The design of Cyan was inspired by features found in classic Roman and styles like Trajan and Bodebeck. It shows the designer's personal preference for geometric Roman proportions while incorporating open centers (B,P,R) and compact serifs. Unlike Trajan, Cyan has lowercase characters in the regular version. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. The Regular Capitals version contains Roman numerals. Cyan's weight is similar to Trajan's but the horizontal strokes are slightly bolder resulting in better legibility for small sizes, especially for lowercase characters. There are many subtle details in Cyan that become more interesting in larger sizes, for instance the subtle curves in the serifs and the overall smoothness as a result of the mostly rounded angles. Cyan is a robust font that will exceed expectations in areas never explored before. The name is inspired by the Greek word cyan, meaning "blue". The color cyan can have many different variations. One definition is a color made by mixing equal amounts of green and blue light (it also is a pure spectral color). As such, cyan is the complement of red: cyan pigments absorb red light. Cyan is sometimes called blue-green or turquoise and often goes undistinguished from light blue. Obviously the Cyan family is a perfect companion to the Cyan Sans family.

Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In fact, they were called just Modern. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions. The name Schotis comes from the misspelling of Scottish that gave the name to a popular dance in Madrid in the 19th-century. It first was called Schotis and today is knows as Chotis.

Essay is an elegant serif typeface intended for setting books, with many stylistic alternates and other typographic goodies, designed by Stefan Ellmer. It is a highly legible text face with a natural flow of reading. This is enhanced by a slight slant of the roman, the combination of open and closed apertures and the amalgamation of organic strokes and counters with a static, fully straight baseline. Essay Text Regular looks back to the spirit of the french Renaissance, when the roman typographic letterforms came to full emancipation. Departing from that historical reference, Essay Text gets rid of all sentimental antiquity and becomes a contemporary interpretation of the “archetypes” of that period. Essay Text Italic refers to that more vaguely, resulting in a formalised look with fairly upright and open shapes and little cursiveness. As in the Renaissance, before the mating of roman and italic, Essay Text Italic works as a separate text face and a perfect secondary type. The name Essay derives from the literary meaning of the word, attempt or trial. Therefore, the typeface Essay can be seen as an attempt to express an opinion about reading, the omnipresence of history, the importance of calligraphy and the importance to deviate from that calligraphic source; as well as an attempt to crystallise lettershapes in balance between convention and the designer’s personal idiom.

Our Infinity Love - Monoline Wedding Font. Our Infinity Love wedding script fresh & modern script with handmade calligraphy style. This font is inspired by monoline the character's style which shows the romance of a relationship through hand strokes with the added "love" symbol at the end of the line. This font is perfect for a professional touch making this font more elegant and suitable for all types of projects you are working on, especially for romantic-themed work. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Alea is based on the drawings of Maria Balle. The floral, organic look of these bastard script initials will play well together with nearly all Didone designs and will give them a special note. Alea works perfectly with the Adana fonts also available from astype. The Opentype features Superior, Inferior & Numerator will activate the filling objects. Use these features on a new layer and choose your color to get up to three color layers.

Reverse Calendar Blocks JNL is the third typeface from Jeff Levine that allows the user to create a vintage-style calendar. Other versions available are Calendar Blocks JNL and Monthly Calendar JNL. The layout for the font is as follows: Numerals for displaying a year are on the 0-9 keys The 1-31 dates are located on the A-Z and a-e keys The combination dates of 23/30 and 24/31 are located on the f and g keys Days of the week (Sunday through Saturday) are on the keys h though n Months are found on the o through z keys A blank box (for balancing out layouts) is on the period key

As a graphic designer, sometimes it’s impossible not to be inspired by the Swiss Style, specifically the work of Armin Hofmann, who is one of its best exponents. Grids and grotesk and neo-grotesk typefaces are a fundamental part of the tools that make this aesthetic possible. A visual language that has caused full admiration since we were students. Therefore, we decided to design Armin as an homage to Hofmann’s work. Technically, we added stylistic sets applied to the letters –G, R, a, g, h, l, m, n, r, t, u, y– to make Armin more eclectic and suitable for the creation of any visual language. Armin Soft is the softest version of Armin Grotesk with its Variable file.

Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.

MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.

This font family is based on the alphabet designed by Frank Lloyd Wright for the "Eaglerock" project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique "informal" version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages. Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.

Boldest Enough, modern and mystical bold display typeface. Inspired by the mystical vibe from animation horror movie for kids. It gives you fear, curiosity, and amazement at the same time. Coming with 160+ stunning and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc so you don't need special software. To get results like the preview just type B.4ol.9d.2es.2t.2 E.4n.5ough.7

Popless is a hand-lettered font duo with matching swashes. It includes: - a handwritten script font with lots of ligatures to give your designs a true handwritten look; - a fun hand-lettered serif font that pairs well with the handwritten font; - a set of swashes to help decorate your text; - a bonus slanted version of the script font for an extra dose of drama. Each style containes: - A-Z, a-z, 0-9 - Accents - Symbols and punctuation - Ligatures - Stylistic alternates (b, f, h, k, l in the script font) Perfect for beautiful and easy designs with a handwritten feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, and more.

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva. The fonts were based on Cyrillic version of Excelsior that was developed in 1936 in Moscow by professor Michael Shchelkunov, Nikolay Kudryashev et al., that in its turn was based on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Digital version was developed in ParaGraph (ParaType) in 1991. In 2012–13 designer Natalia Vasilyeva made some corrections in original digital data, extended character set and add bold italic style. The family was rereleased in ParaType in 2013.

Introducing Volaroid font duo , simply font with modern and vintage style combination. This will bring a modern and vintage atmosphere together. Minimalist design for your best project. Volaroid font best use for logotype, branding, and t-shirt printing. Whats included? : - volaroid script - volaroid sans Volaroid feature : - Swash (A-Z,a-z) - SS 1 (A-Z,a-z) - SS 2 (a-z) - SS 3 (a-z) - SS 4 (a-z) - S.Alt 1&2 (b,d,h,k,l,t) - PUA encoded - Multilingual Support. --- Notes = Every swash, stylishtic set and alternates have include in Volaroid Script (ttf.otf,woff) I hope this font can meet your design needs. Feel free to contact me in the message or direct email donis4design@gmail.com.

The typeface family Triump is a simple sans serif with 6 weights from Thin, ideal for use as an epigraph, to Black for head titles of special impact. Excellent for applying in graphic design as logos, trademarks, posters, editorial and web design. Inspired by the classic types of the late twentieth century with rounded corners that give the typography a smooth appearance with rounded ends, with a horizontal stroke that exceeds the vertical in the letters A, E, F, H, J and K which gives a distinct personality. Triump comes with a Black weight in normal and italic Line both upper and lowercase letters, especially to give a vintage look to the designs.

Gattermoon Script takes you away for romantic rendezvous with your love of signature handwritten scripts. Slightly slick, slightly classy, ​​Gattermoon is a must-have for any signature handwritten font collection. Gattermoon adds a different nuance because of its different slope. It's a little more cheerful and relaxed and tends to be more elegant. Perfect for: elegant branding, wedding stationery, romantic book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, quirky social media posts and more.

Sweet Charlie is a fun, quirky and authentic font that will easily embody any romantic craft idea. It will turn any creative idea into a true standout.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

ITC Humana Sans font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana Sans is the perfect font for anything requiring both clarity and a touch of personality.

Qoodara is a Display sans serif typeface that suitable for strong and modern looks on your works. Qoodara is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Qoodara Font - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Rileno Sans is sharp with geometric forms and strong personality. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920s with a humanistic quality. It comes in 6 weights, 6 uprights and their matching italics. Rileno Sans is equipped with opentype features like Alternate charates, Fractions, Monospace Numbers, Superscript/subscript, Arrow, Roman Numbers, Ligatures and More.

Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Jazz font is the work of British designer Alan Meeks and brilliantly captures the sophisticated elegance of the 1920s and 30s. The bold roman style is enhanced with an interior design almost like a piano keyboard or the lit windows of a skyscraper. Jazz font is a good choice for any headline or display which should have a refined, Art Deco look.

Nightmark BB is a roman-inspired, all-caps calligraphy typeface, hand lettered by Nate Piekos. Intended for comic book dialogue lettering, it features contextual alternates for six versions of each letter, three versions of each number, exclamation point, and question mark, serif-I correction, manga-specific characters, bouncy baselines for three or more consecutive letters, and a ton of European characters!

Alan Meeks originally designed the Champers typeface in 1991. Champers is a robust, classic Roman-style display typeface whose nature includes an underlying handwriting twist! A distinguishing feature is the mixture of a condensed lowercase alphabet with more regular capitals. Both are best used with close-fit letter spacing. Champers is perfect for almost any headline, display, or logo application.

Gaudí ND was designed in 1962 by Ricard Giralt Miracle and awarded with a Delta d’Or from ADIFAD. It combines the constructive spirit of the lapidary Roman with the modern sans serif. The rectangular endings constitute a recurring rhythm, resulting in a futuristic character that refers to a digital context and the interior life of computers. Gaudí is a Trademark of BauerTypes SL.

Anori is a playful sans serif. Inspired by handwriting and the playfulness of the italic sharp, Anori is a dynamic, high contrast and smooth typeface. It will bring originality to your designs and the large variety of glyphs will give you freedom for all of your projects. Anori is available in 10 styles, from light to black, in roman and italic.

Specimen | Graphic presentation | Customization options TT Firs Text includes 23 font styles: 11 roman, 11 italic, and 1 variable font. Each font style consists of 898 characters, counting in the characters of the expanded Latin and Cyrillic writing systems. The font has 31 OpenType features, among which are localization features for various languages, circled numerators, and stylistic alternate for the ampersand.

Prestige Elite is a word processor face which offers clear and monospaced type. The slanted versions have kept the same design as the roman font. The word Elite denoted a specific size of typewriter face. The Prestige Elite font family is easy to read, even in small sizes and is useful for tabular material with narrow columns, such as directories and lists.

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

The Libran font family consists of Libran Regular, Libran Italic, Libran Antique and Libran Small Caps. The broad open counters make for easy reading with a touch of classic roman clarity. The diminutive serifs add a suggestion of the hand crafted origins without obstructing Its clean, contemporary lines. Libran’s generous x-height and short ascenders have been carefully proportioned to maximise reproduction qualities.

Gayatri is sans serif font with high contrast and smooth lines. Its large variety of glyphs, including accents, old-style numbers, ligatures,... will give you freedom for all of your projects. It offers a large choice of uses such as magazine, branding, edition and so on. Gayatri is available in 16 styles from thin to black, in roman and italic.

Synopsis draws inspiration on the classic proportions and letterforms of old romans. In addition to this a new modern twist has been infused to it, giving it a dimensional double stroke or virtual inline that makes the round parts twist in and out. Specially gorgeous in big sizes it brings the best from the past merging it with new ideas.

Durer Caps is three fonts in one. Based on master artist Albrecht Dürer’s 1525 geometric construction of Roman capitals, this font features A to Z as caps only. But there are three variations included: filled construction, unfilled construction, and the solid fill letters by themselves.The user can layer the unfilled and the solid fill letters to do two-color overlay effects.

A refinement of Roman inscriptional capitals designed by Bruce Rogers as a titling design for signage in the Metropolitan Museum. Rogers later designed for the Monotype Corporation a lowercase based on Jenson’s work, turning the titling into a full typeface, Centaur, the most elegant and Aldine of the Jenson derivatives. Centaur® font field guide including best practices, font pairings and alternatives.

Ross F. George, the lettering wizard behind many an edition of Speedball lettering books, called this quirky creation "Spatter and Spot Roman". In this version, the spatters go, but the spots remain, and a good time is had by all. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower right hand corners. With six weights in Roman and italic, Suomi Sans works well for both headline and text use.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.