield is named for the cow-hide shields used by Zulu warriors. The shield was an essential part of the weaponry of the Zulu Nation. In the days of the great King Shaka, every Zulu warrior was armed with a shield, one or more throwing assegais (type of spear) and a stabbing spear. The high-contrast design of the shield has inspired a font that translates into exciting graphic designs.

Somewhat of a mongrel, this font combines uppercase letters from an oriental font designed by Paul Carlyle and Guy Oring in 1938, and lowercase letters based on yet another variant of Joan Truchut-Blanchard’s Super Veloz system. As its name implies, it’s quite suitable for titles of all kinds. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Ainabee is an Art Deco inspired type design. The designer states: "The Art deco period has always fascinated me. The Architecture, The Furniture, The Car Industry, Letters etc, much of what I associate with 20s and 30s. This design is my answer to this fascination. The name is a tribute to my girlfriend Aina." The design is simple and precise in its form and is intended mainly for decorative use.

Cansum Hand, 24 fonts and 448 glyphs. It was made to brighten your projects, everything more beautiful. Cansum is my daughter name. Mean is life water. The hand drawn sans serif - display type family is intended to be used in applications like: websites, print, motion graphics, logo design, packaging design, t-shirts, food, clothes, living, wedding stationery and more... Cansum Hand for professional typography. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European as well as Western European languages. Alternates, Ligatures, Oldstyle, Fractions, Superior, Numerators, Denominators, Inferior and much more. You can enjoy using it.