CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. CamingoDos Condensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

The Neue Frutiger Variable Set is a single font file that features three axes: Weight, Width and Italic. The Weight axis has a range from Ultra Light to Extra Black. The Width axis provides a range of condensed values. The Italic axis is a switch between upright and italic. Variable fonts act as a complete family of fonts in a single file. The new Variation font feature is supported by a growing number of desktop design applications, and more importantly by all the major web browsers. Variable fonts provide a variety of benefits to web and print designers and developers including flexible, responsive typography.

Canadian type designer Nick Shinn created this display, script, and sans FontFont in 2001. The family has 8 weights, ranging from Ultra Light to Extra Bold (including italics) and is ideally suited for advertising and packaging, festive occasions, film and tv, music and nightlife as well as software and gaming. FF Fontesque Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Fontesque super family, which also includes FF Fontesque.

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Foundry Monoline is an elegant, modern typeface family eminently suited for use in identity, editorial, and advertising use. The deceptively simple design, and clean, linear appearance has been created using strong structural elements. Each character has its own subtleties and variations, with the monoline appearance achieved through careful optical adjustment. Since its first release, the family has been extended from 7 to 12 fonts. It now includes a comprehensive choice of 6 weights with accompanying italics - from ultra-light beautiful at large sizes, to extra bold great for headlines. It is also available in OpenType Levels 1, 2 and 3 providing a wide range of language access.

P22 Chai Tea is unique among brush lettering scripts. Its sweeping strokes and luxurious use of horizontal space lend personality and warmth to any project. Its sturdy letterforms make it ideal for logos, stationery, titling and packaging. The Pro version is stacked with alternative characters and ligatures programmed to substitute contextually in programs that support OpenType features. In addition, Chai Tea Pro contains Central European Language support that also includes many ligatures with accented characters.

Versatile pixel fonts inspired by underground LEDs in Vienna. 4 styles (Pro, Poster, Caption, Mosaique) with different shapes and proportions are bound to one pixel grid to be combined perfectly in 5 pixel shapes: Square, Rounded, Dots, Hatch, Polaris. Pro: strong emphasis, wide proportions, best for legible text. 400+ symbols, greek alphabet. Poster: strong + compressed for large text use. Caption: legibilty for small text use. Mosaique: monospaced tiles with letters and pattern.

Droid Sans Pro Font Family (2 fonts) are a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. The Font Family is an approachable, friendly set of typefaces optimized for display on screen. It was designed to provide optimal quality and legibility. It features upright stress, open forms and a neutral appearance. The font was optimized for user interfaces and to be comfortable for reading on a mobile handset in menus, web browser and other screen text. The font family contains Old Style Figures (requires an application that support advanced OpenType typographic features) and extensive character set coverage including Western Europe, Eastern/Central Europe, Baltic, Cyrillic, Greek and Turkish support. Contains: Droid Sans Pro Regular & Droid Sans Pro Bold

Quite unusual, Musenberg started his Raldo design with the italic. However, he managed to preserve the temperament and vividness of the italic in the roman without questioning the stability of the individual characters. Raldo is a modern Sans Serif family already quite popular in Germany. The German IGEPA group chose Raldo as corporate typeface family. Now, Marc Musenberg redesigned and extended his Raldo typeface family. The new Raldo RE Pro comprises 10 styles, 5 roman and 5 corresponding italics. All fonts now include the complete Latin character set plus fractions, different sets of figures and fractions as well as small caps and small caps figures for Raldo RE Pro Text, Regular, Semibold and Bold. Raldo RE Pro has been chosen to be part of the URW++ SelecType.

Extenda is a variable width sans serif type family designed by Francesco Canovaro with Andrea Tartarelli and Cosimo Lorenzo Pancini.It been created to provide designers with a powerful but flexible tool to create strong headlines, logos, and display text with tight spacing and maximum space coverage. Rather than providing a family of weights, it gives you a fine-grained range of widths to choose from, allowing maximum control in display editorial uses, and proportional size variation in logo design, keeping consistent appearance and readability. From the vertical, ultra-condensed and thin Pica, Nano and Micro weights to the wide and ultra-bold Peta, Exa and Yotta weights, all Extenda fonts include an extended character set covering Latin languages as well as ones using Cyrillic and Greek for a coverage of 200+ languages. Full Open Type features are included, from small caps to stylistic alternates, positional number forms and discretionary & standard ligatures. The 11-weights family is complemented by the Extendable special weight, that uses Open Type scripts to create a dynamically scaling typeface where each letter becomes automatically tighter or wider than the previous one.

A new look of Appetite typeface. Swashed initials, and true italic. Try these tasty letters! Look at the new Appetite version — Appetite Pro — Release 2016!

CoalhandLuke is a handwritten font I made by using a piece of charcoal. The Pro version contains an additional set of Cyrillic and Greek characters.

Robson is a fluid, condensed, uppercase font made up of eight weights, as well as a variable, that will provide instant visual impact to your projects. The font is made up of 486 glyphs which features extensive language support & stylistic alternates to give your designs the versatility they require. The font has a retro edge to it by using rounded structures on the A, M, N, W and Y glyphs that are reminiscent of posters and promos from the 70s and 80s. The ultra tight thin weight is made to be used at super sizes to bring a focal point to your designs. Robson is meant to be seen big (well, he's a bit of a show-off) Robson is perfect for your digital, print or branding projects. Or, for a poster on your fridge that says "You rock".

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

This type family is a revival of the old and famous Frank Rühl from 1924. With less contrast the 2 weights make it more readable and pleasant to the eye too. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution. Please be aware of minor changes that might impact page layouts done with older fonts' versions. So be careful.

Silver Crown is an Ultra Condensend display font with minimalist characters. It's perfect for logos, name cards, magazine layouts, headers, or even large scale artwork. Silver Crown, a clean sans serif, offers you: 1. Upper and Lowercase characters (All Caps) 2. Ligatures (121 characters) and Stylistic alternates (9 Characters) 3. Multilingual Support (Latin Western Europe), Numbers and Punctuation

Wood Type Bodoni JNL is a variant of the popular ultra bold version of the classic Bodoni design, with variants in character widths and shapes. Based on a vintage set of wood type, the "hairline" strokes of the 4 and 8 have been made ever-so-slightly thicker in spots to add a modest amount of additional contrast.

Piepie is very heavy typeface for titlings and captions. OpenType Format (.otf) with 461 glyphs! Super mini ascenders and descenders! Ultra big x-height! Fatty weight yet Sharpy sharp detail! Bring it on Retina display! OpenType alternates for K, R and Y! Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 Almost all Adobe Latin 3 Almost all

Roncial is an Ultra Bold font with a hint of serif. This is one of the fonts originally designed before the advent of digital and started out being a bolder, slightly serifed version of Folio Extra Bold which was one of the boldest fonts at the time (old metal set). It is available as Roman and Italic.

Procerus was designed to achieve maximum impact on a narrow ground with ultra compressed letterforms. The idea was to explore the beauty in perfectly integrated straight shapes to maximize the use of space while keeping the empty space to a minimum. The result was a stunning display family that makes the type interesting, engaging while still being readable.

Gumok - Ultra Condensend font and Minimalis Character, It's Perfect for logo, name card, magazin layout,headers, or oven large scale artwork What you get dear, you will get : 1. Gumok- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Stylistic alternates Character (9 Character) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Zokak is a first-of-its-kind ultra condensed Arabic typeface designed for display uses. The name means an alley in Arabic which comes from its very narrow letters, which makes it perfect in small spaces. Zokak has two main styles, the default style and the tall one to give more diversity and to be suitable for more uses.

Lion & Hare is an ultra compressed, tall font family that portrays strength and power. The condensed characters maintain fairly square edges to give a more consistent geometric & industrial look to the font. The font family supports 27 languages and comes in 6 styles. Lion and Hare works fantastic for website headers, magazine layouts, logos, branding and much more.

Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

Another addition to the Whiz-Bang Wood Type series is this ultra-condensed font, well suited for very large headlines. Named for the body of water which separates Padre Island from the mainland of Texas. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

ATC Timberline, is an ultra wide-set sans-serif typeface. With its sharp points and extended curves, ATC Timberline feels just at home in mid-century modern as it does in forward-looking modern settings. Contains 370+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. File type included in download is .otf. ATC Timberline was released in 2016.

Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal for use in headlines, posters, titles and anywhere you need for create impact.

Stimul is a singular monoline sans serif font family. The type idea is based on experiments with the grapheme of the letters. Sitmul contains a huge amount of alternative glyph forms which vary from fairly conventional to very whimsical. Mix them to enrich your text set by a myriad of unpredictable combinations. The font family consists of four typefaces with two different styles in each: uppercase and lowercase. Each typeface also has 5 stylistic sets and an alternative set of figures. The font provides multilingual support: Western Latin, Central European, Turkish, Baltic and Cyrillic. Sitmul is perfect for short texts, headlines, posters, logotypes and so on. Using Stimul you can always expect the unexpected which will definitely stimulate your creativity!

The original idea of the Dada font and randomness was given new life with the introduction of OpenType programming. P22 Dada Pro includes over 500 glyphs of letters and images and can be used to create Dada inspired typography by simply selecting various OpenType features. P22 Dada Pro was released in 2006 as "Dada Special Edition" to coincide with the "First Major International Dada Museum Exhibition in The United States" at the National Gallery of Art.

Rilke, is the lettering used by Gustav Klimt on the 1st Vienna Secession poster in 1898 and is named for Klimt’s contemporary the poet Rainer Maria Rilke. The Vienna Secession was a group of artists whose motto was "to every age its art and to art its freedom." Their goal was to create a new style not based upon any historical influence. Its subtle curving strokes and the idiosyncratic set of the various characters create an elegant lightness which lends itself well to poetry, inscription

Tunning Oxide, is an alternative version of Tunning Pro, it contains different styles as alternatives, it also contains Cyrillic and Greek, It is special for stock titles

Ringwell is pure Victoriana in two styles, plain and decorative, that can be mixed and matched. The Pro version combines the two styles using stylistic alternate features.

Steve Jackaman & Ashley Muir. A new uncial design with a decided Celtic feel. Connemara contains all the high-end features expected in a quality OpenType Pro font.

Based on ancient scribal texts, useful for Jewish education. Useful at text sizes and large scale applications. Bold, high contrast typeface. Pro version- Excellent support for Niqqud (Vowels). All marks are programmed to fit each letter's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum. The overall design of Underground Pro is kept as intended by Johnston and remains within his system of proportions. Additional OpenType features, such as Small Caps and Petite Caps, are included in all 6 weights. A Titling option that mimics London Transport signage is offered in the medium weight. The addition of many Unicode ranges for unprecedented language support makes this the most expansive P22 font family ever. Each Pro font weight collectively contains over 5000 glyphs, covering most Latin based languages, with separate Greek (polytonic) and Cyrillic versions. The outlines of the original Regular and Bold have been subtly redrawn and expanded, they are now available as Medium and Heavy respectively.