ITC Florinda was designed by Luis Siquot in 1997 and consists exclusively of capital letters. The basic forms were influenced by old favorites like Franklin Gothic, but Siquot ornamented the classic forms with symmetrical knobs which look like pieces of lead left over after pouring the forms. This gives the figures a playful, constructed look. When used in a text, the horizontal lines seem to come together to draw a fine line through the middle of the lines of text, giving it an ornamented character. ITC Florinda should be used exclusively for headlines or display.

Bloody Brains - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Bloody Brains with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation.6.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Welcome to: Hello Melky - a Kids Display Font It's smooth, it's funny, it's fun, and it's very nice: it's Hello Melky - a Kids Display Font Mixed fonts with many possible combinations. Everything is made with the same brush, and everything is the same size as Hello Melky, so you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Sola is a simplistic, stylish, and modern san serif type font with the unique addition of rounded corners. When creating this font, Bank Gothic originally influenced me, however when I made the square shapes lower case the font didn't retain its sophistication, so it was designed narrower. The result is this warm and soft looking font that works for all types of design, from posters and fliers to logos and business cards. Sola also features standard ligature, stylistic alternates, titling characters with extended width, and a set of standard pictograms.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

TA-kokoro is very popular in Japanized font. TA-kokoro is designed by Yasushi Saikusa who is famous as typographer and based with Maru-gothic. TA-kokoro expresses yet cuteness. TAこころは、日本語のデザイナーズフォントの中で大変人気の有るフォントです。 タイポグラファで有名な七種泰史がデザインしたフォントで、丸ゴシックのデザインをベースにして更に可愛らしさを表現したフォントです。

Poplar is an Adobe Originals typeface designed by Barbara Lind in 1990 for the Adobe Wood Type series. Poplar, a Gothic condensed, was designed from photographs taken by Rob Roy Kelly of the one surviving copy of an 1830 William Leavenworth type specimen book. Leavenworth possessed unusual artistic abilities, and his treatment of the letterform counters as narrow slits made it the only wood type of its kind displayed during the nineteenth century. Poplar is an excellent display face, its simplicity making it useful for a broad range of work.

Fire Wisdom - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Fire Wisdom with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Dekomia is a modern blackletter font that combines the traditional style of Gothic calligraphy with contemporary design elements. Its bold and sharp letterforms give it a strong and edgy appearance, making it perfect for branding, headlines, logos, and more. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the Open Type feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Jazmín is inspired by "Globe Gothic" design yet features different proportions, curves, serif shapes and contrast, which give it a classy, playful and a more contemporary look. The family comes in two versions: an elegant font of 8 weights-ranging from Thin to Black-with matching italics, and an alternate, more playful counterpart with the same number of weights and italics. The whole Jazmín set contains 566 characters which support over 200 Latin-based languages. Jazmín is ideal for magazines, short text, logos, branding design, packaging and advertising.

Sticky Blood - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Sticky Blood with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

"Triole 21" is the name of a gothic script font designed by Bertram Kaiser. The forms of this so called "Rotunda" script are based on the manuscripts of italian calligraphers of the late 14th century. Inspiration for this project also comes from the calligrapher Lisa Beck. The glyphs were first written with a broad-nib and then digitized. The Open-Type font is equiped with multilingual (Latin-based) alternates, ligatures and oldstyle figures for various typographical purposes. It can be used for headlines and also stays legible in smaller textsizes for longer textpassages.

Is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). I really hope you enjoy it. Comments & likes are always welcome and accepted. More importantly, don’t hesitate to send a message if you have a problem or question.

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Hiragino Sans Rounded (Maru Gothic) is derived from the basic design of the Hiragino Sans (Kaku Gothic) with its wide counters and comfortable appearance. It features gentle typeface that provides graceful roundedness to the tips of all the strokes of a character. On the flip side of this gentle impression is the fact that every single element in the Hiragino Sans upon which this typeface is based has been carefully polished down in every respect in pursuit of an elegant roundness that makes it possible to handle carefully executed typesetting. That approach is clearly different from the general rounded typeface that makes full use of the body, and makes it possible to respond the requirement of professional typesetting. It is never-uninteresting design whose letterform is rooted in the traditions of traditional printing type. It is a font that of course can be used on its own and easily formatted just like Hiragino Sans while adding splendid coloring to the page. Furthermore, when used with other Hiragino fonts such as Hiragino Sans or Hiragino Serif (Mincho), the fact that all their designs are oriented on the same vector creates a multiplier effect. The user may be surprised at the sense of unity that cannot be experienced when combining it with other typefaces.

A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

I created this font following my love for Etruscans, their culture and their myths. Many times I looked for a false, but similar, Etruscan TrueType font on the Internet, but I didn't find it, so one day I decided to make it myself.

Introducing Bakihara is an attractive blackletter family with a full set of uppercase and lowercase characters, alternates characters, ligatures characters, multilingual support, currency figures, numerals and punctuation. Bakihara comes with 4 weights from Thin to Bold that will support your creativity in creating perfect designs for various projects such as logo design, branding, posters, magazines, labels, merchandise, invitations, advertisements, tattoos, clothing, music events, and many more project with a Gothic theme. If you need support or more information about this item please contact me: ekahermawanputu@gmail.com Thank you very much I really hope you enjoy using it!

Anthology is a contemporary design with a faintly mystical flavor. A curious collection of miscellaneous parts including blade-like curved crossbars, angle-cut serifs, and egg-shaped glyphs make for an intriguing futuristic blend. Great for games, science-fiction, or high-technology projects. Anthology is now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

New Millennium Linear is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Sans; all three work well together.) New Millennium Linear is a "monotone" newer version of the Sans face whose smooth, geometric, "Gothic" look gives it a completely different personality. The typeface comes with regular, bold, italic, and bold italic styles, each with a complete character set. New Millennium Linear might best be used in captions, callouts, labels, titles, and similar display situations.

Furious Night - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Furious Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) There it is! I really hope you enjoy it

Proudly present Juvelith a modern black letter font inspired by contemporary design and calls back to Old English Gothic Scriptures. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Vikive is a family of Sans Serif fonts, better known in its origins as "Gothic" in America or "Grotesque" in Europe. Some authors divide them into three categories: Grotesque, Geometric and Humanistic. Probably, it can be defined that Vikive has some characteristics of the first two: Grotesque and Geometric, high x-height, slight squareness of the curves, wide set, open tail, simple construction. The family concept provides several weights and widths for one face and its matching italics, therefore this family of types is more suitable for text settings, enriched with strong contrast fonts (condensed thin or expanded black) for headlines.

Oracul is a modern display font with Bohemian motives. The font is created in a psychedelic retro style and decorated with the stars. Oracul includes stylistic alternates and ligatures. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism, fortune-telling, tarot. Oracul has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Oracul font includes stylistic alternates for symbols: E, H, I, J, L, O, Q, T, U, Y. There are also ligatures: MA, RA, KA, XA, AA, AM, RM, OO.

Ghost Place - Halloween Display Font is a display font that is inspired by horror and gothic style because its shape is very unique and is perfect for any project that you will use with this theme. Ghost Place came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it.

Fluffenhaus is a vintage bold retro-font, the glyphs are soft serve ice cream, sorta Cooper Black after to much party. A fun playful look that suggests the 1960's and 1970s rock posters and cereal box art as well. Fluffenhaus is a fat bold font, apply to projects that need an attention grabbing headline that expresses the fun of the information being convened. Tightly spaced in the metric, suggested uses would be for it to be used BIG and then bigger. Fluffenhaus is a groovy beautiful and tuned into the psycho-fab of the now!

Nipok is a single weight display typeface, inspired by the aesthetics of different decades. Rounded terminals and playful intersections from the 60’s and 70’s, joined with straight and compact lines from the 80’s and 90’s. The particular style is given by the alternation of upper and lower case letters, chosen to fill the empty spaces greatly and create harmony. In addition, alternates are included to give you more stylistic options. While by default this font is a semi unicase, the alternative glyphs extend the Ascent and Descent metrics. Multilingual support is available.

Introducing Royal Kingdom - Modern Blackletter Font Royal Kingdom is a modern blackletter font that elegantly blends contemporary design elements with the essence of Old English Gothic scriptures. Royal Kingdom is perfectly suited for branding projects, logos, social media posts, advertisements, product packaging, labels, photography, watermarks, stationery, and any creative project seeking a touch of modern blackletter elegance. FEATURES: - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Unlike previous dingbat fonts released from Lanston Type Co., Archive Ornaments derives from a unique collection of brass ornament plates that were originally used in creating the matrices for casting metal type. Using the plates as a reference point allowed for a more precise rendering of the ornaments. Letterpress prints were made directly from the brass plates, which were then re-drawn and digitized. Each character has been optimized for the combination of decorative borders and patterns as well as individual accentuation. The completed digitized font contains over 100 glyphs, ranging in style from geometric to organic designs.

TyfoonScript is the handwritten relative of TyfoonSans. With its slightly rough contours it has a lot of personality and good legibility when used in small sizes. It consists of 719 glyphs, has multiple language support and comes in 3 weights. Stylistic alternates, ligatures and contextual alternatives contribute to an authentic handwritten appearance. Fractions, old-style and tabular figures are also included. Suitable for blocks of text as well as quotes, remarks, statements or a personal friendly emphasis. TyfoonScript and TyfoonSans share the same metrics and blend together perfectly. They can be used in the same text frame without adjustments to leading or size.

Inspired by minimalism and black letter, introducing "The Black Sugare", the combination of a gothic era and geometric shapes. The more simple black letter display font that is suitable for any style, especially modern style. The flow of the letter shapes gives geometric looks also the stem (and the strokes) and is easy to combine once it writes in 2 lines or more. With fewer spurs The Black Sugare is suitable for classy design, and looks minimalist, elegant, and quietly awesome in your design. This font also good to use in body text. There are OpenType features to give more alternative looks.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John Handy cut from his own brilliant designs, based on a lifetime of calligraphy and stonecutting. Punches and matrices survive at the Cambridge University Press. The present design is an accurate recutting, with particular attention to George W. Jones’ revision from the metal of Baskerville’s English (14pt) roman and italic in 1929 for Linotype & Machinery Ltd; Mergenthaler Linotype imported this design to the USA two years later.

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

Introducing, Bullgine - A modern gothic blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Looking for the perfect font for your next gothic project? Do not look elsewhere than QUKIHA! A great place to look for fonts for your most recent logo, label, badge, music video, or movie is the QUKIHA Blackletter font. You can select the ideal word for your project by choosing from the beautiful and harmonious shapes available in the QUKIHA font. The capital letters are impressive, and the letters are slick and fashionable. QUKIHA Blackletter is a necessity if you’re designing labels, posters, or other things. They are also of a professional caliber, making them ideal for any design task.