Placed in a hastily designed spaceship and launched toward Earth, SINGLE BOUND was found by a passing motorist who was astounded by this font's feats of strength and agility! As this collection of tall and handsome characters matures, you will discover more of its abilities and perhaps use them for the benefit of all mankind. Even in its secret identity, SINGLE BOUND can lift many times its own body weight and leap great distances, much like its alter ego, UP UP AND AWAY! Single Bound includes weights from Light to Heavy, with clean ("modern") and worn ("vintage") versions, support for Western & Central Europe and Vietnamese, and an available Variable Font for precise control of weight & italic.

Supriyadi – A Modern Handwritten Typeface Supriyadi is a contemporary handwritten typeface that effortlessly blends elegance with a touch of informality. Its fluid strokes and organic lines create a sense of warmth and friendliness, making it an ideal choice for projects that seek a modern and approachable aesthetic. The typeface strikes a harmonious balance between legibility and artistic expression, with each character bearing the distinctive mark of handcrafted authenticity. Supriyadi exudes versatility, adapting seamlessly to a range of design applications, from branding and packaging to invitations and social media graphics. Its inherent charm lies in the subtle variations of each letter, evoking a sense of personalization and uniqueness. With Supriyadi, the written word takes on a contemporary flair, inviting a connection between the creator and the audience through the artistry of handwritten expression. Supriyadi is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Madigna Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. You will get: File Madigna Madigna Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Madigna has alternate characters, including multiple language support. With OpenType features with alternative styles and elegant ligatures. The OpenType features don't work automatically, but you can access them manually and for best results your creativity will be required in combining variations of these Glyphs. If you need help or have any questions, let me know. I'm happy to help. Thanks & Happy Designing.

Baker Street was inspired by a recent trip to London, England where I happened upon a bustling pub with beautiful typographic signage. Early sketches created an array of specialized ligatures from which the font really took shape. The family is comprised of regular, italic, inline and a rustic textured style. Baker Street delivers a multitude of Opentype features, primarily including hundreds of discretionary ligatures that connect letter pairs through varying flourishes. These distinct ligatures are used in combinations between two capital letters, two lowercase letters, uppercase to lowercase pairs and specific number combinations. For a number of capital and lowercase letters, large swashes expand above and below the characters. Contextual swashes are also applied to some characters when placed at the beginning or end of a word. Stylistic Alternatives and Titling Alternatives offer distinct style variations to capital letters. Tabular Lining and Oldstyle Figures provide several numerical alternatives. Lastly, the family also includes two sets of ornaments created specially to work with Baker Street’s style. With all that, Baker Street provides each and every user the tools to solve their own case. The game is on!

Rivea is two-font, hand-lettered script family designed to mimic real calligraphy. Each font dances along a natural, variable baseline and has a distinctive slant. Long, thin upstrokes contrast with rich downstrokes in a style reminiscent of "wet noodle" pen writing. Each Opentype font includes eight different ampersands, a swash feature that automatically substitutes beginning & end of word letters, a set of alternate letters, old style numerals, arbitrary fractions, six common "word-art" prepositions and six common honorifics. All Opentype features have been duplicated in Stylistic Sets for Microsoft Word users. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new "and".

Lalo Grotesk is made up of five weights, their slant versions and a two axis (weight and slant) Variable font. Lalo Grotesk is a grotesque typeface with characterful lowercase letters that are highly legible in large body texts, while the uppercase letters are wider to give a sense of speed in big size headlines. Its shapes are super readable, making the font ideal for use in web and editorial projects. It also have a big range of standard ligatures and icons. Lalo Grotesk font family will keep expanding and improving. Users will continue to receive free updates with technical and aesthetic improvements. Any suggestion will be welcome, don’t hesitate to contact us!

NULATO is a sans serif font inspired by the great Alaskan outdoors and the clean shapes of the horizon. The font represents a modern and slick approach to a minimalist trend behind the core of great brand identity practices. Nulato took a year to develop, from the first sketches to the final 700+ glyphs the process took a significant amount of research and variables. The letters, specific ligatures, and symbols are a full stack. It was specifically designed with the classic approach to balance and appearance, but with a strongly advocated contemporary characteristic of font design and marks. NULATO evokes the perception of something familiar, but with that extra, needed for inspiring the new.

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as "Cc, Ss" is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as "Th, Tl, Ti, Tä, Tä, Tü, Tö, iï, fä, fä, fö fü" for very wide and different accents. “Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

Aloe is a characterful and friendly display font family inspired by headlines from 1930’s newspapers and calligraphy. The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts. It features a variable font with weight axis. Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with calligraphy gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects.

Omnipop is a potent display pack with three styles. All the fonts have firm yet clean and velvety character. Omnipop Brush is a forward leaning brush script with a somewhat heavy complexion. It has a large x-height and it makes nice smooth and even texts. Omnipop Brush is equipped with Standard Ligatures and Contextual Alternates that are automatically on as they should be kept. In addition it has Swash, Stylistic and Titling Alternates for extra show-off. Omnipop Script is a monoline connected script simulating a smooth felt-tip pen. Script is equipped with Standard Ligatures and Contextual Alternates to keep the connections smooth. In addition Omnipop Script has Swash, Stylistic and Titling Alternates and even more extra characters can be found in the glyphs window. Omnipop Sans is a sturdy rounded all caps sans with a sort of geometric vibe to it. Anything you type with Omnipop Sans will look cheery and approachable. Omnipop fonts rock on their own but they also play great together in any order.

Cherry is a bold and smooth display family with connecting script “Brush” and supporting thin marker caps “Sans”. In addition there is “Extras” which is a set of strokes and ornaments designed to go with the fonts. Cherry Print is the same set with rugged outlines and eroded print texture. Cherry Brush has clear and smooth letter shapes with lot’s of character. It’s great for Logo, Poster, Headlines, Packaging or any Display use. Cherry Brush is equipped with plenty of contextual alternates and ligatures that keep the connections smooth. This feature is set in Standard Ligatures and it’s on by default. Cherry Brush is designed so that you can also use it to writ ALL CAPS. For more flashy initials try Swash feature. Cherry Brush is PUA encoded so you can access extra characters in most graphic design softwares. Cherry Sans is an all caps thin marker font with two size of letters (uppercase & lowercase). Cherry Sans is clean and legible. It’s designed to work with Cherry Brush but works just fine on its own too.

Contains 21 isometric designs with six variations of each totaling 126 ornaments.

BD Motra is fat wide uppercase font with some variants on the small character keys. The inspiration source for this typeface is the stencil lettering on Honda’s rare Motra CT50 off-road scooter made in Japan 1982. The font usage ranges from big lettering on vehicles, cargo boxes, products, buildings with an industrial approach.

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

WurstchenDotted is made up up of sausage segments. It does not have true lower-case letters, but rather variants of the upper-case letters instead. As all extreme display fonts, it is useful in small doses. The three WurstchenOverlay fonts decompose WurstchenOutlined and can be used in layers to create letters with three colors.

Kesto is an elegant Art Nouveau style typeface. The idea for the Kesto came from the early Nouveau type designs. Kesto is designed with creative letters, which makes it perfect for creating nostalgic and retro designs such as: posters, magazines, logos and much more. Kesto also has a variable version, which makes it easy to manually adjust the weight and slant. I hope you enjoy using the Kesto typeface.

Bold and angular. SbB Powertrain's glyphs are constructed from simple shapes. All straight edges and lots of right angles, but surprisingly friendly. A wide range of weights and widths make Powertrain perfect for branding projects, posters, logos or any project where you need maximum flexibility. Ten weights and five widths Small caps Stylistic alternatives Opentype figure styles Complete version includes a variable typeface with three axes: weight, width and slant.

Bauziet is a modern grotesk available in 12 styles with variable support. The weight range of Bauziet is significant due to its most distinctive design element: the prominent ink traps. As the Bauziet weight increases, these ink traps become more pronounced. This aspect makes Bauziet an excellent resource for designers to explore, as its substantial ink traps can swiftly evolve into an iconic feature within a branding system.

Square in appearance but with soft vertices, Brocks is composed of more than 400 characters. From Latin Pro for multiple language usable. The latin alphabet is available, for uppercase and lowercase, in numerator, denominator and ordinal version. The same for the numbers with fraction features until 10 figures on each side. Exist in Light, Regular and Bold weights, in Right and Left slant version. All of this available in Variable version.

Embrace the nostalgic charm of pixelated games with its versatile 6 Styles: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic. Whether you're crafting captivating logos, designing captivating posters, NANO PIX is your ultimate toolkit. Features: Nano Pix Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Multilingual Support Instructions (Access special characters, even in Cricut Design) Simple Installations Enjoy Designing! Dharmas Studio

These four variations on letters designed as flags are almost unreadable, but may be of some use as a patriotic display font. The four are all transformations of fonts from the FourJuly group. The solid and outline styles can be layered with the main fonts to easily create multiple-colored letters.

Roble Alt is a variation of Roble. It is a Slab Serif Font, from a mix between Andes and Sanchez, following an harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble Alt is a family of 16 display fonts 8 weights plus italics.

The type “Vandalismo 26” is a tribute to the calligraphy style that 'screams' over the front of the buildings in the center of São Paulo/Brazil. This underground calligraphy, known as "pichação" or "pixo”, is a movement that expresses disagreement and rejection against the system. For some critics, this “vandalism” is considered to be the most disruptive and conceptual contemporary art today. It is a type to be used in headlines. Vandalismo 26 is a mix of the chaotic pixo style representing the nonconformity of a generation. It is a protest to the system in a typographic format.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Antonietta is Mauricio Astete Brito's first typeface, which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette's wild personality. This project, supervised by Latinotype Team, was born from the idea of turning lettering into a digital typeface. Antonietta is based on the Copperplate style and inspired by the works of, among others, Hermann Zapf, Ricardo Rousselot and Herb Lubalin. The font comes in the following variants: Antonietta Script, Antonietta Caps, Antonietta Caps Illuminated, Antonietta Caps Shadow, Antonietta Caps Inline and Antonietta Ornaments. Antonietta Script is characterised by a big x-height, condensed proportions, and short ascenders and descenders, which can be modified by using the contextual alternates included in the set. Antonietta Caps, a companion font to the Script, is an all-caps typeface with rational structure and high contrast between thin and thick strokes. Antonietta is a 7-weight typeface well-suited for logotypes, labelling, headlines and short text. The Script variant contains a set of 878 characters that provide a wide range of contextual alternates to fit any project. The typeface also comes with an 'Ornaments' variant, which includes dingbats, borders and catchwords that complement the rest of the fonts.

This font with the technical feel of movies and games, was featured in Iron Man Avengers, Halo 4 and Game Reaktor Magazine. Version 1.2 features Cyrillic, arrows and reorganized family (Monospaced in all variations) and a new weight.

This multilingual font, with Greek and Extended Latin character set, is a cute display font for your handwritten font collection. This quirky font is perfect for you if you are looking to expand your multilingual font collection. Muri Handcrafted Greek Font is handcrafted, but still is maintaining it’s legibility and balance so it can be used in packaging or logotypes and branding. Also, the latest version of the font supports both uppercase and lowercase characters, as requested by so many of you. Especially if you are looking for a font to use on Instagram quote posts or any other social media content, this typeface is for you!

Quirthy is a textured brush handwritten font. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Quirthy will look spectacular.

Zephyr is a sinuous Roman font available in both Regular and Openface (inline) versions. This classically inspired font set conjures up a gentle, relaxing breeze from the West and Southwest. Subtle and not-so-subtle variations offer a refreshingly modern take on these age-old letterforms.

Kanttelaz is a bold and elegant handwritten font. Its flexibility and neat style will brighten up each of your designs. Have fun with this cool font and explore its endless variations. What's Included : Uppercase, Lowercase, Numerals & Punctuations Ligature & Alternate Works on PC & Mac Simple installations Multilingual support

A Classy Elegant Display Font that we created special for elegant and Fashion branding needs that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. And specially for this font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Radon Display font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Preview as a inspirations that you can do with Radon font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

A Modern Luxury Font that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. And specially for Calista font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Guilin Modern Luxury Font Family ready with: Any options to get creative variations (combination of Alternate and Ligatures) Ready 4 Weights (Thin, Regular, Thin Italic, Italic) Preview as a inspirations that you can do with Guilin font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Komunidad is the Hebrew version of ”Quintana Light”. Suitable for logos and packaging statements. Invoking the OpenType / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. Final Hebrew Glyphs are also added. This can be done individually for each letter as well. Komunidad also contain alternative Swashes and TabOldstyle numerals. (OpenType-Variants may only be accessible via OpenType-aware applications.)

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sánchez & Sánchez Condensed comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

IL Palamede is a typeface with just one style, referring by its name to the French chess magazine Le Palamède. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example "b". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example, "s". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Use this font for any purpose that includes winning or enjoying.

Introducing Madrea – Friendly Sans Serif Unconventional Charm Madrea – Friendly Sans Serif is anything but conventional; it introduces a unique and friendly twist to your designs. Irregular Shapes What sets Madrea apart is its irregular shapes, which establish a welcoming and friendly atmosphere. This makes it the perfect choice for designs seeking to break free from formality and monotony. A Breath of Fresh Air In the realm of sans serif fonts, Madrea is indeed a breath of fresh air. Its non-uniformity and organic feel breathe personality and approachability into your projects. Breaking Formality Madrea excels at breaking the chains of formality. It’s an ideal choice for design projects that demand a friendly and informal touch, effortlessly transforming the mundane into something captivating. In Conclusion In summary, Madrea – Friendly Sans Serif is your gateway to a non-uniform, friendly design experience. Its irregular shapes infuse character, warmth, and a refreshing departure from conventional design, ensuring that your creations are brimming with life and far from monotonous.

Rogik by Holyline, Rogik is a expressive serif font family, This font very elegant, unique , has a strong and sharp character. This font comes in nine weight with italic so there are a total of 18 fonts and support variable for upright and italic. It's very unique, playful, elegant and very easy to combine with your design style. Rogik also inspire by metal, pop, punk and street ware, fashion brand. Rogik perfect for headline, sub headline ,custom logo, packaging, quote, merchandise, sticker, badges, social media posts, label, album cover and anything for your creativity. Rogik is perfect font if you want something new with your project, you can play the 18 fonts style, and you can pairing this font with the weight, its very satisfy. So happy creating!

Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber. In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height "x" with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader's attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media. In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.