From the heart of the Blue Ridge Mountains, by way of Toronto, comes Martie's handwriting. Martie Byrd is a school teacher in Roanoke, Virginia, and a friend of Canada Type's Rebecca Alaccari. After years of admiring the cheer and clarity of Martie's handwriting, we asked her to write out full alphabets for some cool font treatment. The intent was to do three different versions of her writing in two different pens, then use the auto-magic of OpenType to determine letter sequences and rotate character sets on the fly when the fonts are in use. A successful endeavor it was. Take a look at the images in the MyFonts gallery to see the character rotation in action, along with a visual explanation of why Martie is not just another handwriting font. Unlike other available felt tip and ballpoint handwriting fonts, the regular and bold variations are style-based, not weight-based. They are the handwritten expressions of two different Sharpie pens: The fine point one (Martie Bold), and the ultrafine one (Martie Regular). The style-based variation considerably helps the realism needed in design pieces that take advantage of the contrast of two different handwriting fonts. Weight thickening in handwriting is an obvious mechanical effect that only happens with computers. Weight changing by replacing pens is what happens in the real world. Martie Pro and Martie Pro Bold each contain three different character sets in a single font. Language support includes Western, Central and Eastern European languages for all three sets. This translates into each Pro font containing over 750 characters. Add OpenType code and stir, and you have true handwriting fonts with versatility unavailable out there in anything else of the genre. A software program that supports OpenType features is needed to use the randomization coded in Martie Pro and Martie Pro Bold. Current versions of QuarkXpress and Adobe applications (Photoshop, Illlustrator, InDesign) do contain support for the randomization feature. But if you don't have one of these apps, you can still use the interchangeable Type 1 or True Type fonts and change the characters manually to achieve the appearance of true handwriting. The Martie fonts come in a variety of price packages, from the affordable single fonts to value-laden complete sets. All the proceeds from these fonts received by Canada Type will be donated 50/50 to two primary schools: One in Roanoke (where Martie teaches), and one in Toronto (where the 10-year old, real Canada Type boss goes). So next time a design project needs a handwriting font, do the write thing and use Martie to keep it real.

Elegant curly handwritten font, great fro your next invitation.

Nimble carries a strong, unique, cute, elegant, and formal character theme with a different touch, giving a new impression. beautiful, harmonious, relaxed but still formal. This font is rich in uniqueness in various characters in each letter, especially uppercase letters. you can alternate calls in each uppercase letter to create a new and captivating look in writing a name or trademark or something else. This font is perfect for strong text with displays for a wide variety of branding, advertising, posters, banners, packaging, news headlines, magazines, websites, logo design, and more.

It's unpredictable! It's enigmatic! It has a winning smile and a devil-may-care personality. It can be charming and obliging and yet also elusive and impractical. It is the doer of deadly deeds, it is the dextrous hand of ELEPHANTMEN artist Justin Norman. It is swift and decisive, hesitant but packed with Talent. Ladies and... uh, More Ladies... Moritat has entered the building. Whoops, actually Moritat has LEFT the building. Moritat is the alias of Justin Norman, comic book artist and illustrator. The font is based on his pen lettering.

“Macaw” is a welcome addition to our library, a modern serif typeface with roots in classical typography. Its forms are sober and delicate in its lightest weights and as the width increases to the boldest, it unleashes a powerful and distinctive emphasis on your project. Developed in a range of four weights with a matching set of true italics, the design of Macaw takes its inspiration from the Italian newspaper market at the beginning of last the century, a time where roman typography was predominant. In fact, the main purpose of this typeface is to preserve versatility and legibility, to prescind from any text size. A multilanguage serif family with a unique fluidity to modern and classic projects. Particularly useful for any editorial need and seamlessly adaptable to any destination of use such as corporate identity, web design, and social feeds. Specifications: - Files included: Macaw Light, Macaw Regular, Macaw Medium, Macaw Bold with corresponding italics - Formats:.otf - Multi-language support (Central, Eastern, Western European languages) Thanks for viewing, Unio.

This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator's poster work. Lucian Bernhard's lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide. It has a unique personality. This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures. And an easier-to-identify "flagged" figure one and the new euro symbol are now located in each individual style. Bernhard Gothic is also available in the OpenType Std format. Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Farm Wave Regular & italic - beauty font design include regular & italic font Image used : All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purpose only.

Copihue is the newest font from the foundry of Juan Pablo De Gregorio. A Sans-Serif with some humanist hints, it displays simple and subtle yet sober, vivid strokes. This font’s personality unfolds itself as long as we are reading it. The aim of Copihue is neither to be as neutral as a grotesque font nor to become as predictable as a fully geometric typeface can be. This typography wants to appeal to the likes of designers who prefer all-rounder fonts, the ones who fit well in most layouts. With this purpose in mind, Juan Pablo studied elements of different typefaces and styles to cast them into Copihue, which boasts a personality that makes it a great fit for different compositions and designs. Copihue has a slanted version with "real italics". These italics are slightly more condensed than the regular version, in order to give it a different text texture. The typeface has 9 weights, ranging from “hair” to “black”, and two versions: "regular" and "italic". Its 18 files contain 749 characters with ligatures, alternates, small caps, oldstyle and tabular numbers, fractions, and case sensitive figures. It supports 219 Latin-based languages, spanning through 212 different countries. Copihue supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

SL Gardel is a tribute to the genial tango singer Carlos Gardel (1890-1935). Gardel was portraited with proverbial slenderness by Natalia Español in SL Gardel. SL Gardel synthezises the most outstanding facets of the "creole trush" (zorzal criollo) through its exclusive icons: his seduction, his tango, his magic, his style. His Buenos Aires. Integrally worked through the typical modulated trace style founded in Buenos Aires tango graphics, the SL Gardel's imaginery unfolds a singular fan of images-concepts. The tango spirit reflected trough an excellent developement. SL Gardel is an original iconographic illustration library in True Type format. SL Gardel takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos.

PF DIN Mono is the latest addition to the ever-growing set of DIN super-families by Parachute. It was based on its proportional counterpart DIN Text Pro but was completely redesigned to reflect its new identity. DIN Mono is a monospace typeface which is comprised of characters with fixed width. Traditionally, monospaced fonts have been used to create forms, tables and documents that require exact text line lengths and precise character alignment. DIN Mono, on the other hand, can prove to be more than a useful typeface for technical applications. In the world of proportionality, DIN Mono stands out as a fresh new alternative to the popular standard, particularly for publishing and branding applications. Additional care was given to the aesthetic form and its pleasing characteristics. The spacing attributes of the glyphs were redefined and legibility was further improved by revising or changing the shape of the letterforms. Furthermore, kerning was not included in order to preserve the monospace nature of this typeface. The family consists of 12 weights including true-italics. Currently, it supports Latin, Eastern European, Turkish and Baltic.

With five weights and four contrasts, all grouped in three version : sans-serif, slab, serif and all this doubled by a true italic, Oman regroup 120 different styles declined in four variables. Perfect from headlines to text, Oman will meet your needs with a many languages to support (Latin pro, Cyrillic), 14 OpenType features (Fraction, Numerator, Denominator, Tabular figure, Oldstyle figure, Small capital, Small capital from capital, Ordinal, Stylistic set, Case sensitive, Discretionary ligature, Contextual alternate and All access alternate). • Numerator and Denominator includes numerals and currency • Tabular Figure includes : numerals, currency, OldStyle numerals, small capital numerals, small capital currency. • Small Capital features includes the Latin & Cyrillic alphabet with the accents. • Ordinal feature includes the Latin & Cyrillic alphabet. • Two Stylistic set for “a” & “g” includes accents. • Discretionary Ligature includes “AE”, “AÉ”, “IJ”,“OE”, available in lowercase, small capital and ordinal. • Contextual Alternate includes ligatures for arrows : <-->^|v|<->v^|. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

The name "Smart Casual" says it all. This is the font to use when you want to create that smart impression without being too formal. It is based on the font "Black Tie" but it is less formal than "Black Tie". It conveys an impression of relaxed elegance without being either sloppy or too intimate. Smart Casual is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create that special ambience, for posters and for announcements. Smart Casual has a full character set and has been carefully letter-spaced and kerned. It comes in two styles: Baseline and Staggered. In "Baseline" all characters refer to the same baseline (the lower part of the characters are in line), while in "Staggered" the capitals are placed lower than the lower case characters, creating a slightly more dramatic, yet formal and retro look.

Combative is perfect for logos and various formal applications such as invitations, labels, magazines, books, greeting cards, packaging, fashion, stationery, novels, and advertising purposes. Combative's unique style and versatility make it suitable for a wide range of design projects. Whether you're looking to create a bold and impactful logo or add a touch of sophistication to your formal designs, Combative has you covered. With its uppercase and lowercase letterforms, Combative offers flexibility and creative freedom. The font also includes numbers, punctuation marks, and supports multiple languages, ensuring that you have all the necessary elements to express your ideas effectively. Combative features PUA Encoding, allowing easy access to additional characters and glyphs, further enhancing your design possibilities. Make a statement with Combative's elegant and eye-catching style. Whether you're working on branding, invitations, magazines, or any formal design project, this font will elevate your creations and leave a lasting impression.

Alea is based on the drawings of Maria Balle. The floral, organic look of these bastard script initials will play well together with nearly all Didone designs and will give them a special note. Alea works perfectly with the Adana fonts also available from astype. The Opentype features Superior, Inferior & Numerator will activate the filling objects. Use these features on a new layer and choose your color to get up to three color layers.

British type designer Tony Booth created this script FontFont in 1996. The family contains 4 weights: Light Italic, Regular, Medium Italic, and Bold Italic and is ideally suited for advertising and packaging and poster and billboards. FF Sale provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures.

Soft Aura is a minimalist and simple sans family that have four fonts in total. You will get the regular, italic, bold, and bold italic in the package. You can use this font for any purpose, suitable for contrast logotype and branding. Combine the style fonts, italic and bold in one word to get stylish contrast look. This font also support multi language.

The long awaited full version of Poster, a recreation of Bodonian/Didot excess designed by Iñigo Jerez. The family has been finely improved with more styles. The family consists of: Poster and Poster Italic, a bolder version named Poster Monster and Poster Monster Italic– a virtuoso exercise in counter forms and contrast to be used with power unleashed, as the name suggests–; and finally Poster Display, Poster Display Italic, Poster Display Monster and Poster Display Monster Italic: four styles designed for even bigger sizes, with more contrast and splendor.

Qualux is a versatile high-contrast serif font family. Qualux comes from the words Quality and Luxury. This font has vintage characteristics with a luxurious style in light, but also has a friendly and playful style in bold. Each glyph has a soft, rounded tip. This font is suitable for many various projects such as logos, branding, magazines, signage, fashion and many more. Qualux consists of 8 styles: Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, and Bold Italic. These fonts feature Kerning, Standard Glyph, Stylistic Alternate & Ligature, Numeral, Symbol, and Multilingual Supports.

Fathir is made with a true real handwritten style. The font comes with three style of titling and ending swash. It is very easy to access the swash characters even if you don't use pro software. The sample images show you the possibilities. Fathir is perfect for branding, quotes, logo, invitation, packaging, business card, and more. I hope you love this lovely font. Regards, Abo Daniel

CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. CamingoDos Condensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Fusion Slab was developed based on Fusion Sans Pro, as an amalgamation of traditional early nineteenth-century letters. Fusion Slab is a family of 3 weights with very tall x-height which is suitable for long headlines. On the other hand, its ascenders and descenders are extremely short so text lines can be set with a very low leading value. It provides support for Latin and Greek.

2001 description: No monospaced typeface I used for coding development or just plain e-mail correspondance satisfied me in aliased mode. All common monospaced fonts have hinting imperfections from 9 to 12 points and above. All but Pragmata. 2021 description: Pragmata is still a good font for graphic design. Take a look at Pragmata Pro if you looking for a perfect and complete antialiasing coding font

Think of a slender Black Letter screeching to a halt on the page and you have the essential idea of Stridere. Want ornate formality and fast movement all in one? Here it is!

Use Fancy Flourishes to add formal or shabby chic accents to your scrapbook layouts, handmade greeting cards and other creative lettering projects. Each letter on the keyboard corresponds to its own unique flourish.

RosarGrad is a simple but elegant calligraphic face with six style: plain, italic, medium, medium italic, bold, and bolditalic. It was inspired by hand lettering on a graduation picture from the late 1960s.

The Segoe™ TV font family was originally developed for MSNTV. Segoe TV italic was designed with attributes for improved legibility on TV screens. Segoe TV italic includes the Latin-1 character set.

Outline drop-shadow italic font

Crypton is a modern geometric design by Alex Kaczun. It’s an alternate style variation based on his popular Contax Pro family of fonts. The look is clean, smart and sophisticated—the chiseled end strokes reflect the rage of the 1980s; lettering that represented something to do with electronics, computers and outer space. It’s a futuristic sans-serif exploration of shape and form. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong and dynamic—it can be widely used in publications and advertising. Crypton is a futuristic, techno-looking and expressive typeface with the appearance of machined-like parts—round geometric shapes and sharp edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

Sneakers was a typeface that I originally drew all the way back in 2005, with a release in 2006. Its most recent iteration, Sneakers Pro was released in 2009. Since then, the idea of reworking the design has lingered in the back of my head, but I wanted to add additional flexibility and value to anything offered beyond the originals. Sneakers Max does just that and I am happy to see it released and available to everyone. Sneakers Max raises the bar in terms of functionality… incorporating all of the options found in Sneakers Pro (e.g. Small Caps and a biform/unicase located now in Titling Alternates), but it expands the character offering, improves on letter designs (everything was redrawn) and explores more flexible settings by providing 5 distinct counter widths to keep more uniform multi-line settings with mixed letter heights. Special thanks to Potch Auacherdkul for his additions to the original character set and for his engineering skills.

Handmade, expressive, lively, organic— …words typically used to describe a script font or a casual sans. Spry Roman opens up new possibilities. It’s origin is handwritten letters created using a pointed nib on slightly toothy paper. While based on a Roman form, the letters are designed to break out of the mold and dance along the baseline. Spry Roman Pro is a fully featured opentype font. Among the 964 glyphs are loads of alternate characters and swash letters; a full set of small caps; simple fractions; case sensitive punctuation; and a variety of ornaments, border elements, and flourishes. It also includes a full dose of language support for not only main characters, but also for alternates and small caps. Ligatures have been kept to a minimum to allow users the option of tracking text. **Please note that the Pro version has all the glyphs of the others combined. The smaller versions are for those who don't have opentype savvy apps like Adobe Illustrator.

Keep Calm is a family of fonts developed from the now famous World War 2 poster that was designed in 1939 but never issued, then rediscovered in 2000. As well as the original Keep Calm font, the medium weight of the poster, new weights are now available – Keep Calm Book (regular weight), Heavy and Light – and each weight comes with a complimentary italic. Version 2.0 (2017) is a comprehensive update which consists of numerous refinements and improvements across all weights. The family now contains a full complement of Latin Extended-A characters, Welsh diacritics and Irish dotted consonants. The four italics have been optically corrected with revised, ‘true italic’ forms of a and f. The crown motif from the top of the Keep Calm poster is located at the plus minus ± and section § keystrokes (Alt 0177 and Alt 0167 on Windows). The lowercase g follows the Gill/Johnston eyeglass model, but also included is an alternative, single-story g at the Alt G keystroke (Alt 0169 on a Windows keyboard), the normal location of the copyright symbol which has been relocated elsewhere in the fonts. An alternative lowercase t, without the curved wedge cutaway, is provided at the Alt T (dagger) keystroke (Alt 0134 on Windows). When I first saw the Keep Calm and Carry On poster, I wrongly assumed the letters to be Gill Sans. Recent research at the National Archive by Dr. Bex Lewis of Manchester Metropolitan University has revealed that the original poster was hand drawn by the illustrator and painter, Ernest Wallcousins. The Gill Sans influence is apparent, in the R particularly, the M’s perfectly pointed vertex is redolent of Johnston’s Underground, and the most anomalous character, the C, resembles the ‘basic lettering’ of engineers that provided the vernacular sources for the Gotham typeface. Developing the Keep Calm typeface has been an exercise in extrapolation; an intriguing challenge to build a whole, high quality font family based on the twelve available capitals of the Keep Calm poster, and on similar lettering from the other two posters in the original series. This has required the creation of new lowercase letters that are believably 1939; that maintain the influence of Gill and Johnston while also hinting at the functional imperative of a wartime drawing office. Wallcousins’s lettering balanced intuitive human qualities and the pure pleasure of drawing elegant contemporary characters, against an underlying geometry of ruled lines, perfect circles, 45° terminals, and a requirement for no-nonsense clarity.

Rettisha Display is a stylish serif with beautiful ligatures. Available in two styles: Normal and Expanded fonts. Designed with clean and high contrast. Add interest with adding beautiful ligatures to make your typography truly unique. Perfect for anything your creativity. To access the Opentype Ligatures you will need software that supports Opentype features in fonts and also PUA unicodes support for other software.

Introducing our new exploratory Sansdiego, this typeface inspired by European empire-era forms of writing. Sansdiego typeface is perfect for classic Victorian themed designs, beer packaging, whiskey, barbershop, pomade, tattoo studio logos and so on. This font comes with additional effects: Normal - style - double - Shadow, packaged as a layered font. Sansdiego is an all caps font, carefully crafted with a great ornamental taste.

A while back I created a nice font called Harimau. It is a childish font, with a happy feel to it. Harimau had some unusual glyphs, most notably the 'g' and the 'j', which, for some designers, were a little too unusual. Therefore I have created a new font based on the old Harimau: it is similar, but comes with 'normal' glyphs.

Overland Trail JNL is Jeff Levine Fonts’ interpretation of “Italian”, first introduced in 1821 by the Caslon & Catherwood Type Foundry. Unique and somewhat similar to Faux Pas JNL with its eccentric stroke weights (opposite what is considered normal for serif fonts), the typeface features a design most associated with the Old West. Overland Trail JNL is available in both regular and oblique versions.

Sidefont is a sharp, square family of 18 fonts inspired by the Sidemen Logo: The font broadens its use by supplying weights all the way from Thin to Black, Normal to Oblique. Perfect for posters, headlines and logotypes. OpenType features give you access to: Alternatives Kerning Fractions Numerals & Punctuation Accented characters Multilingual Support Supports most Latin-based languages and few others.

Cast Shadow JNL uses the same wood type as found in Trade Printer JNL and adds to it a cast shadow in right or left versions for a bold and unique look. Both fonts have limited character sets and should be used in point sizes larger than normally chosen to compensate for the visual discrepancy due to the cast shadow's effects.