Sabina is a handwritten monoline font, with an elegant and beautiful look. This font also comes with ligatures, alternates, swooshes, and underlines. It will make your design look stand out and unique.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.

Handswell is a handwritten font with a natural and unique style that makes for an attractive and elegant design project. It is perfect for branding, business cards, clothing, quotes, logos, and more!

This beautiful roman style typeface is inspired from an E.C. Matthews book. Although the book we have is dated 1967, the style appears to have been created in the 1920s or 30s.

With virtually no characters containing negative space to kern, Mainline JNL is an experimental typeface with a monospaced, fixed width design, utilizing a retro-techno-1980s look for a clean headline feel.

QueueBrick is an 8 font family consisting of 4 weights Open & 4 weights Closed. A block-work typeface inspired by East European movie posters. Example includes Stanley Kubricks 2001: A Space Odyssey.

A practical font family with 2 weights for all your day by day headlines, signage etc. An extended sans serif typeface with rounded endings that provides unique bold appearance without losing legibility.

Deco Geometric Stencil JNL was inspired by an example of a vintage Art Deco stencil type design seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.

Obligation is a cute and casual display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Display Brutal is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Brutal has an uppercase alphabet, numbers, and punctuation.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

Albegos is a stylish and elegant serif font. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Deckhouse is a tall and condensed typeface with small serifs. It has an authentic hand crafted feeling and works wonder for packaging, lettering, invitations, cover and other types of display design projects.

A 1926 travel brochure for a steamship line provided the basis for this darkly sparkly spritely font. Smooth curves and an off-center inline treatment gives this typeface a strong architectural feel.

Is a unique font, Sanwich sans is made with a messy character arrangement and an expanded width to get a silly and playful impression, suitable for use in casual themed graphic designs.

Amie is a friendly Sans Serif display face, with a hint of hand drawn flair. Ideal for poster work, album covers, book covers and for bringing an element of friendly style anywhere.

Golden Treasure is a vintage font with an original, decorative look and seamless connected letters. All available characters you can see on the 5th screenshot. Thank you and have a great day!

Giordano is a font family alternating between rectangular and circular forms. It supports 113 languages, features a total of 483 glyphs and includes an italicized version for each of the 5 weights.

Twentyone is an incredibly elegant and unique display font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Voynich is an eerie, alien font based on the mysterious tome known as the Voynich manuscript. For more information on the manuscript, please see the Wikipedia article at http://en.wikipedia.org/wiki/Voynich_manuscript

Give your designs an authentic brush handcrafted feel. The Monster is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, flyer, clothing, branding, packaging design and more.

Bold Living is a remarkable display font that brings an unmatched style that seamlessly complements a vast range of projects, amplifying their distinctiveness and leaving a lasting impression on your creative works.

Hilgreds Script is an amazing handwritten font and includes several alternates. This font will make your design more beautiful and powerful, and is suitable for any design including branding, quotes and more.

Illusion™ is an original calligraphic script by Natalia Vasilyeva. The variety of alternates and ligatures makes Illusion especially suitable for use in advertising and display typography. Published by Paratype in 2019.

A new Enrich Design font based on the handwriting of Jeff Solak. It was designed to stay as true to the original style as possible. This font features an extended character set.

Soundstar is an original, cheerful, highly decorative typeface. It’s kind of geometric, but handmade. It’s kind of blocky, but not that straight. It’s kind of playful, and quite playful indeed. Have fun!

Contains the 19 months of the Maya solar year (in outline and silhouette mode) as well as the 19 Maya numerals. NOTE: this font comes with an interpretation guide in pdf format.

Sfondo Fiorito is a digital revival of an antique flourished alphabet. Each letter is surrounded by a different beautiful flower or plant design on a rectangular black background. Includes many accented characters.

Boldscope is a fun, retro-psychedelic display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. T he systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming. Univers Next Variable are font files which are featuring two axis and have a preset instance from Light to Heavy and Condensed to Extended. Univers® Next font field guide including best practices, font pairings and alternatives.

Here's yet another variation of the classic Futura Black Art Deco stencil form of display lettering. The inspiration for this typeface came from various images of the Blossom Dairy Co. restaurant, originally opened as an ice cream and sandwich shop located on Quarrier Street in Charleston, West Virginia. The restaurant first opened in 1938 as an outgrowth of the Blossom Dairy Co. itself, and existed under various ownerships until it permanently closed on Nov. 11, 2016. Digitally redrawn as Local Eatery JNL, it is available in both regular and oblique versions.

An ebay purchase of a vintage Speedball lettering pen set yielded an extra bonus… numerous alphabets on paper rendered in both pen and ink and via pencil sketches. One such design in rough pencil layout is a classic serif typeface often found on many passenger and freight trains, trolley cars and busses. This “Railroad Roman” was scanned from the original sketches and then re-drawn digitally, all along retaining the charm and attractiveness often found in hand lettering. The end result is Streetcar JNL, which is available in both regular and oblique versions.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Albers draws on early grid-based attempts by Josef Albers, in 1926, to design an alphabet by reducing the forms to purely geometric elements – the square, triangle and parts of a circle – and in the process creating an unusual stencil effect typeface.

Introducing "Caysa" - An Elegant Display Font. Unveil the extraordinary with "Caysa," an exquisite display font that redefines elegance with its distinct and unique design. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Pain de Mie is a soft font, friendly and sweet, kinda creamy, kinda bubbly. It's an all caps font with 2 different glyphs for each letter: easily access these through the keyboard upper or lower cases keys. Make them cycle with OpenType Contextual Alternates. There's also a handful of drawings to add an extra charm here and there. Reach these via OpenType Ornaments or pick your choices through a glyphs palette. Like a fresh loaf of bread, Pain de Mie goes well in so many ways. Give it a try!

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.

Stratic Script is an elegant family of seven fonts, all based on handwriting. The main idea was to create a script font with almost no contrast, easy to use and quite legible. The design is flawless, every letter is carefuly connected to another, in all fonts. The 6 weights, which are very close to each other, allow the designer to choose precisely the weight he needs. It’s an ideal font for fashion magazines, posters, book covers, etc… This family contains OpenType features, such as Proportional Figure, Tabular Figures, Standard & Discretional ligatures.