Storyboard is expressive, rough, partly connected and full of painterly, brushed energy like the sketches of a storyboard. It's bold and kind of edgy, but can be friendly too. There are tons of ligatures you can turn on or off depending on the look you're after. So what's your story?

Fun Play is A Fun and Playful display typeface family with 5 wights variant; from Light to Bold. Comes with many features; Multilingual Support, Ligatures, Stylistic Alternate and more. Each character represents a child's joy. ‘Fun Play’ can be used for branding, packaging, headline and all styles of children-related design.

The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face that’s sure to please. Both versions of this font contain complete Latin 1252 and Central European 1250 character sets.

Take Charge JNL is based on the opening title card for the 1936 film "The Charge of the Light Brigade" starring Errol Flynn and Olivia de Havilland, Donald Crisp and David Niven. The typeface is a simple, bold titling font with the slight feel of Art Deco influence in its design.

Class, with a punch. It's rare to find fonts that are refined without being too delicate, stylish while still being bold and impactful. Guildhall is a heavy rectangular flared serif in face widths with matching italics. Suitable for film posters, rock concerts and band logos, beer labels, packaging and magazine headlines.

Ghiberti is a contemporary interpretation of the bold Florentine lettering style used with marble inlaid and bronze cast inscriptions of the fourteenth and fifteenth centuries. The font, consisting of caps and small caps, was designed by Paul Shaw and Garrett Boge in 1997. Ghiberti is part of the LetterPerfect Florentine Set.

Blog has a new distinctive look and comes in four weights light, regular, medium and bold. It can be seen as quite elegant in the light weights while looking masculine in the heavy weight. Its unique look lends to so many different applications. Blog works well for both headline and text.

Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font. There are also two companion styles, Lindisfarne Nova Incised and Lindisfarne Runes.

Phantaztik is a bold and groovy font packed with stylish interlocks, uncommon alternates, extended language coverage, and clever OpenType programming. Full of cheer and optimism, it's a fantastic option for packaging projects, book covers, game titles, apparel, and many more creative applications. Feel-good designs just got easier, check it out!

HT Mason is bold and hand painting font. This font is retrospective and decent, but it is also funny and cute. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

A heavy-set but lively font, Kendrick’s dense strokes were hand-painted using a thick wet brush. This all-caps set of letters is bold but brushy, textured and expressive; fun but very much meaning business. Kendrick is streetwise and no-nonsense, but with a big cheesy grin to boot.

Michaello is a casual natural handwritten font with an incredibly friendly feel and a stunning brush texture with a bold vibe. It is the perfect font for making original and outstanding designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Nathallia is a bold serif while elegance still maintained. It will boost your design stand out! Nathallia is the perfect typeface for any kind of your project, such as advertisements, branding, graphic design, quotes, wedding design, logo for online or offline business, photography, and others. Make your business more elegant beautiful!

Bunny Hop - funny playful bold typeface. Will not leave you indifferent, thanks to its brave forms. It is great for creating your project, it can be used to create beautiful inscriptions on t-shirts, children's books, branding, book covers, stationery, marketing, color, toy branding, a blog, magazines and much more.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” you’ll find a bold, hand lettered Art Deco sans serif typeface designed by Welo with a decidedly 1930s-1940s look. This is now available as Pastry Shop JNL, in both regular and oblique versions.

Jingle Binder is a Modern Handwritten Bold Font. Jingle Binder is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Jingle Binder also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introducing by Adante.Creative Proudly Present, Uncle Hours Uncle Hours is A Bold Display Typeface Font Uncle Hours is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email.

This is an original, confident and cheeky little font; characterised by its boldness and dense letterforms, which boast a solid texture and distinctive lack of counters. Drawn with a marker pen, the bounciness of Rockland counteracts its solidity to make for a friendly aesthetic that’s as confident as it is playful.

Eye Monsta is a bold and fun display font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Minimal is a distinguished sans serif display family with minimalistic modern edges, designed by Khalid Al-Mazrouei and published by Kmaz. Minimal packs a complete set of uppercase and lowercase letters, numbers and punctuation and comes in 3 weights (Thin, Regular, and Bold). Perfect for headlines, magazines, and much more.

This unusual face features letterforms inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s, and rendered in a bold chiaroscuro manner. In case you're wondering, Escondido is Spanish for hidden. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Rusty Nail is a carefully hand-made uppercase only typeface with a full Central European character set which comes in two styles, Regular & Bold. It was created for a liquor company where hand-made letters were part of the corporate design. It’s perfect for labels or lettering with a "used look".

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

Alishba is a handcrafted font with a regular and bold vibe. It was handmade with an irregular baseline and is equipped with alternatives and ligatures. It can be used to add a natural touch to your stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Kemading is a retro serif font that has a vintage, cute, fun and bold feel. Comes with four styles, regular, italic, outline and outline italic. Kemading's design is unique and energetic, making it perfect for adding a touch of fun nostalgia to logos, crafts, posters, branding, stickers and many other projects.

Redrawn from lettering found on a British publication circa the 1930s, Retail Price JNL is an extra bold display inline sans that’s great for catchy headlines, price cards, banners or any other attention-getters. Retail Price JNL is offered in regular, oblique, solid and solid oblique versions. Caps only Fonts.

"Mono Polz" takes its inspiration from the zany and eccentric world of cartoons. Every letter is an explosion of creativity, with bold lines and playful shapes that'll make your designs pop right off the page. It's the perfect font to add a touch of comic mischief to your projects. - Uppercase

Balcon is condensed sans family designed to be your first web font choice. Contains 5 weights: Light, Regular, Bold, ExtraBold and Black, it fits perfect into any project, from editorial editions to packages, labels, posters. If you're looking for "sharp" version of this family, feel free to check Balcon sans family.

Insigne Display A bold, modern and fun display font that lives up to its name. The way you can uniquely combine the different parts of this font makes it a lot of fun to use! Perfect for all purposes. , Suitable for magazine design, logo design, headlines, posters, packaging, cards etc. Enjoy!

Fox Minutes is a bold and playful slab serif font that adds a captivating and energetic touch to your designs. Its main feature is its vibrant and expressive design, allowing you to create attention-grabbing headlines, t-shirt typography, banners, product labels, and more with its versatility and eye-catching presence.

Developed over several years by the late Otl Aicher and first released in the late 1980s, the Rotis® typeface has become a timeless classic. ROTIS II SANS HISTORY Aicher was a renowned German designer and corporate image consultant. He created the four basic designs of Rotis – sans serif, semi sans, semi seif and serif – within an extended typeface family concept, wherein all designs share a common cap height, lowercase x-height, basic stem weight and general proportions. While each version is part of the large, integrated family, each was also designed to function on its own as a distinctive typestyle. The result is that all members of the Rotis family combine smoothly with each other. Aicher, however, did not design the Rotis family with the weights and proportions normal for more contemporary releases. Rotis Sans Serif, for example, was drawn with just six weights and only two italics. Starting in 2010, Robin Nicholas, senior designer for Monotype Imaging in the UK, and freelance designer Alice Savoie collaborated to bring Rotis Sans Serif up to current standards. The result is Rotis II Sans, a completely new addition to the Rotis family. “We devised our approach together,” recalls Savoie, “deciding which weights to start with, what kind of alterations to make to the original Rotis, etc. I went to work on the typefaces, regularly submitting proofs to Robin. We would then decide in tandem on the next steps to take.” Nicholas elaborates, “We revisited the range of weights and added matching italics so that the new additions to the family offer increased versatility. We optimized the outlines, corrected the weight of several letters and re-examined overall spacing and kerning. In addition to a new set of numerals, with a height similar to the capitals, we also drew case-sensitive punctuation.” ROTIS II SANS USAGE The new Rotis II Sans suite comprises 14 typefaces: seven weights, ranging from extra light to black, each with a companion italic. The designs are available as OpenType® Pro fonts, allowing for automatic insertion of ligatures and fractions. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. Aicher’s original Rotis designs were widely used for branding and advertising. With the addition of Rotis II Sans, the family is again poised to become a powerful communicator.

The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfil the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. Parachute® was set out to fill this gap by introducing the PF DIN series which has become ever since the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The first set of fonts was completed in 2002 as a group of 3 families which included condensed and compressed versions. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has proved itself valuable to numerous design agencies around the world. Ever since its first release, it has been used in diverse editorials, packaging, branding and advertising campaigns as well as a great number of websites. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. The whole PF DIN Text type system (with normal, condensed and compressed styles) includes 45 weights from Hairline to Extra Black including true-italics. Additionally, every font in the Pro series is powered by 270 very useful symbols for packaging, environmental graphics, signage, transportation, computing, fabric care. There are 2 versions to choose from: The PRO version is the most powerful. All weights support Latin, Cyrillic, Greek, Central/Eastern European, Romanian, Baltic and Turkish, with 20 advanced opentype features including small caps. The standard STD version is more economic. All weights support Latin, Central/Eastern European, Romanian, Baltic and Turkish, with 18 advanced opentype features including small caps. In 2010 Parachute® released 4 new families DIN Monospace, DIN Stencil, DIN Text Arabic and DIN Text Universal. All these are complemented by the popular DIN Display version. Altogether the Parachute DIN series is a set of 8 superfamilies with a total of 96 weights.

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Boxer Punch - Soft Bold Font Boxer Punch - Soft Bold Font is a stylish and modern font designed to catch the attention of your audience. The font's unique design combines a soft bold shape with a cute sans serif, making it perfect for creating eye-catching designs. The idea behind creating Boxer Punch was to incorporate the concept of understated realism into the font. This is evident in the font's smooth and elegant lines, which make it perfect for a variety of design projects. The font is ideal for those looking to create a professional touch in their designs, while also maintaining a stylish and modern feel. Boxer Punch is an excellent choice for anyone looking for a font that is versatile and can be used in a variety of different contexts. It is perfect for sports-themed work projects, as well as branding, packaging, logo design, album covers, posters, and social media graphics. One of the standout features of Boxer Punch is its versatile OpenType features, including alternates and ligatures, which allow for even more creative freedom when designing with the font. Additionally, the font comes with uppercase and lowercase characters, as well as support for multilanguage, numbers, punctuation, and symbols. Inside the font package, you'll find three different file formats: Boxer Punch otf, Boxer Punch ttf, and Boxer Punch woff. This means that no matter what platform you are using, Boxer Punch will work seamlessly with your software. Boxer Punch is a font that is sure to make your designs stand out from the crowd. Its unique design and versatile features make it perfect for anyone looking to add a touch of elegance and style to their work. If you're looking for a stylish and modern font that is perfect for sports-themed work projects or a variety of other design projects, then Boxer Punch is the font for you. In summary, Boxer Punch - Soft Bold Font is a versatile and modern font that combines a soft bold shape with a cute sans serif to create a unique and stylish design. With its versatile OpenType features, multilanguage support, and uppercase and lowercase characters, Boxer Punch is perfect for a wide range of design projects.

Wild Flowers is a unique and modern bold serif font that seamlessly blends traditional elements with contemporary style. Its bold and confident lines give it a strong presence, while the decorative serifs add a touch of elegance and sophistication. This font is perfect for a wide range of design projects, including branding, editorial, packaging, and headlines. Its versatility allows it to work well in both print and digital mediums, making it an ideal choice for both body text and larger display uses. One of the key benefits of "Wild Flowers" is its legibility. The clear, well-defined letterforms make it easy to read, even at smaller sizes, while its boldness and character make it ideal for designers looking to make an impact with their typography. In summary, "Wild Flowers" is a modern and unique serif font that will add a touch of sophistication and style to any design. Its blend of traditional and modern styles makes it a versatile font that will work well in a wide range of projects, and its legibility ensures that it will be easy to read no matter the application. What are you getting? - Special Ligatures & Alternates - Numbers & Punctuation - Multilingual Support Works onMac PC & Mobile - Simple Installations

Introducing the Two Sugars Script Font! Two Sugars is a playful yet striking clean monoline script font, available in 2 weights and includes bonus extra stars & underlines. It's chunky, hand-drawn letterforms are guaranteed to stand out whether that be on light hearted merchandise designs or more impactful quote designs. The Two Sugars family consists of; Two Sugars Regular • A clean, connecting script font containing upper & lowercase characters, numerals, and a large range of punctuation. Two Sugars Extras • A set of 26 hand-drawn stars & underlines designed to compliment your Two Sugars script fonts. Simply install this as it's own separate font, and type any A-Z character to generate one of the extras. Two Sugars Bold & Two Sugars Extras Bold • If you're looking for a chunkier version of the Two Sugars & Two Sugars Extras fonts, simply switch to the bold versions! Alternates • Are available for lowercase descenders g, j, z, & y. These have elongated tails to add some extra flair to your text, and are accessible by switching on 'Stylistic Alternates' or via a Glyphs panel. Language Support • Two Sugars supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

London Boutique is a bold and cute script font that combines rustic charm and fine art elegance. Its cursive strokes and handwriting style give it a personalized touch that is perfect for adding a decorative flair to your designs. Designed with a focus on independent shop usage, London Boutique features fine swashes that add a touch of sophistication to any project. Whether you're creating logos, branding, or social media posts, this font is versatile enough to handle it all. London Boutique comes in four styles: Regular, Italic, Bold, and Bold Italic. This range of styles provides flexibility and allows for dynamic and creative designs. Use underscore _ anywhere in a word to make a swash. Example: Luxure_Shops Use multiple underscores to make different swashes. Example: Angel___Stars Use # before or after any letter to make an initial or finishing swash. Example: #loveletter# The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Say hello to new serif font, Retro Monkey! Retro Monkey is a display serif font that delivers a classic retro feel with strength and boldness. Characterized by striking bold letters, Retro Monkey exudes elegance and uniqueness in every detail. Its retro-inspired design evokes nostalgia and conveys a strong and charming style. Retro Monkey's lettering proportions are audacious in their clarity and legibility. With bold lines and strong contours, each letter looks tough while retaining the elegance of a retro aesthetic. Consistent letter thickness provides an appealing visual appeal and is easily recognizable. Retro Monkey is suitable for use in various design projects that want a strong retro classic impression. This font makes a perfect choice for headlines, titles, posters, merchandise designs, and more. In any context, Retro Monkey carries an impressive presence, inviting the audience to feel nostalgia for a different era. Here's what you get: Retro Monkey Regular, Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you!

All handmade – the versatile Sofa Serif Family. Sofa Serif’s handcrafted character is friendly and eye-catching. Stylish features and alternates add personality and let you create unique logos and stunning headlines. The family boasts 5 weights from Monoline to Fat, each containing more than 1000 glyphs, plenty of OpenType features and full ISO latin 1 & 2 language support. In addition, extra shadow-, 3D-, inline- and hatched-styles round out the package. 7 font-styles are especially created to be used as layers/layered styles. Sofa Serif has a sister: view Sofa Sans here. · High contrast is one of Sofa Serif’s key features. To maintain a wide range of use, choose from two optical sizes: Standard and Display with a maximum of contrast especially in the heavier weights. This makes it a flexible solution for any display and editorial need. · Sofa Serif includes a variety of OpenType alternates which add uniqueness to your work. OpenType features include Swashes- and Titling-Alternates, Beginnings and Endings and a number of alternates within various Stylistic-Sets for even more variation. OpenType Swashes- and Titling-Alternates are smart features which automatically adjust all swashy letters to the available white space. Switch one on and let Sofa Serif do the rest. · Please download the Sofa Serif Font Guide for all details. · Sofa Serif is an organic, rough and decorative hand-drawn/handmade all-caps display-family for packaging, posters, book-covers, wedding-, kids-, food- and logo-design and will best stand out in huge grades. Its handmade origin is subtle yet visible. · Have fun! · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Sofa Serif / 203 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Bashkir, Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Ganda, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari, Sami Lule, Sami Nothern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Wolof, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni