Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s. The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text. Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years. Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting. The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants. Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining. For further details, please download the 31-page Textus Receptus User Guide.

Padraig Nua is a font conceptualized and designed by Tony Fahy. It is a European Celtic font, contemporary to many languages, not just of Europe but of the world. It’s origin is influenced by events in Ireland in the 1960s when it was decided that the uncial letterform should not be used further in Irish schools for the Irish language—Gaelic—and that it should be replaced by the Roman letterform—the Cló Romhanach as it was called afterwards. This happened overnight without any apparent discussion. It probably had a lot to do with Ireland joining the EEC, as the EU was called then. It had a massive effect on the Irish language and culture, in that the distinguishing factor that gave the language it’s identity—the half uncial/uncial fonts that were in use in all school, government and society documentation and merchandise—were lost overnight. No one said how or why. It was just done. To this day, all documentation is bi-lingual in government and Gaelic is taught in schools and universities—and decreed so by the European Union—but the presentation for both languages is the Roman letterform. Throughout the world, there are millions of Irish Americans and Irish Canadians, Irish Europeans, Australian Irish, African Irish and many living in the Middle East and Asia—and this new font—Padraig Nua, will appeal to many of them, visually recalling their roots. No one had thought, in those days, of commissioning a design that might update the Gaelic language to a more contemporary appearance that would keep the cultural nature of it intact with a revised and updated font—at one with Europe, the US and the world. Tony Fahy designed Padraig Nua (New Patrick) to address the problem. It keeps an appearance that lends towards the Gaelic language but steers it in the direction of Roman fonts. Some characters reflect letterforms from the Irish/Gaelic manuscripts and uncial fonts.

P22 ST.G Shrift is a font series based on the type designs of Stefan George with an italic version designed by Colin Kahn. Stefan George (1868-1933) was a German poet who led the revolt against realism in German literature. All of his works were privately published and the typefaces that were used reflected his neo-classic and anti-industrial (progessive) aesthetics; oftentimes consisting of his own hand lettering designs. The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante's Divine Comedy. The ST.G Shrift Fonts contained in this set are derived from 3 known variations of the original roman typeface, St.G., found in various books published in Berlin in the early 20th century. ST.G Shrift One contains the most idiosyncratic characters, while ST.G Shrift Two uses more familiar characters as well as a redesign of characters including the t and the k to be more in keeping with modern san-serif designs. The OpenType version of the roman contains both one and two and expands on them by including central European characters, small caps, and small caps titling figures. The Small Caps titling figures are derived from the first version of the typeface. Below is a features list (accessible through the type palette in Adobe programs) and their functions: ST.G Shrift Opentype Features: Small Caps: Changes Lowercase to Small Caps Titling Figures: Changes Uppercase to Titling Caps, and Small Caps to Small Caps Titling Figures Contextual Alternates: Changes Character Set to match ST.G One and changes Small Caps to Titling Small Caps Ornaments: Changes < > and ? (greater, less and bullet) to ornaments ST.G Shrift Italic is an art nouveau version of the roman. The OpenType version includes central European characters, small caps, titling caps, titling small caps and ornaments.

Rahere Esoteric is a gothic-flavoured, quasi-Roman display font with an eccentric persona and more quirks than a Tim Burton film. A member of the extended Rahere typeface family, it’s the enigmatic cousin of Rahere Roman Display & Rahere Sans. This is a niche display font that doesn’t try to please everyone. Rahere Esoteric revels in its mystical aura, using a bewildering array of ligatures to magically transmute itself as characters loop, curl, jerk and strut, randomly connecting and disconnecting into words like a retro-futuristic steam train clattering along a disused railway track, challenging and delighting the reader at the same time. To add more sparkle, there are alternatives, inferior and superior caps plus a [Wicca] basketful of symbols, ornaments, weird faces and even a snake-infused ampersand. Whilst Rahere Esoteric has been designed primarily as an all-caps font, the lowercase slots contain small caps with corresponding numerals. However, because this is an arcane, unpredictable font, order and regularity are frowned upon, which means there are no tabular numerals – so company reports or accounts are a solid no! Unless they’re for the Golden Circle of Alchemists PLC or Gothic Blackstar Corporation. It is ideal for all things pagan, esoteric, alchemy, other-worldly or magic-related projects and particularly useful for music genres across the Gothic / Darkwave / Ethereal spectrum. What about legibility? Hey, look into my eyes: Esoteric is all about the mystique. If a secondary font is needed for the important stuff, I recommend its cousin, Rahere Sans, which pairs beautifully with this display font and is perfect for long passages or small text. The initial idea for Rahere Esoteric came about during a visit to Whitby, a small coastal town in Yorkshire, UK and famous for its inclusion in Bram Stoker’s novel, Dracula. A Steampunk festival was in full swing and the narrow streets of the town centre were teeming with people adorned in a glorious fusion of clothing and accessories influenced by a love of 19th-century life, science fiction, horror, fashion and art. I was fascinated by the juxtapositions of colour, patterns, material and style – archaic mechanical Sci-fi, gothic, the American Wild West and romantic Victorian. But what intrigued me the most, somehow, all the disparate elements worked as a whole. Thus, like Frankenstein, this font jolted into existence. Supported languages include Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.

Glandian is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has casual yet elegant features. It is perfect for wedding invitations, logo designs, social media, wedding greetings, etc. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease.

Internal Display attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels.

Stinkley is a beautiful, romantic handwritten font, perfect for any design project that you wish to create. Stinkley is incredibly versatile, carefully handcrafted to become a true favorite. Use it to lift your projects to the highest level! Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Full Support Dita Type

Morica Script, designed by Mans Greback, is a delicate and romantic handwritten typeface with a fine touch. Its thin lines and whimsical style bring a sense of elegance and charm to your creative projects. Perfect for wedding invitations, heartfelt letters, and intimate stationery, Morica Script embodies the beauty of naive handwritten communication.

Virathes shine font feels equally charming and elegant and romantic script font that features flowing characters. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is encoded which means you can access all and with ease!

Capsa is a typeface designed for use in books. Although inspired by Gros Romain Ordinaire and Saint Augustin Gros Oeil from the Type Specimens of Claude Lamesle, this typeface does not intend to be a revival or an interpretation. The Vignettes and Patterns provide a very classic yet contemporary look to the design.

Rahella is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - PUA Encoded

Story of Christmas is a sweet handwritten font. It will add a unique and romantic touch to your Christmas projects! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Lovan will bring an elegant, romantic and warm feeling of love to your design project. Equipped with a choice of Alternative Characters and Discretionary Ligatures, all of which are PUA Encoded. Lovan will be a versatile font because it can be used as a Display Font and is still good for writing text.

Kathryn attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels.

Quindelia is a beautiful font with lots of love and affection in it, unique ligatures, smooth and elegant strokes, containing six alternatives in it. Quindelia is perfect for weddings, events, invitations, cards, quotes, displays, logos, blog sliders, special addresses, stamps, packaging, greeting cards, romance, etc. ** Thank you for downloading, hopefully it’s useful **

Summer Fling is a breezy brush script lettering font in the style of classic sign painting, complete with custom letter pairs and word ends to create authentic hand-painted feel. Consider this the perfect headline font for the Summer Blockbuster Romance you’re sure to pen in the warm, wine-soaked evenings ahead.

Nafigat Script goes with Romantic and Modern Calligraphy, ready to give your design project with Fresh and Fabulous Style. This font have an 264 Standard Glyph + 408 Glyph Alternate in Open Type Standard Format. Perfect for wedding, branding and romantic invitation and Also Suitable for various purpose such as digital lettering, headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges, branding materials, t-shirt, print, business cards, quotes, logo, poster, and suitable for any graphic design project. Nafigat Script comes as a single font file packed full of great features. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several swashes and stylistic alternates for those who have open type capable software (e.g. Photoshop/Illustrator).

Mellow Sweety Script is a romantic typography. romantic, elegant & fun script font. Can be used for various purposes such as logos, wedding invitations, t-shirts, letterhead, signage, news, posters, branding, badges etc. Files include: Mellow Sweety Script OTT Mellow Sweety Script TTF See all the glyphs here: http://s28.postimg.org/7osts7ezx/All_Glyphs.jpg To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get alternate glyph access from open type fonts: There are additional ways to access alternatives/swashes, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using the Windows Character Map with Photoshop: Thank you!

Introducing Mellony brush script font which has a elegant hand lettering brush style. So it looks naturally handmade, the Mellony family is unique because it has more choice of characters, like a swash, end characters and many more. This font is best used for your design project that has the concept of fun, girly, romantic and elegant. Can also be applied to the design of a logotype, header website, wedding logo, romantic design, make some lettering a quote, t-shirt design etc. Mellony family font has two font styles that are similar but a different character, namely Mellony regular and Mellony dry brush. The Mellony family deserve to be one of your fonts collections, because it is unique, elegant and has many options of alternative glyphs for your fresh designs. Thank you and enjoy :)

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Crossten Soft�s �modern geometric sans� family consists of 20 fonts. All family fonts contain 370 glyphs and are equipped with many typographic features. Crossten Soft is designed for those who prefer to use single-coded fonts not only in coding but also in many different graphic design environments. Idea; It came from creating a font with a single-spaced aesthetic, without breaking the soft, single-spaced fonts. Crossten Soft is a geometric sans single-spaced font with all typographic features except space and character spacing.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.

Roadbrush was inspired by the mid-20th-century hand lettering of Albert Eckhardt, Jr., that I found in a 1950’s sign painting book. Roadbrush is a retro brush-style script that I re-designed and completely re-mastered. Roadbrush is a powerful font that can be used for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadbrush comes with four styles that contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.

Fionas is a condensed serif typeface inspired by retro 80’s-magazines’ typography, mixed with modern appeal to blend with modern needs. Ranging from light to heavy with italics, Fionas offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for headlines, perfectly suitable for display purpose such as book covers, web headlines, branding, editorial, etc. Fionas has extended latin character set that supports 200+ latin-based languages.

Released by Intertype in the 1930’s, Vogue was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks such as its distinctive G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue the versatility to be a true workhorse.

Brighty is a fun and friendly sans serif font with a beautiful alternates. Fall in love with its timeless elegance. it is suitable for heading and outline. you will love it. Support multilingual. it is consist of Basic Multilingual Plane, Basic Latin, Latin-1 Supplement, Latin Extended-A & B, general punctuation, super and subscripts, currency symbols, letterlike symbols and Alternate characters on PUA. The file includes OTF, plus bonus editable SVG Papercut and template can be downloaded here: https://www.dropbox.com/s/xen5i6h2o3f6oz6/Brighty%20MF.zip?dl=0

Amberlion is a bold 70's script font, with a curvy bold stroke, uprights and fun character. It has Opentype features ligatures of character and alternate lowercase swashes, To give you an extra creative work. Amberlion script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Amberlion font. Cheers, MaulanaCreative

Released by Intertype in the 1930’s, Vogue, was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks like its distinct G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue Soft brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue Soft the versatility to be a true workhorse.

"Drive Hearts" is an 90's vibes expressive signature script font. With mono-line stroke, slanted, fun character with a bit of expressive natural ligatures and lowercase alternates. To give you an extra creative work. "Drive Hearts" font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with "Drive Hearts" font. Cheers, MaulanaCreative

Cowboy Western is based on an old woodtype font from the late 1800’s Saddle up boys and girls the new Cowboy Western is here, the perfect font for when you need to put a little giddy up in your chickabiddy. This 2013 updated version adds alternate letters, additional language support for eastern, central and western European countries. The glyph set includes Latin extended A, B and Latin extended additional for Vietnamese plus Pinyin support for Chinese transliteration, finally we've finished the set with some discretionary ligatures.

Klartext [plain talking, clear words] A modern monospaced type family of 10 weights. Klartext Mono combines a classical monospaced font and modern monolined sans-serif with a humanistic touch. It is characterized by a large x-height, slightly condensed glyphs with well shaped curves and soft strokes. As a special feature, Klartext contains a bunch of uncommon glyphs like the German capital sharp S, a nice arrowset and a basic phonetic alphabet (20 letters in IPA Extensions, some more in Latin Basic thru Extended B).

Clover is a modern retro font with a light, bubbly feel! This font is perfect if you are after a fun script font that has a lot of edge! The versatility of this font reaches wide. Use this one for branding, logos, advertisements, shirts, stickers, social media, invitations and more! The complete package includes a complimentary shadow version for easy and perfect layering every time! Clover will take you right back to the 70's but still provide a fresh look to your designs!

Zona Black Slab is a geometric slab–serif display black typeface. It is the brother font of Zona Black which was inspired by posters from the late 1920’s. Despite being black it has a tall x–height, making it quite legible even at smaller sizes. Its strong features are clean lines, neat square slabs and distinctive glyphs which tend to look even more beautiful at large sizes. Zona Black Slab supports Latin and Greek characters, ligatures and special characters. The Zona Black Slab awaits you!

The inspiration for SJURecord was calligraphic lettering used for the title of a student newspaper, St. John’s Record, during the late 1920s and early 1930s. The three upper-case and nine lower-case letters were considerably different from any calligraphic lettering I had developed, so I thought creating a complete typeface around these twelve letters would be an interesting challenge. The SJCRecord family has four members: regular, oblique, shadowed, and oblique shadowed. There are alternate letters for A, J, L, S, V, W, and X.

Hello! We want to introduce you Hollie Script, Estudio Calderón`s new font. A typeface that pays tribute to all letterers that created amazing signs in magazines, walls and windows through the brush lettering during many years, especially in the 50s and 60s. This font is 100% based on the brush traces, it has 2100 glyphs, contextual ligatures from two to four characters and alternates for each ligature. Type Trailer https://vimeo.com/117619553 Check out some uses of this font here https://fontsinuse.com/typefaces/38268/hollie-script

Impetus is a powerful capitals-only geometric sans in a solid and inline variant. Built around a framework of a circle and square, it echoes angular Deco or Italian Futurist "moderne” forms, and is about as heavy as it is possible for a font to be. Alternate forms are provided in the lower-case keystrokes for the S, G, J and W, and there is also an alternate 1. The two styles can be combined in one setting for effect. Use Impetus where maximum impact is required.

The Delivery Matrix typestyle is inspired by the high bleed stamp printing on some shipped packages I've received over the years. An extended techno dot matrix style, good for so many uses at a wide variety of sizes, even with the tight "e" and "s" characters. Do you send out packages to friends...? Do you make techno style art/flyers...? Here is a typestyle for you. Put the power of the Digital and Postal systems in your computer and at your fingertips, get Delivery Matrix today!

Siren Song is a textured marker font with rough edges and dozens of ligatures that give it a true handwritten feel. It includes both regular and slanted versions of the font, with bonus swashes that complement it nicely to achieve eye-catching designs. This handwritten font includes: A-Z, a-z, 0-9, accents, punctuation and symbols Tons of ligatures, for a more natural handwritten feel Contextual Alternates (for b, f, k and s) An extra set of 26 swashes (a-z) and 10 symbols (0-9)

Introduce you perfect font duo to give you many typographic variations for your project. It does not really matter, what the project is — t-shirts for sale or logo for your friends cafe, music poster or candy's package. These two lovely fonts would be perfect to combine in your design. Inspired by Travel Posters from Early 20th Century. A little bit art-deco massive sans with some playful characters like A, C, G, M, R, S, V, W and Handwritten retro style brush script.